Urban recovery

The architectural proposal for the adaptive reuse of the iconic Mínion department store in the center of Athens posed a significant challenge, as the restoration of its extensive, abandoned shell became an opportunity for a design approach with a clear narrative and morphological intent.

 

Design Philosophy

The central design idea interprets the historical layering of the urban block, shaped over time by the gradual consolidation of different properties during its operation as a department store. The selection of a three-color palette for the façade’s functions symbolically, subtly alluding to the composition of the individual buildings. In this way, the project establishes a dialogue with the surrounding urban fabric, expressed through a distinctly rationalist and understated rhythm.

Particular emphasis was placed on redesigning the base of the building. Through a pronounced shift in architectural language and typology, the arcades along the street frontage were shaped with arches, evoking a more commercial and urban Athens of the past. The varying geometry of the openings responds to the existing structural framework, preserving the building’s constructional identity.

 

 

Functional Organization

The new “double” envelope consists of two layers: the inner one is organized through the rhythm of the openings to maximize natural daylight, while the outer one is formed by a grid of colored metal shading panels. The composition draws references from Athenian rationalism, modernism, and the city’s neoclassical heritage, adding depth and a three-dimensional expression. The engraved “Mínion” logo, carved into the marble cladding, marks the building’s renewed identity with respect for its past.

 

 

Bioclimatic Design

Bioclimatic principles inform the entire project. More than 97% of the load-bearing structure was preserved, reducing demolition and the embodied carbon footprint. Automation and management systems for lighting and climate control were implemented, achieving significant energy savings, while the use of low-emission materials enhances the building’s sustainable character. The green roof, planted with Mediterranean vegetation, improves the local microclimate. Now accommodating both commercial and office uses, and achieving an excellent environmental performance certified with LEED Gold, Mínion is reintroduced to the city not as a memory, but as an active, sustainable chapter of its urban future.

 

Mystagogic Atmosphere

The hotel is housed in an existing 19th-century stone structure in the heart of Rethymno’s old town and consists of five suites offering all contemporary comforts.

 

Design Philosophy

The design aims to immerse visitors in elements of Cretan culture, offering an atmosphere where the evocative character of the past coexists with contemporary sensibilities. During the adaptive reuse of the original shell, the stone masonry was highlighted and preserved, with targeted structural reinforcements where necessary. To maintain the authenticity of the original character, all mechanical and electrical systems were concealed within the walls and floors.

A new stone structure was created on the adjacent plot, centered around the presence of water, forming the hotel’s shared pool and introducing a sense of oasis within the dense fabric of the old town. The two stone volumes are connected by a staircase made of exposed concrete.

 

 

Material Palette

The material choices emphasize the identity of the project and include stone, wood, clay, and iron with a weathered finish. Custom elements were crafted, while existing components found within the building were reused. The floors are made of elongated clay tiles, and the gutters are formed from joined clay pipe segments reminiscent of traditional Cretan water channels.

 

 

Custom Elements

Metal features such as frames, railings, and planters are made of treated iron with a rusted appearance. The glass surfaces were specially crafted to evoke an aged character, while the doors and furniture incorporate reclaimed wooden elements discovered in the building. The structural wooden components are made of unprocessed chestnut. Finally, the room locks are restored Ottoman-era pieces found in the old town of Rethymno.

 

Historical stratification

The restoration of the listed building by E. Ziller and its transformation into a hotel offered an opportunity to examine the architectural dialogue between new and old. At the core of the design process was the question of how the new interior layer could be articulated with clarity against the pre-existing structure so that the historic elements would remain visually and conceptually prominent.

 

Renovation Strategy

A single gesture within the renovation encapsulates the overall design intent. On the second floor, along the perimeter of the gypsum ceiling decoration, the project’s conservator removed a small section of the later white paint to reveal a rectangular fragment of the original, richly coloured ceiling painting beneath. This intentional “witness” preserves both the authentic layer and the later intervention, making visible the shifting aesthetic preferences of the neoclassical home’s former inhabitants.

This carefully curated “peeling”, creates a momentary opening into the past, exposing successive historical layers with clarity. Across the entire project, the distinction between new and old was primarily expressed through two elements: the axial layout and the ceilings.

