Spatial symphony

Tucked within the dense urban fabric of Limassol, the project is conceived as a refined retreat that explores the expressive potential of materiality, light and spatial continuity. The interior unfolds as a carefully curated composition, where tactile surfaces, layered lighting and bespoke details generate an atmosphere that is both intimate and elevated. Each element contributes to a narrative of lived elegance, where design operates not only as a visual language but as an experiential medium.

 

Spatial Organization

The living area develops as a fluid, open-plan environment, where spatial boundaries dissolve in favor of continuity and visual cohesion. A backlit library wall acts as a central architectural gesture, emitting a soft, ambient glow reminiscent of sunset light, while simultaneously functioning as a display system for curated objects and books. This illuminated surface anchors the space, introducing a gallery-like quality to the domestic setting.

Furniture elements are positioned to enhance both comfort and contrast, with a saddle leather grey sofa paired with a vivid red armchair. Full-height glazing extends the interior toward the exterior balcony, establishing a direct visual connection with a vibrant courtyard mural and reinforcing the dialogue between interior and exterior expression.

Material Palette

The kitchen is conceived as the operational core of the residence, balancing everyday functionality with social interaction. Wood cabinetry introduces warmth, while grey stone countertops and integrated appliances articulate a contemporary aesthetic. The central island operates as both workspace and gathering point, seamlessly connecting kitchen, dining and living areas.

In the dining space, a sculptural rose gold chandelier defines the atmosphere, casting diffused light across the black dining table. Upholstered seating and layered table settings introduce a sense of refined informality, while sheer curtains modulate daylight, producing a calm and intimate environment.

 

 

Lighting Design

The bedroom is approached as a sensorial environment, where texture and material layering define spatial identity. Denim-textured wall coverings establish a soft, woven backdrop, framing a sculptural bed upholstered in green textile. Complementary green marble surfaces and leather-wrapped details introduce a nuanced material dialogue, balancing tactility with precision.

Lighting plays a critical role in shaping the atmosphere, with brass-detailed track systems highlighting artworks and surfaces, while a chandelier composed of golden leaf elements introduces a focal, almost scenographic quality. The resulting composition reinforces a sense of intimacy, transforming the bedroom into a contemplative and immersive space.

Overall, the interior design achieves a cohesive synthesis of function, craftsmanship and narrative, aligning seamlessly with the architectural framework of the residence while articulating a distinct and layered domestic experience.

 

Architecture as a Pluralist Landscape

The project is conceived as a forward-looking architectural statement, aligning the company’s identity with its core values of innovation, technical expertise and long-term sustainability. Bringing together multiple entities with distinct fields of activity, the project articulates a sequence of spatial environments, each expressing an individual corporate character while remaining embedded within a unified architectural framework.

The design unfolds as a layered exploration of form, materiality and atmosphere. Rather than adopting a singular, monolithic identity, the headquarters is conceived as a constellation of environments, each defined by its own formal language, geometry and sensorial qualities, forming a cohesive yet plural spatial experience.

 

Design Philosophy

Within this framework, selected areas adopt a pop-art and postmodern vocabulary, drawing references from the expressive language of Ettore Sottsass and the Memphis School. Through the use of bold colors, graphic patterns and sculptural volumes, these spaces introduce a dynamic and playful spatial rhythm, fostering an environment of creativity and visual stimulation.

In contrast, other zones embrace a raw, industrial aesthetic, echoing contemporary workplace paradigms. Exposed structural elements, carefully calibrated lighting and a palette of honest materials define these environments, where functional clarity is balanced with atmospheric depth.

 

 

Spatial Organization

Complementing these expressive environments, several floors are conceived through a minimalist approach, where spatial restraint, controlled geometries and functional precision become the defining architectural principles. Here, the reduction of form allows for a clear reading of space, emphasizing proportion, light and the essential qualities of the built environment.

This juxtaposition of contrasting spatial languages establishes a dynamic internal landscape, where diversity becomes a key driver of the architectural experience, while coherence is maintained through careful compositional control.

 

 

Biophilic Integration

The project further incorporates biophilic environments, positioning nature and daylight at the core of the spatial composition. Generous planting, filtered natural light and the use of organic textures contribute to a sensorial connection with the natural environment, reflecting the company’s commitment to sustainability and corporate social responsibility.

Together, these distinct spatial conditions form a living, pluralistic headquarters – an architectural ecosystem where each entity inhabits a space aligned with its identity, while collectively contributing to a unified vision grounded in experimentation, innovation and the continuous redefinition of the contemporary workplace.

 

Legible boundaries

The interior design of a 300 m² office space for an insurance company is conceived as a study in transparency, spatial continuity and organizational clarity. The proposal introduces the notion of the “capsule” as a primary morphological and functional device, structuring the workplace through a series of transparent volumes that articulate the program while preserving a continuous visual field throughout the interior.

 

Spatial Organization

Departing from conventional enclosed office typologies, the design employs glass volumes to accommodate private functions such as meeting rooms and executive offices. These “capsules” operate as lightweight architectural insertions within the open-plan layout, allowing natural light to permeate the entirety of the space while maintaining visual connections across departments. The workspace is thus conceived as a unified environment, where boundaries remain legible yet non-restrictive, supporting both collaboration and autonomy.

 

 

Material Palette

Materiality plays a decisive role in shaping the atmosphere of the interior. Exposed cable trays mounted on metal rails, perforated metal panels and glass block partitions foreground the infrastructural and technical dimension of the workspace. In contrast, neutral surfaces introduce a layer of warmth and balance, establishing a dialogue between industrial expression and a more domestic sensibility. This juxtaposition produces a spatial identity that is both precise and inviting.

 

 

Lighting Design

In the entrance, a large-scale perforated metal screen defines the first spatial threshold. Acting as a semi-transparent filter, it subtly delineates the reception area while maintaining visual permeability toward the open workspace beyond. Light and movement diffuse through its perforated surface, enabling a gradual transition from the entrance zone into the interior.

Lighting design further reinforces the spatial reading of the project. Linear fixtures trace the primary axes of circulation, while sculptural and directional lighting elements accentuate specific zones of work and interaction. Combined with the abundant daylight entering through large openings, the lighting strategy enhances the rhythm, depth and clarity of the interior environment.

The resulting workspace is defined by openness, adaptability and a coherent spatial language. Through the interplay of transparency, material contrasts and light, the project fosters a dynamic environment that encourages collaboration while accommodating moments of concentration and privacy within a unified architectural framework.

 

Highlighting the grid

The OTE Headquarters in Athens is the realized architectural study of a multi-storey office building, star-shaped in plan, based on the proposal that was awarded second prize among twelve selected entries. The project concerns the renovation and reconstruction of office and communal spaces from the 2nd to the 13th floor; a decision made in 2019 within the framework of modernization and energy upgrading of the building envelope.

 

Building history and structure

The construction of the original volume began in 1974, with several modifications to the initial plans, while the building was ultimately put into operation in the 1980s, consolidating all services of the “Hellenic Telecommunications Organization.” On a plot of 52 stremmas, a building with a total floor area of 65,000m² was developed.

The new proposal for the interior layout of the office spaces followed the structural grid of the existing shell. The superstructure consists of three rectangular wings, connected through a central circular core of vertical circulation. Each of the 13-storey wings was designed on a vertical structural grid of 1.25×1.25 m, expressed on the façades through external, non-structural, horizontal and vertical reinforced concrete panels. A similar approach is applied to the circular core, where the panels are exclusively vertical and arranged in a radial configuration. Each wing was “divided” into three longitudinal zones, each corresponding to six openings of 1.25m, resulting in a total width of 7.50m per zone.

 

 

Functional organization

In this way, alternative work modules were developed in full correspondence with the building’s structural grid. In the two lateral zones of each wing, both open-plan and enclosed office spaces were arranged, along with dedicated meeting rooms. In these areas, which benefit from natural light and unobstructed views, the arrangement of workstations in two groups of four creates a maximum unit of eight workstations.

The four corner zones of each wing were enclosed with fixed partitions, accommodating special uses, alternating between executive offices, workspaces, collaboration areas, meeting rooms, relaxation zones, creative spaces, rest areas, and spaces for employee retreat.

Movable, flexible, or fixed partitions for integration, repetition, or separation can accommodate – with mechanical precision – all possible conditions of flexibility, functionality, and adaptability. In the central zone, aligned with the structural grid, meeting rooms, sanitary facilities, and support spaces are developed.

 

 

Design Interventions

These include meeting rooms and areas, WCs, a closed kitchen, printing and copying rooms, semi-open meeting booths for private discussions, and open communal spaces for gathering and relaxation. A significant portion is occupied by the existing central core, which houses MEP spaces and the emergency staircase, while a dedicated project/meeting room at the top level, along with the distinctive design and material selection of the entrance area, complete the central zone.

The primary function of the central circular core is circulation and communication, and secondarily, it accommodates auxiliary uses such as WCs and storage areas. Interventions were kept to a minimum, focusing on the refinement of existing material finishes or the localized addition of new ones, the redesign of lighting and ceilings, and the introduction of custom constructions and selected furniture pieces in the radial, curved areas for rest or breaks between the wings.

In one of these areas, the open food service space (cafeteria) was fully upgraded according to specifications, with new elements, lighting, and equipment. Similarly, the WCs were upgraded through the replacement of partitions, claddings, and sanitary fixtures.

 

 

Material Palette

Key parameters in the process of design, selection, and application methods of materials were compliance with the requirements of LEED and WELL Building Standard certification systems.

The construction materials follow the logic of a central design strategy, with consistent choices in flooring, acoustic ceilings, and lighting, combined with numerous variations in claddings, textures, colors, subtle tonalities, material qualities, and furniture equipment. In this way, each wing and floor forms a distinct yet unique visual identity, resulting in a cohesive compositional and aesthetic outcome aligned with the new concept of the study.

The architectural design of the new interior layouts of the headquarters, along with its subtle visual differentiation on the façade (through the replacement of aluminum frames), completes its aesthetic identity, fully implementing the requirements of certification systems, while respecting the existing shell and reinforcing the building’s established presence in the urban consciousness of a major organization.

 

Ritualistic process

LOULOU, an iconic boutique dedicated to rare and avant-garde eyewear, introduces its new space in Lyon, conceived as a spatial showcase that reflects both the exclusivity of its collections and the identity of the brand. Recognized internationally and ranked among the top five optical boutiques worldwide, the project articulates a synthesis of design, craftsmanship, and curated retail experience.

The boutique presents a carefully assembled selection of eyewear from international designers, emphasizing rarity, innovation, and the art of detail. Brands originating from diverse cultural contexts, including Japan, France, the United States, and Brazil, are brought together under a unified curatorial vision that foregrounds material precision and aesthetic clarity.

 

Retail Concept

Situated in a new address in Lyon, the store establishes itself as a destination for design-conscious audiences. The relocation marks a strategic evolution, transforming the boutique into a spatial narrative where objects are revealed progressively, fostering a sense of discovery. The retail experience departs from conventional optical environments, instead embracing a philosophy of “quiet luxury,” where discretion, refinement, and personal interaction define the product engagement.

This approach reframes the act of selection as an intimate and almost ritualistic process, where eyewear is introduced gradually, echoing gestures of hospitality and attentiveness. The boutique operates not only as a commercial space but also as a platform supporting independent design and local craftsmanship.

 

 

Spatial Organization

The proposal articulates a contemporary interior language through a restrained yet expressive palette of materials. Pink concrete, dark wood, and brushed metal are combined to construct a layered spatial environment that balances tactility with visual coherence.

The spatial organization unfolds as a sequence of intimate zones, culminating in a boudoir-like setting that enhances the experiential dimension of the visit. This configuration allows for both display and consultation, integrating functional requirements, such as eye testing, within a cohesive and refined architectural framework.

 

 

Material Palette

Materiality plays a central role in defining the identity of the space. The juxtaposition of raw and refined surfaces establishes a dialogue between permanence and precision, while the controlled use of color and texture contributes to an atmosphere of understated sophistication.

The detailing of the interior reinforces the brand’s commitment to craftsmanship, translating the qualities of the eyewear collections into spatial form. Through this approach, the boutique transcends its commercial function, becoming an architectural expression of curated design culture and sensory experience.

 

Shared core

The redesign of the Wealth Management department offices of a dynamic securities company in Athens presented an opportunity to upgrade employees’ everyday experience by improving the qualitative and functional aspects of their working environment. The offices occupy the ground floor of a six-story building dating back to the 1990s, where the existing condition served as the basis for a contemporary reinterpretation of the space.

