Consolidating functions

The Exeter Road Pavilion is an adaptive reuse of a modest Victorian garden outbuilding in northwest London, reimagined as a hybrid domestic and social space for an art collector and amateur DJ. Conceived as both a storage environment and a setting for leisure, the project consolidates diverse functions – archiving, display, gathering, and recreation – within a unified architectural gesture that extends from interior to landscape.

 

Design Philosophy

At the core of the proposal lies a continuous cabinet, operating as a contemporary cabinet of curiosities. Beginning within the refurbished structure and extending outward into the garden, this linear element accommodates an array of uses: art storage and display, shelving for books and vinyl records, a DJ station, a television, and personal artifacts. As it moves outdoors, it integrates recreational functions, including a ping-pong table, weights, and garden games, maintaining spatial continuity across interior and exterior domains.

Encased in a perforated stainless-steel screen, the cabinet oscillates between transparency and opacity. Its surface reflects and filters light, producing shifting visual conditions throughout the day. This duality allows the cabinet to simultaneously reveal and conceal its contents, reinforcing its role as both container and spatial mediator.

 

 

Structural Logic

The cabinet operates not only as storage but also as a structural system, supporting the canopy that extends over the outdoor space. The relationship between these elements introduces a deliberate tension, inspired by the precarious compositions of Fischli & Weiss. Rather than adhering to conventional structural logic, the design removes an expected column, redistributing forces through a counterbalancing system.

This equilibrium is achieved through a precisely milled marble mass embedded within a galvanized steel I-beam, paired with a tension rod anchored to a concealed concrete block below ground. The resulting configuration establishes a legible yet unconventional structural narrative, where balance is perceived as dynamic and contingent rather than fixed.

 

 

Materials & Sustainability

The canopy itself is composed of layered materials – marble, steel, and polycarbonate – articulated in a clear tectonic hierarchy. Stainless steel cladding on the cabinet mirrors the surrounding vegetation, while translucent roofing elements diffuse light into the space below. This material palette oscillates between raw and refined, grounding the project in both industrial precision and environmental responsiveness.

Through reflection, translucency, and spatial extension, the pavilion dissolves the boundary between interior and exterior. It becomes an instrument for observing seasonal and daily changes, where light, vegetation, and built form interact continuously. The project ultimately establishes a condition in which structure, storage, and landscape remain in constant and perceptible dialogue.

 

Pocket Nursery

Set within a garden in the Belgian countryside stands the newly constructed wooden volume of Pocket Nursery, a 120m² “pocket” kindergarten whose architecture seeks to support learning through action and physical engagement.

 

Design Philosophy

In response to the programmatic requirements and the specific pedagogical approach, the creation of a space capable of cultivating design sensitivity in children was not simply desirable, but fundamental. The scope of spatial experimentation was largely determined by the thickness of the walls: their lower sections incorporate small steps for toddlers learning to stand, while their inclined surfaces double as drawing boards. Openings are positioned at the children’s eye level, establishing a direct visual connection with the garden, which functions as both a spatial extension and an integral component of the educational experience. An inclined table is also embedded within the walls, serving alternately as a pottery workstation or as a communal surface for shared meals.

 

 

Custom Construction

The ceiling – so often an overlooked architectural element, typically relegated to housing smoke detectors and mechanical devices – assumes a central role in this project. Considering that infants spend the first nine months of their lives lying on their backs or crawling, the ceiling design integrates not only structural logic but also acoustic performance and lighting strategy. Necessary equipment is discreetly concealed between layers of wooden panels, which articulate circulation toward the garden and the dormitories.

 

 

Material Palette

Construction time efficiency played a decisive role in shaping the project’s design strategy. Avoiding prefabricated wall systems and costly psychomotor furniture, the spatial framework was conceived to integrate both structure and furnishing into a continuous series of timber frames. Executed in laminated plywood sheets, the turned wooden frames were preassembled into units of three to four segments within just a few days, then transported to the site where they were joined together. The result is a cohesive environment that bridges interactive design and pedagogy through construction itself.

 

Daily living

The overall approach conveys a contemporary residence of high aesthetic quality, where comfort, functionality, and materiality coexist in harmony, offering a living environment characterized by identity, calmness, and timeless value.

 

Design Philosophy

The apartment is located in the heart of Thessaloniki, on Palaion Patron Germanou Street. The new floor plan has been organized into distinct zones, responding to the everyday life of the family. A spacious common area, with direct access to the two openings on the main façade, accommodates a large kitchen with an island and dining area, along with a comfortable living room. A concealed bar and a small home office, flanked symmetrically by storage units for daily use, stand out for the character they add to the space.

Particular emphasis was placed on storage solutions, which were carefully designed both in terms of their external appearance and internal configuration, ensuring maximum spatial efficiency. The master bedroom includes a walk-in wardrobe, an additional workspace, and a private en-suite bathroom. Two children’s bedrooms and a larger shared bathroom complete the layout of the residence.

 

 

Custom Elements

Starting from the apartment’s existing morphology, a series of custom-built elements were designed to “dress” and resolve areas that required intervention. A characteristic example is the large structural beam that interrupted the open-plan space, which was reinterpreted as a coffered slab and seamlessly integrated into the overall composition. The decision to rely exclusively on custom-made furniture allowed for complete design freedom, without constraints in materials, dimensions, or standardized solutions, ensuring spatial coherence, functionality, and a unified aesthetic identity.

 

 

Materiality and Lighting

The combination of distinctive and diverse materials formed the core of the design concept, adding character and visual interest throughout the apartment while maintaining a balanced and harmonious result. Material transitions were used as a narrative tool, marking the passage from one space to another – such as the patterned tile in the entrance and hallway, which acts both as a clear threshold and as an introductory element to the living areas. Natural and artificial lighting were carefully studied to enhance textures and materials, while also shaping the appropriate atmosphere for everyday living.

 

 

Stone-built form

The project is a 120 m² private residence located in Xiro Chorio, a rural settlement on the outskirts of Rethymno, Crete. Set within an olive grove, the house is conceived as a contemporary stone-built structure that draws directly from the principles of traditional Cretan architecture, both in terms of form and materiality.

 

Design Philosophy

The building is shaped as a compact, solid volume defined by load-bearing stone masonry. The use of locally referenced stone lends a strong tectonic presence and anchors the residence to its natural and cultural context. Thick stone walls, deep-set openings, and strategically placed apertures evoke traditional construction techniques, while precise detailing and clean lines introduce a contemporary architectural clarity. The roof geometry follows a simple gabled form clad with traditional ceramic tiles, reinforcing the archetypal silhouette of rural Cretan dwellings.

 

 

Spatial Organization

Subtle variations in height and volume reflect the internal spatial arrangement, particularly through the incorporation of mezzanines in two of the bedrooms. These mezzanines exploit the building’s section, allowing interior spaces to develop vertically while preserving the compact external form. The residence is organized to accommodate three bedrooms, with a clear hierarchy between private and shared areas.

 

 

Materials & Custom Elements

Openings are carefully positioned and dimensioned, establishing a controlled dialogue between interior and exterior. Narrow vertical and horizontal slits frame views of the landscape, regulate natural light, and reinforce the sense of enclosure characteristic of stone architecture. Deeply recessed window frames further emphasize the thickness of the walls and the sculptural quality of the material.

The interiors are designed as calm, tactile environments where natural light interacts with stone surfaces, enhancing the authenticity of the materials. Overall, the project represents a contemporary reinterpretation of Cretan rural architecture – a restrained stone-built dwelling that respects traditional typologies while responding to the needs of modern living. The result is a timeless, grounded home, inseparably connected to its context.

 

Spatial transparency

The calmness, transparency, and clarity of this project create an atmosphere of repose within the heterogeneous and burdened environment of the city and the apartment building.

 

Existing Layout

The apartment is located in an apartment building dating back to 1967, in Kolonaki. The typical floor plan of the period defined five distinct spaces: bedroom, living room, kitchen, bathroom, and entrance hall. A double-leaf sliding door between the bedroom and the living room unified, to a certain extent, the two main spaces, while all areas were connected through the hall. Under these conditions, the service zone of the entrance and wet areas was cut off from natural light and from views toward the exterior environment. The equal distribution of surface area between the two main spaces, along with their rigid boundaries, limited habitation to small rooms with restricted visual connections and natural light.

 

 

Spatial Organization

The new layout unifies all individual spaces of the apartment, retaining only the bathroom as a separate room. From the entrance, the city becomes visible through the balcony door and window, which are now aligned consecutively along the interior façade facing the street. Solid partition walls are replaced by perforated metal elements of slender sections, such as the bookcase that occupies the center of the plan, as well as by movable elements, including sliding and concealed doors, allowing natural light to diffuse throughout the space and visual connections to multiply. All new vertical surfaces -sliding partitions, metal bookcase, wardrobes, cabinets, and curtains- extend from floor to ceiling, unifying the space in section as well and creating hidden niches and storage areas.

 

 

Materials & Custom Structures

Each individual point of this small dwelling accommodates more than one activity. The kitchen worktop also functions as a dining table, while the desk doubles as a seat for gazing out of the window. During the day, the bed becomes part of the living area, while at night it is isolated within a quiet white sleeping box. The central metal structure has two faces, and the television, as part of it, rotates 180 degrees around a vertical pole.

The walls, ceiling, structures, movable partitions, and fittings are all white, aiming for homogeneity and clarity within a small space composed of multiple elements. A mirror surface, placed perpendicular to the exterior façade, expands the space, multiplies the opening of the balcony door, and reflects the city’s exterior into the interior.

 

 

The shelter of an imprisoned spirit

The project is a photography studio that goes beyond being a purely functional space, unfolding instead as a deeply introspective environment inspired by the concept of intrauterine habitation and prenatal comfort.

 

Design Philosophy

The design employs symbolic elements that convey warmth, protection, and a cocoon-like sense of enclosure, aiming to foster creativity within a calm and intimate atmosphere. Central to the concept is the interplay of light and shadow, a deliberate choice that reflects the photographer’s expertise and creative journey. The space becomes a sanctuary: a place where creativity can be nurtured and where personal and artistic paths intersect within a meaningful, womb-like environment.

 

 

Custom Structures

Specifically designed custom metal structures were developed for the studio, serving the organization and storage of equipment while playing a decisive role in enhancing the visual dynamics of the space. These restrained, reflective surfaces capture and modulate light, producing striking reflections that shift according to the time of day and the position of light sources. The use of metal fulfills both functional and aesthetic objectives, offering durable and practical solutions for everyday needs while contributing to the overall artistic atmosphere. As light interacts with these structures, it rebounds in unexpected ways, casting delicate patterns onto the surrounding walls and further emphasizing the play of light and shadow that lies at the core of the architectural composition.