 

 

Functional Layout & Materials

The original plan organized the rooms axially, with tall double doors allowing them to interconnect. This configuration was carefully preserved, as was the fundamental rhythm of the rooms. New bathroom spaces were positioned alongside the axial circulation and were designed as freestanding boxes that do not touch the painted ceilings. Clad in mirror, they visually recede, doubling the perceived volume and reinforcing the separation between old and new.

Most rooms in the neoclassical building featured colored ceiling paintings of high artistic value, though many showed signs of age – repairs, cable routes, cracks, and areas where the lath-and-plaster substrate was exposed. The conservator restored the damaged sections by extending the original artwork in full, while deliberately maintaining a light patina acquired over time. Crucially, the aim was not to produce a flawless, freshly painted ceiling.

Finishes & Custom Elements

In other words, the intention was not to create the impression of a ceiling that could have been painted “yesterday,” as is common in some Byzantine church restorations. A similar conceptual reference to the neoclassical façade was made on the ground floor, within the hotel’s shared spaces. The façade, unusual in that it faces three streets, features a distinctive arcade, which inspired the arched configurations of the high-ceilinged interiors.

The preserved architectural elements guided the colour selection for each room. By taking cues from the ceiling artwork, the wall finishes were chosen accordingly, while contemporary furniture was introduced – pieces that do not attempt to replicate the past, but instead establish a respectful dialogue with the neoclassical shell.

 

 

Cycladic minimalism

Xylo is a carving gallery situated in one of Santorini’s villages, Megalochori, whose beauty and spirit still capture the essence of Cycladic culture. Xylo is the Greek word for “wood”.

 

Design Philosophy

The gallery is a paean to modern Cycladic minimalism, a place destined to express the essence of Xylo, communicate the craft of wood carving and showcase the artist’s creations. The project’s starting point was the naturalistic and simple beauty of Greek tradition. More specifically, our studio draw inspiration from Greek arts and crafts.

 

 

Custom elements

Metallic and wooden panels recreate, in a contemporary manner, details of traditional embroideries and are used as semi-transparent partitions or shelving systems to display the artist’s sculptures. Another key aspect is the meticulously preserved carpenter’s workbenches placed in the gallery.

 

 

Layout & Materials

The gallery’s layout is an open-plan space with display spots on each wall. A central display unit creates a discrete division while maintaining the openness of the space, thanks to its thin structure. The selected colors and materials, inspired by traditional Cycladic architecture, aim to highlight the gallery’s wooden sculptures. The final composition is a serene and subdued environment, acting as a cool white canvas for the exhibits.

 

 

Inverse design

This grade B listed Georgian house in the Portobello Conservation Area in Edinburgh had been used as a dental practice for decades before being purchased by a young couple, keen to transform it back into a family home.

 

Renovation Strategy

The original house had historic extensions to the rear and side, resulting in a disjointed cellular layout. The previous use of the house meant that many original features had been preserved, but were hidden under layers of flooring, paint and wall coverings. The brief was to remove the incongruous additions, and restore the house to its former glory, while adding contemporary elements to create a practical and light-filled home.

 

 

Extension Strategy

The proposal features a sociable kitchen and dining space to the rear of the house with a direct connection to the back garden. To achieve this an old utility extension was removed and replaced with a highly glazed dining area on the same footprint. The room which would have been the original kitchen was enlarged by connecting it to an adjacent store, and to the new extension. An original stone floor was discovered under layers of concrete, which was carefully cleaned and re-laid. Large hardwood windows and sliding doors provide a visual and physical connection to the garden. The raised planter outside the large, fixed window, overflowing with herbs and other edibles, creates a sensation of sitting in the garden.

A ground floor shower room was created by reconfiguring the layout and raising the floor level of a previous side extension. Utility functions such as laundry, boiler and storage are concealed behind full height doors. The ensuite to the master bedroom is also concealed, accessed through the bespoke built-in wardrobe. During the renovation, many historic features, such as the original cornice to the drawing room and master bedroom, iron balustrade and stone stair and floors, were revealed and lovingly restored. Layers of commercial wall paneling, thick paints and floor screeds were carefully removed. Original shutters were reopened, fireplaces cleaned and restored, and timber paneling, skirtings and architraves repaired.