 

Design Philosophy

A primary objective of the study was to provide sufficient workstations for a continuously expanding team, while also addressing needs for comfort, sound insulation, collaboration, and flexibility. The main challenge lay in accommodating a large number of users within a limited floor area, further complicated by the team’s hybrid working model.

The spatial organization is structured around an elongated, communal “core,” which functions as the main axis of circulation and activity. This core incorporates workstations, a lounge area, storage units, and auxiliary functions, while the more private workspaces are arranged around it. These include offices of varying capacity, an executive office, a meeting room, and supporting spaces such as a kitchenette and WC.

 

 

Material Palette

The dissolution of rigid boundaries is achieved through the use of glass partitions, enhancing visual continuity and reinforcing the perception of the space as a unified environment. At the same time, the “stripping back” of the building envelope – through the removal of suspended ceilings and the exposure of the structural and mechanical systems – introduces an aesthetic of honesty and industrial clarity.

In contrast to the exposed structural elements such as concrete, metal, and visible installations, the material palette is enriched with warm and tactile qualities: woven vinyl flooring in sandy tones, natural walnut veneer surfaces, upholstery fabrics with subtle color accents, and integrated greenery. The result is a balanced composition between technical austerity and spatial warmth.

 

 

Lighting & Acoustic Design

Lighting design played a crucial role, given the uneven distribution of natural light within the ground-floor space. Through a combination of direct and indirect artificial lighting, adjustable shading systems, and specialized window films, a balanced luminous environment is achieved while minimizing glare.

At the same time, acoustic comfort is ensured through the use of sound-absorbing materials, such as perforated surfaces, fabric shades, and specialized flooring, contributing to a calm and productive working atmosphere. Guided by the principles of clarity, transparency, and honesty, the project shapes a multifaceted and flexible workspace that encourages interaction, supports concentration, and enhances the overall daily experience of its users.

 

Biophilic design

The company’s offices, belonging to a global leader in the food industry, have been fully renovated, transitioning from a traditional layout to a biophilic, innovative work environment. Moving away from the conventional closed-office typology, the new space adopts a variety of scenarios. Centered around an open plan logic, the design introduces flexibility, enabling the creation of spaces that support diverse modes of collaboration.

 

Design Philosophy

Materials assume a defining role, shaping atmospheres that encourage a sense of engagement – an essential catalyst for fostering creativity. At the same time, sustainability is embedded as a key component, aligned with the company’s philosophy throughout the entire design process. Upon entry, the reception area conveys a welcoming character, with soft, curved wooden lines that gently embrace the Nestlé logo. Elements such as marble and an olive tree are incorporated to reinforce local identity, while the material and color palette subtly reference local brands. The company’s values are dynamically communicated through an LED wall that adjusts its lighting according to the time of day.

The overall design is organized around a layout accommodating approximately 50–60 workstations per floor, complemented by alternative work areas tailored to the needs of different departments. The workspace prioritizes the open plan concept and the diffusion of natural light through perimeter openings, minimizing visual barriers. At the center of the design lies the “core” – a closed, dynamic form that defines Nestlé’s new era while hosting a variety of functions across distinct zones.

 

 

Spatial Organization

Collaboration rooms, focus booths, pet corners, and recreational areas respond to the diverse needs of the workplace. The aesthetic of the core, linked to the motto “Growing Tree of Good Life,” aligns with the company’s work strategy, while relaxation areas and soft corners distributed throughout the layout promote a sense of comfort, facilitating dialogue and collaboration.

At the main entrance of each floor, a lounge meeting point welcomes visitors, functioning as a flexible space for waiting, relaxation, or informal meetings. Adjacent to it, the “Amphitheater” – inspired by Greek sculptural architecture – offers the possibility of large-scale open gatherings for idea exchange, combining physical presence with technology. Thematic leisure areas on each level act as landmarks that embrace the brand represented by each floor. The meeting room on the north side draws inspiration from the deep blue of the Aegean, symbolizing the dynamism of technology as a medium for next-generation communication and collaboration. Descending to the semi-basement level, users encounter the restaurant, which operates as a space for dining, meetings, or assemblies.

 

 

Materiality & Sustainability

Aiming to support this multifaceted narrative, the restaurant is equipped with flexible furniture that allows for alternative configurations, while plants, in combination with the surrounding outdoor environment, complete the design.

Across the project, 90% of the flooring consists of recyclable materials, wall claddings are made from natural materials such as wood and cork, and acoustic panels are constructed from recycled plastic bottles.

Sustainability lies at the core of the design, with each floor featuring dedicated recycling points for waste separation. The office is also pet-friendly, the first of its kind in Athens, featuring pet corners and a dedicated check-in/check-out system for companion animals.

 

Davide Groppi is an Italian lighting designer, born in Piacenza. In the late 1980s, after an initial training in drafting, he started a small workshop in the historic heart of the city, inventing and manufacturing lamps with the brand by his same name. Over time, creative independence and management have allowed him to develop his own brand of original and unique products, distributed the world over. In his work, simplicity, lightness, emotion, invention, and amazement are the fundamental elements. The things that inspire these ideas are works of art, ready-made objects, magic, the desire to make things with his hands or simply the urge to play and have fun with light.

 

S.M.: What drew you to lighting design in the first place? Which different aspects of design did your interest shift to during your activity?

D.G.: The need to communicate and do a job that belonged to me. Light has always fascinated me, and I have always liked the idea of telling stories with my lamps. Now I am mainly interested in the immaterial aspect of light, and therefore the possibility of inventing something new, never seen before.

 

 

S.M.: Your breakthrough design came through an encounter with Maddalena de Padova, from an already established company mostly centered around furniture; beyond image or typology, what do you think lay at the essence of this design to match with the sensibility of the brand?

D.G.: I believe that Maddalena De Padova felt my passion for light and lamps. And, also, a certain way of describing my work.

 

 

S.M.: Design and production are strictly linked. How early did you choose to become a producer of your own designs, and what have been the advantages and disadvantages of managing both fields?

D.G.: Immediately. I was too young to think about presenting my ideas to companies. So, I imagined self-producing what I invented. It was an adventure, but I had the opportunity to grow independently and free from the typical constraints of the industry.

 

Read the full interview in the annual issue Villas 2024.

Core of everyday life

In the heart of the settlement of Pollonia in Milos, a polygonal plot is transformed into a complex spatial organism, where the notion of the courtyard is reinterpreted as the core of everyday life. The proposal reconstructs the atmosphere of the Cycladic village through a contemporary architectural language, creating an environment that balances between privacy and collectivity.

 

Design Philosophy

The plan unfolds along the perimeter of the plot, with independent rooms arranged as volumes tracing its boundary. Within, a network of courtyards and pathways is formed, composing a sequence of open and semi-open spaces. The visitor is invited to navigate this system, discovering hidden corners and inner gardens, and choosing between moments of seclusion or social interaction.

The architectural experience is structured as a succession of spatial transitions, where movement becomes a key tool for understanding the project. The routes are non-linear, gradually revealing the whole and reinforcing the sense of a village at a micro scale.

 

 

Materiality & Architectural Language

The volumes develop across two levels, forming a clear dual material expression. A grounded base of exposed stone anchors the composition, while the white upper level appears to hover lightly above it, separated by a subtle shadow gap. This contrast enhances the plasticity of the composition and articulates the relationship between heaviness and lightness.

The architectural language of projections, corners, and openings generates a dynamic interplay of light and shadow, constantly shifting throughout the day. Light operates as an active design element, revealing material textures and intensifying spatial perception.

Finally, a third layer of materiality is introduced through metal elements. Pergolas and vertical corten features define the boundaries of the gardens, filter light, and create intermediate zones of privacy.

 

 

Spatial Organization

The six suites, featuring double-height interiors, are conceived as minimal and luminous spaces of accommodation. The architecture avoids unnecessary decoration, allowing the contrasts between materials and light to shape the atmosphere.

The courtyard, as a fundamental element of Cycladic typology, re-emerges as a place of gathering and social interaction. Sheltered from the wind, it functions as an inner garden where guests form a temporary community. Through this gesture, the architecture establishes the conditions for shared experiences, conversation, and exchange.

The project constitutes a contemporary interpretation of the traditional settlement, where respect for place is combined with the creation of new modes of inhabitation. It is an environment that balances individuality and collectivity, offering a refuge of simplicity and authenticity within the landscape of Milos.

 

Lighting compositions

In mid-July, the new architectural lighting installation for the Hellenic Parliament Building and the Tomb of the Unknown Soldier was completed, accompanied by the energy upgrade of the underground parking areas and the complex’s nursery facility. The new lighting design seeks to redefine the nocturnal presence of the building and its surrounding space, situating the intervention within a contemporary framework of environmental responsibility and sustainability.

 

Lighting Philosophy & LED Technology

The new lighting scheme was implemented exclusively using advanced LED technology, with particular emphasis on chromatic consistency and precise control of the light sources. Each luminaire is digitally controlled in terms of both intensity and operating duration, allowing the creation of dynamic lighting scenarios with a high degree of accuracy.

The combined use of energy-efficient light sources and an automated high-precision control system ensures optimal energy performance. From sunset onwards, the luminous composition of the façades evolves subtly, with smooth transitions in intensity that respond to the time of day, the day of the week, and the season, forming a dynamic yet refined nocturnal image.

 

 

Technical Characteristics

A central focus of the study was the mitigation of light pollution. For this reason, the lighting system allows for the automatic adjustment of colour temperature, shifting from cooler white tones to warmer light. The warmer spectrum, characterised by reduced blue light content, significantly limits the impact on the night sky.

This transition takes place daily from midnight until dawn, ensuring that the lighting remains compatible with the city’s natural nocturnal environment. At the same time, the luminaires are equipped with precision optical systems, lockable aiming mechanisms and anti-glare accessories, minimizing light spill toward the sky.

At the compositional level, the lighting highlights the façades of both the Parliament Building and the Monument, emphasizing the rhythm and plasticity of architectural elements such as pediments, cornices, pilasters and porticoes, as well as individual features including the monument’s central relief, shields and inscriptions. In parallel, light sources with a high colour rendering index revive the texture and colour of the materials, as well as the sculptures of Eleftherios Venizelos, Charilaos Trikoupis and the figure of the Mother.

 

 

Energy Upgrade

The integration of the new lighting equipment was carried out with particular care, ensuring that the morphological characteristics of the listed historic building were preserved. The luminaires installed on the façades underwent special colour treatment to match the surface of installation, allowing them to remain almost invisible during the daytime. In addition, the historic lamp posts and decorative lanterns of the Parliament complex were restored and upgraded.

Over the 15-month construction period, the project presented significant technical challenges, as all works were carried out while the building remained in full operation. The age of the building, combined with the numerous interventions that have taken place over the past 180 years, made the management of electrical routes particularly demanding, while the hybrid nature of the lighting management system required the extensive installation of fibre-optic networks.

Specially designed luminaires were also developed for specific architectural elements, such as the coffers of the porticoes, ensuring that the final result responded fully to the particular spatial requirements. The interventions were carried out with the contribution of a specialized conservation team, ensuring the protection of the building’s aesthetic and historical integrity.

The project’s energy upgrade is particularly significant. In the five-level underground parking facility and the nursery building, nominal energy consumption was reduced from 137KW in the previous installation to 41KW. Furthermore, thanks to the intelligent lighting management system, the final energy consumption is limited to just 29KW. This substantial reduction enhances the overall energy efficiency of the complex while contributing to the sustainable operation of one of the country’s most emblematic public buildings.

 

Flow and Tranquility

On Hudayriyat Island in Abu Dhabi, between the desert and the sea, the Ilios Beach Club and the Nalu Surf Club redefine the experience of surf culture and hospitality. The two luxury venues are located at the heart of Surf Abu Dhabi, the largest and most advanced artificial wave facility in the world.

 

Design Philosophy

The conceptual starting point was the dynamic moment when the surfer meets the wave – immersion, resistance, flow and the eventual return to calm. This sequence of intensity and release is translated into an architectural narrative, where rhythm, pause and movement organize the transition between the two venues and guide the visitor’s spatial experience.

 

 

Spatial Organization

Ilios Beach Club expresses the harmony and elegance of surf culture. The ground floor opens visually towards the surrounding landscape, while the first-floor lounge functions as a point of pause, offering panoramic views of the setting. Throughout the day, lighting and atmosphere gradually shift, creating a transition from daylight conditions to a more theatrical nighttime environment.