 

 

Materials & Lighting

The selected materials achieve a subtle balance between opacity and translucency, reinforcing the relationship between light and darkness. This design approach not only enhances the spatial aesthetics but also alludes to an inner tension experienced by the photographer – described as a “prisoner of spirit,” engaged in an ongoing dialogue between light and shadow. This poetic tension is visually articulated through the thoughtful placement of windows, skylights, and lighting elements, creating layers of illumination that shift and transform throughout the day.

Both natural and artificial light play a crucial role in the studio, not merely as functional components but as expressive tools in their own right. The way light filters through the materials generates a meditative atmosphere that encourages reflection and the exploration of creative depth. Extending beyond pure utility, the design transforms the studio into a symbolic space that promotes deep, inward-looking creativity.

 

Dynamic facade

The project concerns the transformation of an existing shopping center on Pireos Street into a sustainable and pioneering office complex, complemented by the addition of a new, independent five-storey building. This new structure functions both as a landmark and as a catalyst for the revitalization and development of the wider area.

 

Renovation Strategy

The design is based on managing and upgrading the existing building stock, converting it into an energy-efficient structure with contemporary uses. The approach follows the principles of sustainability and the circular economy, incorporating the reuse of materials.

The existing building is characterized by pronounced contrasts -most notably the introverted external facades versus the extroverted interior. The redesign utilizes these contrasts as compositional elements, redefining the façade and generating a new architectural envelope. Through a process of subtraction and addition -two opposing yet complementary actions- the façade is reshaped, adopting the logic of the (bar)code as the central design reference. The final result resembles a linear code: a dynamic composition of voids and solids with varying dimensions.

 

New Construction Systems

This composition is formed by metal cylinders which, after a special color treatment, are repositioned in new configurations, enhancing the façade’s interaction with its environment. The system allows future adjustments to the façade based on evolving needs, making it adaptable and flexible. The arrangement of the cylindrical columns supporting the energy canopy defines the first layer of the new façade, following the rhythm and dynamism of the existing shell.

On a second level, a three-dimensional envelope made of fiber-reinforced cement board incorporates glazed surfaces within recesses, maintaining the autonomy of materials while contributing to the cohesion of the composition. The new building, located southwest of the existing one, is developed across a ground floor, four upper floors, and a green roof.

 

 

Vegetation & Sustainability

The surrounding landscape acts as a connective tissue between the two structures, while the energy canopy and supporting columns reinforce the overall unity of the complex. The intermediate outdoor space creates a transitional landscape that encourages user interaction and relaxation. Planting and carefully selected surface materials complete the architectural composition.

The green roof offers significant environmental and functional benefits: it contributes to air purification, stormwater management, reduction of ambient temperatures, and improved sound insulation. Additionally, it enhances biodiversity, boosts the efficiency of solar systems, protects surfaces from erosion, and promotes social interaction.

The project has achieved LEED Gold certification for both the existing and the new building -a distinction of particular importance in today’s context, where climate change underscores the need for sustainable, resilient, and healthy work environments.

 

Two eras, one dialogue

The iconic Grace La Margna hotel, located on the main street of St. Moritz, has reopened its doors following an extensive renovation and expansion. The project breathes new life into a landmark dating back to 1906, originally designed by Swiss architect Nicolaus Hartmann, and elegantly bridges its historic legacy with a contemporary aesthetic. Hartmann’s original design balanced Art Nouveau influences with the traditional Heimastil style, highlighting authenticity and local craftsmanship at a time when St. Moritz’s architectural scene was marked by eclecticism.

 

Design Philosophy

Perched on the slopes of the Engadin valley, the hotel enjoys a strategic location next to the town’s historic railway station, a UNESCO World Heritage Site, and offers panoramic views of the surrounding glaciers and alpine landscape. The architectural approach honors and enhances the building’s historic character while introducing a distinctly renewed identity. The composition consists of two wings: the meticulously restored original structure and a newly built extension, connected at their base by a generous terrace. The coexistence of old and new establishes a dynamic dialogue, with the extension, clad in beige Moleanos limestone, echoing the rhythm and proportions of the original façade.

 

 

Spatial Organization

The shared spaces, situated on the terrace level, serve as a seamless link between the hotel’s two entrances, ensuring a smooth transition from the historical to the modern setting. At the entrance of the original building, guests are welcomed by a sculptural granite and bronze reception desk, set against a backdrop of carefully restored wooden detailing. The main lounge retains numerous authentic elements, lake-view windows, marble fireplaces, Art Nouveau-inspired rugs, and crystal chandeliers, evoking the charm of early-20th-century hospitality. At the heart of the hotel’s social life lies Bar No. 5, defined by its striking Carrara marble counter and bespoke velvet seating, creating an atmosphere of understated luxury.

 

Custom Structures & Materials

Attention to detail and artisanal excellence define every aspect of the project. Custom furniture and handcrafted finishes, such as the traditional local sgraffito wall technique, reinforce the connection between place and craftsmanship. The dining venues draw inspiration from the region’s landscape. The View restaurant, a circular space with floor-to-ceiling panoramic windows, symbolizes the St. Moritz sun through a sculpted wooden ceiling radiating outward like beams of light. On the lower level, The Stack combines a bright seafood brasserie with a darker, moodier steakhouse, creating two distinct atmospheres unified by a focus on material richness and vintage accents.

The wellness area draws from the geological character of the Engadin valley, featuring a sculptural ceiling that mirrors the surrounding mountain ridges. Finally, the hotel’s 74 rooms, distributed across both wings, maintain a continuous dialogue with the alpine setting. In the historic wing, traditional materials and subtle Art Nouveau detailing coexist harmoniously with the refined modernity of the new extension, offering guests spaces that are both elegant and deeply connected to the natural beauty of St. Moritz.

 

Flowing Movement

The renovation of the Voula apartment involved the complete redesign and reconstruction of a two-bedroom residence within a 1988 apartment complex, aiming to accommodate the evolving needs of a growing family.

 

Design Philosophy

Both the spatial layout and the material expression of the apartment were reinterpreted to create a new environment tailored to the family’s daily rhythms and lifestyle. The boundary between the private areas and the open-plan living–dining–kitchen zone is defined by an elongated, curved walnut surface that introduces a sense of continuous, fluid movement throughout the interior. This sculptural element integrates the kitchen and wardrobe cabinetry, as well as the apartment’s main entrance door. A similar curved structure was designed in the master bedroom, seamlessly incorporating the wardrobe, a bookshelf, and a small work desk.

Material Palette

The bathrooms combine white and black marble, terrazzo, and resin, creating a refined yet tactile contrast. Oak flooring extends across all spaces, complementing the vertical walnut surfaces. In the living room, exposed concrete on the ceiling and central column adds a raw, architectural texture that balances the warmth of the wood.

 

 

Custom Structures

The fireplace was reimagined as a composition of a cast concrete bench supporting a metal box that forms the hearth. This central feature extends vertically into high shelving on both sides, emphasizing the interplay between solidity, precision, and material contrast.

 

 

Natural textures

The project introduces a new architectural paradigm within the realm of luxury retail. The space functions not merely as a point of sale but – through meticulously detailed design – as a complete spatial experience that celebrates minimalism through the refined elegance of natural materials.

 

Material & Color Palette

At the core of the store’s identity lies the use of natural materials, with luxurious onyx stone in green and blue tones as the dominant element. Wall claddings, countertops, and display plinths form a framework of understated luxury with an earthy character, while light reflections on the surfaces reveal their natural depth and texture.

The warm color palette serves as a calm backdrop, allowing the garments to take center stage. The restrained aesthetic is enhanced by clean lines and geometric clarity, enabling effortless movement and a sense of freedom. Floating shelves and stainless-steel structures emphasize lightness, while mirrors with golden frames introduce a subtle radiance and expand the spatial perception.

 

 

Lighting Design

Lighting design, with warm 3000 Kelvin tones, creates an atmosphere of intimacy, highlighting the fabrics’ textures with precision. Through carefully defined zones, light directs the visitors’ flow, accentuating both products and architectural features. High-CRI fixtures ensure accurate color and material rendering, reinforcing the sense of quality throughout the space.

 

 

Custom Elements

As an unexpected touch, the fitting rooms deviate from the dominant palette, adopting a soft green hue that evokes warmth and privacy while maintaining harmony with the store’s natural character. This contrast adds visual interest and functions as a spatial threshold that enriches the visitor’s experience. The design demonstrates that minimalism – when paired with natural materials and refined detailing – can become synonymous with luxury. A space that transcends the act of consumption and transforms into a complete design experience, where fashion and architecture coexist in perfect balance.

 

Floating box

The project was designed as a floating residence for clients who desired a compact, functional, and contemporary living environment on Lake Union in Seattle. The proposal draws from Seattle’s tradition of floating homes, reimagined through a modern lens that emphasizes efficiency, light, and a strong connection to the water.

 

Design Philosophy

The design is firmly rooted in the cultural and physical context of Seattle’s floating communities. It balances innovation with tradition, embodying the adaptability required for life on the water. The project celebrates the city’s history of alternative housing while embracing modern design principles.

 

 

Spatial Organization

The boat is organized over two primary decks, with open-plan living spaces oriented toward large, glazed openings. The relationship between interior and exterior spaces was a guiding principle, ensuring constant connection to the water and views beyond.

The lower deck accommodates bedrooms and private areas, while the upper deck features a light-filled living room, kitchen, and dining space. An exterior stair leads to a rooftop deck, maximizing outdoor living and providing panoramic views across Lake Union. The layout balances compactness with openness, using efficient planning strategies to ensure comfort within a small footprint.

 

 

Material Palette

The material strategy combines marine-grade steel, durable cladding, and warm timber finishes. Steel construction ensures longevity in the marine environment, while wood elements provide domestic warmth. Large windows and skylights maximize natural light, emphasizing transparency and reflection.

 

Framing the City

The space is comprised of continuous visual transitions, standing at the threshold between nature and culture.

 

Design Philosophy

“In the beginning, there was… the view,” echoing the words of Hesiod. A singular, breathtaking panorama unfolds -the urban tapestry of Thessaloniki merging with the Thermaic Gulf. In contrast, a landscape of dwarf conifers, blooming native shrubs, and natural stones composes a vivid, crafted natural scene. In medias res -in between- emerges a residence of simplicity, designed to frame the visual experience of these two (non)limits.

 

 

Spatial Organization

A central box-shaped piece of furniture defines the residence (entrance, living room, kitchen, utility room) without strict limits, guiding circulation and creating targeted ‘windows’ to view the (non)limits. In parallel, an interplay of absence and solid material, combined with a ‘non finito’ metal grid, forms a ‘memory wall’ in the living room. Here, travel memories are displayed, creating a sensory connection with the past. Finally, a desk with dual use -as workspace and seat- offers views of sunsets over Mount Olympus, enhancing the experience.