 

 

Sustainability Approach

The energy performance of the house has been improved through the discreet incorporation of thermal insulation: between floor joists, at roof level and, where no decorative cornicing existed, as an internal lining to external walls. The original sash and case windows to the front of the house were beyond repair, and were replaced with high-performance slimline double glazed sashes, carefully designed to match the original profiles. At the rear of the house the original windows have been retained, with new draught proofing.

 

Urban refuge

Located in a heritage building from the early 20th century, this project serves as a bridge between past and present -an exceptional fusion of history and modernity. The restoration of the building, recognized as a historical landmark, was carried out with a focus on preserving its original architectural elements, rescuing details that tell stories of bygone eras and allowing its essence to remain alive.

 

Design Philosophy

In the heart of the city, this space has been transformed into a place where coffee is not only tasted but also experienced and lived. More than just a café, it is a tribute to tradition and contemporary culture, a meeting point where the aroma of freshly roasted beans blends with the rich history of the building and the warmth of its design. Conceived to breathe new life into the urban center and challenge the growing disconnect with these spaces, the studio designed a renovation that reinterprets the past without losing its authenticity, offering an atmosphere of introspection, connection, and discovery.

 

 

Functional Organization

The journey begins at the soul of the project: a coffee roaster that, beyond being a key element in production, stands as a symbol of the artisanal process that defines the character of the space. Adjacent to it, the experimentation lab serves as an alchemical stage where baristas and experts refine recipes and explore new ways to extract the essence of coffee. Finally, the experience culminates in the tasting area, a warm and immersive environment where visitors can savor the result of this meticulous process. These spaces intertwine seamlessly, allowing guests not only to enjoy a beverage but also to witness the journey each bean takes -from roasting to cup.

 

 

Restoration Strategy

Rather than imposing itself on its history, the design embraces the past, carefully restoring original elements such as wooden paneling and stone-carved frames. These details, combined with handcrafted contemporary furniture and materials like wood, metal, and textiles, create a harmonious dialogue between old and new. This intervention is not just about renovating a building but about redefining its meaning, integrating modern elements without losing its identity.

Beyond its aesthetic value, this transformation is a commitment to the revitalization of the urban core, encouraging the community to reclaim the space and fostering a stronger sense of connection. At a time when cities have prioritized mobility over livability, this project demonstrates that design can be a powerful tool to reconnect people with their surroundings. Here, among the aroma of freshly roasted coffee and the warmth of a thoughtfully restored space, visitors find a refuge where time slows down and history can be savored in every sip.

 

Strategic reuse

Through a strategic approach to existing elements and an emphasis on the core essence of living, this project highlights the traditional house as an example of sensitive and functional reuse -a space where heritage and contemporary architectural practice coexist in balance.

 

Renovation Approach

Initially, the building offered no obvious architectural interest. Strict budget constraints precluded radical interventions, guiding a renovation approach defined by minimal yet highly targeted moves. This limitation ultimately set the stage for a more thoughtful and inventive transformation.

 

 

Design Philosophy

The original single-family residence and its adjacent auxiliary structure were reimagined as two distinct yet interconnected dwellings, tailored to the needs of an extended family. A pivotal design decision was the introduction of a mezzanine, making creative use of the existing height to introduce added functionality, spatial freedom, and natural light -serving as both a play area and a space for creative expression.

 

 

Materials and Custom Structures

The staircase was conceived as both a structural and sculptural element, connecting levels and unifying the spatial narrative. The interior design emphasizes clean lines and a subtle yet distinctive color palette that complements the existing materiality. Built-in furnishings and custom elements support everyday living while preserving an atmosphere of serenity and simplicity. The interplay of natural light, enhanced by openings and vertical space, is complemented by artificial lighting that accentuates textures and guides movement throughout the space. Externally, the terraces and courtyard spaces are treated as an extension of the interior, defined by restrained materials and planting that foster a sense of openness, relaxation, and communal living.

 

Simple lines

The property is situated in the Faragas area on the southern side of Paros. Its southern orientation provides a captivating view of the sea, while the entrance is conveniently located on the northern side. What sets this property apart is its remarkable position on a promontory, offering breathtaking panoramic views in every direction.

