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	<title>furniture design Archives | ek magazine | Architectural Publications</title>
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	<title>furniture design Archives | ek magazine | Architectural Publications</title>
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		<title>Innamorata Restaurant in Chalandri</title>
		<link>https://ek-mag.com/innamorata-restaurant-in-chalandri/</link>
		
		<dc:creator><![CDATA[Konstantinos]]></dc:creator>
		<pubDate>Thu, 22 Jan 2026 05:31:10 +0000</pubDate>
				<category><![CDATA[Interior Design]]></category>
		<category><![CDATA[Bar & Restaurant Architecture]]></category>
		<category><![CDATA[Color]]></category>
		<category><![CDATA[exterior design]]></category>
		<category><![CDATA[fabric]]></category>
		<category><![CDATA[furniture design]]></category>
		<category><![CDATA[marble]]></category>
		<category><![CDATA[stone]]></category>
		<category><![CDATA[wood]]></category>
		<guid isPermaLink="false">https://ek-mag.com/?p=176291</guid>

					<description><![CDATA[<p>This article by <a href="https://ek-mag.com">Konstantinos</a> was published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a>.</p>
<p>The circle is used repetitively, forming a dominant pattern, while the square tile introduces a deliberate geometric contrast</p>
<p>The post <a href="https://ek-mag.com/innamorata-restaurant-in-chalandri/">Innamorata Restaurant in Chalandri</a> was originally published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a> | ek magazine – Architectural Publications.</p>
]]></description>
										<content:encoded><![CDATA[<p>This article by <a href="https://ek-mag.com">Konstantinos</a> was published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a>.</p>
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			<h4>Contrasting shapes</h4>
<p>On the main street of the Havana district -an area of particular interest for food and beverage venues- a new contemporary Italian trattoria takes shape, emphasizing a balanced dialogue between materiality and form.</p>
<p>&nbsp;</p>
<p><strong>Exterior Design &amp; Layout</strong></p>
<p>Along the sidewalk, the restaurant unfolds with its first outdoor dining area. During the summer months, the metal pergola opens, allowing the large plane trees lining the street to provide natural shade throughout the day, while leaving the sky visible at night. Perimeter planting functions as a natural filter from passersby and street traffic, complemented by marine plywood panels which, through their carefully considered design and placement, allow natural light to penetrate the space, casting dramatic shadows and creating a layered atmosphere.</p>
<p>The main dining hall coexists with the open kitchen, where a low counter in front of the chefs’ workspace enhances a sense of immediacy and informality -core principles of the design concept. Comfortable rosewood sofas are arranged along the perimeter, oriented toward the heart of the restaurant, the kitchen, evoking the feeling of a large communal living room. Tables for both small and larger groups are interspersed throughout the space. The existing central column, a dominant feature of the hall, is embraced by a custom-made marble table and serves as the structural base for a suspended metal planter.</p>