 

 

Material Palette

Contrasts of absence and materiality, along with the metal grid, create atmosphere. Mirror surfaces add shifting perspectives, making reflections vanish as users leave, returning the view as the final image. The design frames the duality of natural and urban landscapes, embedding the panoramic view as the essence of inhabitation.

 

Reference point

The project’s design considers both the current state of the area and its future development. A distinctive, contemporary architectural language is created with the aim of establishing a point of reference in Voula.

 

Design Philosophy

The main idea is to create a double shell that envelops the building, providing the necessary privacy for users. The irregular shape of the plot and the narrow frontage on the adjacent streets, with large sides located at the plot boundaries, determine a need for private spaces while preserving a sense of continuity with the uncovered neighboring areas. The shell is traversed by a sparse perforation, contributing to the natural lighting of the interior of the building while ensuring the necessary privacy where needed. The perforations are clad with robust semi-transparent glass elements that create interesting reflections inside. The curved slabs, with their slight rotation, give the impression of a not-so-compact volume, offering intriguing shadows and different visual perspectives from the balconies.

 

Context Integration

In pursuit of sustainable development, local climate features were incorporated into the design. Water surfaces and green areas play a central role in creating a microclimate for residents and the neighborhood. On the ground floor, the designed shallow pond, with irregular islands and a swimming tank, is part of the approach. This composition, combined with the planting of gardens with interesting varieties of tall trees, creates a harmonized natural climate of coolness and tranquility at the entrance level, which extends to the surrounding neighborhood.

 

 

Custom Structures

On the balconies, green spaces are created, adding to the aesthetic quality of the exterior arrangement, and contributing to bioclimatic design. The perforated pergola on the roof level, acting as a filter, serves as an additional architectural element that creates ideal conditions for shading and ventilation, enhancing the aesthetic and functional character of the space.

 

 

Athenian Patchwork

This duality -restrained elegance meeting bursts of energy- makes the home both timeless and full of personality, seamlessly woven into the fabric of Athens while remaining a deeply personal retreat.

 

Design Philosophy

SItuated in the dynamic neighborhood of Pagkrati, this renovation is an exercise in balance -between refinement and vibrancy, subtlety and expression, quiet backdrops and bold statements. Designed for a young family of three, the home adapts to its inhabitants, allowing them to shape their space while embracing moments of architectural playfulness.

 

 

Spatial Organization

The main living spaces are kept deliberately understated, their muted material palette and clean lines forming a canvas for personal expression. Signature furniture pieces find their place alongside a growing collection of paintings and sculptures. These spaces are meant to be lived in, evolving over time as layers of objects and memories accumulate.

 

 

Custom Structures & Materials

In contrast, the terraces, kitchen, and bathrooms take a bolder stance. The terraces, in particular, embody the extroverted character of Athens, where life spills effortlessly between indoors and out. A perforated yellow staircase zigzags upward, a ciel blue BBQ anchors gatherings, red-tiled benches invite conversation, and colorful outdoor furniture completes the collage -an architectural nod to the city’s patchwork of balconies and rooftop additions. The same spirit infuses the kitchen and bathrooms, where vibrant colors and patterns break the neutrality of the home, creating playful, unexpected moments.

The material palette contrasts muted tones in the main living areas with bold colors and textures in the terraces, kitchen, and bathrooms, balancing calm neutrality with moments of intensity.

 

Secret sanctuaries

Situated beside the historic Mon Repos Palace in Corfu, within a secluded garden, two 19th-century storage buildings have been thoughtfully transformed into tranquil guesthouses. Preserving their minimal character, the structures were redesigned with deep respect for the site’s history and the surrounding Mediterranean landscape.

 

Spatial Organization

The larger of the two spaces has been conceived as an open-plan room, with the sleeping area subtly separated from the rest of the interior by sliding partitions made of fluted glass, framed in solid iroko wood. The design is defined by crisp white surfaces, complemented by natural textures and warm wooden tones. The floor is paved with black stone tiles, while three types of wood -iroko, American oak, and lacquered plywood- are used to add richness and contrast.

The smaller guesthouse features a single, integrated structure crafted from dark green lacquered plywood, serving as the central architectural element. This multifunctional unit discreetly incorporates storage, mechanical systems, a wood stove, and the air conditioning unit. Its clean lines maintain a sense of openness and order throughout the space.

 

 

Custom Design & Materials

In the first guesthouse, all furniture was custom-designed by the architects and handcrafted from solid American oak, 5 cm thick. Built-in cabinetry blends seamlessly with the architectural language of the space, combining white lacquered plywood with accents of American oak. Interiors are lined with oak veneer, further enhancing the tactile quality of the space.

In the second guesthouse, the choice of a deep green hue for the central built-in element evokes the lush vegetation of the garden, reinforcing the connection between inside and out. The ochre-toned stone flooring continues the visual narrative of the exterior, drawing the natural palette indoors.

 

 

Philosophy of Craftsmanship

At the core of both spaces is a reverence for craftsmanship. The precise joinery and refined construction details are not merely stylistic choices but expressions of care and intention. Every junction, surface, and bespoke element was designed at a 1:1 scale and realized by skilled local carpenters and glass artisans. Through the use of natural materials and an unwavering attention to detail, the guesthouses exude a sense of calm and timelessness -offering not just accommodation, but a place of retreat.

 

Vertical assembly

Throughout the apartment, a thoughtfully curated palette of materials and colors seamlessly bridges form, function, and aesthetics. The result is an interior that feels both contemporary and timeless.

 

Functional Layout

The apartment is the product of uniting two previously separate flats into a vertically connected, cohesive home. The new spatial composition unfolds across two levels—both functionally and aesthetically distinct. The lower level houses the private zones: the master suite (including the bedroom, walk-in closet, and bathroom), a wellness area, and an auxiliary bathroom. The upper level is dedicated to communal living, featuring an open-plan living-dining-kitchen area, a guest WC, and a library. A sculptural internal staircase serves as the architectural centerpiece of the apartment. It facilitates the transition from the more public upper level -where the main entrance is located- to the more private lower level. All spaces are arranged around this staircase, which anchors circulation and creates a sense of spatial continuity.

The layout also responds thoughtfully to the apartment’s enviable location near the beach and sea. Main areas such as the living spaces and wellness zone are positioned along the southeast façade to maximize exposure to natural light, sea views, and ventilation. Conversely, auxiliary areas are placed along the northwest side, facing neighboring buildings. A large opening in the staircase core frames the transition between levels while filtering light from the rear façade.

 

 

Material Palette & Lighting

The design embraces a unified aesthetic that unfolds both horizontally and vertically. Natural materials like marble and wood are combined with refined industrial elements such as ceramic slabs, HPL panels, metal structures, and glass. This interplay creates an elegant, enduring atmosphere. The carefully chosen materials, textures, and tones -along with custom geometric surfaces- form a unique architectural language. This language draws from both the eclectic character of 1960s urban apartments (e.g., marble flooring, intricate woodwork, staircases) and the natural qualities of the Freatida setting (sand, sea, and sunlight).

Sinai marble flooring, in earthy tones and a semi-rough finish, serves as the base upon which all interior elements are composed. Its soft hue visually echoes the sandy tones visible through the large façade windows, reinforcing a seamless connection between interior and exterior. A generous 35cm high marble skirting further defines the perimeter of the interior spaces.

Walls are painted in a warm off-white tone, complementing the flooring and setting a calm backdrop for green marble accents, custom American walnut joinery, delicate metal-framed partitions with fluted glass, and upholstery in natural fabrics. The overall muted palette is boldly contrasted by the kitchen’s striking black volume, conceived as a sculptural centerpiece. This dark backdrop enhances the adjacent custom marble kitchen island, allowing it to stand out.

 

 

Custom Structures

The staircase not only connects the two levels but also embodies the apartment’s design identity, adding elegance and artisanal refinement. Clad entirely in Sinai marble, it features a solid wood handrail, carved on-site by skilled craftsmen to follow its curved form with precision and grace. The library continues the visual language of the kitchen, adopting the same dramatic dark tonality. Throughout the apartment, lighting fixtures are chosen for their minimal forms, fine craftsmanship, and warm glow -subtly enhancing the textures and materials they illuminate.

 

Industrial memory

In a quiet neighborhood of Pagrati, a 100m² ground-floor space is reimagined through thoughtful architectural intervention. With a rich history and diverse uses dating back to the 1970s -from a handmade fabric flower workshop, car repair garage, and photography studio to its current life as a boutique for clothing and jewelry- the space now embraces a new identity: contemporary, warm, and approachable.

 

Design Philosophy

The design bridges past and present by preserving and celebrating the materiality and layered history of the space. Rather than mimicking its former functions, it pays tribute to them. A two-tone treatment on the walls -beige at the base and a deep, warm burgundy above- softens the shell’s verticality and introduces a more human scale. This color palette also highlights the original mosaic flooring, which remains intact as a living memory within the space.

 

 

Materials & Custom Elements

Natural wood brings warmth and tactile richness, reinforcing a sense of friendliness and simplicity. Cement blocks, echoing an industrial aesthetic, are employed both structurally -such as in partition walls- and decoratively, forming tables and planters.

Custom-designed furnishings feature clean, minimal lines that allow the focus to remain on the products themselves. Jewelry display tables are inset with discreet vitrines that subtly frame each piece. Soft fabric curtains, used to conceal the old interior mezzanines, add a theatrical quality and enhance the visual clarity and continuity of the main space.

 

 

Spatial Layout

A key aspect of the redesign is the repositioning of the jewelry workshop. Once a hidden, utilitarian space, it is now an open, active feature within the store, inviting visitors to observe the creation process in real time -a direct link between craftsmanship and customer experience.

With an emphasis on detail and cohesion, the intervention avoids excess and honors the character of the original space. The renovation creates a quiet yet unmistakable transition -from past to present- transforming the venue into a contemporary landmark in the neighborhood.

 

Textural composition

Situated at the foot of Lycabettus Hill, between the neighborhoods of Exarchia and Kolonaki, the apartment is a typical example of 1970s Athenian architecture. The project involved the renovation of a 58m² flat to become the home of two young professionals working in the arts. Given their profession, love of art, and frequent travels, the residents have curated an eclectic collection of artworks, ceramics, and furniture. From the outset, it was clear that the apartment would need to accommodate a wide array of objects from around the world -elements that played a central role in the design process.