 

Design Philosophy

Taking advantage of its distinctive features and topography, a meticulously designed building was crafted to optimize unobstructed vistas of the sea and the peninsula. Inspired by the principles of late modernism, the architecture has been skillfully adapted to this coastal site, resulting in a generously covered area supported by walls that serve as panels, effectively defining scenic views and living spaces.

Water features, well-planned courtyards, and thoughtfully arranged landscaping seamlessly integrate the sea, the beach, and the surrounding terrain with the recreational areas, creating a smooth connection between the residence and the waterfront. The pergolas, aligned with the expansive slabs, are thoughtfully adorned with reed, extending the living spaces while ensuring visual coherence. The strategic use of walls, pergolas, water elements, gravel roofs, distinctive stonework courtyards, and expansive semi-open areas contributes to an architectural concept that emphasizes the succession and continuity of materials.

The arrangement of parallel walls intensifies the focus on both nearby and distant landscapes, skillfully directing attention towards specific elements of the natural surroundings. The movement, expertly guided by the architectural elements, transforms into a captivating exploration of spatial dynamics, unveiling new perspectives and illuminating previously unnoticed material details.

 

 

Material Palette

The interior spaces have been thoughtfully shaped, drawing inspiration from local architectural styles, the region’s spirit, history, and natural environment, as well as the unique preferences and requirements of the residents. With a deliberate emphasis on using exclusively natural materials and colors, the residence exudes a distinctively layered palette. The application of local stone, skillfully hammered and arranged in intricate and characteristic patterns, adorns all interior and exterior floors, elegantly softening the dazzling white of the walls. The light-colored wooden furniture effortlessly brings the essence of nature inside the residence, while carefully chosen fabrics and specially designed rugs play a significant role, offering diverse textures and colors. Most of the furniture is custom-made, complemented by a few select pieces of minimalist Scandinavian design. Vibrant Mediterranean hues of terracotta tiles grace the bathrooms, and the lighting scheme, designed with utmost subtlety, accentuates the enchantment of moonlit nights and starry skies.

 

 

Context Integration

Nestled within this idyllic landscape, the architecture creates a haven for relaxation and indulgence. The design concept pays homage to the essence of Greek summer, where spaces are not rigidly defined but seamlessly flow towards the surrounding environment and the sea. The residence represents an interpretation, borrowing elements from the principles of modernism, intricately intertwined with the Cycladic architectural tradition, with the ultimate goal of harmoniously merging and blurring the boundaries between the natural and inhabited spaces.

 

Simple lines

The holiday residence, located on the eastern coast of the Peloponnese, occupies a plot just a few meters from the shoreline, positioned almost at sea level. The design is based on an existing structural shell initially intended as a traditional home, which was entirely reimagined to offer a contemporary and comfortable seaside retreat.

 

Landscape Integration

The architectural composition harmonizes with its natural surroundings through the thoughtful use of materials, colors, and textures. Positioned near the beach, the residence allows for easy access either around the building or through the outdoor pool area. The pool is aligned parallel to the sea, creating a seamless visual continuity between the water elements from both indoor and outdoor spaces. This aquatic feature is framed by low Mediterranean vegetation and outdoor communal lounging areas. A key design approach was the creation of outdoor and semi-outdoor “pockets,” offering most interior spaces a private courtyard. These areas not only enhance privacy but also enrich the volumetric expression of the building.

 

 

Spatial Organization

Inside, the ground floor hosts guest rooms, a kitchen, dining area, and a sunken living room, positioned at a slightly lower level to ensure direct spatial and visual connection with the pool and the sea. The lower level houses auxiliary spaces, while the upper floor is dedicated exclusively to the master bedroom and its supporting areas -dressing room and bathroom- with access to a private, shaded terrace featuring a jacuzzi. This terrace is bordered by a planted roof, reinforcing the connection to the natural landscape.

 

 

Material Palette

Both interior and exterior materials were carefully selected to support the architectural vision. On the exterior, natural stone, warm earthy tones, stone paving for walkways and terraces, solid wooden pergolas, textiles, and detailed outdoor furnishings are combined with the clean, linear volumes and large sea-facing openings framed in dark modern metal. This thoughtful juxtaposition achieves a balance between the building’s geometric rigor and the organic character of the natural materials.

