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	<title>exhibition Archives | ek magazine | Architectural Publications</title>
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	<title>exhibition Archives | ek magazine | Architectural Publications</title>
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		<title>Salone del Mobile.Milano 2026 &#124; Fiera Milano, Rho, Italy</title>
		<link>https://ek-mag.com/salone-del-mobile-milano-2026-fiera-milano-rho-italy/</link>
		
		<dc:creator><![CDATA[Konstantinos]]></dc:creator>
		<pubDate>Sun, 08 Mar 2026 09:40:55 +0000</pubDate>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[furniture]]></category>
		<category><![CDATA[trade fair]]></category>
		<guid isPermaLink="false">https://ek-mag.com/?p=178322</guid>

					<description><![CDATA[<p>This article by <a href="https://ek-mag.com">Konstantinos</a> was published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a>.</p>
<p>The 64th edition of Salone del Mobile.Milano concluded with great success, reaffirming its role as the world’s leading event in the field of design</p>
<p>The post <a href="https://ek-mag.com/salone-del-mobile-milano-2026-fiera-milano-rho-italy/">Salone del Mobile.Milano 2026 | Fiera Milano, Rho, Italy</a> was originally published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a> | ek magazine – Architectural Publications.</p>
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										<content:encoded><![CDATA[<p>This article by <a href="https://ek-mag.com">Konstantinos</a> was published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a>.</p>
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			<p><strong>Global connections, new curatorial territories and an unprecedented openness to Contract. Salone del Mobile.Milano 2026 sets the coordinates for the project&#8217;s near future.</strong></p>
<p>The countdown to the 64th edition of the Salone del Mobile.Milano, the most important international furniture and design industry event, from 21<sup>st</sup> to 26th April, at Fiera Milano Rho, is on: more than 1,900 exhibitors (36.6% from abroad) and over 169,000 square metres of net exhibition space completely sold out. At the centre of it all is the eagerly awaited return of the biennial exhibitions: EuroCucina with FTK – <em>Technology </em>For the Kitchen, and the International Bathroom Exhibition.</p>
<p>Completing the picture is SaloneSatellite with 700 designers under 35 and 23 international schools and universities. These figures confirm that the Salone is not only the most important international furniture and design fair, but also an active and evolving cultural infrastructure: a relational and strategic driver that fuels global connections, disseminates shared visions and consolidates Milan&#8217;s role as the capital of contemporary design.</p>
<p>The common thread running through the 2026 edition will be an increasingly integrated architecture of content and exhibition itineraries. The Salone is also embarking on a new venture, which will lead to the debut of Salone Contract in 2027 — the Masterplan has been entrusted to Rem Koolhaas and David Gianotten (OMA). From the interpretation of contexts to the visitor experience, integrated supplies and the strengthening of B2B networking.</p>
<p>Debuting also Salone Raritas. Curated icons, unique objects, and outsider pieces: 25 exhibitors will create a new platform, a bridge between special production and the design market, curated by Annalisa Rosso, Editorial Director and Cultural Events Advisor of the Salone del Mobile.Milano, with exhibition design by Formafantasma.</p>
<p>A Luxury Way will feature Aurea, an Architectural Fiction, an immersive installation designed by Maison Numéro 20: an imaginary hotel that transforms interior design into narration and scenography, leveraging the emotional and sensory dimensions of living. Bringing this narrative together and amplifying it, the communication campaign A Matter of Salone is a collective project that puts matter back at the centre as the origin and meaning of design, translating the transition from gesture to form and meaning into images, and a reworked visitor experience: a clearer and more intuitive wayfinding system will help visitors find their way around the fair more easily, fostering discoveries and encounters and making the complexity of the event easier to understand.</p>
<p><strong>Learn more <a href="https://www.salonemilano.it/en?utm_source=referral&amp;utm_campaign=ek&amp;utm_medium=banner&amp;utm_content=760*520" target="_blank" rel="noopener">here</a>.</strong></p>
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<p><em>Cover Image: Entries_Salone del Mobile.Milano 2025_©Diego Ravier</em></p>
<p><em>01: Salone-Raritas_Salone del Mobile.Milano 2026_Visual_©Formafantasma</em></p>
<p><em>02: Aurea_Salone del Mobile.Milano 2026_illustration_MN20</em></p>
<p><em>03: Communication Campaign_A Matter of Salone_Salone del Mobile.Milano 2026_©Motel409</em></p>