 

Design Philosophy

The goal was to compose a space infused with vivid color, varied textures, tactile materials, striking forms, and abundant natural light. The design aimed to reflect contemporary Greek architectural creativity while also embracing and thoughtfully incorporating elements of the country’s architectural heritage -many of which have only recently been rediscovered and appreciated. In alignment with the clients’ wishes, the design retained and restored key original features of the apartment, integrating them seamlessly into the new layout. These included brown marble floors, colorful mosaics, wooden parquet, and an original marble sink. Following the apartment’s layout reorganization, the amount of natural light entering the space was maximized, by removing interior longitudinal walls. This intervention allowed for the unification of the living room, dining area, kitchen, and hallway, resulting in an open, fluid, and interconnected plan. Crucial to organizing this open space was the design and placement of a series of custom-built elements that serve as focal points around which daily life unfolds.

 

 

Custom Structures

Upon entering the apartment, visitors encounter a striking white metal bookshelf that displays a selection of the residents’ favorite objects and artworks. This structure was placed where the old dividing wall once separated the hallway from the interior corridor. Merging this contemporary installation with the preserved brick wall became a defining moment for the spatial composition, both conceptually and technically.

During construction, a selected portion of the original wall was carefully preserved, and the new metal structure was built around it. Across from the entrance, a dedicated section of wall was intentionally left bare to host a painting -offering visitors an immediate artistic welcome into the space.

 

 

Material Palette & Lighting

Since cooking is an essential and cherished part of the residents’ daily routine, the kitchen was given particular emphasis, both functionally and spatially. At its center lies a custom-designed island clad in green tiles, placed between the kitchen and dining area. This element serves as the heart of the home and the focal point of daily activity. The island’s unique shape creates an inviting and efficient workspace, supporting a range of simultaneous activities, with the cooktop placed directly on its marble countertop. Around it, carefully crafted niches and handmade marble shelves provide storage and display for kitchen tools, cookbooks, ceramics, and personal items. Suspended above the island is a transparent white metal shelving structure, subtly defining the boundary between kitchen and dining space. Its open design creates an ever-changing interplay of light and shadow throughout the day.

The kitchen cabinets, made of light oak veneer, form a warm and textured backdrop to the cooking space. Their sculptural design wraps around a small window and a new transom installed to bring natural light into the previously dark bathroom located behind the kitchen. A second transom between the hallway and office brightens the entrance area and visually connects the front of the apartment to its full depth. Following these interventions, daylight now flows freely through the home -from the northeast-facing bedroom and office to the southwest-facing communal areas- enhancing the apartment’s sense of openness and continuity.

 

Strategic reuse

Through a strategic approach to existing elements and an emphasis on the core essence of living, this project highlights the traditional house as an example of sensitive and functional reuse -a space where heritage and contemporary architectural practice coexist in balance.

 

Renovation Approach

Initially, the building offered no obvious architectural interest. Strict budget constraints precluded radical interventions, guiding a renovation approach defined by minimal yet highly targeted moves. This limitation ultimately set the stage for a more thoughtful and inventive transformation.

 

 

Design Philosophy

The original single-family residence and its adjacent auxiliary structure were reimagined as two distinct yet interconnected dwellings, tailored to the needs of an extended family. A pivotal design decision was the introduction of a mezzanine, making creative use of the existing height to introduce added functionality, spatial freedom, and natural light -serving as both a play area and a space for creative expression.

 

 

Materials and Custom Structures

The staircase was conceived as both a structural and sculptural element, connecting levels and unifying the spatial narrative. The interior design emphasizes clean lines and a subtle yet distinctive color palette that complements the existing materiality. Built-in furnishings and custom elements support everyday living while preserving an atmosphere of serenity and simplicity. The interplay of natural light, enhanced by openings and vertical space, is complemented by artificial lighting that accentuates textures and guides movement throughout the space. Externally, the terraces and courtyard spaces are treated as an extension of the interior, defined by restrained materials and planting that foster a sense of openness, relaxation, and communal living.

 

Material inflections

The renovation of the historic Montgomery Ward building is an interplay between the minimalist and the material, blending the apartment’s architectural qualities with the owner’s collection of contemporary art, antiques, and modernist furniture.

 

Design Philosophy

The main living space is experienced as a single spatial volume oriented towards an expansive terrace through subtle changes in the ceiling plane, gradually stepping up to meet the floor-to-ceiling windows. The articulation of the building’s structural grid divides the interior living space into different activities and uses. Large openings between rooms extend to the ceiling, and are positioned to emphasize orientation and passage, and to frame specific views between rooms.

 

 

Material Palette

The minimalism of the spatial enclosure is contrasted by dramatic material inflections. Natural stone slabs, selected for their painterly qualities, are used throughout the apartment. A monolithic porcelain kitchen defines the north wall of the living space and frames a mural-like installation of book-matched marble. Stacked slabs of vein-cut stone compose an intimate sitting area, and the primary bath is wrapped in mixed slabs of green-and black veined marble.

 

 

Custom structures

Millwork elements soften the boundary between architecture and furnishing. In the home office, oxidized oak millwork was designed to complement a live-edge antique desk, and to conceal equipment behind panels of ribbed solid wood. The sitting area is foregrounded by a lighting installation and custom console table that delineate the apartment entry and offers a prelude to the sinuous and organic geometries of the apartment’s mid-century and contemporary furnishings.

 

Authentic character

In the heart of Patras, within a 1970s building, lies the new home of “Kseniastos Kosmos” -a learning center that breaks away from conventional norms, designed to spark positive and inspiring emotions in the children who visit.

 

Renovation Philosophy

The architectural study focused primarily on transforming the building’s interior to accommodate its new use, while respectfully preserving its original character. The existing spatial layout was maintained, with each former room reimagined as a distinct functional space. A central design move was the preservation and celebration of the original decorative mosaic floors. These were thoughtfully integrated into the new architectural language as elements of memory and aesthetic continuity. Each room’s color palette was carefully selected in dialogue with its respective floor, enhancing the individuality of each space and creating varied atmospheres for both students and educators.

 

Exterior shell & spatial organization

On the exterior, the design places emphasis on a sensitive color study aimed at preserving and highlighting the building’s original form and materiality. The existing window frames were retained, the stone-clad base visually emphasized as a distinct material layer, and the building’s typology reinforced through careful detailing.

The entrance is distinguished by the preserved original metal door, which now serves as a key architectural reference point. Its integration into the new design honors the building’s structure while enhancing the overall visual coherence. All rooms are accessed via a central corridor which, immediately following the entrance, assumes a secondary function as a waiting area for parents and visitors. A bold stroke of orange on the ceiling of both the entrance and corridor unifies these shared spaces and completes the chromatic composition of the interior.

 

 

Color Palette & Custom Elements

At the back of the building, the courtyard has been cleared and landscaped to offer a pleasant break area. Climbing plants now line the perimeter, while the existing metal staircase leading to the rooftop has been painted in a vibrant orange -highlighting its contemporary, additive presence and creating a visual anchor from within the interior. Through subtle yet impactful interventions, the center has been redefined both functionally and aesthetically  revitalized while honoring the unique identity of its architectural shell.

 

Nature-infused sanctuary

“Walking through winding streets and alleys, tucked between the white walls and grey roof tiles, I can hear the sound of wheels rolling over grey paving stones. Qi Yuan stands before me.”

Sun Yuanliang

In December 2023, designer Sun Yuanliang relocated his studio to a small courtyard residence, which he also uses as a vacation retreat. The name of the residence, Qi Yuan, reflects a poetic vision inspired by classical Chinese culture. In the Ming Dynasty medical text Compendium of Materia Medica, the character “䒻” refers to an herbal medicine. Meanwhile, “屺” originally described a barren mountain. Together, these characters evoke the idea of a symbolic mountain forest -an expression of the aspiration to create a peaceful, nature-infused sanctuary within the urban landscape.

 

Context and Integration

Located in the ancient city of Suzhou, the residence sits on elevated ground, offering sweeping views from its second-floor windows of the well-preserved rooftops of historic buildings on the city’s west side. From the entrance, the small courtyard resembles a miniature Jiangnan-style garden, with a Moon Cave Gate framing the surrounding greenery. In keeping with the tradition of Suzhou gardens, each door and window is designed to frame the natural scenery, allowing plants to thrive freely with minimal human interference.

Deeper within the property, guests encounter a hidden, larger courtyard. During construction, the natural terrain was subtly reshaped using gathered soil to form gentle gradients, and water was redirected to create a serene pond. This carefully planned landscape exudes a tranquil atmosphere. Reflections of light on the water shift throughout the day, lending different moods to the space. A strong, aged pine tree stands resiliently against the stone wall, surrounded by textured rock formations.

 

 

Materials and Custom Structures

Custom-designed wooden grilles are used throughout the residence to soften the architectural presence and enhance spatial layering. These screens filter light, increase privacy, and obstruct views of neighboring structures, allowing for peaceful conversation and contemplation of the scenery.

The courtyard and interior are seamlessly connected. From within the house, expansive views of the garden are unobstructed. Natural light and air circulate freely through the open layout, while the continuity and rhythm of the materials help create a calm, welcoming environment. This design fosters easy movement and a sense of ease. The concept emphasizes the dialogue between old and new, aiming to bridge the gap between architecture and its inhabitants. The goal is to create a sense of connection -between people, space, and time- that nurtures community and belonging.

 

 

Furniture and Colors

Minimalist design principles guide the interior, blending architectural elements with narrative-driven spatial compositions. The home is open and integrated, inviting guests to relax -whether lounging on carefully selected sofas or observing the interplay of clouds and tree branches outside the window. Classic furniture pieces underscore a refined yet understated lifestyle, avoiding overt symbolism or self-aggrandizement. The atmosphere encourages a release of cultural excess, allowing the individual to feel part of something larger through their connection with nature.

Colors, forms, materials, and the interaction of light and shadow all draw inspiration from the natural world. These elements change and evolve alongside the human experience, reflecting the designer’s vision of harmony between people and their surroundings.

 

New identity

This project involves the complete renovation of an existing 23-room hotel located on Nikis Street, in a neighborhood near Plaka that mirrors the many dynamic facets of modern Athens -a city full of contrasts and surprises for the visitor.

 

Design Philosophy

The core idea was to craft a fresh aesthetic identity for the hotel, inspired by a fusion of diverse elements, styles, and references -echoing the vibrant mosaic of Athens itself. The concept was shaped by the owners’ vision, who, having lived in various European capitals, aimed to translate their cosmopolitan experiences into the new space.

 

 

Furniture & Custom Elements

While the spatial layout remained unchanged, all surface finishes, colors, and decorative features were reimagined. In the shared areas, the design evokes the feel of a reinterpreted classic boutique hotel. Glossy dark wood paneling coexists with brass accents, industrial touches, iconic design pieces, and elements of pop culture. The overall aesthetic leans toward a dramatic, “noir” atmosphere, defined by a rich palette of dark materials.