The interior follows a similarly modern design language, characterized by minimal lines and a cohesive material palette. Natural textures in earthy hues -such as cement finishes and wooden surfaces in both light and dark tones- are complemented by contemporary details. The result is a unified composition that conveys a relaxed and inviting atmosphere, perfectly suited for leisurely coastal living.

 

Nested amongst olive trees

On a seaside flat piece of land with olive trees, vines and conifers, this family holiday home was designed for three generations and consists of four buildings.

 

Context Integration

Guided by the geometry of the olive grove, the buildings were placed parallel to the planting lines of the olive trees, as well as at a 45-degree rotation, along the diagonals. During construction, where necessary, some olive trees were transplanted around the perimeter of the excavation, always in the same alignment as the existing olive grove, while others were stored in a nursery, to be transplanted nearby, immediately after the completion of the buildings. The result is a house nested among the olive trees.

 

 

Design Philosophy

Three out of four buildings are white, single-story, with volumes and openings consistent with the traditional Cycladic proportions and sizes. In each of the two main buildings, a large 7m wide opening with sliding recessed glazing, unites the interior living space with the shaded outdoor area of the pergola, completely freeing the views to the sea and maximizing the experience of living close to nature. At the back of each of these two buildings, the volumes create U-shaped courtyards, where a lemon tree and a pepper tree grow, protected from the sea air. A third, smaller white volume, the independent guesthouse, is tucked away at the northern end of the compound, behind the shade of a pine tree shaped by the north wind – the “meltemi”. Finally, the fourth building, a stone, encaved, L-shaped structure with green roofs, encloses a secret garden with citrus trees, cypresses, and herbs. This volume is positioned to functionally serve the other two, distributing movement from the parking area and from the sunken citrus courtyard.

 

 

Landscape Design

The olive grove that was preserved and expanded, and the Mediterranean garden that was created in front and around the house, are perhaps the most important elements of the composition. The three, single-story white buildings border the olive grove and embrace the low vegetation Mediterranean garden. The encaved stone building functions on the one hand as a landscape, with its green roof, and as an artificial ravine where trees grow tall, protected from the wind and the sea salt.

 

 

Material Palette

Aiming to establish a tight bond between the Mediterranean garden and the stark white living volumes, the outdoor terraces and pergolas are key in balancing the natural landscape and the minimalistic architecture. The range of materials has been expanded to include a variety of textures, sizes, geometries, and colors. From antique cobblestones, cast pebble floors with marble borders in earthy tones, Byzantine layers of sandblasted marble and wooden deck, to cement screed steppingstones, the warmth created by the alternation of textures is associated with the variety of the material palette. Handmade details, such as marble and ceramic knobs and lamps, marble window screens, pebble embroidery on the floors and clostrat, provide reference points and complete the composition, creating a stronger sense of place for the owners, and elements of discovery for the visitors.

 

Narrating habits

Aris Konstantinidis once wrote: “…To build spaces for people to live in is no easy task… The architect’s intention must be aligned with the truth of the landscape. I speak of an architecture that grows out of specific soil, absorbing the unique sunlight of each climate in order to evolve. The architect is a poet, whose vocabulary is stone, wood, and metal—a poet of the materials of the Place in which they build…”.

 

Design Philosophy

At the heart of the design lies an ethos rooted in habitus -the habits and rituals of daily life. Rather than focusing solely on the building as an object, the design emphasizes the lived experience it creates. The spatial narrative is not simply a picturesque or romantic interpretation of the setting, but a continuous dialogue -an interplay that invites the resident to attune to the conversation between Place (in this case, the ever-present Messinian sea) and contemporary dwelling. This dialogue is expressed through physical qualities: materiality, density, weight, temperature, and acoustics. These are not abstract notions, but tangible, immersive experiences grounded in space and time.

 

 

Landscape Integration

The design is guided by a triadic relationship between nature, memory, and form. At its core is the olive tree, placed within an enclosed courtyard -a visual and experiential focal point. Around it, stone volumes unfold like an earthy stage, with solids and voids framing the tree differently from every angle, intensifying the sense of presence. The architectural composition negotiates the interaction between building and landscape, organizing both interior and exterior spaces into a spectrum of uses -public and private, outward-looking and inward-facing, familiar and unexpected. The resulting form is an assemblage of interconnected yet hierarchically distinct spatial units, each aligned with different levels of view, privacy, and engagement.