<p><img fetchpriority="high" decoding="async" class="alignnone wp-image-176314 size-full" src="https://ek-mag.com/wp-content/uploads/2026/01/11-3.jpg" alt="Innamorata Restaurant -Vana Krimnionti-ekmagazine" width="1920" height="928" srcset="https://ek-mag.com/wp-content/uploads/2026/01/11-3.jpg 1920w, https://ek-mag.com/wp-content/uploads/2026/01/11-3-300x145.jpg 300w, https://ek-mag.com/wp-content/uploads/2026/01/11-3-1024x495.jpg 1024w, https://ek-mag.com/wp-content/uploads/2026/01/11-3-768x371.jpg 768w, https://ek-mag.com/wp-content/uploads/2026/01/11-3-1536x742.jpg 1536w, https://ek-mag.com/wp-content/uploads/2026/01/11-3-600x290.jpg 600w" sizes="(max-width: 1920px) 100vw, 1920px" /></p>
<p><strong>Material Palette</strong></p>
<p>The interior is clad with symmetrical perforated panels crafted from oak and rosewood, integrated with concealed lighting that bathes the space in warm wooden reflections. Upholstery fabrics draw inspiration from Italian elegance, both in their combinations and in the detailing of their stitching. Walls finished with hand-applied plaster gain luminosity from embedded, scattered mirrors, while material contrast is further reinforced by the use of construction planks on the floor and the brass cladding applied to all industrial stainless-steel kitchen equipment. Overall, the dialogue between raw materials -such as construction planks and plaster- and more refined ones -such as marble and brass- achieves a balance that reflects the spirit of the restaurant.</p>
<p>&nbsp;</p>
<p><img decoding="async" class="alignnone wp-image-176298 size-full" src="https://ek-mag.com/wp-content/uploads/2026/01/03-5.jpg" alt="Innamorata Restaurant -Vana Krimnionti-ekmagazine" width="1920" height="1440" srcset="https://ek-mag.com/wp-content/uploads/2026/01/03-5.jpg 1920w, https://ek-mag.com/wp-content/uploads/2026/01/03-5-300x225.jpg 300w, https://ek-mag.com/wp-content/uploads/2026/01/03-5-1024x768.jpg 1024w, https://ek-mag.com/wp-content/uploads/2026/01/03-5-768x576.jpg 768w, https://ek-mag.com/wp-content/uploads/2026/01/03-5-1536x1152.jpg 1536w, https://ek-mag.com/wp-content/uploads/2026/01/03-5-600x450.jpg 600w" sizes="(max-width: 1920px) 100vw, 1920px" /></p>
<p>&nbsp;</p>
<p><strong>Morphology &amp; Color Scheme</strong></p>
<p>Circular elements and curves dominate the composition, both in plan and in the finer design details, from the shapes of tables and lighting fixtures to the perforations in the wooden wall panels. The circle is employed repetitively to establish a strong visual motif, while the square tile used in the preparation areas, combined with exposed green grout, was selected to introduce geometric contrast.</p>
<p>The color palette is led by green -featured on the entrance door, tables, selected walls, seating, and tile joints- and yellow, present in the sofas and the tones of the wood. These are complemented by brass accents, visible in elements such as the bar cladding and selected lighting fixtures.</p>
<p>&nbsp;</p>
<p><img decoding="async" class="alignnone wp-image-176296 size-full" src="https://ek-mag.com/wp-content/uploads/2026/01/02-5.jpg" alt="Innamorata Restaurant -Vana Krimnionti-ekmagazine" width="1920" height="1440" srcset="https://ek-mag.com/wp-content/uploads/2026/01/02-5.jpg 1920w, https://ek-mag.com/wp-content/uploads/2026/01/02-5-300x225.jpg 300w, https://ek-mag.com/wp-content/uploads/2026/01/02-5-1024x768.jpg 1024w, https://ek-mag.com/wp-content/uploads/2026/01/02-5-768x576.jpg 768w, https://ek-mag.com/wp-content/uploads/2026/01/02-5-1536x1152.jpg 1536w, https://ek-mag.com/wp-content/uploads/2026/01/02-5-600x450.jpg 600w" sizes="(max-width: 1920px) 100vw, 1920px" /></p>