In contrast, the Nalu Surf Club embodies the vibrant and unpretentious energy of the surf lifestyle. Warm tones and textures reminiscent of sand, salt and weathered wood create a more grounded atmosphere. The ground floor remains active throughout the day, while the first-floor VIP lounge provides a more private and inward-looking experience.

At the center of the complex lies the striking wave pool, measuring 65m in length and 14m in width, which defines the scale, rhythm and intensity of the architectural composition. The curves of the waves are translated into undulating ceilings, fluid lines, multiple levels and axial pathways that shape movement throughout the complex.

 

 

Materials & Lighting

The material palette reinforces this sense of flow and continuity. Travertine, oak timber, teak and iroko, ribbed glass, sculptural details and finishes made from natural fibers create a warm and tactile environment.

Natural lighting and cross ventilation are maximized, strengthening the connection between the space and the elements of wind and sun – essential aspects of the surfing experience. At the same time, a multilayered artificial lighting scheme highlights the curves and geometries of the architecture, emphasizing the spatial composition during nighttime hours.

Through Ilios and Nalu, a unified architectural ensemble emerges, balancing flow and stillness. The result is a multisensory hospitality experience rooted in rhythm, equilibrium and the authenticity of surf culture.

 

Spatial scenography

The aim of the project was the complete conversion of a residence originally designed in the early 1980s by architect N. Valsamakis. Located in Panorama, Thessaloniki, the building now accommodates the Siskou Derma Clinic, a contemporary dermatology center that seeks to redefine the typology of the medical space in Greece, creating an environment of refined familiarity, far removed from the conventions of the typical medical office.

 

Design Philosophy

The original residence is a characteristic example of the modern movement in the city, defined by clear geometric compositions, balanced volumes and a striking white plaster finish that emphasizes the plasticity of its form. The intervention sought to preserve the architectural identity of the initial design while introducing new elements that ensure functional upgrading and spatial coherence.

The design strategy focused on reinterpreting the experience of a medical environment, drawing references from contemporary European clinic architecture. Through subtle interventions and a careful management of materials and proportions, the project achieves a balance between respecting the existing building and accommodating a new functional program.

 

 

Spatial Organization & Materials

The interior environment is organized around the idea of domestic comfort, creating spaces that convey calmness and trust to visitors. The spatial atmosphere draws inspiration from refined modernism and the aesthetics of mid-century design, with materials and objects acting as key carriers of the overall ambiance.

Oak wall paneling, velvet armchairs and carefully selected lighting fixtures compose a palette of materials and textures that expresses understated luxury. The composition remains strictly minimal, allowing the materials to stand out through their texture and natural presence without unnecessary formal gestures. Each object is carefully placed within the space, contributing to a coherent spatial experience defined by clean lines and balanced aesthetics.

 

 

Lighting Design

The scenography of the interior unfolds through subtle shifts of light, textures and visual focal points that guide the visitor’s movement through the space. Lighting operates as a primary tool for shaping the atmosphere.

The lighting design enhances the sense of privacy and comfort while simultaneously highlighting architectural surfaces and interior details. Through discreet lighting interventions, a balance is achieved between functionality and spatial experience.

The final spatial composition is complemented by selected artworks that are integrated into the architectural narrative of the project.

 

Reflection of the City

The new National Gallery building, now incorporating a major expansion and museological upgrade of its exhibition spaces, constitutes an important landmark in the contemporary urban landscape of Athens: to the pre-existing building of 9,720 m², which is listed as a modern monument, an additional 11,040 m² was added, more than doubling the functional spaces to a total of 20,760 m².

 

Design Philosophy

Through the new proposal, additions were implemented between the two units of the historic building (“Building A” facing Vasilissis Sofias Avenue and “Building B” facing Michalakopoulou Street), at the point where they are connected by a bridge above the location of the Ilissos riverbed, while underground spaces (“Building C”) were also opened where the groundwater level permits. The interior of the complex was completely redesigned.

The new building volumes, characterized by large glass surfaces, clearly stand apart from the architecture of the preserved building, with its exposed reinforced concrete structure and white marble infill elements. On the Michalakopoulou Street side, the new National Gallery gained an additional floor, while in the void between the two old wings an additional depth of three levels was added.

In the garden created south of the historic main entrance, the Gallery acquires an independent entrance, while the configuration of the surrounding landscape recalls the presence of the Ilissos river, through the creation of a water channel and the extension of greenery. The museum also features visitor circulation ramps with views toward the city skyline, elevators and staircases, full accessibility for people with disabilities, and modern security systems.

 

 

Spatial Organization

The entrance to the building complex takes place through a multifunctional space of 910 m², where in addition to control, information and visitor services, multiple digital information systems provide access to content about the building, the collections and the activities of the Gallery.

The main Gallery shop is also located there, equipped with versatile display cases. From the reception area visitors can move either towards the exhibition spaces of the permanent collections or towards the temporary exhibition areas, as well as to the 350-seat amphitheater or the café.

The interior architecture and the museographic study shaped the spaces accessible along the visitor routes. The museological core of the National Gallery consists of the permanent exhibition halls on the first and second floors of Building B, where the permanent collection of Greek painting and printmaking of the 19th and 20th centuries is presented, the permanent exhibition hall on the second basement level of Building C, where the permanent collection of Western European painting and printmaking is displayed, as well as the halls for rotating exhibitions on the third floor of Building B, where the continuously expanding collections of Contemporary Art (20th and 21st centuries) are presented through a rotating program.

In the permanent exhibition halls, spatial organization is mainly achieved through the placement of fixed exhibition panels that extend across the full height of the space, contributing to the narrative continuity of the exhibits. Through the use of these panels, the path of the gaze is designed through the revelation and concealment of spatial depth, while directions and visual perspectives are created, encouraging multiple associations and readings of the exhibits and forming central configurations as thematic focal points.

 

 

Museography and Exhibition Strategy

In these halls, suspended ceilings with general and accent lighting have been installed, incorporating a translucent elastic sound-absorbing membrane, while the exhibition walls and panels with a final fiber gypsum board surface allow for the hanging of artworks.

The exhibition panels are supported by the floor and the structure of the translucent ceiling, allowing cable routing inside them from the ceiling wiring system. Similarly, cable routes along the perimeter walls are placed at their upper termination. The exhibition space, beyond the exhibition surfaces, is equipped with display cases that enrich the exhibited material with drawings, watercolors and prints, while the artwork security systems allow the identification of each work individually and the immediate monitoring of any change in its condition.

In the halls for rotating exhibitions, in order to address special requirements, a suspended ceiling system was implemented that ensures uniform general lighting, isotropic distribution of accent lighting for the exhibits, as well as the possibility of supporting exhibition panels and hanging exhibits or projection systems. In addition to the permanent collection exhibition halls, the second basement of Building C hosts the temporary exhibition hall, where the suspended ceiling–lighting–display system used in the rotating exhibitions of the permanent collection has been extended in order to provide a suitable supporting background.

At the junctions between exhibition halls and the horizontal and vertical circulation areas of the building, circulation, signage and information nodes are defined and marked by wood cladding on the walls and ceilings. The visitor route is structured as a sequence of exhibition halls and circulation nodes where visitors can orient themselves and redesign their route, obtain digital information about the content of each exhibition hall and view additional exhibition material related to the content of the halls in specially designed display cases.

Overall, the extensions and reconstructions include new exhibition spaces of 2,230 m², modern art storage facilities of 1,645 m² and a space dedicated to educational programs. The new museum is equipped with state-of-the-art conservation laboratories, administrative offices, as well as a library that develops across two floors. It also includes two café-restaurants, with the second, located on the top level of the building, offering panoramic views toward the Acropolis, Mount Lycabettus and the Saronic Gulf.

In the new building, 1,000 works can be displayed as part of the permanent collection, whereas previously the old building could accommodate no more than 400 works. The new temporary exhibition hall approaches 2,000 m², while the storage spaces can house up to 10,000 artworks.

 

Corrugated form

The proposal concerns the reconstruction of a seven-storey office building on Syngrou Avenue and seeks to assign a central role to the building’s architectural identity, shaping the surrounding urban and cultural landscape while serving as the primary means of presenting the building as a contemporary landmark within the city.

 

Design Philosophy

Through an analysis of the building’s relationship with its wider urban context, the design proposes the relocation of the main axis of movement onto the façade facing Syngrou Avenue. This gesture became the geometric foundation for the development of the new architectural expression of the building envelope.

Drawing on the experience of movement along the urban axis, a system reminiscent of chronophotography was conceived – an image that condenses the perception of sequential motion into a single, legible form. In this way, movement is translated into architectural language, granting the building a dynamic and recognizable presence within the urban fabric.

The composition is articulated through a system of vertical elements consisting of sixty-four custom-made, wave-shaped louvers, each with a unique geometric development. Their repetition and variation generate a rhythmic surface that changes according to the observer’s viewpoint and the trajectory of natural light.

 

 

Sustainable Design

A central objective of the project was the integration of sustainable design principles. The building was designed and constructed with the aim of achieving LEED Gold certification, incorporating strategies that enhance both energy efficiency and environmental performance.

Within this framework, a specialized parametric study was carried out for the façade louver system to ensure optimal penetration of natural light into the interior spaces while simultaneously providing thermal and visual comfort. The dynamic form of the façade therefore operates not only as an aesthetic feature but also as an active filtering system for daylight and shading, contributing to the regulation of the microclimate and the overall environmental performance of the building.

 

Façade Lighting Design

The sense of movement created by the wave-like louvers is intensified by the interplay of light and shadow throughout the day. Continuous variations in illumination transform the appearance of the façade, giving it a shifting character that responds to the movement of the sun.

During the evening hours, the building’s architectural identity is further emphasized through a permanent lighting installation designed specifically for each point, angle and element of the façade. A carefully calibrated sequence of subtle variations in white light runs along the building envelope, establishing a quiet dialogue with the city’s nocturnal landscape.

Particular emphasis was placed on minimizing light pollution. The lighting fixtures are controlled through specialized systems that allow them to operate at very low luminance levels, thereby protecting the surrounding urban environment.

At roof level, a recreational terrace with views towards the Acropolis is created, framed by planting. This space offers a moment of release for the building’s users, introducing an element of greenery and relaxation within the dense urban fabric of central Athens.

 

New connections

Eleftheria Square lies adjacent to the Venetian walls and the dry moat that surrounds Nicosia. These distinctive defensive fortifications, originally built during the Middle Ages and extensively restored by the Venetians in the 16th century, define the historic core of the capital, separating the old city from the newer districts that developed beyond the walls.

 

Urban Design Strategy

The transformation of the square into the city’s primary gathering space is based on the creation of new connections intended to contribute to the reunification of the divided capital. The design secures unobstructed views toward the historic walls, establishing them as an integral component of Nicosia’s identity, while simultaneously opening the moat to public uses, allowing it to host festivals and outdoor events.

The project elevates the level of the moat to form a bridge that connects organically with the surrounding urban fabric, creating a new civic square at the heart of the city. Within this framework, extensive archaeological excavations were carried out, alongside conservation and protection works for the historic Venetian fortifications. The project also includes the creation of two cafés within the square and the construction of a new underground parking facility, accessed from Omirou Avenue.

 

 

Elements of Circulation

Staircases and elevators directly link the square with the Solomos Square bus terminal, reinforcing the functionality and permeability of the area. The transformation of previously inaccessible areas within the moat into plazas, gardens, and palm-lined pedestrian paths establishes a new “green belt” around the city.

This belt has the potential to extend along the historic fortifications, forming a continuous network of public spaces that encircle Nicosia and reconnect the communities of the divided capital. In this way, the square acts as a catalyst for the activation of public space, offering new opportunities for social interaction and urban life.

 

 

Materiality & Lighting Design

Within the broader vision of transforming the moat into an urban park, the project’s fluid geometries emerge from the triangulation of the irregular forms of the fortification perimeter. Points of spatial intensity are transformed into seating areas, planting beds, or water elements, shaping a dynamic urban landscape. Granite paving introduces a sense of timeless solidity, while the open joints between the slabs function as a passive system for stormwater drainage. Newly planted trees contribute to the natural regulation of water levels, reducing erosion around the foundations of the medieval walls.