 

 

Materiality & Spatial Organization

The design language relies on layered, graduated transitions. As one moves from the public realm into the private interiors, the experience unfolds as a sequence of subtle revelations. The building acts as a mediator between the user and the surrounding landscape -an evolving narrative in which multiple paths and stories intersect. This carefully constructed microcosm enables a dynamic relationship between the natural and the built, between foreground and background, between everyday rituals and singular moments. It activates the senses and emotions, aligning spatial atmosphere with the passing of time. In Villas in Olive Grove, materials such as stone, clay, plaster, and wood are interwoven with narrative clarity and geometric precision -balancing the expressive possibilities of design with the honest, enduring logic of traditional craftsmanship.

 

Transitional axis

The project concerns the conversion of a ground floor warehouse space, on the ring road of Thessaloniki, into the offices of a multinational company.

 

Design Philosophy

The goal is to create a dynamic work environment that serves as a reference point for employees- a “third space” between home and the office -fostering a new kind of sociability. The trapezoidal layout allows for natural light from two sides, shaping the functional floor plan. The 1,000m² office space is organized into three zones: a peripheral zone along the building’s exterior, a central core, and a movement axis connecting them. Open workspaces are strategically placed along the naturally lit sides, while the triangular core houses large meeting rooms and ancillary facilities such as restrooms and storage areas. The workspace is further divided into sections, incorporating small meeting rooms to accommodate employees’ daily needs.

 

 

Material Palette

The project embraces a contemporary aesthetic with earthy tones, balancing natural and synthetic textures through deliberate contrasts. The three zones of the floor plan are visually distinguished by varying finishes on both floors and vertical surfaces. At the entrance and along the main circulation corridor, wood-look flooring enhances warmth and flow, while carpeting in the work areas helps absorb vibrations. In the cafeteria, concrete-look tiles provide a sleek, durable finish. To optimize acoustics and conceal mechanical installations, plasterboard suspended ceilings are installed across the building’s largest surface. Walls feature a mix of white and grey paint, wood paneling, vertical gardens, and glass partition systems, creating a dynamic yet cohesive environment.

 

 

Plan & Lighting Design

The work zone is separated from the movement axis by vertical blinds and flowerbeds, creating a sense of definition while maintaining openness. Careful attention was given to lighting, air conditioning, and soundproofing to ensure a comfortable and efficient workspace. The canteen and playrooms serve as key areas that encourage a shift in activities, fostering a more dynamic work experience. These spaces not only support remote work culture but also redefine the office as a hub for both productivity and social interaction.

 

Athenian mosaic

The project involves the architectural design of an apartment in Agia Paraskevi, Athens, located within a residential complex from the 1980s. The proposal maintains the maximalist lines of that era while enriching them with new materials and technologies.

 

Existing Materials

This aesthetic is manifest in the decision to retain the mosaic floor, showcasing a collection of diverse marble aggregates on an earthy pink base, extending through the entrance corridor, kitchen, and wc. A standout feature of the residence is a divider-buffet that begins at the entrance and crosses through the kitchen, isolating it from the living room. Its larger portion is made of semi-transparent, textured glass, allowing discreet interaction with the adjoining space.

 

Custom structures

An open bookshelf separates the office from the living and dining areas, while the kitchen space is defined by bold textures and colors. In contrast to the kitchen, another mobile divider is established in the office, this time utilizing a 4m-wide sliding door, for complete isolation. It comprises a pair of 2m-long segments, each subdivided into smaller components which enable the door to bend and conceal within the wall. Bedrooms and bathrooms are situated along a lengthy corridor, being kept separate from the rest of the residence.

 

Exterior Design

A second living area is crafted on the rooftop, primarily for summer use. The pergola is supported by circular columns and enclosed with clay lattices on its western side, ensuring privacy and sun protection. Semi-circular planter beds encircle the area with vegetation.

Monastic aesthetics

The project focuses on the creation of a restaurant-brewery inspired by the rich traditions of Belgian monasteries, which historically, have been the heart of beer production and fermentation. By blending the timeless allure of monastic style with touches of luxury, the concept offers an authentic and unique gathering experience.