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</div><p>The post <a href="https://ek-mag.com/salone-del-mobile-milano-2026-fiera-milano-rho-italy/">Salone del Mobile.Milano 2026 | Fiera Milano, Rho, Italy</a> was originally published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a> | ek magazine – Architectural Publications.</p>
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		<title>A Future for the Past &#124; Exhibition</title>
		<link>https://ek-mag.com/a-future-for-the-past-exhibition/</link>
		
		<dc:creator><![CDATA[Konstantinos]]></dc:creator>
		<pubDate>Tue, 21 May 2024 07:00:34 +0000</pubDate>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[event]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[marble]]></category>
		<guid isPermaLink="false">https://ek-mag.com/?p=155028</guid>

					<description><![CDATA[<p>This article by <a href="https://ek-mag.com">Konstantinos</a> was published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a>.</p>
<p>Raising awareness about marble craftsmanship at the island of Tinos</p>
<p>The post <a href="https://ek-mag.com/a-future-for-the-past-exhibition/">A Future for the Past | Exhibition</a> was originally published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a> | ek magazine – Architectural Publications.</p>
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										<content:encoded><![CDATA[<p>This article by <a href="https://ek-mag.com">Konstantinos</a> was published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a>.</p>
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			<p>The exhibition <strong>‘A Future for the Past’</strong> is part of a 2-year programme that aims to raise awareness about marble craftsmanship at the island of Tinos. The programme, in collaboration with marble atelier on•entropy and curator Maria Cristina Didero, brings together traditional craftsmanship and contemporary design and aims to showcase how their dialectic relationship can contribute to both social and economic sustainability.</p>
<p>Marble sculpting in Greece carries historical significance, as it is an art practiced for millennia and intertwined with the Greek cultural heritage. At the same time, today it can constitute a potential factor for social progress.</p>
<p>The research program, part of which is this exhibition, highlights precisely this aspect. Through kinaesthetic knowledge preserved across generations, the art of marble sculpting contributes to the strengthening of societal bonds within the villages of Tinos. Values such as the sense of belonging and the collective identity are brought to the forefront and consequently the quality of life improves. Especially during a period of intensive touristic development and gentrification at the island of Tinos, the empowerment of such values is more critical than ever.</p>
<p>The presentation of &#8220;A Future for the Past&#8221; at the Benaki Museum follows the successful installation at the international design hub in Milan and precedes a festival of marble craftsmanship at Tinos. The installation at Benaki Museum provides a unique opportunity for the museum’s contemporary greek marble exhibits to engage in a dialogue with the creations of tinian marble sculptors. These, in turn, will converse with a sculptural contemporary design object made by tinian marble sculptors.</p>
<p>Implemented with a hands-on, modern, inclusive and sustainable approach, this is an innovative synergy. It brings together the local and the international, and the traditional with the contemporary in the specific field of craftsmanship. The aim is that both, contemporary design and historic marble sculpting, can continue sustainably to the future, making Tinos a recognizable hub of cultural wealth.</p>

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</div><p>The post <a href="https://ek-mag.com/a-future-for-the-past-exhibition/">A Future for the Past | Exhibition</a> was originally published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a> | ek magazine – Architectural Publications.</p>
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		<title>Volax</title>
		<link>https://ek-mag.com/volax/</link>
		
		<dc:creator><![CDATA[Giannis]]></dc:creator>
		<pubDate>Thu, 09 Sep 2021 13:47:05 +0000</pubDate>
				<category><![CDATA[Interior Design]]></category>
		<category><![CDATA[Art & Design]]></category>
		<category><![CDATA[Athens]]></category>
		<category><![CDATA[collectible design]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[Interior design]]></category>
		<guid isPermaLink="false">https://ek-mag.eu/volax/</guid>