The upper-level bridge and its supports are constructed from sculptural concrete forms that ensure seismic stability, while the bases of the columns are shaped to function as integrated seating elements. Through this transformation, Eleftheria Square emerges as the largest urban public space in Nicosia. By bridging the Venetian walls and the moat, the square becomes a significant gateway to the old city, while the underground parking facility removes vehicular traffic from the historic center, facilitating its future pedestrianization. In this way, the project enriches the urban landscape of this historic district while simultaneously creating new public gardens and gathering spaces for residents and visitors alike.

Finally, the lighting design reinforces the square’s fluid geometry and acts as a spatial guidance system during the evening hours. Linear lighting elements are discreetly integrated along the contours of the curved surfaces and bridges, emphasizing the dynamic morphology of the composition and enhancing the legibility of the structure within the urban landscape. At the same time, low-intensity lighting fixtures embedded within the paving create a subtle “field of light” that follows the geometry of the circulation paths and areas of pause. This approach highlights the plasticity of the concrete surfaces, enhances the sense of safety, and transforms the public space into a nocturnal landscape where light operates both functionally and atmospherically.

 

 

Unified narrative

Located within Asia Pacific’s tallest tower, Merdeka 118, the newly opened Park Hyatt Kuala Lumpur introduces the first Park Hyatt hotel in Malaysia. The project forms a spatial narrative that merges contemporary luxury with references to the traditional Malay kampung house. Through a carefully articulated lighting strategy, the interiors highlight texture, colour and materiality while framing expansive panoramic views of Kuala Lumpur’s skyline.

 

Spatial Organization

From the moment guests arrive on the lobby ground mezzanine, the spatial experience is shaped by a sequence of warm, timber-clad surfaces illuminated through discreet recessed uplighting. Backlit panels silhouette a series of pivoting screens, introducing a subtle theatricality that establishes the atmosphere of the hotel.

The main public spaces are situated on Level 75 and include the Lobby, Merdeka Grill, Park Lounge and Cacao Mixology & Chocolate Bar. Within these double-height interiors, accent lighting highlights key architectural features such as perforated brass screens engraved with intricate batik canting patterns. Bespoke ceiling pendants anchor each space and reinforce the rhythm of the interior composition.

 

 

Materials & Furnishings

Throughout the hotel, lighting functions as a primary design instrument, emphasizing the tactile qualities of materials and enhancing the layered interior palette. Brass, timber and textured surfaces are revealed through carefully controlled illumination that produces depth and warmth.

The hotel’s 252 guestrooms and suites are conceived as intimate spaces framing the surrounding cityscape. Lighting is carefully integrated within joinery elements to maintain visual clarity and avoid clutter. Discreet downlights illuminate artwork and architectural surfaces, while decorative fixtures inspired by woven fabrics introduce a softer, residential warmth to the interiors.

 

 

Lighting Strategy

The lighting strategy also strengthens the spatial hierarchy of the public areas. Feature lighting directs attention to architectural focal points, while softer ambient layers ensure visual comfort and reinforce the calm, refined character associated with the Park Hyatt brand.

On Level 99, the Wellness Floor transitions from the openness of daylight-filled spaces to a tranquil and immersive retreat. A sequence of softly illuminated arches references the traditional Malaysian five-foot ways, guiding guests through the spa environment while generating a calm and contemplative atmosphere that evolves throughout the day.

Together, the lighting and interior architecture establish a cohesive environment in which every element contributes to the guest experience. The result is a luminous architectural composition – one that transforms materials, spatial sequences, and panoramic views into a unified narrative reflecting the cultural spirit and contemporary identity of Malaysia.

 

Client: PNB Merdeka Ventures
Operator: Hyatt
Project Managers: Turner International
Art Consultants:  ArtLink
General Contractor:  Samsung C&T Corporation UEM Construction JV Sdn Bhd (SUJV)

Industrial Aesthetic

In the center of the city of Volos, a specialty coffee shop with a strong urban character is introduced to the public through its clearly defined design identity. The core concept focuses on the creation of a minimal and fresh space, enriched with discreet industrial elements that convey energy and an intense morning atmosphere.

 

Spatial Organization

Within a compact area of 35m2, which includes spatial units such as the bar, preparation area, customer circulation zone, seating area, as well as auxiliary spaces for storage and WC, particular emphasis is placed on the formation of a functional and ergonomic layout.

Inside, the centrally positioned bar operates both as the main functional production element and as a point of daily social interaction. Behind it, compositions of metal shelving structures arranged in a grid highlight the interior height of the space, while suspended circular metal elements add an additional industrial character.

 

 

Façade Design

The extroverted character of the space is largely defined by the design approach of the façades. Slender white metal frames open the interior towards the urban environment, transforming the coffee preparation process into a daily urban experience. In addition, the handmade pine wood entrance doors introduce a distinctive sense of warmth and a gentle contrast to the predominantly white composition.

 

 

Materials, Lighting & Constructions

Both externally and internally, white surfaces dominate, while characteristic metal elements in a vivid yellow color introduce a pop-like quality. In between, the use of oak textures adds a sense of calmness and balance. The material palette is completed by the targeted use of white square tiles.

Special emphasis is placed on construction details. From the laser-cut entrance handles to the rounded planters and fluid decorative forms, all elements are the result of deliberate design, aiming to shape a unified and coherent identity.

Finally, artificial lighting plays a significant role, following a laboratory-inspired approach through the use of suspended linear lighting above the bar, as well as neon-type signage and light boxes, completing the urban character of the project.

 

In dialogue with nature

The new exhibition space is located in the heart of Platres, nestled among pine trees and the stone textures of the mountainous Troodos landscape, and stands as a contemporary, understated architectural gesture. From the outset, the intention is clear: not to impose upon the environment, but to shape a structure that rises organically from its natural setting, engaging it in terms of balance and continuity.

 

Material Palette

The composition is grounded in the use of natural materials – local stone and exposed concrete surfaces – that draw their tonal qualities and textures directly from the earth. Rather than confronting the mountainous terrain, the building integrates into it, adopting a calm, grounded presence. Clean lines and a minimalist volumetric expression reinforce a sense of measure, establishing a contemplative dialogue between the natural and the man-made, the solid and the transparent.

 

 

Design Philosophy

The building’s formal articulation is achieved through a series of horizontal concrete slabs, differentiated in height and projection, generating a controlled interplay of light and shadow. This succession of planes introduces rhythm and a subtle sense of movement, as though the architecture were interpreting the geometry of the landscape itself. Materiality and geometry act as carriers of atmosphere, shaping a space defined by continuity, serenity, and spatial clarity.

 

 

Functional Organization

The transition between interior and exterior is treated with complete fluidity. Full-height aluminium glazing dissolves visual boundaries, allowing natural light, forest air, and ambient sounds to permeate the interior. The exhibition space operates as an open platform for art and culture, hosting exhibitions, installations, and community events. More than an autonomous structure, it constitutes an experience of inhabiting nature through architecture – a poetic composition that invites visitors to reconsider their relationship with the landscape through the lens of art, light, and materiality.

 

The courtyard as an extension

This project concerns the renovation of an apartment located in a 1970s residential building in Palaio Psychiko. The residence unfolds across two levels, ground floor and basement, and features an open-air courtyard at the rear, conceived as a natural extension of the domestic space.

 

Renovation Strategy

A fundamental architectural intention was to respect the morphology and materiality of the existing shell. No alterations were made to the exterior façades, apart from careful maintenance and the subtle enhancement of the original materials, preserving the building’s character within its urban context. The interior layout is structured around principles of clarity, fluid circulation and functional simplicity, prioritizing comfort and adaptability in everyday living.

 

 

Material Palette

The aesthetic direction follows a minimal approach, articulated through an earthy color palette, wood-effect surfaces and nuanced variations of texture across walls and built-in furnishings. Warm lighting reinforces a sense of calm, while concealed lighting elements and refined finishes in the bathrooms cultivate an atmosphere of relaxation and intimacy.

 

 

Courtyard Design

The uncovered rear space is transformed into a sheltered courtyard, where the preservation of the existing stone surfaces and the integration of built-in seating with planters strengthen the dialogue between interior and exterior. A generous opening in the living area visually and functionally unifies these two realms, culminating in a residence defined by quiet quality and a timeless architectural character.

 

Pocket Nursery

Set within a garden in the Belgian countryside stands the newly constructed wooden volume of Pocket Nursery, a 120m² “pocket” kindergarten whose architecture seeks to support learning through action and physical engagement.

 

Design Philosophy

In response to the programmatic requirements and the specific pedagogical approach, the creation of a space capable of cultivating design sensitivity in children was not simply desirable, but fundamental. The scope of spatial experimentation was largely determined by the thickness of the walls: their lower sections incorporate small steps for toddlers learning to stand, while their inclined surfaces double as drawing boards. Openings are positioned at the children’s eye level, establishing a direct visual connection with the garden, which functions as both a spatial extension and an integral component of the educational experience. An inclined table is also embedded within the walls, serving alternately as a pottery workstation or as a communal surface for shared meals.

 

 

Custom Construction

The ceiling – so often an overlooked architectural element, typically relegated to housing smoke detectors and mechanical devices – assumes a central role in this project. Considering that infants spend the first nine months of their lives lying on their backs or crawling, the ceiling design integrates not only structural logic but also acoustic performance and lighting strategy. Necessary equipment is discreetly concealed between layers of wooden panels, which articulate circulation toward the garden and the dormitories.

 

 

Material Palette

Construction time efficiency played a decisive role in shaping the project’s design strategy. Avoiding prefabricated wall systems and costly psychomotor furniture, the spatial framework was conceived to integrate both structure and furnishing into a continuous series of timber frames. Executed in laminated plywood sheets, the turned wooden frames were preassembled into units of three to four segments within just a few days, then transported to the site where they were joined together. The result is a cohesive environment that bridges interactive design and pedagogy through construction itself.

 

Functional Connection

The recently completed addition to the campus of the European University Cyprus houses the Schools of Medicine, Dentistry and Veterinary Medicine. More specifically, the building comprises standard tertiary education classrooms along with their supporting facilities, as well as laboratories of various kinds in conjunction with a series of complementary communal spaces.

 

Urban Context and Institutional Role

Given the building’s significant institutional role within the university campus, the architecture was required to establish a connection with the existing facilities while preserving the distinctiveness of its character. The project site lies along one of Nicosia’s main traffic arteries (Agiou Prokopiou Avenue), an urban environment that remains largely under development. As such, the building seeks to respond with a restrained yet substantial presence within this context of extended distances and high-speed movement. The architecture of the area presents certain characteristics, which the project was called upon to respect.

 

 

Design Philosophy

The objective, therefore, was for the extension to become the new architectural expression of the university and to shape its modernised identity, while retaining the fundamental lines of the existing buildings’ morphology. This connection was achieved through the design of the facades using customised aluminium frames that reference the earlier morphology of the openings, while simultaneously providing the necessary protection against constantly shifting climatic conditions. The specially designed profiles shade the interior without restricting views, creating an engaging interplay between closed and open, solid and transparent. Within the broader modernisation of the university facilities, both the facades and the existing buildings were renovated and upgraded. In parallel, a smart building management system was installed to optimise energy performance and operational efficiency.

 

 

Functional Integration & Lighting

Beyond the aesthetic unification with the existing built complex, a key objective was the functional interconnection of the university buildings, which are developed on either side of a road axis. To ensure safe and comfortable movement between them, an elevated bridge was designed, organically integrated into the university’s internal circulation network. The architectural design was completed with a lighting study that discreetly highlights the lines and individual features of the facades. The exterior lighting lends depth and continuity to the complex’s presence, maintaining its identity and visibility even beyond operating hours.

 

 

Functional coexistence

Ergon Bakehouse operates simultaneously as a hotel, artisanal bakery, retail space, and restaurant – a multifaceted destination for gastronomy and hospitality in the historic center of Athens. It occupies a listed early-20th-century building designed by Vasilis Tsagris, where heritage architecture and contemporary use coexist in balance.

 

Design Philosophy

Originally housing residences and offices, with a commercial shop at ground level, the building stands as a representative example of classical Athenian architecture. Its architectural character has been carefully preserved, allowing the new design to integrate seamlessly with the existing fabric. Today, traces of both the building’s aesthetic and functional past remain visible, including plaster ornamentation, one of the original staircases, and the historic elevator. From the main entrance through to the guest rooms, the design narrative is guided by the life cycle of dough and the atmosphere of a traditional bakery.

The ground floor hosts the 72H Artisanal Bakery, where bread and baked goods are prepared and baked following a 72-hour resting process. A generous storefront draws visitors into three distinct zones: the retail area offering products for home baking, the cooking area, and the 72H Lab – the preparation space. Through existing openings, the open-plan workshop is fully visible, revealing processes that are typically concealed in conventional bakeries.