 

Spatial Layout

The floor plan is thoughtfully divided into three functional sections. The first is a linear semi-outdoor space, positioned parallel to the open side of the building. The second is a central corner-shaped seating area. The third zone features the central bar, an open kitchen extending from it, and auxiliary spaces located at the rear of the establishment.

The entrance, situated at the center of the floor plan, leads through the semi-outdoor zone, where table seating is arranged on an elevated wooden platform. Upon passing through a large double wooden door, guests are greeted by a custom-made copper structure resembling a traditional fermentation cauldron. Next to this centerpiece is the central visitor area, furnished with large dining tables, stand-alone tables, and sofas lining the walls to create an inviting and versatile atmosphere.

 

Materials & Lighting

The interior design embodies a commitment to tradition and artistry, with every detail paying homage to the architecture of historic monasteries. Textured copper accents dominate much of the space, symbolizing the harmonious blend of old and new. Stone-clad arches further evoke a sense of timelessness. A striking illuminated wall of beer bottles introduces a modern touch, while wooden surfaces, rustic elements, and discreet lighting work together to create a warm and inviting atmosphere. The design encourages guests to embark on a flavorful journey through an extensive selection of spirits.

 

Aesthetics & Decoration

The monastic aesthetic seamlessly features refined elegance and cultivates an atmosphere of serenity. This evocative ambiance is further enriched by large-scale paintings portraying monochromatic figures of monks, deepening the connection between tradition and modernity. Simultaneously, prominent metal ceiling installations introduce an industrial edge, adding a bold contrast to the overall design.

Modest simplicity

The wine bar and restaurant, tucked away in a dimly lit alley off Patission, preserves and enhances the quintessential elements of a traditional Athenian building. Its unique operation blends the characteristics of a Greek café, a French brasserie, and a Japanese jazz bar, offering a distinctive and multifaceted experience.

 

Design Philosophy

The choice to prepare traditional dishes exclusively in wood-burning stoves, the focus on natural wines, and the use of analog sound for the music have established a sense of unpretentious simplicity with minimal intervention. The structure is preserved, while the materials used in architectural modifications were deliberately left raw and unrefined. The view of the street, which is narrower compared to the spacious interior, was designed to surprise visitors. A heavy velvet curtain guides the transition, revealing the double-height ceiling and the full dimensions of the space beyond.

 

Functional Layout

On the right side of the space, a single 16-meter Z-shaped bar in matte stainless steel anchors the ground floor, seamlessly connecting the open kitchen with the bar area. Overhead, a 6-meter-long handmade black marble luminaire accentuates the linear design. At the center, the DJ booth highlights the pivotal role of music in the venue’s atmosphere. The mezzanine features a custom-made metal cabinet, spanning its full height, housing vinyl records, stereo speakers, and memorabilia -an homage to Japanese “jazz kissa” bars.

On the left, a large P-shaped sofa embodies the spirit of Greek sociability, flanked by marble dining tables paired with bistro chairs. Behind the sofa, mirrors and linear lighting fixtures create a dynamic interplay of reflections, enhancing the sense of space. The loft is dedicated to wine tasting, featuring a grand marble monastic table and a purpose-built cellar showcased behind a glass display. The basement accommodates storage and sanitary facilities, with walls clad in carefully arranged wood repurposed from the ovens, adding warmth and authenticity to the design.

 

Material Palette

The color palette draws inspiration from the stones of the existing mosaic, a hallmark of modern Athens, featuring shades of deep red, ochre, and green. Reflecting this, the vertical surface beneath the bar is crafted from ribbed concrete in a green tone, while the liquor cabinet combines smooth terracotta-colored concrete with dark metal accents.

In the sanitary areas, green dominates, maintaining harmony with the overall aesthetic. The building’s structural elements and partitions, made of concrete and stone, are left uncoated to preserve their raw texture. Scattered throughout the space, small travel souvenirs and ceramic works by Nikos Vallatos add unexpected charm and character. The result is a wine bar-restaurant that feels authentically Athenian in its materials and details yet carries stories from across the globe.

Modernizing tradition

Within a compact space of 34m², found at the intersection of Dionysiou Areopagitou and Tziraion streets, a store with modern aesthetic is created by incorporating layers of materials and textures, combined with classical elements.