 

 

Material Palette

The chosen material palette was largely influenced by the existing nero marquina marble flooring in the restaurant area, which was preserved as a respectful nod to the building’s history. In contrast, the guest rooms and suites embrace a lighter, more serene ambiance. White walls are accented by copper-toned details and feature custom oak constructions for the headboards and open wardrobes. A standout design feature in the rooms is the semi-transparent bathrooms -framed in iron and fitted with retro glass- which were designed to allow natural light to permeate the entire space.

 

Minimal aesthetic

The proposal concerns the creation of aesthetic teeth whitening centers, where clients with limited time can enjoy the services offered during breaks from their obligations and demanding schedules.

 

Material palette

The minimal aesthetic of the space and the understated luxury are enhanced through the selection and use of natural materials, such as birch wood, white marble, and granite-textured tiles. This is complemented by the placement of original artworks by renowned artists and the creation of handcrafted lighting fixtures and furniture.

 

 

Custom constructions

The uniqueness of the space’s identity is further emphasized by the detailed design of surfaces and hidden storage areas, which also helps maintain the minimal aesthetic by preventing clutter and disorganized object placement.

 

Circular movement

The 400m² space is situated in an Athenian apartment building along a central pedestrian street. Its previous use was as office spaces, but the design and layout were not aligned with the character or functional needs of the law firm.

 

Spatial Organization

The layout is based on a single-storey apartment, with the main vertical circulation (staircase and lift) centrally located. At the rear, there is a secondary connection to the apartment building’s arcade. The new design accommodates at least 32 employees, distributed across group or private offices based on the needs of the work teams. A key design feature is the creation of a circular circulation path at the center of the floor plan, which separates support areas from the primary office spaces.

In section A of the floor plan, the previous curved walls and large reception area have been removed to allow for maximum natural light throughout the space. The reception area is now integrated into the central circulation layout as a sculptural element with curves, while also serving as a waiting area through carefully designed furniture and special structures. Along this side, the offices for the teams and their managers are arranged in a linear fashion, with an open space designated for the trainees at the core of the layout.

 

 

Custom Constructions

The new office divisions are primarily achieved through glass partitions, maximizing natural light while also fostering a sense of teamwork. In section B of the floor plan, more private offices are located, designed for greater isolation. A parallel internal corridor connects these offices, further separating them from section A. The spaces in between are efficiently utilized with custom-built libraries, both hidden and visible storage, printer rooms, lockers, and cloakrooms. At the junction of the two sections, a main office library with a reading area is created. On the opposite side, in section C, two hybrid meeting booth/rooms are designed to accommodate both team and client meetings, whether through calls or face-to-face discussions.

 

 

Materials & Lighting

The use of glass and custom constructions is designed to optimize the functionality of the space while ensuring aesthetic cohesion. At the end of this section, a dining area for employees is created. An elongated bench with built-in storage extends along one side, while a large central table dominates the space, encouraging interaction. Section D serves as the purely utilitarian zone, housing the kitchen, storage areas, bathrooms, and electromechanical spaces. The overall color palette consists of white and neutral tones, light woods, and black accents. Minimal, linear lighting elements are strategically used to accentuate the central circulation path.

 

 

Industrial footprint

The refurbished apartment is located in a former industrial building from the 1950s in the Guinardó neighborhood of Barcelona.

 

Existing Structure

Originally designed as a small open-plan workshop, the space’s most compelling feature was its structural framework -concrete frames supporting slabs of concrete joists and ceramic vaults- partially concealed by layers of modifications over time. The renovation began with the removal of these later additions, unveiling the building’s original architectural essence.

 

 

Spatial Organization

The reorganization of the space is defined by two custom-built furniture elements that highlight the existing structural grid, establishing a clear distinction between the original architecture and the new interventions, between the permanent and the ephemeral. These elements structure the interior layout, maintaining a sense of permeability, allowing natural light to reach the deepest areas of the apartment, and integrating essential storage solutions.

The program is arranged into three distinct zones, following the rhythm of the structural framework. Entry is through the kitchen, the brightest area, which opens onto the main façade. At the core of the home lies a flexible, 40m2 multipurpose space, spanning two structural modules. The final zone houses the bedroom and bathroom, with the latter designed as a self-contained, almost intangible volume. An existing door has been repurposed for bathroom access, while certain original industrial elements anchored to the walls remain untouched, preserving the site’s historical memory.

 

 

Material Palette

Materiality plays a defining role in the project, with exposed ceramic walls, pine wood furniture, and new stoneware flooring that extends seamlessly throughout the apartment. A secondary tile format is subtly introduced to mark transitions, emphasizing key thresholds within the space.

 

References to nature

The building is part of a complex of small, three-story holiday homes designed with a strong focus on sustainability. Nestled at an altitude of 980 meters on the slopes of Parnassos, it sits beside a rocky stream, surrounded by fir and chestnut trees.

 

Design Philosophy

The interior design draws inspiration from the surrounding landscape, enclosed within a shell of local stone and clad in native timber. The result is a contemporary aesthetic that seamlessly blends architecture with the natural environment.

 

 

Custom Structures

A perforated dark grey steel surface with a geometric pattern serves as the central visual and functional element of the two upper floors. This double-height divider conceals the metal staircase connecting the living area to the mezzanine while allowing natural light to flow through the space. The perforations also enhance illumination for a second wooden staircase that leads to the ground floor, where the bedrooms, bathroom, and sauna are located.

 

 

Materials & Lighting

The bold, dark metal contrasts with the smooth white walls and the natural-toned chestnut beams on the ceiling. The curved form and grey hue of the sofa, along with the circular stools, subtly reference the local stone. The kitchen features dark steel finishes and fabric-covered chairs, complemented by a custom-made wooden dining table. Bathrooms are clad in dark grey marble with delicate white veining, while matte black steel fixtures enhance the design without overpowering the space.

 

Athenian mosaic

The project involves the architectural design of an apartment in Agia Paraskevi, Athens, located within a residential complex from the 1980s. The proposal maintains the maximalist lines of that era while enriching them with new materials and technologies.

 

Existing Materials

This aesthetic is manifest in the decision to retain the mosaic floor, showcasing a collection of diverse marble aggregates on an earthy pink base, extending through the entrance corridor, kitchen, and wc. A standout feature of the residence is a divider-buffet that begins at the entrance and crosses through the kitchen, isolating it from the living room. Its larger portion is made of semi-transparent, textured glass, allowing discreet interaction with the adjoining space.

 

Custom structures

An open bookshelf separates the office from the living and dining areas, while the kitchen space is defined by bold textures and colors. In contrast to the kitchen, another mobile divider is established in the office, this time utilizing a 4m-wide sliding door, for complete isolation. It comprises a pair of 2m-long segments, each subdivided into smaller components which enable the door to bend and conceal within the wall. Bedrooms and bathrooms are situated along a lengthy corridor, being kept separate from the rest of the residence.

 

Exterior Design

A second living area is crafted on the rooftop, primarily for summer use. The pergola is supported by circular columns and enclosed with clay lattices on its western side, ensuring privacy and sun protection. Semi-circular planter beds encircle the area with vegetation.

Visual expansion

In the Anaktora area of Kolonaki, a top-floor apartment in a preserved 1930s interwar building is undergoing renovation. The goal is to retain the penthouse’s old Athenian glamour and historic charm while seamlessly integrating contemporary design elements. The result is a harmonious fusion of past and present, creating a cohesive and timeless visual narrative.

 

Existing Condition

The design process was driven by the goal of preserving as much of the original structure as possible while adapting the interiors to meet modern living needs. This approach resulted in a thoughtful and cohesive synthesis of old and new. Key historic elements -such as the original parquet flooring in the main living areas and bedrooms, the concrete tiles and mosaics in the hallways, sliding oak doors, and intricate plaster ceiling details- have been carefully retained. Meanwhile, new flooring has been introduced in the kitchen and bathrooms, using materials that harmonize aesthetically with the existing ones, ensuring a balanced and cohesive color palette.

 

 

Functional Layout

A new wall composition in the living room incorporates an energy-efficient fireplace, while the existing bookshelves in the living and dining areas are reorganized to optimize storage for books and other items. The wall separating the dining room and kitchen is replaced with a glass partition, creating both a functional and visual connection between the two spaces. This design choice enhances the sense of openness, allowing natural light to flow freely and providing unobstructed views of Lycabettus Hill.

 

 

Custom Structures

The design maximizes the uninterrupted views of Mount Hymettus and the surrounding urban landscape. In the master bedroom, the bathroom draws inspiration from Japanese architecture, intentionally deviating from conventional renovation trends. Similarly, the bedroom wardrobes are enclosed with curtains instead of doors, incorporating indirect lighting to create a soft, atmospheric, and dreamlike ambiance.

 

Industrial revival

The 160m² apartment, formerly a painting studio, now serves as a residence for a family of three. Located on the fourth floor of a building in the industrial zone of central Athens, the project was a significant transformation. The goal was to create a comfortable living space, involving the design of three bedrooms, a bathroom, generous storage solutions, and a unified communal area encompassing a kitchen, living room, dining space, and an office.

 

Layout Organization

The layout of the apartment was carefully planned to establish a central social hub. The communal area was strategically positioned, and at its core stands an open concrete fireplace. This fireplace serves as the heart of the residence, with the other functions thoughtfully arranged around it. Despite the spatial limitations, the design allows for a sense of free-flowing movement. The private spaces blend seamlessly with the communal areas, utilizing the available square footage efficiently, while ensuring there is enough room for both the kitchen and living area.

 

Custom Structures

The layout further facilitates the penetration of natural light through large openings, enhanced by the presence of industrial-style windows, creating intriguing plays of light and shadows. During the renovation, the existing infrastructure was removed, revealing the underlying structural framework. A distinctive feature of the space is the preserved mosaic floor, acting as a link to the apartment’s original purpose.

 

Materials & Furniture

In terms of materials, concrete and wood were the primary choices. The interior surfaces were thoughtfully clad with oak, which imparts a warm and inviting ambiance. In the kitchen area, ceramic tiles were employed, providing a contrast to the matte black surfaces, while adding an element of comfort. The children’s bedrooms were furnished with contrasting birch plywood, emphasizing clean, straightforward lines in their design. Despite the challenges posed by the layout, the project distinguishes itself through pronounced linearity and clean geometric forms, accentuated by the precise lines of the wooden structures incorporated into bookshelves and concealed storage spaces. The furniture selection adheres to a midcentury aesthetic, featuring vintage pieces that seamlessly complement the overall creative vision.