					<description><![CDATA[<p>This article by <a href="https://ek-mag.com">Giannis</a> was published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a>.</p>
<p>Carwan Gallery, 2/9-23/10</p>
<p>The post <a href="https://ek-mag.com/volax/">Volax</a> was originally published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a> | ek magazine – Architectural Publications.</p>
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										<content:encoded><![CDATA[<p>This article by <a href="https://ek-mag.com">Giannis</a> was published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a>.</p>
<p style="text-align: left;"><em>The Greek design duo Objects of Common Interest presents a Cycladic-inspired collection in wood and acrylic, in an exclusive collaboration with Carwan Gallery.</em></p>
<p style="text-align: left;">Carwan Gallery is kicking off the new season this September with an exclusive collaboration with Greek design studio Objects of Common Interest, in Athens. The exhibition showcases Volax, a new collection of life-size lighting and seating pieces that marks the studio’s first ever use of wood.</p>
<p style="text-align: left;">The collection is named after a tiny village perched high on the wind-swept mountains of the Greek island of Tinos. Large, almost perfectly round grey rocks dot the plateau and slopes around the village, creating a stunning landscape that remains an unexplained geological phenomenon. The Volax collection is inspired by the irregular and bold volumes of these mysterious granite rocks, conveying through each unique object the aura and presence of the Cycladic landscape.</p>
<p style="text-align: left;">For the first time in Objects of Common Interest’s material language, the collection uses wood to introduce a highly tactile and sensual experience that transports the mesmerizing forms of Volax rocks into a domestic environment. Solid wood elements are carved into imperfect, rounded formations, often combined with rigid glowing acrylic volumes that emerge from within them or from the room elements in which they are placed.</p>
<p style="text-align: left;">The result is an engaging collection of centrepieces in the form of lighting and seating elements at various scales, whose perception changes as one moves around them. The Volax collection is a continuation of the studio’s ongoing interest in abstraction and exploration of forms and materials.</p>
<p style="text-align: left;">Installed across Carwan Gallery’s entire space like a sculptural garden, the exhibition Volax invites visitors to feel and explore each of the newly created objects from different angles, creating an almost immersive experience that plays with the perception of volume, material, transparency, weight and texture.</p>
<p style="text-align: left;"><span style="color: #808080;"><a class="post-details" style="color: #808080;" href="https://objectsofcommoninterest.com/" target="_blank" rel="noopener noreferrer">Objects of Common Interest</a></span></p>
<p>The post <a href="https://ek-mag.com/volax/">Volax</a> was originally published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a> | ek magazine – Architectural Publications.</p>
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		<title>Carwan Gallery: Ruins</title>
		<link>https://ek-mag.com/carwan-gallery-ruins/</link>
		
		<dc:creator><![CDATA[Giannis]]></dc:creator>
		<pubDate>Tue, 08 Jun 2021 09:05:40 +0000</pubDate>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Athens]]></category>
		<category><![CDATA[collectible design]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[marble]]></category>
		<category><![CDATA[Roberto Sironi]]></category>
		<guid isPermaLink="false">https://ek-mag.eu/carwan-gallery-ruins/</guid>

