Domestic prototype

In the wake of the global realignment brought about by the Covid-19 pandemic, Riverhouse emerged as a deeply personal exploration of domesticity. Situated within a protected river corridor in rural Rhode Island, the project reflects broader cultural shifts toward slower living, environmental consciousness and closer engagement with nature. Designed as both family residence and experimental retreat, the house reconsiders how architecture can support evolving modes of living, working and gathering.

Originally occupying the site was a deteriorating summer structure that had hosted a series of informal architecture camps since 2014. These gatherings brought together architects, collaborators and families in an environment centered around dialogue, collective reflection and shared living. Over time, the fragile building became increasingly unsustainable, prompting the architects to envision a new dwelling capable of preserving the spirit of the site while responding to contemporary environmental and spatial demands.

 

Domestic Prototype

The new residence occupies the footprint of the original structure while introducing a compact yet highly articulated architectural form. Elevated to comply with floodplain regulations, the house balances technical rigor with an atmosphere of informality and warmth. Conceived according to Passive House principles, the project incorporates triple-glazed openings, heavily insulated wall assemblies and rooftop photovoltaic systems with battery storage, allowing the building to operate entirely on electricity while minimizing year-round energy consumption.

Rather than emphasizing technological performance as an end in itself, the project integrates environmental systems seamlessly within the architectural language. The design maximizes natural ventilation and daylight through strategically positioned apertures, while outdoor rooms, terraces and roof gardens extend domestic life into the surrounding landscape. The architecture negotiates openness and enclosure through a sequence of carefully calibrated spatial conditions that reinforce the connection between interior and exterior environments.

The distinctive geometry of the house emerged through an iterative process of physical model-making. A folded blue metal roof descends asymmetrically across the facades, producing a diagonal ridgeline that creates dynamic sectional relationships throughout the interior. This manipulation of volume allows for double-height spaces, mezzanine rooms and carved outdoor courtyards that bring light deep into the plan while framing views toward the river and surrounding forest.

 

 

Material Palette

Material selection played a central role in shaping the identity of the project. Thermally modified ash wood cladding, unfinished plywood surfaces and handmade Lebanese tiles introduce tactile richness while maintaining a restrained material palette. Vibrant window frames punctuate the muted exterior composition, echoing the changing colors of the surrounding vegetation throughout the seasons.

Inside, the house is organized around a spacious communal living area designed for both everyday inhabitation and collective gathering. Storage systems are embedded within the architectural envelope to maintain spatial clarity, while each room is dimensioned with precision to maximize efficiency without sacrificing comfort. The spatial organization privileges adaptability and fluidity, allowing domestic routines, work and social activities to coexist seamlessly.

The project evolved through an extended process of collaboration involving architects, designers, artists and craftspeople. These interventions blur the boundaries between architecture, interiors and objects, reinforcing the house’s role as a continuously evolving environment shaped through collective authorship.

Construction itself became part of the project’s narrative. Built incrementally within a modest budget, the project relied heavily on the involvement of friends, collaborators and local builders. The process unfolded gradually, with many contributors living alongside the project as it took shape, reinforcing the architects’ broader understanding of architecture as a social and participatory act.

 

 

Design Philosophy

Beyond its role as a private residence, the project operates as an ongoing platform for exchange, experimentation and dialogue. Continuing the legacy of the original architecture camps, the project supports gatherings that foster conversation around architecture, ecology and collective living. A second phase currently underway introduces a pavilion, swimming pool and gardens intended to accommodate future communal events and workshops.

In this sense, Riverhouse belongs to a lineage of architect-designed experimental houses that function simultaneously as homes and spatial manifestos. Yet unlike historical precedents centered on formal autonomy, this project responds directly to contemporary concerns surrounding climate adaptation, evolving family structures and the redefinition of domestic space in an increasingly uncertain world.

The result is a residence that resists the notion of retreat as isolation. Instead, the project proposes an architecture rooted in openness, resilience and environmental sensitivity – a carefully inhabited structure that remains unfinished in the most productive sense: continuously adapting, evolving and engaging with the people and landscape that surround it.

 

 

Programmatic coexistence

“Just Don’t Call it a Lab”

The Warren Woods Ecological Field Station, designed for the University of Chicago’s Department of Ecology and Evolution, constitutes the first certified Passive House laboratory facility in North America. With a total surface area of 220m², the building demonstrates how research environments can meet rigorous energy-performance standards while simultaneously supporting scientific inquiry, education, and community engagement. Situated within a 42-acre site in southwest Michigan, it establishes a framework for addressing critical questions related to ecology and human adaptation in the Anthropocene.

 

Programmatic Integration

The facility accommodates a fully equipped laboratory, seminar space, bathrooms, and a compact kitchen. A second-floor loft and an accessible roof deck provide flexible areas for retreats and collective activities, while three adjacent bunkhouses and a wash house support seasonal programs. The interior spaces are carefully daylit, balancing the technical requirements of scientific equipment with occupant comfort. This duality allows advanced research processes to coexist with the stringent demands of Passive House performance.

 

 

Environmental Strategy

Energy efficiency and programmatic complexity inform every aspect of the design. Laboratory spaces are strategically located in the cooler northwest corner of the building to counterbalance the heat generated by plant-growth chambers, ultra-low-temperature freezers, and DNA extraction equipment. A deep roof overhang mitigates solar gain on west-facing glazing, while a comprehensive ventilation system captures and redistributes or exhausts waste heat according to seasonal needs, ensuring optimal indoor environmental conditions.

 

 

Material Palette

The building is articulated through a combination of a long shed roof, expansive south-facing glazing, and operable perforated-metal screens that regulate solar exposure throughout the year. A super-insulated concrete slab contributes to thermal stability, maintaining consistent interior temperatures. The exterior is clad in distressed cedar siding, wrapping a series of abstract geometric volumes that anchor the structure within its wooded context while simultaneously expressing its technological and scientific character.

As both a research infrastructure and a prototype for sustainable design, the Warren Woods Ecological Field Station establishes a new paradigm for high-performance laboratory architecture in remote environments, aligning technical precision with ecological responsibility.