Contrasting pairs

Ergon Bakehouse is a unique destination that seamlessly blends a hotel, bakery, shop, and restaurant. Located in the heart of Athens’ historic center, it occupies a listed building designed by Vassilis Tsagris at the turn of the twentieth century, offering a multi-dimensional experience in both gastronomy and hospitality.

 

Existing Building

The building was once home to residences and offices, with the ground floor serving as a commercial space. An exemplary representation of classical Athenian architecture, it has been carefully preserved, with the new design seamlessly integrated into its structure. Today, elements of the building’s aesthetic and functional history are still visible, including ornate plaster decorations, one of the original staircases, and the elevator.

 

Functional Layout

From the main entrance to the rooms, the design revolves around the life cycle of dough and the ambiance of a traditional oven. On the ground floor, the 72H Artisanal Bakery prepares and bakes bread and other goods, each benefiting from 72 hours of “resting.” The striking storefront invites visitors into three distinct areas: the shop, which sells ingredients for homemade baked goods; the cooking area; and the 72H Lab, a prep space with open-plan workshops visible through existing openings -a feature rarely seen in more conventional bakeries.

At the center of the building is the entrance, which leads to three key zones: the shop and 72H Eatery, the hotel reception, and the waiting area. Two staircases and two lifts serve the space- one of which is preserved, while the other is newly added to accommodate increased foot traffic. The room layout spans three floors, blending seamlessly with the building’s original architecture, following the facade’s openings to create spacious interiors. Each room is designed to reflect elements of an oven and professional kitchen, featuring dark firebrick, wall paneling, stainless steel worktops, and linen fabrics that complete the overall aesthetic.

 

Custom Structures & Lighting

Internal shades were incorporated as a blackout solution, seamlessly integrated into the existing openings to control light and create a serene, welcoming atmosphere. The deybed, a distinctive feature of the room, serves both as an additional bed and a resting surface, a traditional element found in Greek homes that enhances functionality. The lighting is minimal, with spot and targeted fixtures providing focused illumination. A system of thin stainless steel tubes runs throughout the room, offering a versatile solution. Due to structural reinforcements in the outer perimeter walls, running wiring through them was not possible; instead, cables are routed through the tubes, which also support both the lighting and fabric suspension system.

Exotic ambiance

The restaurant’s design draws deeply from the vivid colours, textures, and ambiance of Moroccan marketplaces and the Mediterranean region.

 

Design Philosophy

The space is anchored by a central U-shaped bar, serving as the heart of the restaurant, while an open-concept kitchen adds to the inviting and dynamic atmosphere. The client’s legacy was woven into the design through artifacts and furnishings from a previous restaurant, enhancing the narrative of continuity and personal history.

 

Material Palette & Decorations

Warm wood tones and blonde wood finishes are layered with brass accents to establish a tactile and visually engaging material palette. Custom lighting fixtures, including tassel lights and sculptural sconces, are thoughtfully placed to serve both functional and artistic purposes, enhancing the overall ambiance. The repetition of architectural elements, such as elegant arches, creates a sense of rhythm and timeless sophistication. Real plants are incorporated throughout the space, bringing freshness and vibrancy to the interior.

 

Custom Structures

The seating areas feature custom banquettes that combine varied upholstery, intricate screen accents, and detailed leg designs. Each piece was chosen with care to reflect the Mediterranean inspiration while prioritizing comfort and style. Lighting acts as a focal point, with carefully designed fixtures creating defined spaces and highlighting key architectural features. Every element of the design is intended to immerse diners in a Mediterranean-inspired retreat. From the detailed textures to the curated artifacts, the space offers a sensory-rich experience that harmonizes beauty with functionality. The project embodies Mediterranean charm and modern elegance, ensuring a memorable and timeless dining atmosphere.

 

Click here to view the project interview.

Contrasting pairs

The project focuses on designing a bakery and pastry shop that combines modern, bold, and distinctive elements, while preserving qualities that foster a sense of intimacy.

 

Design Philosophy

The design approach revolves around the interplay of contrasting elements. This duality emerges from the goal of creating a space that is both modern and welcoming, as well as from the fusion of baking and pastry. Embracing this concept, the design juxtaposes the flowing curves of the ceiling and walls with the clean, simple lines of the furniture. It pairs the natural texture of birch with the sleekness of art stone and marble and contrasts the vibrant hues of the upper space with the neutral tones of the lower area.

 

Custom designs & furniture

Special attention was given to the interior column, which posed a functional circulation issue. The design tackles this challenge by incorporating it into the “core” deformation of the ceiling’s geometry. As a result, what was initially a problem becomes a key element of the space’s identity. The product display is designed as a strict, monolithic rectangular form to contrast with the bold curves of the ceiling and walls, creating a balanced composition.

 

Material Palette

The two-tone palette of black and white was selected to serve as a neutral backdrop that highlights the colorful products. A carefully curated selection of materials and textures was chosen, subtly reflecting the fundamental shades of bread -silver and cream- through the use of Corian. The floor is finished with Calacatta-textured tiles, while the product displays are painted in black, contrasting with the warm white backdrop on the walls and other surfaces.

Laboratory in the Fields

The primary conceptual idea of the project is to create a space where every detail emphasizes the connection with nature as well as the careful food preparation process within the restaurant.

 

Spatial Organization

The space accommodates two types of seating: large tables for hosting up to 12 people and smaller ones for seating up to four. Centrally placed within the space is a large island-bar made of stainless steel, while its base is made of Turkish marble, adding stability to the overall structure. In the main part of the island, glass flasks filled with bright liquor are playfully arranged and illuminated by soft, hidden lighting, creating an atmospheric backdrop.

 

Materials & Furniture

The material palette draws inspiration from natural textures and food ingredients. All the walls are cladded with a custom made stone made of marble and eggshells. In parallel, linen fabric is utilized throughout the space, contrasting the stainless steel and stone textures, while a series of carefully curated furniture compliment the design. Elegant lines and geometric shapes blend with the rest of the interior elements, bringing notes of the 20th century design. More specifically, the tables are made of poplar veneer, stone, stainless steel and travertine to create an amalgamation of textures and evoke a natural aesthetic.

 

Vegetation

The final “ingredient” of the design is the interior vegetation. The selection proved to be a challenge, as most woodland and herbaceous plants cannot survive within an interior space. Eventually, species such as the Benjamin Ficus and oats in the form of dried wood are placed within large plant pots that surround the dining area, emphasizing the process of food preparation using local ingredients.

Bordering green

The project focuses on designing an all-day café within a 140m² corner shop located at a central point of the settlement, benefiting from views of tall deciduous trees on both sides, thus enhancing its ambiance.

 

Design Philosophy

The primary goal of the design is to create a seamless connection between the interior and the surrounding greenery by extending the visual lines outward to the natural environment and bringing “green” elements indoors. This approach aims to establish a “garden” that serves as a continuation of the urban vegetation.

 

Spatial Organization

The floor plan is centered around a large L-shaped bar that extends toward the corner near the openings. This design, combined with the installation of expansive glazed windows, maximizes the views, while seating is arranged freely within the café-bar across two levels: one at ground level and another one slightly elevated.

 

Custom Structures & Materials

A system of Π-shaped metal structures is incorporated to support greenery, with a similar hanging structure placed above the bar, adorned with lush climbing plants. The material palette is intentionally divided into two contrasting categories. The first includes natural and handcrafted elements, such as the cast mosaic of the bar, the floor mosaic, cement mortars on the walls, and wooden surfaces. The second consists of industrial materials, such as metal mesh and steel, used in the planting structures and the façade frames.

 

Lighting Design

The lighting is designed to emphasize the interior greenery, creating, in parallel, a distinct ambiance. More specifically, the careful light installation enhances the industrial character of the project, offering a unique experience, especially at nighttime.

Local character

The project is situated in the heart of Athens’ creative community and involves the redevelopment of 500m² of office space within a six-storey building from the 1970s.

 

Design Philosophy

The new office spaces are designed to accommodate the needs of HQ, a provider of flexible professional workspaces, which is a subsidiary of the International Workplace Group (IWG). The corporate identity, along with the functional and spatial requirements of the organization, guided the design of the office layout. The goal is to create a workspace that fosters collaboration, sparks creativity, and enhances productivity.

 

Layout Principles

With a focus on transparency and creating a bright workspace that connects seamlessly with the urban environment, the offices are arranged along the perimeter of the space to ensure natural light. This layout allows them to function as private, autonomous work areas. The central portion of the space serves as a dynamic, interactive hub, accommodating the company’s shared facilities: reception area, informal meeting spaces, refreshment station, conference rooms, and auxiliary print area. A distinct textured floor, different from the office areas, along with the installation of sound-absorbing louvres on the ceiling, helps define and enhance the dynamic character of this central zone.

 

Materials & Custom Structures

Glass partitions allow natural light to flow freely into the center of the room. Strategic plants in selected areas help define the public spaces, making each one distinct while maintaining a cohesive overall composition. The meeting rooms are centrally located for easy identification and accessibility and are separated by a series of glass partitions.

 

Context Integration

A key aspect of the project was its connection to the broader region. As a hub for collaboration and interaction, the goal was to emphasize the sense of community and creativity that defines Kypseli. The selection of artwork, decorative elements, and plants was carried out in collaboration with the local community to reflect the unique character of the neighborhood.

Floating Sense

Located in Kipia, just outside Kavala, the project involves expanding the offices of a rock mining and processing company and redesigning the interior layout of its 3,000m² product exhibition space. The design draws inspiration from reimagining the quarry experience as an open, local tour, with the concept of levitation serving as a defining architectural element.

 

Design Philosophy

The space is experienced as a journey, where visitors encounter plantings, rocks, and shifting perspectives through a series of multi-sensory experiences. A bridge at the intermediate level appears to float between two curved metal surfaces, on which the exhibits are suspended, enhancing the immersive experience.

 

Spatial Organization

The transition process begins at the entrance, flows through the ground floor pathway, and extends into the museum spaces of the quarries, culminating on the first floor of the exhibition. This level also provides access to the offices located on the intermediate level. Within the exhibition area, thoughtfully designed sections showcase elements of the quarry, alongside seating, entertainment spaces, and areas for public gatherings.

The design language of the ground floor engravings is carried into the office spaces, featuring curved bands of black granite, slate, and carpeted islands. The office area, which accommodates 40 workstations, is spread across three levels, which are connected by a sculptural vertical circulation core made of folded sheet metal, positioned within the central atrium.