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</div><p>The post <a href="https://ek-mag.com/innamorata-restaurant-in-chalandri/">Innamorata Restaurant in Chalandri</a> was originally published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a> | ek magazine – Architectural Publications.</p>
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		<title>Apartment in Londrina, Brazil</title>
		<link>https://ek-mag.com/apartment-in-londrina-brazil/</link>
		
		<dc:creator><![CDATA[Konstantinos]]></dc:creator>
		<pubDate>Mon, 17 Nov 2025 05:31:38 +0000</pubDate>
				<category><![CDATA[Interior Design]]></category>
		<category><![CDATA[Color]]></category>
		<category><![CDATA[furniture design]]></category>
		<category><![CDATA[Minimalism]]></category>
		<category><![CDATA[open-plan space]]></category>
		<category><![CDATA[Residential Architecture]]></category>
		<guid isPermaLink="false">https://ek-mag.com/?p=173966</guid>

					<description><![CDATA[<p>This article by <a href="https://ek-mag.com">Konstantinos</a> was published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a>.</p>
<p>Blending lightness, functionality, and a contemporary approach to materials, the project celebrates creativity in every detail</p>
<p>The post <a href="https://ek-mag.com/apartment-in-londrina-brazil/">Apartment in Londrina, Brazil</a> was originally published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a> | ek magazine – Architectural Publications.</p>
]]></description>
										<content:encoded><![CDATA[<p>This article by <a href="https://ek-mag.com">Konstantinos</a> was published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a>.</p>
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			<h4>Design equilibrium</h4>
<p>Vibrant colors and textures converge to create an immersive living experience withing the apartment. Specifically, by blending lightness, functionality, and a contemporary approach to materials, the project celebrates creativity in every detail.</p>
<p>&nbsp;</p>
<p><strong>Design Philosophy</strong></p>
<p>Occupying 97m2, the apartment distinguishes itself through a bold color palette and visual composition strategies that explore contrast, layered surfaces, and geometric forms. The result is an atmosphere that feels both dynamic and meticulously composed.</p>
<p>&nbsp;</p>
<p><strong><img loading="lazy" decoding="async" class="alignnone wp-image-173997 size-full" src="https://ek-mag.com/wp-content/uploads/2025/11/aa.jpg" alt="Apartment in Londrina-Bohrer Arquitetos-ekmagazine" width="1920" height="1501" srcset="https://ek-mag.com/wp-content/uploads/2025/11/aa.jpg 1920w, https://ek-mag.com/wp-content/uploads/2025/11/aa-300x235.jpg 300w, https://ek-mag.com/wp-content/uploads/2025/11/aa-1024x801.jpg 1024w, https://ek-mag.com/wp-content/uploads/2025/11/aa-768x600.jpg 768w, https://ek-mag.com/wp-content/uploads/2025/11/aa-1536x1201.jpg 1536w, https://ek-mag.com/wp-content/uploads/2025/11/aa-600x469.jpg 600w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></strong></p>
<p>&nbsp;</p>
<p><strong>Spatial Organization</strong></p>
<p>The social areas are seamlessly integrated, with subtle zoning achieved through ceiling color variations. The entrance features a white ceiling, while the living, dining, and kitchen spaces are unified under a green one – a visual transition that preserves openness while defining distinct functions. Organic, lightweight furnishings reinforce the apartment’s identity and contribute to an inviting, balanced ambiance. The layout harmonizes aesthetics with practicality, supporting everyday living while maintaining a sense of vibrancy and expression.</p>
<p>&nbsp;</p>
<p><img loading="lazy" decoding="async" class="alignnone wp-image-173977 size-full" src="https://ek-mag.com/wp-content/uploads/2025/11/05-5.jpg" alt="Apartment in Londrina-Bohrer Arquitetos-ekmagazine" width="1920" height="1281" srcset="https://ek-mag.com/wp-content/uploads/2025/11/05-5.jpg 1920w, https://ek-mag.com/wp-content/uploads/2025/11/05-5-300x200.jpg 300w, https://ek-mag.com/wp-content/uploads/2025/11/05-5-1024x683.jpg 1024w, https://ek-mag.com/wp-content/uploads/2025/11/05-5-768x512.jpg 768w, https://ek-mag.com/wp-content/uploads/2025/11/05-5-1536x1025.jpg 1536w, https://ek-mag.com/wp-content/uploads/2025/11/05-5-600x400.jpg 600w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></p>
<p>&nbsp;</p>
<p><strong>Material Palette</strong></p>
<p>A dialogue between bold geometries, contemporary materials, and an emphasis on well-being establishes a refined balance between functionality and creative intent. The project embodies the essence of contemporary living, offering a fluid, expressive environment where comfort and design coexist in equilibrium.</p>
<p>&nbsp;</p>
<p><img loading="lazy" decoding="async" class="alignnone wp-image-173999 size-full" src="https://ek-mag.com/wp-content/uploads/2025/11/bb.jpg" alt="Apartment in Londrina-Bohrer Arquitetos-ekmagazine" width="1920" height="1501" srcset="https://ek-mag.com/wp-content/uploads/2025/11/bb.jpg 1920w, https://ek-mag.com/wp-content/uploads/2025/11/bb-300x235.jpg 300w, https://ek-mag.com/wp-content/uploads/2025/11/bb-1024x801.jpg 1024w, https://ek-mag.com/wp-content/uploads/2025/11/bb-768x600.jpg 768w, https://ek-mag.com/wp-content/uploads/2025/11/bb-1536x1201.jpg 1536w, https://ek-mag.com/wp-content/uploads/2025/11/bb-600x469.jpg 600w" sizes="auto, (max-width: 1920px) 100vw, 1920px" /></p>