					<description><![CDATA[<p>This article by <a href="https://ek-mag.com">Giannis</a> was published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a>.</p>
<p>Encoded Symbols by Roberto Sironi</p>
<p>The post <a href="https://ek-mag.com/carwan-gallery-ruins/">Carwan Gallery: Ruins</a> was originally published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a> | ek magazine – Architectural Publications.</p>
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										<content:encoded><![CDATA[<p>This article by <a href="https://ek-mag.com">Giannis</a> was published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a>.</p>
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			<p style="text-align: left;">After three years of research and development, RUINS SERIES, exclusively commissioned by Carwan Gallery is finally unveiled in Athens in June 2021</p>
<p style="text-align: left;">Carwan Gallery, in collaboration with IN Residence and Fonderia Artistica Battaglia, is pleased to present RUINS, a body of work by Roberto Sironi. The project, developed since 2017 and the result of four years of research, is enriched by a series of new works that complete the collection.</p>
<p style="text-align: left;">Ruins features a series of works that re-signify architectural fragments belonging to different historical periods and which refer to the most significant archaeological sites placed in the Mediterranean basin.</p>
<p style="text-align: left;">The project relates some constructive elements of the classical era as bases of columns, capitals, sections of amphitheatre with rudiments of the industrial era, such as the double-T beams, reticular structural elements and corrugated sheet metal, which are reshaped according to a new aesthetic perspective</p>
<p style="text-align: left;">The collection is conceived as a series of contemporary ruins, freely deconstructed and reconstructed, imaginary simulacra, programmed artifices where the materials and techniques of execution do not correspond to the original but rather become functional to the post-archaeological message conveyed, transmitting a feeling of “Indefinite time” that becomes hypothetical, evanescent, suspended.</p>
<p style="text-align: left;">Roberto Sironi got the opportunity to develop RUINS thanks to the selection of the international residency program IN Residence Design, curated by Barbara Brondi and Marco Rainò and to produce the works with bronze experts Fonderia Artistica Battaglia and Simone Desirò, Marmi Artificiali di Rima.</p>
<p style="text-align: left;">The project is also illustrated by a monographic publication curated by Barbara Brondi and Marco Rainò and published by NERO Editions, 2020.</p>
<p style="text-align: left;"><strong>Duration: June 3-August 28, 2021.</strong></p>

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</div><p>The post <a href="https://ek-mag.com/carwan-gallery-ruins/">Carwan Gallery: Ruins</a> was originally published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a> | ek magazine – Architectural Publications.</p>
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		<title>Z33 House for Contemporary Art</title>
		<link>https://ek-mag.com/z33-house-for-contemporary-art/</link>
		
		<dc:creator><![CDATA[Giannis]]></dc:creator>
		<pubDate>Fri, 03 Jul 2020 12:58:59 +0000</pubDate>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Belgium]]></category>
		<category><![CDATA[Cultural]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[monument]]></category>
		<category><![CDATA[urban]]></category>
		<guid isPermaLink="false">https://ek-mag.eu/z33-house-for-contemporary-art/</guid>

					<description><![CDATA[<p>This article by <a href="https://ek-mag.com">Giannis</a> was published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a>.</p>
<p>An Island in the Urban Fabric</p>
<p>The post <a href="https://ek-mag.com/z33-house-for-contemporary-art/">Z33 House for Contemporary Art</a> was originally published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a> | ek magazine – Architectural Publications.</p>
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										<content:encoded><![CDATA[<p>This article by <a href="https://ek-mag.com">Giannis</a> was published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a>.</p>
<p style="text-align: left;">Z33 belongs to the Beguinage of Hasselt, a monument and a part of the city. The historical complex resembles an island in the urban tissue, due to the exceptional size of the void and for the permanency of its border through history, an incongruous but continuous system of brick constructions. Z33 is part of this wall of buildings around the park. The park is the centre.</p>
<p style="text-align: left;">The design aims to promote it as a place of rest, with a different sound from the bustling of the city centre. The protection is given by the layering of the built border with its varying degrees of privacy: the park, the Begjinhof gardens, walls and gates, the plants and the herbs, the almost blind wall of the Jenever Museum and its silent chimneys, the modern severity of Vleugel’58, the solid opening of the Poortgebouw.</p>
<p style="text-align: left;">The house for contemporary art is one building made of two: the exisiting Vleugel ’58 and the extension building.</p>
<p style="text-align: left;">Vleugel’58 will remain a sequence of “chambres d’exposition”, a classical infrastructure of room with fine proportions and a certain degree of anonymity. The extension building is an ensemble of simple rooms that vary in size, proportion and light atmosphere and that overlook each other through the others: the complexity of the spatial pattern echoes the multiplicity of experiences of a city, with gradients between public and private, exposed or intimate.</p>
<p style="text-align: left;">The facade is the most delicate part of the project: it is the expression of the “house” towards the street.</p>
<p style="text-align: left;">The facade is bound to the brick architecture of the context: a continuous traditional solid masonry with variations in colour and size of both bricks and joints. It is an innovative construction of a double solid wall: an interior warm structure coupled with an exterior cold structure, which has movement in relation to temperature variations.</p>
<p style="text-align: left;">The design sets the goal of the construction of a solid façade in line with the traditional masonry, developing a solution, which is congruent and feasible with the technical knowledge and production possibilities of the present day.</p>
<p style="text-align: left;">This can be achieved by building the exterior wall of the façade as a solid composite reinforced brick-mortar wall, reducing to a mimimum the quantity of dilatation joints.</p>
<p style="text-align: left;">Walking along the street people experience the quietness of a long solid brick wall and a few openings from which one is overlooked by leaves and branches.</p>
<p style="text-align: left;"><span style="color: #808080;"><a class="post-details" style="color: #808080;" href="http://www.francescatorzo.it/" target="_blank" rel="noopener noreferrer">Francesca Torzo </a></span></p>
<p>The post <a href="https://ek-mag.com/z33-house-for-contemporary-art/">Z33 House for Contemporary Art</a> was originally published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a> | ek magazine – Architectural Publications.</p>
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		<title>Pavilion Competition</title>
		<link>https://ek-mag.com/pavilion-competition/</link>
		