 

Materiality & Construction

The architectural composition is enriched by boulders transported from the company’s quarries, which define specific pathways throughout the space. These boulders have been carefully processed to retain the essence of natural rock, evoking both the form and experience of traversing a quarry’s rugged landscape. This concept is further reflected in the detailing of elements such as rock sinks, slate blinds, and scales. The exhibition’s various surfaces are designed as a cohesive narrative, where materials serve as storytellers of the quarry’s lived experience. This approach creates layered references and meanings, conceptually tied to the material’s raw texture as well as the general tactile nature of architecture.

Primeval shelter

Situated in the serene, pine-covered neighborhood of Rea on the northern slopes of Penteli, the project harmonizes with the forested landscape that serves as its backdrop. It is designed to meet the demands of modern living while evoking the sense of protection and intimacy found in a primordial shelter, seamlessly blending with the mountain’s mystical surroundings.

 

Design Philosophy

The process of composition was inspired by a spatial archetype: the form of the shelter, intrinsically linked to the concept of “dwelling,” has historically shaped human spatial preferences, reflecting our inherent predispositions. The residence in Dionysus offers, through contemporary architectural language, a symbolic and spatial reinterpretation of this archetype -an effort that seeks to evoke memory and, ultimately, a return to the authentic, the primal, and the enduring.

 

Building Morphology

This rhetoric finds architectural expression through a geometrically defined, tectonic, and Doric-inspired form -a structurally coherent whole, marked by an enigmatic simplicity. The central compositional gesture involves the suspension of a monolithic volume made of exposed concrete. This strictly prismatic shell contains the private bedrooms of the dwelling.

Specially designed aluminum flyscreens regulate the exposure of the delicate interior to the exterior. By elevating the shell, the ground floor is freed, allowing it to seamlessly merge with the outdoors. Stone elements anchor and visually lighten the concrete volume while organizing the interstitial spaces in close connection with the courtyard and natural ground. These two seemingly contradictory spatial qualities are balanced and unified by a large interior patio, which serves as an intermediate space. It facilitates visual connectivity while providing optimal natural light and ventilation for the house’s interior.

 

Context Integration

The orientation of the plot and the architectural development along the east-west axis allow natural light to permeate and become an integral part of the spatial experience. Sunlight, at times filtered through the tall surrounding trees and at other times directed into the interior through carefully placed openings, animates the spaces and creates an almost monastic atmosphere.

Hour by hour, season by season, the ever-changing natural light transforms the sensory experience, revealing and emphasizing different elements of the architectural composition. The exposed concrete wall, paired with its linear staircase situated just below the elongated roof opening, serves informally as a sundial, marking the passage of the day for the inhabitants.

 

Central Structure

The sensual narrative of the design extends into the evening hours. Subtly underlit, the monolithic volume seems to dissolve into the starry sky, while protectively embracing the life it contains. At the heart of the dwelling, the “hearth” enhances the earthy warmth of the space. Here, inhabitants and visitors alike, as they gather and live within this “shelter,” will repeatedly rediscover, with a touch of surprise, the timeless beauty and precious value of simplicity.

Spatial sequence

The architectural design focuses on the renovation of a listed house from 1904, complemented by the construction of a modern extension. The primary objective of the design is to restore the house to its original form while preserving the integrity of its interior spaces. Additionally, the semi-outdoor area is envisioned as the central element of the composition, serving as the project’s focal point.

 

Historical Typology

The residence adheres to the conventional typology of its era, organized along three main axes. At the entrance lies the first room, followed by a central space, known as the “solar,” which faces south and is considered an external area. To the left, a two-room hall is divided at its center by a distinctive arch, while to the right of the solar is another room of similar dimensions. A defining feature of this typology is the seamless progression of spaces, allowing movement within the dwelling without corridors. Additionally, the absence of predefined functions allows each room to accommodate a variety of activities.

 

Spatial Organization

The addition consists of two independent structures positioned on either side of the sunlit courtyard extension, serving as a continuation of the existing house to the south. The design aims to strengthen the dialogue between old and new by offering a series of interconnected and distinct spatial experiences throughout the rooms. In the eastern addition, directly connected to the two-room hall, the main bedroom is located. This space integrates individual functions, such as a bathroom and gym, which are distributed across the ground and mezzanine floors and separated by glass partitions and curtains. The western addition features a shared common area -slightly sunken below ground floor level- and two bedrooms situated on mezzanine floors.

 

Custom Structures

The three levels can be either isolated to ensure privacy or opened up to offer uninterrupted panoramic views of the rest of the house and courtyard. Folding shades on the exterior and curtains on the interior allow for flexible control over the relationship between indoor and outdoor spaces, as well as amongst the different interior areas. These elements not only adapt to the occupants’ daily needs but also transform the building’s aesthetics, redefining movement within the house and toward the courtyard.

Subtle prisms

The project is a new flagship store for renowned jeweller, Nikos Koulis, located on the prestigious Voukourestiou Street in Athens. The store’s design takes its inspiration from the city and melds it with the intricate craftsmanship of Koulis’ jewellery pieces.

 

Façade Design

The design of this atmospheric space begins streetside, taking the simple facade of the 1960’s building and subverting the language of a typically over-glazed storefront. An irregularly shaped window is installed, which offers subtle glimpses of the interior -creating intrigue for passersby and inviting them to pause and look within the interior.

Surrounding this opening, the facade mimics the proportions of the nearby Athenian city walls and reproduces them in aluminium. At points, the aluminium is embossed with a pattern reminiscent of the intricate detailing found on 19th century jewellery boxes. Where the aluminium meets the street, the material shifts to solid slabs of travertine and marble, framing the window and merging the contemporary with the ancient -a nod to the Greek roots of the brand and the designer, echoing a sense of history and continuity. The store’s extruded aluminium door handle is folded and inlaid with gold -alluding to the precious materials within.

 

Interior Layout & Custom Structures

Within the interior, the design draws influence from the designer’s structured jewellery pieces -establishing an interplay between light and dark tones and smooth and textural surfaces. Silk wall coverings provide a soft sensuous finish to reflect the light and contrast strongly with the custom dark oak floor made from narrow linear planks brushed to give texture. At the rear of the store, a dramatic new staircase, hidden behind a series of bevelled glass panels, takes private clients up to a new mezzanine housing the high jewellery salon and viewing room. The staircase extends across the width of the store, leaving a theatrical double-height void between the threshold and the mezzanine itself.

The main mezzanine wall, which sits almost as an internal facade, is formed from a series of elongated prisms. The prisms consist of two highly polished metal surfaces and a third illuminated surface. Spaced to form a linear screen between the more private mezzanine area and the store beneath, the prisms wrap around the underside of the space to connect the two environments.

 

Materials & Furniture

Within the mezzanine space, the palette is pale and bright, with white carpet and soft furnishings that foster relaxation. From the street, these prisms and their light sources are seen through the stone-framed window, appearing as an illuminated curtain, creating a sense of mystery about what lies beyond it.

Preserving the bespoke nature and the imaginative essence of the brand, the store incorporates custom pieces produced with the specific needs of the client and space in mind, including a tea table, a desk mirror as well as a wall hung mirror by Nikos Koulis. Display cases are formed from lacquered wooden boxes set on delicate legs made from a mix of polished and matt metals. These cases are positioned in vertical and horizontal arrangements and placed carefully around the store. At the rear, a lacquered cabinet wraps a structural column, whilst in the store front the largest piece of cabinetry forms the window display.

Indoor living

The project’s aim is to design a new space of inhabitation situated within an existing apartment that dates back to the early 1900s, acting as a weekend getaway and place of refuge from the bustling city.

 

Design Philosophy

Stemming from a reflection on the concept of dwelling, the design abolishes all circulation spaces from the floor plan and creates a single 5x5m volume that hosts all the necessary functions. Liberating the space from existing partitions and restoring the Palladian floor allowed for the insertion of the “golden box”, which contains the kitchen, sleeping area, bathroom and relaxation space. The project draws inspiration from Jean Prouvé, Le Corbusier, and Charlotte Perriand and their work on spaces for small living.

 

 

Functional Layout & Orientation

In an attempt to blur the boundaries between indoor and outdoor space, the new volume aligns with Corso Giuseppe Mazzini, one of the city’s main roads, while the only window opening on the east façade frames the adjacent Mattarello Courtyard. Access to the courtyard is extended to the interior of the bathroom, through a curved glass partition, positioned at the corner of the opposing the window. Specially crafted frames and elements hide joints and attachments.

 

 

Material Palette

The box’s materiality creates tensions with the ceiling’s existing decorative elements as well as the irregular geometry of the walls. A specific method of etching and joining the slabs is developed, where a single material skin envelops the volume, alternating between concealing and revealing the various functions. Green is used as the sole color of the composition, referencing the copper roofing of the church designed by Giovanni Michelucci in Arzignano. More specifically, imperial green marble is used in the bathroom and kitchen, while lacquered wood and velvet break up the material uniformity, adding texture and “softness” to the composition.

 

Domestic interactions

The main design premise in this two-level house, built in a quiet district of Limassol, is the creation of spaces which facilitate interactions between the family members, seamlessly merging indoor and outdoor areas while securing the privacy of everyday life.

 

General Layout

The property is adjacent to a green park on its east side, with the northern façade of the house turned to the street, as a solid boundary between public and private space. The façade is completely introverted, devoid of any openings, and protects the interior from the northwestern sun. The ground level develops in an L-shape, embracing the patio, which is the heart of the composition; this becomes an organic component of the house, facilitating outdoor living, which is ideal in the sunny climate of Cyprus.

 

Custom Structures & Privacy

Extensive glazing opens to the patio, merging the house interior with the outdoor space; the owners’ privacy is secured by means of a tall row of existing cypress trees in the property, the latter further enhancing the element of nature. The upper floor, accommodating three family bedrooms, faces south, looking over the patio. For reasons of privacy, sliding panels conceal the glazing on the façade, disrupting reflections and achieving a more discreet integration of the building volume into its environment. This way, the resulting balcony can become an outdoor extension of the bedrooms.

 

Façade Design

Concurrently, the wooden-clad façade protects from solar radiation, diffusing light to the interior and facilitating natural cooling. The upper volume remains consistent with the overall architectural vocabulary, through simple, geometric gestures. Slightly protruding from the ground floor outline, it creates a sheltered outdoor lounge by the pool and provides the necessary sun protection to the downstairs glazing.

Sustainable retreat

The 950m² house is designed to be lived in as a welcome break away from the bustling city life and, on frequent occasions, be able to host parties of up to 30 guests.

 

Site Integration

The site is situated amongst a densely built area, with only one adjacent remaining traditional two-storey wooden home and its lush garden lining the length of the property. The house is placed along the three built up sides of the site, creating a large garden. The building is raised half level, to secure privacy, its two floors expressed as separate units: the ground floor appears as an opaque black box, while the upstairs volume is white. Openings are oriented towards the courtyard, with the pool in the foreground, and greenery visually merging with the backdrop of the neighboring garden.