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</div><p>The post <a href="https://ek-mag.com/apartment-in-londrina-brazil/">Apartment in Londrina, Brazil</a> was originally published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a> | ek magazine – Architectural Publications.</p>
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		<title>Streamlining Product Visualization</title>
		<link>https://ek-mag.com/streamlining-product-visualization/</link>
		
		<dc:creator><![CDATA[Konstantinos]]></dc:creator>
		<pubDate>Thu, 11 Sep 2025 14:36:06 +0000</pubDate>
				<category><![CDATA[Trends]]></category>
		<category><![CDATA[furniture design]]></category>
		<category><![CDATA[Product visualization]]></category>
		<category><![CDATA[rendering]]></category>
		<guid isPermaLink="false">https://ek-mag.com/?p=171349</guid>

					<description><![CDATA[<p>This article by <a href="https://ek-mag.com">Konstantinos</a> was published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a>.</p>
<p>Producing more than 450 photorealistic product images covering 150 outdoor furniture designs</p>
<p>The post <a href="https://ek-mag.com/streamlining-product-visualization/">Streamlining Product Visualization</a> was originally published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a> | ek magazine – Architectural Publications.</p>
]]></description>
										<content:encoded><![CDATA[<p>This article by <a href="https://ek-mag.com">Konstantinos</a> was published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a>.</p>
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			<h4>Eight Station’s Workflow for Green Theory</h4>
<p>When Green Theory set out to update its furniture catalog, the scope was ambitious: more than 450 photorealistic product images covering 150 outdoor furniture designs. For most studios, such a task would require months of production, endless revisions, and the constant risk of inconsistency. Vancouver-based studio Eight Station saw it as an opportunity to rethink the rendering process from the ground up.</p>
<p>The key was treating workflow design as seriously as visual design. Instead of relying on scattered folders and email chains, the team moved client collaboration into Figma. The platform, more commonly used for interface design, became a central hub where Green Theory could view, comment, and approve visuals in real time -cutting review cycles dramatically.</p>
<p>On the production side, a two-pass rendering method was introduced to maintain consistent shadows and lighting across hundreds of images. They also built a tailored material library by scanning actual finishes at Green Theory’s factory, ensuring powder-coat colors, wood grains, and stainless steel textures looked true to life. For stainless steel, they solved tricky reflection issues using Corona Ray Switch Materials, keeping the surfaces realistic without unwanted artifacts.</p>
<p>Automation played its part too. Photoshop scripts handled repetitive tasks, while an organized Google Drive structure ensured no assets were lost along the way. By combining technical precision with efficient systems, the team transformed what could have been a stressful, drawn-out process into a streamlined and scalable workflow.</p>
<p>The result was a complete catalog of consistent, high-quality visuals delivered on time. More than a rendering project, the collaboration demonstrated how process innovation can unlock creativity at scale. For studios tackling similar challenges, Eight Station’s work is a reminder that the future belongs to those who merge artistry with smart, systematic workflows.</p>

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</div><p>The post <a href="https://ek-mag.com/streamlining-product-visualization/">Streamlining Product Visualization</a> was originally published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a> | ek magazine – Architectural Publications.</p>
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		<title>cds Apartment &#124; São Paulo, Brazil</title>
		<link>https://ek-mag.com/cds-apartment-sao-paulo-brazil/</link>
		
		<dc:creator><![CDATA[Konstantinos]]></dc:creator>
		<pubDate>Wed, 25 Sep 2024 05:31:12 +0000</pubDate>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[furniture design]]></category>
		<category><![CDATA[minimal aesthetic]]></category>
		<category><![CDATA[natural materials]]></category>
		<category><![CDATA[Residential Architecture]]></category>
		<guid isPermaLink="false">https://ek-mag.com/?p=158672</guid>