At the heart of the building lies the original entrance hall, which connects three key destinations: the retail shop and 72H Eatery, the hotel reception, and the waiting area. Vertical circulation is organized through two staircases and two elevators – one preserved from the original structure, and one newly introduced to meet contemporary circulation demands.

 

 

Functional Organization

Guest rooms are arranged across three floors, respecting the building’s original architectural layout and aligning with the existing façade openings that define their generous proportions. Each room reinterprets elements drawn from the world of the bakery and the professional kitchen. Dark firebrick surfaces, wall claddings, stainless steel worktops, and linen textiles come together to form a restrained yet tactile interior language.

Custom Elements & Lighting

Interior shutters were designed as an integrated blackout solution, fitted within the existing openings to modulate daylight and create a calm, intimate atmosphere. A defining feature of the rooms is the “ontas”, a multifunctional element that serves both as an additional sleeping surface and a place of rest – an architectural reference rooted in traditional Greek domestic spaces.

Lighting is intentionally minimal, precise, and atmospheric. A network of slender stainless-steel pipes runs throughout each room, supporting a variety of lighting applications. Due to structural reinforcements along the building’s perimeter walls, conventional cable routing was not possible. Instead, the piping system accommodates electrical wiring while simultaneously acting as a framework for lighting and textile suspension.

 

Domestic origin

The new Daras Dental clinic in Piraeus challenges the conventions of a typical clinical environment, redefining it as a place of healing rather than discomfort. Bright surfaces, warm wooden tones, semi-transparent materials, and domestic details come together to soothe patients’ anxiety and create a more welcoming atmosphere.

 

Spatial Organization

Housed in a 1960s apartment building near the port, the 110 m² residence is transformed into a multi-dental clinic for three dentists and their staff. The original living–dining area is removed and replaced by a timber-and-glass module made of channel glass, accommodating the reception, office, CT scan room, waiting area, and the main treatment room. Two additional treatment rooms, the restrooms, and staff areas are organized within the apartment’s existing partitions.

Materials & Construction

The clinic’s identity emerges from the combination of wood and glass, blending the typologies of clinic and home. Rather than concealing the conversion, the design embraces the space’s domestic origins, fostering a sense of comfort. Contemporary details subtly reference the modernism of the 1960s – the decade in which the building was constructed.

 

 

Form & Lighting Design

Piraeus itself – the busiest passenger port in Europe and a gateway to the Aegean Sea – also served as a source of inspiration. Luminous glazed surfaces evoke the depths of the sea, while circular openings and finely crafted joinery recall the craftsmanship of yachts. A discreet mint-green floor bridges the clinical and nautical references. Above all, light animates the space: luminous ceilings provide a clean, fresh counterpoint to the more domestic service areas.

 

Organic aesthetic

The restaurant is located in the picturesque neighborhood of Ano Petralona, in the heart of Athens. Although close to the city’s bustling center, the project exudes an introverted charm, reflecting the warm atmosphere of its surroundings. The strong materiality, combined with a dark color palette, is carefully balanced with the organic interior, creating a welcoming and intimate space.

 

Functional layout

A key element of the design is the open kitchen at the rear of the restaurant, visible from every point within the interior. Against this backdrop, two dining areas are arranged on different levels, organized around a centrally positioned, curved open bar. Guests are able to observe the activity in the kitchen while experiencing the various design details and the interplay of materials across the surfaces.

The bar at the front of the restaurant serves as an inviting point of arrival before the dining areas. With three distinct seating options, guests may choose to sit along the central bar, directly facing the lively open kitchen, or in a cozy corner of the second dining room, which offers greater privacy and seclusion.

Custom-made elements

To enhance the distinct experience of each individual zone and to minimize distractions from external stimuli, semi-transparent curtains are used along the glazed façade, preventing direct visual contact with the busy street. The connection to the surroundings is achieved through an operable roof, which allows views of the sky and introduces a sense of openness and freshness into the dining area.

 

 

Materials & furnishings

The design concept focuses on texture, emphasizing the use of natural materials to infuse the space with authenticity. Vertical surfaces are clad in custom-made terracotta tiles, reinforcing the organic character, while the floors and the central bar feature rough-textured tiles. The main dining area is finished with custom-applied terrazzo, adding a playful note to the otherwise earthy, matte environment through its subtle reflections. Throughout the project, emphasis is placed on craftsmanship and handmade elements at every scale, from flooring to ceramic vases.

The lighting fixtures – wooden wall sconces and suspended ceramic pendants – as well as the ceramic decorative elements, were custom-designed and crafted to achieve the desired aesthetic. Upholstery fabrics, ranging from leather and suede to linen in a variety of tones, were carefully selected to enhance the natural and harmonious atmosphere of the space.

 

Urban energy

Located at one of the city’s most iconic and vibrant intersections, the project redefines the concept of fast food through a bold, design-driven approach that fuses contemporary aesthetics, urban energy, and the unmistakable identity of the brand.

 

Design Philosophy

More than a destination for burger lovers, the space unfolds as a modern, dynamic, and visually striking experience – one that mirrors the city’s pulse and vitality. It proposes a new way of engaging with urban life, where design meets flavor, community meets culture, and every visit becomes a celebration of Argentine identity expressed with confidence, attitude, and style.

 

 

Materials & Color

From the very first moment, the venue captivates with its lively yet welcoming atmosphere. Clean architectural lines, industrial materials softened by warm tones, and carefully curated lighting work together to accentuate textures and spatial depth. A generous glass façade invites passersby inside, revealing an open and spacious interior articulated through metallic finishes and the brand’s signature red accents, which energize the space with bold character.

 

 

Lighting & Signage

Lighting plays a central role in shaping the experience. Soft, diffused panels combined with golden neon highlights create an ambiance that is both urban and refined, echoing the rhythm of the surrounding streets. Every detail – from furniture and signage to graphic elements – contributes to a strong, contemporary, and cohesive identity, designed to deliver a memorable visual and sensory experience.

 

The shelter of an imprisoned spirit

The project is a photography studio that goes beyond being a purely functional space, unfolding instead as a deeply introspective environment inspired by the concept of intrauterine habitation and prenatal comfort.

 

Design Philosophy

The design employs symbolic elements that convey warmth, protection, and a cocoon-like sense of enclosure, aiming to foster creativity within a calm and intimate atmosphere. Central to the concept is the interplay of light and shadow, a deliberate choice that reflects the photographer’s expertise and creative journey. The space becomes a sanctuary: a place where creativity can be nurtured and where personal and artistic paths intersect within a meaningful, womb-like environment.

 

 

Custom Structures

Specifically designed custom metal structures were developed for the studio, serving the organization and storage of equipment while playing a decisive role in enhancing the visual dynamics of the space. These restrained, reflective surfaces capture and modulate light, producing striking reflections that shift according to the time of day and the position of light sources. The use of metal fulfills both functional and aesthetic objectives, offering durable and practical solutions for everyday needs while contributing to the overall artistic atmosphere. As light interacts with these structures, it rebounds in unexpected ways, casting delicate patterns onto the surrounding walls and further emphasizing the play of light and shadow that lies at the core of the architectural composition.

 

 

Materials & Lighting

The selected materials achieve a subtle balance between opacity and translucency, reinforcing the relationship between light and darkness. This design approach not only enhances the spatial aesthetics but also alludes to an inner tension experienced by the photographer – described as a “prisoner of spirit,” engaged in an ongoing dialogue between light and shadow. This poetic tension is visually articulated through the thoughtful placement of windows, skylights, and lighting elements, creating layers of illumination that shift and transform throughout the day.

Both natural and artificial light play a crucial role in the studio, not merely as functional components but as expressive tools in their own right. The way light filters through the materials generates a meditative atmosphere that encourages reflection and the exploration of creative depth. Extending beyond pure utility, the design transforms the studio into a symbolic space that promotes deep, inward-looking creativity.

 

Work Container

The new offices are housed within an industrial shell of 1,200 m², where tall metal racks for cable storage dominate the space from floor to ceiling. The central design idea focuses on the strategic placement of “work containers” that accommodate the staff offices.

 

Corporate Identity & Design

The container form was chosen as a characteristic expression of the company’s industrial identity and environmental ethos. Just as the company’s products are designed to be fully recyclable, the container, originally used for their storage and transport, is repurposed and transformed into office space. Two distinct zones are created on either side of the central storage and packaging area to ensure the uninterrupted circulation of machinery and personnel.

 

 

Spatial Organization

On the west side of the building, the largest container is positioned to function as a customer waiting area and goods reception zone, along with a dispatch office, staff locker area, and archive. On the east side, a cluster of containers arranged across two levels accommodates the remaining needs of the administrative staff, positioned to ensure optimal visual connection with the production area.

On the ground floor of the eastern cluster are two sales offices, a dining room, staff restrooms, and storage. The upper level includes two offices, a meeting and presentation room, and additional storage space. Access to the offices is provided through two opposing entrances, with an internal metal staircase connecting the two floors.

 

 

Materials & Lighting

The material palette consists of metal, wood, and glass -materials commonly used in industrial environments. Metal and glass surfaces form the architectural volumes, while wood is applied in flooring and furniture to complement the construction. The exterior white and gray tones highlight the wooden finishes used inside.

Linear warm-white lighting follows the rectangular surfaces of the containers. Containers serve as a contemporary method of creating workspaces in facilities requiring direct proximity to production. With the appropriate configuration, they allow for efficient workflow while offering the possibility of expansion to meet a company’s future needs, without compromising the overall design.

 

A vessel of life and play

And what if the home is not merely a protected and secure shelter, a “vessel of life,” as it has been described, but a space that generates a rich spectrum of sensory stimuli?

 

Design Philosophy

The project is conceived as an everyday living environment that nurtures the user’s experiential relationship with space. The composition aims to heighten sensory awareness and activate the “muscle of initiative,” establishing conditions that encourage participation, play, and spontaneous expression, not only for children, but for all residents. The home is organized as a flexible field of experiences, where movement, perception, and interaction form essential components of daily life.

 

 

Materials & Furnishings

Materiality and furnishing function as active agents of the architectural experience. Clear, legible geometries are selected, with alternating solids and voids reminiscent of spatial sorting games, encouraging exploration and continual discovery. Mirrored surfaces appear unexpectedly, expanding the perceived depth of the space, while glass panels and chalkboard surfaces act as canvases for everyday creative expression. Materials are chosen for their sensory qualities: variations in texture, temperature, and sheen create an environment that invites touch, observation, and interaction.

 

 

Lighting Design

Lighting operates as a fundamental tool for shaping the spatial narrative. Concealed artificial lighting, activated through automation systems, creates scenographic transitions and adapts to the users’ movements and needs. The interplay between light and materials enhances contrasts and surface qualities, generating tactile anticipation and new sensory cues. Large, shifting shadow projections trace the course of natural light throughout the day and the year, forming a poetic interpretation of time within the space. Thus, the home becomes not only a framework for contemporary living but also a stage for unique, lived experiences, especially for the youngest members of the household.

 

Seaside hospitality

Overlooking the unspoiled beach of Agia Paraskevi, the project integrates harmoniously into the emerald waters, rugged landscapes, and unique flora of the area. Emerging from low vegetation, shaped rocks, and natural sand dunes, it offers a serene retreat in this untouched bay.

 

Design Philosophy

The design approach is based on the harmonious union of aesthetics and functionality, with respect for the natural environment and the character of the place. Each space has been carefully designed to provide comfort, flexibility, and a natural flow between the living area, kitchen, and bedrooms, enhancing the sense of freedom and tranquility. The design prioritizes the guest experience, creating conditions that allow both social interaction and privacy depending on individual needs. Spacious living areas, open kitchens, and well-organized bedrooms ensure fluidity and adaptability.

 

Custom Elements

Large glass surfaces take advantage of the views towards the Aegean, allowing natural light to flood the interiors and creating a strong sense of continuity between inside and out. Plants, natural decorative elements, and color palettes inspired by sand, rock, and wood strengthen the connection with the landscape.

 

Materials & Lighting

Materials such as exposed concrete, local stone, and warm wood combine with earthy tones and subtle textures, while a crafted patina adds depth and a sense of handmade detail. Lighting has been meticulously designed: concealed fixtures and ambient lamps create a warm, understated atmosphere that enhances the materials and textures of the space.