 

Functional Organization

The entrance from the street is recessed, through a dark box with angular aluminum cladding, with no hint of what lies beyond but a few sprouting branches. To the right, an opening directs towards the light, through a long corridor leading to the house, lined by the pool on one side and a reflective marble wall on the other. The solid wall on the right retreats to reveal a green pocket, accentuating the greenery of the house and providing a passage for prevailing winds. Behind a tree, perforated mirror- finished aluminium panels arranged in arbitrary angles, multiply the garden impressions, and allow glimpses from the interior. The entrance opens directly upon the dining area, with a custom-made table crafted from 200 years old timber. To the left, the double-height living area features a large, abstract geometric mural.

 

Furniture & Custom Structures

Above the cubist sofa, the chandelier echoes the mural with round bulbs and tubular fittings. The kitchen surface, island, and back wall are all lined with a smart black and white marble arranged in a diamond pattern. Cantilevered stairs, lit from a clerestory window, lead to the private living quarters, including the master suite and one guestroom. The space of the master suite flows naturally from the bedroom and dressing room to the green marble bathroom. The shower wall is finished in a white marble with black veins, arranged to form a pattern of three mountains. The sculptural bath is the centerpiece, naturally lit with a glass block wall behind and outdoor garden.

 

Sustainable Practices

The house is designed to respond to the turbulent tropical climate. In addition to cantilevered fins and eaves, to reduce direct sunlight and heavy rain, the glazing layer is recessed to create a continuous balcony. The external shutter system provides the outermost skin, allowing natural cooling. Each shutter acts as a heat exchanger, funnelling air through an individual aluminium fin which further reduces heat intake.

Architectural microclimate

The small ground-floor residence, located on a central road in the bustling northern suburbs of Athens, is situated in a busy area surrounded by high-rise apartment buildings, created to nurture the dreams of a family of three.

 

Design Philosophy

The Terra Form residence is designed with careful consideration of the wishes of all its members, as well as the functional and aesthetic demands of a compact urban home. Its name reflects the core concept of the design: the creation of an architectural microclimate that allows the owners to experience their ideal home, shielded from the noise, tension, and chaotic structure of the city.

 

Custom Architectural Elements

To accomplish this, the archetype of a traditional residence is deconstructed, redefining key architectural elements that are deeply tied to its essence, such as the roof, garden, hearth, chimney, threshold, and windows. The classic double-pitched roof is folded, extended, and liberated from its conventional role and tiled appearance. It is transformed into a perforated, two-sided structure that also encloses the home’s outdoor spaces, offering both shade and privacy.

 

Spatial Organization

The function of this new form is also mirrored in the floor plan. Underneath the redesigned structure, the gardens and indoor living spaces are seamlessly integrated along the east-west axis. In parallel, on either side of a central core, the sleeping areas are arranged along a vertical axis -one side positioned as far as possible from the main road for privacy, while the entrance area is pushed closer to the street, enhancing the sense of invitation and hospitality, a defining characteristic of the homeowners.

The prominent entrance, visible chimney, garden, and perforated white roof, combined with the building’s bright tile color, create the final narrative of the Terra Form house. This design is expressed through its façade, evoking a rural way of life even in the heart of the bustling city.

Aesthetic integration

The project involves the renovation and restoration of a single-family house in the Keramikos area, transforming it into two independent units to meet the needs of the new owners. Before the intervention, the house consisted of three distinct sections, each with its own unique character.

 

Design Challenges

The first two units of the house featured load-bearing masonry -one having a tiled roof and the other a flat roof. The third section, a later addition, had a reinforced concrete structure and housed the utility spaces, including the kitchen and bathroom. Overall, the house faced structural, aesthetic, and functional challenges: access to the service areas was cumbersome, requiring the user to pass through six consecutive rooms. Furthermore, the built-in staircase leading to the attic took up most of the inner courtyard space, restricting its functionality and obstructing natural light from reaching the interior rooms.

 

Plan Reorganization

The design approach was guided by the traditional architectural typology of the Keramikos area, where small houses are arranged around a shared internal courtyard. The reorganization of the floor plan, along with the thoughtful blend of old and new materials, preserves and highlights key elements such as the masonry and cement tile floors, enhancing both the visual and functional aspects of the residence. By dismantling the old staircase and replacing it with a new, visually lighter, metallic one, as well as introducing new openings, the courtyard is realigned with the residence. As a central, cohesive element, it organizes the surrounding spaces, allowing for better communication and natural lighting throughout the house.

 

Materials & Custom Structures

Uniform grey tiles are used for both the new interior floors and the courtyard, reinforcing the continuity between indoor and outdoor spaces and blurring the boundaries between them. Simple and functional design elements create a cohesive aesthetic across the three distinct sections of the house, while preserving its historic character.

Natural Ambience

Overlooking the Ionian Sea, in a beautiful, inclined terrain, elements in bare concrete, steel, and plaster shape a complex of one primary residence and two hosting units with a shared swimming pool.

 

Design Philosophy

From the initial phases of the design research, there was a pursuit for an architecture marked by interiority and a sense of self-sufficiency and isolation within the property; a quest for a stage set which would add “soul” to the new landscape, preserving its natural atmosphere. The priority was not to simply organize entrance to and exit from the compound, but to design everyday circulation and living within. Various scenarios were elaborated, involving pedestrian routes during night and day, under rain or sunshine, to understand how the inhabitants would dwell in their surroundings inside and outside of the buildings.

The linear, main residence rests upon a pre-existing natural plateau following the contour lines, and comprises two parts: the transparent, steel structure of the living areas, and the compact bedroom volume, clad in vertical chestnut boards. The guesthouses, a pair of simple cement limewashed cubes with openings, are placed on two levels designed to accommodate the yards. A long, linear pool in the centre binds the volumes and the functions. Fold-out shading panels provide privacy or transparency between the courtyard and the secondary buildings. The interiors consist of bright, open-plan spaces with large glass surfaces framing different views of the sea and the landscape.

 

 

Materials & custom structures

Bright limewash paint on the vertical surfaces and ceilings, wooden or cement floors, and custom-made detailed woodwork shape a composition of soft, personal minimalism. Light steel structures covered in natural cane, shelter the entrance and parking spaces. The exterior courtyards are clad in industrial fine pebble raw terrazzo or in locally sourced aggregate, depending on their functional requirements.

Neutral tones and natural materials balance the interior universe with the natural surroundings. Elements in bare concrete, steel, natural plaster, drystone locally sourced from the excavation, and local chestnut and fir, add to a feel that the building forms rise from the land. Landscaped ground platforms facilitate the flow between interior and outdoor areas and invite the surroundings at spaces left all but untreated.

 

 

Sustainable Approach

Despite the extensive intervention and deforestation required by the construction, the architecture has been able to preserve and restore the essence of the original land, planting naturally next to what had already been in the soil, balancing transitions between nature and structure. The geometry and orientation of the forms ensure a bioclimatic function through humble means, working with the sun, the shadow, and the wind. High-quality materials and infrastructure create a breathable, fully insulated and mechanically supported shelter, without exaggerations. The addition of photovoltaic panels, placed horizontally on the roof, sees to the future independence of the house from the commercial electricity network.

 

Intermediate volumes

The project for the Ridotto (namely the Second Hall) of the Rossini Theater defines a contemporary environment that blends the abstract space of European performance theatre with the historical tradition of Italian opera.

 

Design Philosophy

The design is conceived as a theatre within a theatre, an ephemeral and reversible device that allows the perception of the traditional building paired with the presence of the urban scene. Alongside the grand historical hall, a new, dynamic and reconfigurable space is designed to accommodate performing arts, music, drama, dance, theatre as well as community and political events. The historic shell becomes reconfigured by removing the existing pillars and creating a second scenic space with great flexibility and accessibility that eradicates the distinction between the audience and the performer.

 

Existing Facade

The Sala della Repubblica has been redesigned to bear witness to and reinterpret the evolutionary history of this portion of the building. This begins by highlighting the original 18th-century facade, later incorporated into the theater. In parts where that facade has been demolished, large walls cladded in golden panels serve as a tribute to the baroque theatre’s design, while simultaneously concealing electrical and mechanical systems.

 

Materials & Custom Structures

The project’s most distinct design element, however, is a sliding system of double-layered fabric walls along a track suspended from the ceiling that allows for ever-changing configurations throughout the space. The curtains can move in any direction offering visual as well as acoustic privacy when needed. The enclosed space, when fully open, can accommodate 150 people. The floor is made of pine wood painted in black and supported on a timber frame, forming a unified surface upon which any distinction between the audience and the performance is eliminated.

Contrasting concepts

Two identical properties were combined to establish an optical store in the suburbs of Thessaloniki. The distinctive green hue that defines the space is inspired by the natural tint of glass, a result of iron oxidation inherent in the material.

 

Spatial Layout

The building’s symmetry was preserved and accentuated by emphasizing key structural elements, including the two “eyes” on the façade, the central cross-shaped beams, and the dominant central support. The floor plan was designed around a central feature -a massive block of stacked glass surfaces that anchors the space, serving as both a display and storage area for products. This element acts as the store’s “control center,” organizing its core functions -storage, optical testing, and checkout- while defining a circular flow of movement around it.

 

 

Custom Structures

The custom seating is seamlessly integrated into the central element, designed to visually “disappear” when not in use. Mirrors, essential to the store’s functionality, also play a key morphological role, strategically positioned at the core to break the continuity and geometric “weight” of the structure. Product displays are arranged in two main internal showcases, extending along both surfaces of the side walls.

 

 

Design Philosophy

The exterior features a low-profile curtain wall, providing an unobstructed view into the store. A handcrafted curtain surface frames the openings, subtly directing the gaze outward. At the back of the store, the archive, optometry laboratory, and ancillary spaces are symmetrically arranged within the existing shell, enclosed in two separate, semi-private volumes for protection and organization.

The interplay of geometry, spatial relationships, and movement is designed to evoke simplicity, drawing attention to materiality and the immersive experience of exploration. Glossy surfaces contrast with the raw, unfinished shell, emphasizing the passage of time and the evolution of the space. The hybrid nature of the interior is further expressed through fractured mirrors and glossy, green-painted surfaces, creating shifting visual compositions that change dynamically as one moves through the store.

The core concept was the “correlation of dual existence” -the fusion of contrasting spatial ideas, elements, and materials. It explores the interplay between the natural and the artificial, the precise and the imperfect, the fragile and the sturdy, the solid and the fragmented, the partial and the complete, the unfinished and the definitive, repetition and uniqueness.