Ambrosía

The all-day bar, on the ground floor and basement of a building on a busy street, bordering between the Realejo neighborhood and the center of the city of Granada presents volume and size restrictions: a narrow bay, deep section and only one possible access.

Considering the context, in an age dominated by social networks and individuality, to provide the place with a contemporary social character, it was decided to investigate one of the most popular types of vernacular architecture in the south of the Iberian Peninsula: the cave. This type of habitat was used as a natural refuge or as a home throughout history, in different cultures. Locally, it was the result of self-construction processes and topographic forms that, since the last century, have been linked to art and flamenco. This historical baggage makes the cave a contemporary cultural catalyst and a territorial symbol.

Social networks have given a new meaning to the experience of leisure, both in the user’s relationship with space and in the image that is transmitted. Leisure is no longer reduced to a shared moment but acquires the character of an event where the user is the protagonist. Ambrosía, in this case, is the scenographic staging that seeks to generate identity in the collective imagination of the city. It is through the changing lighting, the adaptable furniture, and the rough texture of the premises that the experience of freedom is achieved, in a space conceived to function at times as a bar, as a stage for concerts or a venue for screenings.

Xenia
ΘΕΡΜΟΜΟΝΩΣΗ

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