Every element of Cavo Ilya Villas reflects the philosophy of creating a place where serenity, elegance, and functionality coexist harmoniously, offering guests a distinctive experience of coastal living.

 

Creative revival

The new hotel and swim club on the Glyfada waterfront was created through the complete transformation of a 1970s building complex. The renovation preserves the distinctive character of the era while meeting the highest contemporary hospitality standards.

 

Design Philosophy

By showcasing the vibrancy and diversity of the modern Athenian creative scene and incorporating iconic works of international art and design, the hotel becomes not only a destination for visitors but also a cultural landmark for locals. The building comprises two interconnected wings of different heights, both of which underwent extensive structural, functional, and energy upgrades to enhance safety, improve energy performance, and ensure accessibility for people with reduced mobility.

The interior design adopts the same guiding principles, shaping every space to balance comfort, functionality, and visual cohesion. The public areas include a generous lobby and restaurant on the ground floor, an outdoor pool with a pool bar, a café, an exhibition space, as well as a rooftop bar, a second restaurant, and a rooftop pool. The lobby is considered the building’s central gathering point, and functions simultaneously as a meeting place and an art gallery, blending the structure’s original brutalist expression with a refined modernist sensibility.

 

 

Materials, Lighting & Furniture

Local materials such as Dionysos marble, wood, and ceramic tiles anchor the hotel to the architectural identity of Athens. Clean lines and geometric forms carry through the spirit of the original building, while new elements, such as untreated copper details and custom terrazzo flooring, introduce a contemporary touch. Lighting serves both practical and atmospheric purposes, adding dynamism to an otherwise restrained and minimal palette.

The 120 rooms are designed with minimalist lines and draw inspiration from the core principles of modernism. Echoing the interiors of Le Corbusier, their layout prioritizes functionality while preserving a sense of comfort. Custom-made furniture combines contemporary aesthetics with subtle references to mid-century Greek design, while built-in elements, terrazzo floors, and a measured color palette highlight the materials and architectural details.

 

 

Pool & Outdoor Design

The suites offer additional amenities, such as wet bars, and feature custom-designed murals that enrich the guest experience without deviating from the project’s overall design narrative. Outdoor areas, including the terraces and the pool zone, maintain the central idea of preserving the building’s original atmosphere while incorporating modern design trends. A new water feature and a shading pergola improve natural ventilation and cooling, enhancing comfort for guests.

The pool area evokes the Mediterranean leisure culture of the 1970s, with soft tones, olive-green loungers, and vibrant yellow umbrellas. This simple yet refined design creates a relaxed environment, allowing the architecture to blend seamlessly into the landscape of the Athenian Riviera.

 

Urban cavern

Building upon post-pandemic public health concerns, the project redefines residential living by emphasizing spatial openness, air circulation, and natural light. The aim was to create a home that offers both protection and psychological relief, combining the solidity of a cavern with the warmth and tactility of natural materials. This approach reconsiders how urban apartments can balance seclusion and connectivity within dense city environments.

 

Design Philosophy

Situated in the dense urban context of Taipei, the apartment becomes a microcosm of retreat within the city. Natural light enters through filtered openings, while ventilation paths ensure fresh air circulation throughout the interior. The project embodies the notion of balance between protection and exposure, redefining how urban residences can nurture both physical and emotional well-being.

 

 

Spatial Organization

The residence is organized as a continuous flowing space where boundaries between rooms dissolve. Curved walls and interconnected volumes encourage natural movement and visual continuity. The central living area acts as the core, connecting secondary spaces such as the kitchen, dining area, and bedrooms. Through this fluid organization, the apartment achieves both privacy and openness without relying on rigid partitions.

Each functional zone was designed to respond to daily rituals while maintaining flexibility. The living area, dining, and kitchen form an interconnected communal zone, while private areas are subtly defined through level changes and lighting. Hidden storage systems and integrated furniture enhance efficiency without visual distraction. Underfloor heating and acoustic treatments improve comfort and environmental quality.

 

 

Material Palette

A restrained selection of materials defines the project’s sensory experience. Smooth plaster surfaces, terrazzo flooring, and curved joinery create a continuous tactile flow. Stone, timber, and bronze accents contrast with soft fabrics and diffused lighting. This material palette reinforces the idea of an ‘urban cavern’ – a sanctuary shaped by texture, reflection, and silence.

 

Natural textures

The project introduces a new architectural paradigm within the realm of luxury retail. The space functions not merely as a point of sale but – through meticulously detailed design – as a complete spatial experience that celebrates minimalism through the refined elegance of natural materials.

 

Material & Color Palette

At the core of the store’s identity lies the use of natural materials, with luxurious onyx stone in green and blue tones as the dominant element. Wall claddings, countertops, and display plinths form a framework of understated luxury with an earthy character, while light reflections on the surfaces reveal their natural depth and texture.

The warm color palette serves as a calm backdrop, allowing the garments to take center stage. The restrained aesthetic is enhanced by clean lines and geometric clarity, enabling effortless movement and a sense of freedom. Floating shelves and stainless-steel structures emphasize lightness, while mirrors with golden frames introduce a subtle radiance and expand the spatial perception.

 

 

Lighting Design

Lighting design, with warm 3000 Kelvin tones, creates an atmosphere of intimacy, highlighting the fabrics’ textures with precision. Through carefully defined zones, light directs the visitors’ flow, accentuating both products and architectural features. High-CRI fixtures ensure accurate color and material rendering, reinforcing the sense of quality throughout the space.

 

 

Custom Elements

As an unexpected touch, the fitting rooms deviate from the dominant palette, adopting a soft green hue that evokes warmth and privacy while maintaining harmony with the store’s natural character. This contrast adds visual interest and functions as a spatial threshold that enriches the visitor’s experience. The design demonstrates that minimalism – when paired with natural materials and refined detailing – can become synonymous with luxury. A space that transcends the act of consumption and transforms into a complete design experience, where fashion and architecture coexist in perfect balance.

 

Undoing typologies

The project concerns the renovation and expansion of a dental clinic, aimed at accommodating a greater number of patients. The clinic’s original area was 60m², while the final surface now reaches 85m².

 

Design Philosophy

The main concept was to create a space that conveys cleanliness, while simultaneously breaking the mold of typical medical spaces, as medical advancement should now be in harmony with architecture. The clinic features a comfortable waiting area, the central element of which is an oak table that visually extends into the office space and transforms into a workstation for the doctor. Vertical wooden elements frame the waiting area, with the wooden screens standing out as their arrangement subtly guides patients towards the examination rooms.

 

 

Spatial Organization

The office is enclosed by glass, designed with custom delicate vertical lines that ensure privacy while allowing light beams to enter, giving the impression of a constantly transforming space. Directly next to the office is the entrance to Examination Room 2, which is also internally connected to Examination Room 1 via a sliding door. For Examination Room 1, which was the new addition, a construction of vertical slats extends up to the ceiling, with dimmable LED strips placed in between at varying heights. This way, the patient’s experience -typically oriented toward the ceiling- changes radically.

 

Material Palette

The materials and tones used throughout, such as gray tiling and white-painted walls, play the most important role, as they allow continuous light reflection, resulting in a timeless space that radiates cleanliness.

 

Contrast and rhythm

The project is conceived as an immersive architectural project where experience and brand power converge. The ambition is to create not just an educational space for hair styling but a symbolic environment that reflects the values and identity of the company. Architecture here becomes a strategic tool, reinforcing brand presence through atmosphere, materiality, and spatial sequencing. The concept transforms education into a lived experience, highlighting the inseparability of design and identity.

 

Spatial Organization

The academy unfolds as a carefully structured environment where circulation, orientation, and visibility are designed to enhance engagement. Spaces are distributed to encourage interaction and participation, offering visual continuity between different programs. The sequence of spaces guides users through a journey, framing each moment as part of a narrative that communicates the brand’s values.

The building accommodates diverse functions: classrooms, laboratories, exhibition spaces, and gathering areas. Each program is integrated within a continuous flow, ensuring that learning, experimentation, and interaction coexist. The flexible layout allows for adaptation to different activities, supporting both individual focus and collective experience. Social spaces are interwoven with educational ones, reinforcing the sense of community.

 

 

Material Palette

The material palette was chosen to reinforce the immersive character of the project. Textures, colors, and finishes create atmospheres that resonate with the brand’s aesthetic language. Concrete, wood, glass, and lighting are used strategically to generate contrast and rhythm, enhancing both intimacy and monumentality within the academy.

 

 

Context Integration

Located in São Paulo, the Truss Academy is deeply connected to its urban and cultural setting. The project embraces the city’s energy and integrates it into an environment of learning and creativity. By merging architecture with brand identity, the academy becomes a landmark not only for the company but also for the city, demonstrating how design can shape cultural and educational presence in an urban context.

 

Deconstructivist aesthetic

This is a bold new approach to commercial design -an innovative exploration rooted in the city’s cultural DNA. In Mayu Town, a hub of the eyewear industry is seizing a fresh start amid economic decline.

 

Design Philosophy

With a groundbreaking eyewear art showroom, the brand explores the fusion of commerce and culture, paving a bold new path. Set against a backdrop of urban regeneration, the design reimagines the traditional showroom, transforming the space into an artistic landmark. Beyond its commercial origins, it emerges as a daring, era-defining art space with a deconstructivist aesthetic. The design rises above mere functionality, exploring how commercial spaces can organically transform and redefine their role in industrial cities.

 

 

Spatial Organization

Guided by light and inspired by geometry, the design employs 45° light angles to craft triangular harmony. The notion of ‘gaze’ emerges as a central theme, orchestrating a playful interplay between sight and setting. Soft membrane lighting concealed within geometric gaps casts a warm glow, enriched by subtle red shadows. Sunlight, reflecting off folded surfaces, creates a shifting choreography of beams -shaping a dramatic, immersive atmosphere.

The interior defies rigid, traditional layouts, embracing a fluid, symbiotic design. The showroom, café, and art bookstore blend seamlessly, creating a dynamic, sensory-driven path. The journey begins at reception, continues through an exhibition atrium, then flows to the café and up to the bookstore. This narrative of sight, smell, and instinct redefines the urban role of commercial spaces. By embedding a growth-oriented spirit, the showroom becomes a cultural hub -more than a retail venue, it is a living piece of the city’s identity.

 

 

Material Palette

Columns are reshaped into geometric forms, channeling light to create depth. Eco-friendly artistic coatings unify ceiling, walls, and floor in a soft warm-white finish. The material strategy softens the glow, yielding a continuous sculptural space -intricate yet simple, intimate yet expansive.

The outdoor area acts as a prelude, rejecting traditional gardens in favor of sleek postmodern design. Geometric shapes and glass facades sync with the city’s architectural pulse. This project reimagines commercial models on an urban scale, linking interior, exterior, and surroundings into one shared cultural narrative. The ‘Light Museum’ concept merges commerce, space, and culture into a lifeline for industrial cities.

 

Preserved materiality

Near the iconic Pôr-do-Sol Square in the Alto de Pinheiros neighborhood of São Paulo, a couple with two daughters and a dog acquired a beautiful house with vaulted roofs, originally designed by modern Brazilian architect Ennes Silveira Melo and completed in the 1970s. The project adopts an approach that respects the existing geometry and materiality of the house, preserving its original character while incorporating new elements.

 

Renovation Strategy

Besides the geometry of the roofs, the house featured exposed concrete structural elements that needed updating to meet the new family’s needs. The residence required a redistribution of the layout, as the split-level organization limited the integration of living spaces. With this challenge in mind, the main intervention was relocating the kitchen, previously small and hidden on the intermediate floor, to the lower floor, thus integrating it with the residence’s social areas, including the TV room, barbecue area, and garden.

 

 

Functional Layout

On the intermediate floor, which serves as the entry level, there is a generous living room organized into two distinct environments. The first dedicated especially to musical practice, while the second is more intimate, featuring a fireplace and designed as a library for the residents’ literary collection.

On the upper level, the office visually protected by the canopy of native trees. A generous restored wooden sideboard runs along the entire lateral facade, adding a touch of elegance and functionality. Despite the spacious areas and different levels, the layouts designed to bring coziness and integration, providing visual permeability that allows each social environment to seen from different points in the house. Finally, a linear balcony is created to connect the bedrooms and shade the living room on the lower floor.

 

 

Materials & Lighting

Key decorative elements are the rugs along with the carefully selected furniture, combining new pieces with items from the owners’ collection. The upholstery follows the earthy palette of the furniture, including sofas and armchairs in caramel brown fabric and leather. The existing materiality marked by the wooden floor and concrete railing carefully restored as well as all the windows and doors.