					<description><![CDATA[<p>This article by <a href="https://ek-mag.com">Konstantinos</a> was published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a>.</p>
<p>Designing a clever distribution of social, private, and service rooms</p>
<p>The post <a href="https://ek-mag.com/cds-apartment-sao-paulo-brazil/">cds Apartment | São Paulo, Brazil</a> was originally published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a> | ek magazine – Architectural Publications.</p>
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										<content:encoded><![CDATA[<p>This article by <a href="https://ek-mag.com">Konstantinos</a> was published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a>.</p>
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			<h4>Refined character</h4>
<p>The apartment, built in a privileged location that enjoys views to Ibirapuera Park, has a clever distribution of social, private, and service rooms, and benefits from natural lighting and ventilation, developing a pleasant connection to its surroundings.</p>
<p>&nbsp;</p>
<p><strong>Architectural Approach &amp; Materials</strong></p>
<p>The project integrates the balconies to their respective interiors and creates more ample spaces. This continuity between inside and outside is enhanced with indoor plants and a garden wall. The joined balconies, high ceiling, and view to the park in the living and dining rooms, provide a grand yet intimate space, consistent with the client’s request for a place suited to socializing and relaxation.</p>
<p>The social area and main bedroom display three main shades: cement, wood and black. Cement is the basis of the apartment aesthetics: it is displayed on the floor, walls, and ceiling. In counterpoint, wood tones provide warmth and intimacy, while black adds sophistication, in a variety of textures.</p>
<p>&nbsp;</p>
<p><strong>Spatial Layout</strong></p>
<p>The redesign of social areas consolidates the entrances and organizes movements: Initially, five doors led to the living room; three were eliminated, and a single hall was created, with access to the elevator and to the guest bathroom. The slatted oak wall masks the doors and becomes a monumental piece, integrating all interventions. The minimalist concept is elaborated in the adjacent hall, a single volume that houses multiple functions, including the dining table and the fireplace.</p>
<p>The elongated, ebony-clad dining table doubles as a sideboard, a barbecue, and a beer and wine cellar, in one single unit characterized by simple, pure lines. A slender granite surface accommodates the fireplace and gently supports the TV counter, an oak monolith hiding all electronic appliances. The joinery of both elements is highlighted with a slim line, allowing ventilation of the mechanical equipment, and bringing lightness to the piece.</p>
<p>&nbsp;</p>
<p><strong>Custom Furniture</strong></p>
<p>Minimalism characterizes all furniture; the interior features select pieces, celebrating Brazilian design. The sofa embodies all concepts at play in the apartment: It is a grand, monumental piece, with memorable texture in a simple design. Its modular configuration adds flexibility to the layout, and allows multiple uses, making it ideal both for celebrated social occasions and for quiet moments of relaxation.</p>

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</div><p>The post <a href="https://ek-mag.com/cds-apartment-sao-paulo-brazil/">cds Apartment | São Paulo, Brazil</a> was originally published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a> | ek magazine – Architectural Publications.</p>
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		<title>Interworks.cloud Tech Company in Thessaloniki</title>
		<link>https://ek-mag.com/interworks-cloud-tech-company-in-thessaloniki/</link>
		
		<dc:creator><![CDATA[Konstantinos]]></dc:creator>
		<pubDate>Wed, 29 May 2024 05:31:08 +0000</pubDate>
				<category><![CDATA[Interior Design]]></category>
		<category><![CDATA[colour architecture]]></category>
		<category><![CDATA[custom design]]></category>
		<category><![CDATA[furniture design]]></category>
		<category><![CDATA[office architecture]]></category>
		<category><![CDATA[workplace]]></category>
		<guid isPermaLink="false">https://ek-mag.com/?p=154909</guid>