		<dc:creator><![CDATA[Giannis]]></dc:creator>
		<pubDate>Wed, 20 Nov 2019 09:57:24 +0000</pubDate>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[award]]></category>
		<category><![CDATA[competition]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[hotel]]></category>
		<category><![CDATA[magazine]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[pavilion]]></category>
		<category><![CDATA[prize]]></category>
		<category><![CDATA[show]]></category>
		<guid isPermaLink="false">https://ek-mag.eu/pavilion-competition/</guid>

					<description><![CDATA[<p>This article by <a href="https://ek-mag.com">Giannis</a> was published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a>.</p>
<p>Award-winning pavilion for ek</p>
<p>The post <a href="https://ek-mag.com/pavilion-competition/">Pavilion Competition</a> was originally published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a> | ek magazine – Architectural Publications.</p>
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										<content:encoded><![CDATA[<p>This article by <a href="https://ek-mag.com">Giannis</a> was published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a>.</p>
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			<p style="text-align: left;">The ek exhibition pavilion, designed by Workroom2 Architecture – Alexandra Nikolaou, won the Visitors’ Choice Award for pavilions up to 20m² at this year’s 100% Hotel Show Pavilions Competition.</p>
<p style="text-align: left;">The pavilion was designed on the idea that the magazine, as well as architecture, are in perpetual evolution. To illustrate this concept, the architect staged an illusion technique using mirrors: the pavilion gives the impression of an endless tunnel, through the repetition of its structural frames, which results in the expansion of perspective depth. Initially, the structure appears bare, with its metallic supports made visible; progressively, the structural frame is dressed in mass, and shelters the exhibition space. Two wooden sideboards in the shape of a console, feature the magazines as if they were a museum exhibit. The materials chosen for the pavilion are coarse black sheet metal and MDF, to provide each magazine issue with better visibility.</p>
<p style="text-align: left;">This year’s Prizes were awarded to those pavilions that stood out in the visitors’ poll at the previous 100% Hotel Show exhibition and were delegated according to size. The winner of the “50+ m²” Category was Bagno y Bagno, and the “20-50 m²” Prize was awarded to Vagenas Contract Materials. The Awards ceremony was hosted by the 100% Hotel Show Exhibition organizer, Mr. Dimitrios Antonakos. Introducing the Pavilions Competition, where a visitors’ ballot runs all through the exhibition, saw a progressive surge in the quality of the pavilions’ design: Each year, the exhibition appears ever improving, and offers an exceptionally high-level experience to its many visitors. As a matter of course, ek is a media sponsor of the exhibition.</p>
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</div><p>The post <a href="https://ek-mag.com/pavilion-competition/">Pavilion Competition</a> was originally published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a> | ek magazine – Architectural Publications.</p>
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