The natural light that enters the space through the glass facade reflected by the vaulted roof and white walls, maximizing the interior’s brightness. On the bedroom floor, the original layout, which included one suite, two bedrooms, and one bathroom, updated to three suites. Skylights were installed in the new bathrooms, taking advantage of the original architecture’s structural modulation. In parallel, indirect lighting fixtures such as wall sconces and linear lights illuminate the curved roof.

 

Organic geometries

The 5-star hotel in Mykonos was conceived around the central idea of the endless motion of the sea’s waves and the creatures that inhabit its depths. Through a series of architectural gestures -including the abstract composition of solid forms, the emulation of natural elements, and the reinterpretation of traditional Mykonian architectural language- the project took its final shape.

 

Design Philosophy

The overall composition evokes the curves of the sea, with the entire building embodying fluidity at its core -as if a giant sea creature had emerged from the earth, shaping the volumes with its body and tail. The building’s organic form subtly references the typologies, shapes, and silhouettes of Cycladic architecture. Elements of the Mykonian landscape -dry stone walls, the sea, rocks, and arid vegetation- have been integrated as architectural details, offering a variety of textures and spatial experiences.

Drought-tolerant plants and palm trees are scattered throughout the property, engaging in dialogue with the building’s forms, while pools in direct contact with the guest rooms create additional water zones that weave through the courtyards and planting. The sculpted geometry of the semi-outdoor spaces encourages a constant interplay of light and shadow, framing views of the surrounding natural landscape.

 

 

Spatial Organization

Inside, the spaces offer a variety of qualities and materials. The sculpted masses evoke pieces of white rock, hollowed out to create functional spaces that meet the daily needs of the temporary guest. Curved forms and white niches serve as shelves or are lined with illuminated membranes, creating unique atmospheres. In the common areas, mirrored surfaces reflect and distort, adding an element of optical illusion.

 

 

Lighting Design

The thoughtful treatment of both natural and artificial light is central to the design. Natural light filters through glass openings, reflected off white surfaces, water, and polished materials, reaching even the underground levels. By night, the illuminated elements come to life, transforming the spaces through shifting tones and hues.

 

Material lightness

This 209 m² apartment, located in the Bigorrilho neighborhood of Curitiba, Brazil, was thoughtfully renovated to suit the daily life of a couple and their daughter. The project was guided by a clear vision: to blend comfort, functionality, and a sense of lightness within a contemporary design that emphasizes fluid, well-planned spaces.

 

Design Philosophy

The key transformation involved integrating the social areas, combining the living and dining rooms into a single, spacious environment. This open layout fosters a welcoming atmosphere, ideal for shared family moments and entertaining. A cozy lounge with a fireplace offers a quiet retreat for the family, while the kitchen was reconfigured to be more functional and aligned with their daily routines. The couple’s bedroom was also redesigned with a focus on intelligent storage solutions and optimized spatial use, balancing aesthetics with practicality.

 

 

Lighting Design

A standout feature of the renovation is its carefully curated lighting design, aimed at highlighting the textures and finishes throughout the apartment while enabling a range of moods. A mix of recessed ceiling lights, continuous linear lighting, and targeted spot fixtures creates flexible lighting scenarios -perfect for both lively gatherings and relaxing evenings.

 

 

Material Palette

The project adopts a neutral color scheme, with shades of white, gray, and natural wood that reinforce a warm yet modern identity. Premium materials such as marble and custom millwork are strategically used to add sophistication and purpose to each space, ensuring a harmonious balance between elegance and everyday functionality.

 

Architecture of contours

Anadu Pine Villa is situated in a secluded valley, a two-hour drive from Shanghai, enveloped by pine forests and shielded by a mountain draped in bamboo. This boutique estate comprises just three elegantly designed guest suites, each with panoramic views, complemented by a refined wine and cigar bar.

 

Design Philosophy

In line with Anadu’s philosophy of “Find yourself in nature,” the objective -from planning to architectural design- is to showcase the unique beauty of the valley’s pine forests. Consequently, the design aim was to harmonize with the natural landscape, creating an unparalleled retreat experience exclusive to Pine Villa. The buildings are thoughtfully positioned along the valley’s contours, each oriented to capture unique views. Guests are invited to embrace the gentle valley breeze as they embark on their journey to tranquility. At the entrance, a bamboo-textured concrete and charred black wood “L”-shaped gate harmoniously merges with the landscape, welcoming guests with open arms -embracing the valley’s greenery on one side and inviting visitors on the other.

Originally, an abandoned old house stood where the wine house now sits. To honor the site’s history, the new building echoes the old structure’s gabled roof, redesigned into a four-sloped form that creates a harmonious, tranquil scale from every angle. The walls are entirely made of glass, maximizing the views, while the northeast dining area faces a quieter hillside, and the semi-enclosed lounge provides a more private atmosphere.

 

 

Spatial Organization

A curved bamboo-textured wall leads guests from the wine house to the guest area, where the hard ground transitions into soft gravel paths, evoking a vacation atmosphere. At the path’s end, a small plaza provides a moment of pause before entering the guest area, enhancing the sense of seclusion. The three minimal standalone structures sit quietly in the valley, surrounded by the forest. Facing staggered walls that obscure the rear of the space, guests are invited to imagine what lies beyond.

Upon entering the space, the view dramatically opens up: two concrete slabs face the valley with no obstructions. The interior flows seamlessly with 270-degree panoramic views, offering a fully immersive experience. The rooms are embraced by nature on three sides, each framing its own unique view.

 

 

Materials, Lighting & Furniture

To keep the structure minimal, the buildings are cast from exposed concrete with integrated beams and embedded piping, ensuring no visible ceiling beams, lighting fixtures, or suspended structures. The clean concrete slabs unify the space. The floor slab floats above the valley, respecting and connecting with the terrain, while appearing to hover above it. Through the glass doors, each room opens onto a private backyard in the pine forest. The eaves extend into a shaded area, blending the indoors with nature. Every guest room has its own floating outdoor deck, offering a further connection to the valley.

The landscape design softens the boundaries between the estate and its surroundings, using native valley plants to integrate seamlessly into the environment. Discreet lighting, resembling fireflies, dots the pathways and grounds, enhancing the serene, secluded atmosphere.

The project extensively utilizes woodwork, wooden furniture, and wooden crafts, most of which are crafted from old wood sourced from local markets, with 80% of these items handcrafted by artisans. These repurposed woods are thoughtfully shaped by craftsmen to match the scale and essence of their surroundings, thereby enhancing the unique ambiance as well as supporting the preservation and continuation of local craftsmanship.

 

Architectural flexibility

In a 100m2 area that previously accommodated three separate professional offices, a state-of-the-art physiotherapy center has been created. The unification of these independent units into a single, cohesive high-tech space was an ambitious architectural endeavor -one that seamlessly combines functionality, openness, and a calming therapeutic atmosphere.

 

Design Philosophy

Developed in close collaboration with the therapist-owner, the design aimed to establish a versatile, multi-purpose facility capable of supporting a wide range of therapeutic practices and addressing the complex needs of patients. The layout includes a welcoming reception area, four treatment rooms, a specialized rehabilitation gym, and the therapist’s private office. Each space is tailored to host a distinct therapy modality -ranging from electrotherapy and hydrotherapy to counseling and targeted strength training.

 

 

Spatial Organization & Materials

Accessibility was a top priority, with wide walkways exceeding 1.5m, gently sloped entrances, and an elevator ensuring smooth movement for individuals with mobility challenges. The main treatment area features modular workstations with movable beds and equipment stored in smart, built-in cabinets -allowing for quick adaptation to different therapeutic setups. Private rooms are equipped with sound-insulating panels, offering the privacy and quiet needed for more focused, introspective therapies.

The rehabilitation gym includes specialized equipment such as balance training machines and full-length mirrors that allow patients to monitor their posture and movement. Flooring throughout is made from elastic, closed-cell materials that are both non-slip and antimicrobial. Work surfaces are crafted from antibacterial-coated quartz for easy disinfection and hygiene control. Automated treatment beds with adjustable height and tilt enhance comfort and adaptability during sessions.

 

 

Sustainability & Lighting Design

A network of integrated temperature and humidity sensors maintains an optimal microclimate across all areas. Each room benefits from natural light and ventilation, adhering to standards required for primary-use spaces. The interior design embraces a minimalist aesthetic with a dominant white palette, fostering tranquility and clarity. Individual spaces feature curated color accents, chosen for their ability to offer psychological relief and emotional comfort.

Lighting is discreet and thoughtfully placed: LED strips under cabinets provide ambient illumination, while adjustable lamps above treatment beds allow for focused lighting when needed. All construction materials were selected with sustainability and health in mind, including FSC-certified woods and VOC-free paints.

This facility is more than a physiotherapy clinic -it is a holistic wellness ecosystem. Through architectural adaptability, technological innovation, and meticulous attention to detail, it offers a restorative environment for both patients and practitioners.

“Architecture can be as healing as the therapies themselves.”

 

 

Corporate Identity Design: we are two

Morphological enhancement

The project involves refurbishing an existing building and transforming it into an office space, with the primary design focus on creating a modern, sustainable complex that has a minimal ecological footprint.

 

Design Philosophy

Internally, the spaces were reconfigured to meet the needs of the new occupants, with modern living conditions ensured through the installation of heating and cooling systems, as well as heat pumps, which provide optimal comfort with minimal energy consumption. Special attention was given to the lighting design, both inside and outside the building. Externally, the structure features post-modernist morphological elements commonly seen in buildings along the main thoroughfares of the capital, such as rectangular moldings and expansive glass surfaces. The top floor features curved openings and balconies along with a projecting solid roof, and was designed to give the building a distinctive presence. However, these elements did not integrate harmoniously into the urban fabric.

 

 

Sustainable Design

The glazing and masonry that defined the facades were deemed inadequate in providing adequate thermal and visual comfort inside. The design prioritized reconfiguring the building’s external envelope to ensure optimal living conditions for the occupants. To achieve this, external thermal insulation was added, and the existing windows were replaced with new, thermally insulated ones, featuring A+ energy classification and high sound insulation glazing. Additionally, a series of perforated white panels was installed 80 cm from the existing facade, reinterpreting the overall geometry of the building.

 

 

Exterior Shell

The new “shell” establishes a modern identity for the building, serving a crucial function as a sunshade that does not obstruct the view, while also providing sound insulation. A lightweight metal structure was added to the roof, visually altering its height and creating an interesting counterbalance, forming a harmonious “crown” atop the solid building volume. The surrounding microclimate was enhanced through thoughtful landscaping and the use of panels designed to reduce glare -a common issue for buildings with large glass surfaces in sun-drenched countries like Greece.

 

The jungle in the building

This study focuses on transforming an abandoned urban structure into a dynamic workplace for a group of young, extroverted, curious, and bold engineers.

 

Design Philosophy

This design aims to meet work-related needs as well as stimulate the senses and foster extraordinary interactions among team members and their clients. The concept is simple: “Let’s bring the jungle into the building.” At the office entrance, a circular feature is created, adorned with tropical plants such as Strelitzia nicolai, Howea forsteriana, Beaucarnea, and Asparagus setaceus, complemented by natural rocks.

A fully automated system integrates drip irrigation and dimmable artificial lighting to ensure optimal plant preservation and growth. The cooling effect of plant evaporation, combined with the earthy scent of moistened soil, evokes the sensation of being immersed in nature, guiding users into an environment that feels refreshing and serene.

 

Functional Layout

The main workspace, elevated within a striking wooden “box,” serves as a focal point, clearly defining the axes of movement and separating the auxiliary work and meeting areas. At the same time, it incorporates secondary functions within the storage space below. A monochromatic yellow folie jaune creates a cinematic atmosphere, framing a micro-dwelling that includes a kitchen, bathroom, and bed.

 

Lighting & Atmosphere

The interaction between the user and the lighting shapes the size and intensity of shadows, continuously altering the observer’s perceived images. Through shifting viewing angles, the observer uncovers new connections between the perpetual symmetry of shapes and light.

A modern workplace should transform work from a tedious necessity into a creative endeavor, fostering not only productivity but also social interaction and communication. Whether it’s a basketball challenge, a party with friends, or a film screening, the space adapts to inspire both collaboration and enjoyment. In this architectural narrative, a resourceful and highly imaginative turtle, “Odysseus” (Testudo graeca Linnaeus), takes center stage, adding a playful and symbolic touch to the environment.