					<description><![CDATA[<p>This article by <a href="https://ek-mag.com">Konstantinos</a> was published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a>.</p>
<p>A playful workplace</p>
<p>The post <a href="https://ek-mag.com/interworks-cloud-tech-company-in-thessaloniki/">Interworks.cloud Tech Company in Thessaloniki</a> was originally published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a> | ek magazine – Architectural Publications.</p>
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										<content:encoded><![CDATA[<p>This article by <a href="https://ek-mag.com">Konstantinos</a> was published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a>.</p>
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			<h4>Creative flexibility</h4>
<p>The new 1000m² offices were designed from the ground up to ensure that every corner within the space encourages collaboration, ideation and brainstorming at any given moment.</p>
<p><strong> </strong></p>
<p><strong>Spatial Organization</strong></p>
<p>The layout is organized in a rectangular shape with a 100m2 interior courtyard at its center. The reception&#8217;s design conveys the idea of an unconventional working environment, with minimal aesthetic and guided by the company’s brand colours. The ceiling is defined by an industrial blue sky, while the reception area offers additional space for short meetings or work. The concept of maximum flexibility is carried out throughout the office, where spaces are organized in different typologies.</p>
<p>&nbsp;</p>
<p><strong>Exclusive Designs</strong></p>
<p>Marketing and sales are the first departments to be distinguished in the space. Specifically designed webnests, featuring custom metal structures, accommodate 6 to 8 cozy workstations, complete with TVs and whiteboards. This setup facilitates seamless problem-solving and brainstorming sessions and enables each team member to share information on the screens at any time.</p>
<p>Bar marketing is the first brainstorming area, consisting of a large table and a series of seats arranged in a bar layout. The first meeting room has whiteboards on the walls and a custom-made ping pong table seating 8 people. Several think tanks become ideal for isolated work, private calls or even as an alternative workspace.</p>
<p>&nbsp;</p>
<p><strong>Custom Elements</strong></p>
<p>Drawing inspiration from the word &#8220;disrupt&#8221;, a term prevalent in cloud companies, the main meeting room&#8217;s design embodies innovation since half of the room seamlessly extends outwards towards the courtyard creating a dynamic space that blurs the boundaries between interior and exterior. The meeting room is clad with vertical panels and includes a 12-seat table as well as a 16-seat sofa. Its walls are lined with whiteboard as well as a custom-made structure with hidden lighting.</p>
<p>The brainstorming room is designed as a small theatre, with the opposite wall also covered in whiteboard. The theatre is constructed in such a way that allows space for stools, which can be used for large group meetings. Adjacent to the brainstorming room is another private office, a four-person meeting bar with a TV and the RnD area with an additional 8-seat webnest. Finally, there is an additional office space filled with workstations with a central sliding mechanism that allow employees to move their desks around.</p>
<p>&nbsp;</p>
<p><strong>Innovative Uses</strong></p>
<p>TV screens are installed in all workspaces, allowing employees to share information via a wireless network. A series of tripod desks offer twelve additional seats for workers and have a special moving mechanism installed that serves as storage as well as a temporary seating for a colleague.</p>
<p>Entertainment plays an important role in the office environment. Throughout the space there are several board and video games, including two large Score 4&#8217;s as well as a dedicated playroom illuminated with hidden lighting and clad with high-strength fabrics. The kitchen-dining room features 360o doors and small house-shaped structures with TV screens for enjoying a casual lunch break or impromptu work discussions. The courtyard becomes an extension of the dining room and includes indoor and outdoor seating to accommodate all employee needs.</p>

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</div><p>The post <a href="https://ek-mag.com/interworks-cloud-tech-company-in-thessaloniki/">Interworks.cloud Tech Company in Thessaloniki</a> was originally published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a> | ek magazine – Architectural Publications.</p>
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		<title>The Melting Pot</title>
		<link>https://ek-mag.com/the-melting-pot/</link>
		
		<dc:creator><![CDATA[Giannis]]></dc:creator>
		<pubDate>Tue, 03 May 2022 07:44:42 +0000</pubDate>
				<category><![CDATA[Interior Design]]></category>
		<category><![CDATA[Cyprus]]></category>
		<category><![CDATA[furniture design]]></category>
		<category><![CDATA[product design]]></category>
		<category><![CDATA[retail architecture]]></category>
		<guid isPermaLink="false">https://ek-mag.eu/the-melting-pot/</guid>

					<description><![CDATA[<p>This article by <a href="https://ek-mag.com">Giannis</a> was published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a>.</p>
<p>Concept Store Design in Limassol</p>
<p>The post <a href="https://ek-mag.com/the-melting-pot/">The Melting Pot</a> was originally published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a> | ek magazine – Architectural Publications.</p>
]]></description>
										<content:encoded><![CDATA[<p>This article by <a href="https://ek-mag.com">Giannis</a> was published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a>.</p>
<p class="p1" style="text-align: left;">Eleftherias Street is one of the oldest thoroughfares in the historic center of Limassol, with a past of great commercial activity, combining residential and commercial buildings from the mid-19th century, with influences from British colonialism up until the mid-20th century, when modernism had already exerted its influence on local architecture.</p>
<p class="p1" style="text-align: left;">In the late 80&#8217;s, with the city developing towards the east, the area declined, several of the buildings were abandoned, and their use was limited almost entirely to craft. Following the recent completion of the marina, the area is regaining attention, and many buildings of architectural and historical interest have been restored.</p>
<p class="p1" style="text-align: left;">One of the buildings, that is clearly influenced by the modernism of the 40&#8217;s, is the two-storey building with a triangular plan, which is located at the intersection of Eleftherias and Aphrodites streets. Aphrodites street, on the south side of the building, had served as the thoroughfare of the Turkish Cypriot quarter, a borderline between Christian and Muslim elements. The restoration of this building, and the conversion of its ground floor into a concept store, has been undertaken by the architectural office Arcube Studio by Panayiotis Stelikos.</p>
<p class="p1" style="text-align: left;">In terms of morphology, the visible linear structural elements, made of reinforced concrete with large windows and skylights, clearly indicate the influences of modernism on the ground floor. On the other hand, the limited openings on the first floor, the wooden windows with shutters, but mainly the wooden roof, refer to 19th-century architecture. The perimetrical balcony, which is an extension of the ground floor slab, not only functions as a planar structural element that separates the two floors, but also as a boundary between the two architectural periods.</p>
<p class="p1" style="text-align: left;">The Melting Pot is an exhibition space where design appreciators may also enjoy selected music, specialty coffee, quality cocktails and hand picked dishes. This idea emerged from the necessity of an empirical presentation of RIZA, the new furniture brand launched by Panayiotis Stelikos.</p>
<p class="p1" style="text-align: left;">The main referential point for the configuration of the fixed elements and the spatial assignment of the functions of the interior area is the perimeter of the building, which consists of two linear sections that converge in a circular arc. The design of the bar relies on this form, a floating concrete volume with references to futurism, in light terracotta color from a combination of pigments that has been created especially for the venue. At points it resembles a rock in the desert and at other points an aircraft from the future. It has been placed centrally, around the central column, as an offset of the perimeter inwards. This central placement brings the beverage production process to the forefront, while allowing a circular movement between the production area and the seats.</p>
<p class="p1" style="text-align: left;">The scale has also been utilized in the case of the bar, with its net height kept as low as possible, so that its relationship with the distance to the ceiling, makes the space more impressive. Smaller volumes of the same material, the Kaivu, are found in the perimeter of the space, serving as stands for exhibits, as seats and as tables.</p>
<p class="p1" style="text-align: left;">Light terracotta color, in a different shade, is found on the fabrics used as upholstery, on the Porana sofa, and on the cushions of chairs and of armchairs.</p>
<p class="p1" style="text-align: left;">The brown and gray shades, applied to the structural elements, the window facades and the flowerbeds, connect the building externally with the Cypriot urban landscape, while the gray of the external steps, that extends to the inner floor, acts as a material connecting the exterior with the interior. The integration of the interior with the exterior and with the immediate urban environment, is achieved organically through a total of five doors, two on each side and one in the circular arch of the space. In such an asymmetrical floor plan, each of these five doors makes a distinctive impression.</p>
<p class="p1" style="text-align: left;">For instance, entering through the main door creates a sense of a space that is firm and impressive, dominated by white and with considerable height, whereas anyone entering from either of the north entrances, will face the light terracotta of the bar and the climbing plants further inside, which create a sense of familiarity of an urban courtyard.</p>
<p class="p1" style="text-align: left;">The white of the interior walls and of the high ceiling is also found in a glossy texture in many of the furniture, and more prominently in the perforated stands with the steel frames, formed by polygonal chains of straight sections and circular arches, that start from the floor and end at the ceiling.</p>
<p class="p1" style="text-align: left;">The tall, frameless doorway leading to the auxiliary spaces is integrated with the wall with its handle following the logic of the linear metal frames. The space’s open plan, combined with the large windows, allows for the light to diffuse abundantly, while the existing steel meshes on the south side, utilized for the climbing plants, create unique shadows during the morning hours.</p>
<p class="p1" style="text-align: left;">The logic of alternating between the transparency of the white exhibition stands, that opposes the monolithicity of the Kaivu, is also applied to the movable furniture, such as the steel chairs Anjo and Velma, combined with the Tukai seats. The white Uyuni dining set is an ideal combination of the monolithic nature of the concrete and the transparency achieved by the detachment of the table top and the stool seat from the steel base respectively. The Miyoshi armchair, embracing all the properties of the design principle, is bulky and elegant, thin as a sheet of folded paper, heavy and suspended.</p>
<p class="p1" style="text-align: left;">The design principle of the movable furniture matches with that of the entire space, that is, the alternation between textures, colors and volumes, with minimal lines and the earthy color palette being a common attribute.</p>
<p class="p1" style="text-align: left;">The color palette is comprised by colors of the Cypriot urban and natural landscape, in tones and textures that oftentimes refer to Scandinavia or to Korean minimalism. The green element, which also renders the space more earthy, encloses the building on the outside, while on the inside, succulents are suspended from the ceiling. The artificial lighting is mainly hidden, and is used more as a background element of the night scene, emphasizing the space’s basic structural elements.</p>
<p>The post <a href="https://ek-mag.com/the-melting-pot/">The Melting Pot</a> was originally published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a> | ek magazine – Architectural Publications.</p>
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		<title>EKEP</title>
		<link>https://ek-mag.com/ekep/</link>
		