Monastic aesthetics

The project focuses on the creation of a restaurant-brewery inspired by the rich traditions of Belgian monasteries, which historically, have been the heart of beer production and fermentation. By blending the timeless allure of monastic style with touches of luxury, the concept offers an authentic and unique gathering experience.

 

Spatial Layout

The floor plan is thoughtfully divided into three functional sections. The first is a linear semi-outdoor space, positioned parallel to the open side of the building. The second is a central corner-shaped seating area. The third zone features the central bar, an open kitchen extending from it, and auxiliary spaces located at the rear of the establishment.

The entrance, situated at the center of the floor plan, leads through the semi-outdoor zone, where table seating is arranged on an elevated wooden platform. Upon passing through a large double wooden door, guests are greeted by a custom-made copper structure resembling a traditional fermentation cauldron. Next to this centerpiece is the central visitor area, furnished with large dining tables, stand-alone tables, and sofas lining the walls to create an inviting and versatile atmosphere.

 

Materials & Lighting

The interior design embodies a commitment to tradition and artistry, with every detail paying homage to the architecture of historic monasteries. Textured copper accents dominate much of the space, symbolizing the harmonious blend of old and new. Stone-clad arches further evoke a sense of timelessness. A striking illuminated wall of beer bottles introduces a modern touch, while wooden surfaces, rustic elements, and discreet lighting work together to create a warm and inviting atmosphere. The design encourages guests to embark on a flavorful journey through an extensive selection of spirits.

 

Aesthetics & Decoration

The monastic aesthetic seamlessly features refined elegance and cultivates an atmosphere of serenity. This evocative ambiance is further enriched by large-scale paintings portraying monochromatic figures of monks, deepening the connection between tradition and modernity. Simultaneously, prominent metal ceiling installations introduce an industrial edge, adding a bold contrast to the overall design.

Spatial narratives

The 1,500m² music venue in the heart of Athens was crafted to herald a new era in entertainment.

 

Design Aesthetic

Bright scenes of New York during the Art Deco era, the atmospheric charm of interwar Paris, the allure of the Moulin Rouge, and the mystique of the speakeasy era blend seamlessly with the vibrant rhythm of an Athenian night. Together, they shape a space designed to pause time, even if just for a moment. Fluid curves, a central design element, amplify the sense of movement and flow throughout the venue.

 

Spatial Layout

Upon entering, visitors are greeted by a reception area reminiscent of a vintage hotel lobby. Moving further, a short ascent reveals the stage and the first tier of seating. A grand central staircase leads to the second level, where additional rows of seats are arranged. The design unfolds as a multisensory narrative, engaging visitors at every step.

 

Material Palette & Furniture

The corridors are subtly underlit, while dark tones of black dominate the marble floors and wood paneling. Rich red and deep green velvet adorn the furnishings and towering theatrical curtains, complemented by metallic accents in aged bronze and scattered exotic plants. The décor blends vintage objects with contemporary art, including works by Mr. Brainwash, sculptures by Richard Orlinski, and digital elements, creating striking contrasts. This timeless fusion of eras and aesthetics results in a space that radiates mystery and intense sensuality.

Bordering green

The project focuses on designing an all-day café within a 140m² corner shop located at a central point of the settlement, benefiting from views of tall deciduous trees on both sides, thus enhancing its ambiance.

 

Design Philosophy

The primary goal of the design is to create a seamless connection between the interior and the surrounding greenery by extending the visual lines outward to the natural environment and bringing “green” elements indoors. This approach aims to establish a “garden” that serves as a continuation of the urban vegetation.

 

Spatial Organization

The floor plan is centered around a large L-shaped bar that extends toward the corner near the openings. This design, combined with the installation of expansive glazed windows, maximizes the views, while seating is arranged freely within the café-bar across two levels: one at ground level and another one slightly elevated.

 

Custom Structures & Materials

A system of Π-shaped metal structures is incorporated to support greenery, with a similar hanging structure placed above the bar, adorned with lush climbing plants. The material palette is intentionally divided into two contrasting categories. The first includes natural and handcrafted elements, such as the cast mosaic of the bar, the floor mosaic, cement mortars on the walls, and wooden surfaces. The second consists of industrial materials, such as metal mesh and steel, used in the planting structures and the façade frames.

 

Lighting Design

The lighting is designed to emphasize the interior greenery, creating, in parallel, a distinct ambiance. More specifically, the careful light installation enhances the industrial character of the project, offering a unique experience, especially at nighttime.

Exclusive viewing

The VIP Boxes at the Panathinaikos basketball court in OAKA are exclusive spaces designed for enjoying games and events, as well as hosting meetings.

 

Functional Organization

The space features fully equipped suites with a range of amenities and facilities, granting exclusive access to premium services and designated areas within the stadium. A total of sixteen VIP Boxes encircle the stadium, providing unobstructed views and seamless connectivity to the event while ensuring privacy.

The VIP Boxes are available in three types, distinguished by their size and capacity: Type A accommodates eight people, Type B accommodates ten, and Type C accommodates twelve. Each box is outfitted with a cloakroom, a private restroom, a buffet area, and a kitchenette. The kitchenette includes a small sink and minibar, cleverly integrated into a hinged structure with pocket doors for added convenience and elegance.

 

Amenities & Furniture

The Boxes are fitted with cutting-edge video and audio systems, ensuring an immersive experience for visitors and enabling the playback of highlights from each game or event. The interiors are thoughtfully designed with modern furnishings, including a central seating area featuring a luxurious leather sofa set. Complementing this layout is a stylish marble and leather table that doubles as additional seating. Furthermore, a bar counter with stools is strategically positioned to offer an unobstructed view of the court, enhancing the overall experience.

 

Exterior Design & Materials

The view is enhanced by a retractable glass façade that seamlessly connects the interior with the exterior, creating a sense of continuity with the stadium. On the outside, seating is arranged to offer full visibility of the court, situated in a defined perimeter area that ensures privacy from the surrounding stands. The box area is adorned with high-end materials like marble and wood, and decorated with elements that reflect the Panathinaikos brand, including green accents on the walls and surfaces, as well as basketball memorabilia.

Interactive Spaces

The 78m² apartment is located in a building constructed in 1966. To modernize the space and align it with contemporary needs, essential structural repairs were undertaken alongside significant spatial modifications.

 

Spatial Organisation

The original apartment featured separate spaces for the kitchen, living room, and hallway, along with two bedrooms and a bathroom. The new design integrates the kitchen with the two-bedroom areas, while the transitional hallway is repurposed as the primary space for the dining area. The kitchen and living room now follow a linear layout, creating a harmonious flow as their design elements align seamlessly. A small corridor, painted in a distinctive green colour, connects the bedrooms and bathroom, marking a clear transition from the shared spaces to the private ones.

 

Material Palette

The mosaic floors, featuring three distinct patterns unique to each space, along with the parquet flooring, were preserved and polished, with marble used to highlight the trace of the removed wall. In order to seamlessly blend old and new materials, the kitchen, positioned prominently in a linear layout opposite the entrance, is painted in a terracotta red shade, harmonizing the diverse range of materials.

 

Lighting Design

Ceiling fixtures provide the primary lighting for the space, while wall fixtures and hidden lighting offer diffused illumination, allowing for versatile lighting scenarios that create to different atmospheres and moods.

Expressive atmosphere

The project redefines the concept of fitness through an Avant-garde approach inspired by W. Kandinsky, becoming an expression of art, style and environmental commitment.

 

Design Influences

The gym’s design redefines the fitness experience, offering an environment where every detail is carefully planned to provide a unique journey to physical and mental well-being. Since it’s conception, the fundamental premise has been to design spaces that not only provide the best conditions for fitness, but also imbue an atmosphere characterized by the beauty of art, invoking other cultural areas that contribute significantly to the physical as well as mental well-being of its users.

 

Material Atmosphere

Art is placed at the center of the experience, becoming integrated to the space along with spatial comfort, environmental concern and social responsibility. Each space is carefully developed to provide an exclusive design, using ecological materials with environmental responsibility. The choice of decorative compositions is strategically curated so that each area becomes an integral part of the overall narrative of the space.

 

Color Palette & Lighting

The material selection carefully compliments the concept of the composition. More specifically, the ceiling’s reinforced concrete is exposed, contrasting the white walls and dark wood flooring. The changing rooms are clad with small whitewashed square tiles, while a series of colorful benches add playful accents to the space. Finally, an array of lighting fixtures in various geometric shapes illuminate the main gym areas.

Discrete integration

The three-story hospitality complex, situated on a corner plot in a quiet district overlooking the bay of Argostoli, harmonizes with the traditional urban fabric through its thoughtful scale and design.

 

Urban Integration

Blending neoclassical character with modern accents, the building is subtly integrated into its surroundings, allowing visitors to connect with the city through its orientation, views, and carefully curated decorative elements. It houses eight suites and features a serene communal garden with a swimming pool on the landscaped terrace.

 

Functional layout

The entrance, centrally located, leads into a wide corridor that divides the floor plan, providing access to the reception area and a wellness space in the basement. The building’s eight suites, each around 25 square meters, are arranged across three levels in varied layouts, each offering a unique relationship with the city. On the ground floor, two rooms are symmetrically positioned on either side of the main corridor, with views of the garden. The first floor features three rooms with views of both the city and the sea, while the top floor, beneath a tiled roof, includes one single room and two duplex suites. These duplexes span in two levels, each including a loft area.

Inside the suites, bathrooms play a central role, enhancing the accommodation experience. Rather than using doors, the rooms are subtly divided, with the bed positioned behind a light partition. Each suite includes spacious, full-length washbasins, freestanding bathtubs, while a series of large windows allow ample natural light to enter the space.

 

Material Palette

The material palette and decorative choices throughout the building evoke a traditional, historic ambiance while preserving a distinctly contemporary character. The structure is rendered in a monochromatic, earthy hue that subtly accentuates its neoclassical details. Light-colored terrazzo mosaic slabs, white marble, and travertine stone are used for the floors and wet areas, while the fixed furnishings and interior partitions are crafted from natural oak, complemented by large woven wicker panels. Fabric selections follow the same aesthetic, featuring monochromatic, light earthy tones with distinctive weaves and textures.

 

Lighting Design & Furniture

The color and material palette deliberately avoids strong contrasts, while the movable furniture and lighting introduce dynamic accents with slender metal elements in dark or bronze finishes and curved shapes that contrast with the clean, linear layout of the spaces. Local character is conveyed at every scale, from large architectural details to smaller decorative elements. Particularly notable are the custom porcelain ceramics by Victoria de Borbon, adorned with motifs of Kefalonian wildflowers. Their bold, sculptural forms blend retro aesthetics with a modern flair, encapsulating the guesthouse’s unique character and ambiance.

Illuminated geometries

The recently inaugurated lifestyle centre is a futuristic architectural landmark intended to revolutionise the Milan’s urban skyline. Its design is a tribute to sustainability and everyday life, featuring the highest urban planning standards and poised to become a focal point within the city.

 

Design Philosophy

The centre includes 210 stores that feature a unique selection of national and international brands. The complex is distinguished by its organic architectural shape, comprised of two circular buildings connected by a suspension bridge, and acts as a striking example of modern architecture. The interior showcases magnificent, expansive, seamlessly interconnected spaces made of an array of strategically configurated glass elements.

 

Lighting Design

Spaces are diverse and intricate, thus in need of different lighting requirements, which are addressed through a careful lighting design study by the Greek designer, Thomas Gravanis (Studio L+DG Lighting Architects). The lighting blends harmoniously with its surroundings, creating a welcoming and inviting atmosphere. Despite a number of challenges, such as mitigating light pollution and glare, the result offers comfort and high-quality lighting that accentuates the distinctive architecture of the centre. Additionally, by developing tailored lighting solutions, the building follows bioclimatic and energy-efficient design principles. Finally, the façades have been illuminated to enhance the visual experience for both pedestrians and motorists.

 

Sustainability Approach

The architecture seamlessly integrates advanced technology and sustainability. The main roof offers ample natural light while avoiding glare or overheating. The project successfully meets all the current challenges of sustainability with the use of eco-friendly materials and bioclimatic solutions. An 8,500m2 dome and the use of 4,500m3 of laminated timber contribute towards reducing the building’s environmental impact by absorbing the equivalent of 8 years of CO₂emissions. With over 5,000m2 of indoor and outdoor green space, the lifestyle centre becomes an urban oasis, situated at the heart of Milan.