		<dc:creator><![CDATA[Giannis]]></dc:creator>
		<pubDate>Tue, 29 Jun 2021 10:40:11 +0000</pubDate>
				<category><![CDATA[Interior Design]]></category>
		<category><![CDATA[Apartment]]></category>
		<category><![CDATA[Athens]]></category>
		<category><![CDATA[cultural management]]></category>
		<category><![CDATA[furniture design]]></category>
		<category><![CDATA[Interior design]]></category>
		<category><![CDATA[library]]></category>
		<category><![CDATA[renovation]]></category>
		<guid isPermaLink="false">https://ek-mag.eu/ekep/</guid>

					<description><![CDATA[<p>This article by <a href="https://ek-mag.com">Giannis</a> was published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a>.</p>
<p>Highlighting vintage qualities</p>
<p>The post <a href="https://ek-mag.com/ekep/">EKEP</a> was originally published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a> | ek magazine – Architectural Publications.</p>
]]></description>
										<content:encoded><![CDATA[<p>This article by <a href="https://ek-mag.com">Giannis</a> was published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a>.</p>
<p style="text-align: left;"><strong>EKEP was founded in 2018 as a transmitter of high-quality cultural commodities on the field of books and visual arts.</strong></p>
<p style="text-align: left;">Located in Athens opposite the Kallimarmaro Stadium in a 1960&#8217;s high-end apartment, EKEPs space should reflect its high-quality background while at the same time propel an equal dialogue with the unique vintage qualities of the existing space.</p>
<p style="text-align: left;">Programmatically apart of the required offices, the new space should mainly house the 20.000+ books of EKEPs special book collection and create old paintings archive, preservation &amp; restoration lab, a reading/studying room, a meeting/dining room, and a display corner for its limited book editions.</p>
<p style="text-align: left;">Minimal, full height libraries with continuous linear shelves running from on room to the other offer the illusion of a large, unified space while creating a warm atmosphere through its layout and materiality.</p>
<p style="text-align: left;">High quality craftsmanship and passion was a key role to this project as the contradiction of the contemporary design with the top-quality vintage architectural details was a real challenge. All the new furniture were designed from scratch in high construction detail to meet in balance with the existing vintage furniture of the foundation.</p>
<p style="text-align: left;"><span style="color: #808080;"><a class="post-details" style="color: #808080;" href="https://athenscreative.gr/en/" target="_blank" rel="noopener noreferrer">Athens Creative</a></span></p>
<p>The post <a href="https://ek-mag.com/ekep/">EKEP</a> was originally published on <a href="https://ek-mag.com">ek magazine | Architectural Publications</a> | ek magazine – Architectural Publications.</p>
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