 

Project Aim

The primary design challenge is to develop all the necessary functional zones, ensuring the best possible ergonomic utilization as well as providing seamless access for the public into the interior. In the past, the space hosted a souvenir shop and later, a coffee shop/restaurant and required many interventions in order to become operational.

The visibility towards the kitchen is fundamental element, since customers can select the choice of filling or coating for the traditional Greek delicacy ‘loukoumades’ which is the main selling product served in the shop. As a result, a narrow counter becomes the main workstation, hosting a coffee area, an ice-cream counter and finally, the traditional ‘loukoumades’ produce.

 

Material Palette

Drawing inspiration from its immediate context, the space is designed using clear lines and materials. A white marble counter, oak paneling, handmade white tiles and granite cladding on the exterior walls comprised the primary material palette. For the flooring, mosaic-like tiles were used, replicating the existing -and severely damaged- mosaic floor found on site.

 

Decorative Details

Decorative details in dark red elements -that follow the brand’s identity- combined with targeted and diffused lighting, create a performative setting that the customer or even the passerby can easily observe from outside. Finally, the store sign follows the areas’ tones and hues and is painted discretely in white.

Interactive Spaces

The 78m² apartment is located in a building constructed in 1966. To modernize the space and align it with contemporary needs, essential structural repairs were undertaken alongside significant spatial modifications.

 

Spatial Organisation

The original apartment featured separate spaces for the kitchen, living room, and hallway, along with two bedrooms and a bathroom. The new design integrates the kitchen with the two-bedroom areas, while the transitional hallway is repurposed as the primary space for the dining area. The kitchen and living room now follow a linear layout, creating a harmonious flow as their design elements align seamlessly. A small corridor, painted in a distinctive green colour, connects the bedrooms and bathroom, marking a clear transition from the shared spaces to the private ones.

 

Material Palette

The mosaic floors, featuring three distinct patterns unique to each space, along with the parquet flooring, were preserved and polished, with marble used to highlight the trace of the removed wall. In order to seamlessly blend old and new materials, the kitchen, positioned prominently in a linear layout opposite the entrance, is painted in a terracotta red shade, harmonizing the diverse range of materials.

 

Lighting Design

Ceiling fixtures provide the primary lighting for the space, while wall fixtures and hidden lighting offer diffused illumination, allowing for versatile lighting scenarios that create to different atmospheres and moods.

Indoor living

The project’s aim is to design a new space of inhabitation situated within an existing apartment that dates back to the early 1900s, acting as a weekend getaway and place of refuge from the bustling city.

 

Design Philosophy

Stemming from a reflection on the concept of dwelling, the design abolishes all circulation spaces from the floor plan and creates a single 5x5m volume that hosts all the necessary functions. Liberating the space from existing partitions and restoring the Palladian floor allowed for the insertion of the “golden box”, which contains the kitchen, sleeping area, bathroom and relaxation space. The project draws inspiration from Jean Prouvé, Le Corbusier, and Charlotte Perriand and their work on spaces for small living.

 

 

Functional Layout & Orientation

In an attempt to blur the boundaries between indoor and outdoor space, the new volume aligns with Corso Giuseppe Mazzini, one of the city’s main roads, while the only window opening on the east façade frames the adjacent Mattarello Courtyard. Access to the courtyard is extended to the interior of the bathroom, through a curved glass partition, positioned at the corner of the opposing the window. Specially crafted frames and elements hide joints and attachments.

 

 

Material Palette

The box’s materiality creates tensions with the ceiling’s existing decorative elements as well as the irregular geometry of the walls. A specific method of etching and joining the slabs is developed, where a single material skin envelops the volume, alternating between concealing and revealing the various functions. Green is used as the sole color of the composition, referencing the copper roofing of the church designed by Giovanni Michelucci in Arzignano. More specifically, imperial green marble is used in the bathroom and kitchen, while lacquered wood and velvet break up the material uniformity, adding texture and “softness” to the composition.

 

Central atrium

The hotel is situated in the seaside village of Kamari, near the coast of Santorini. It offers views to the north-east, overlooking the sea, and to the south-west, with a stunning perspective of the Profitis Ilias mountain.

 

Functional Layout

The building is situated on a corner plot and comprises two floors, with a basement level for ancillary uses. The ground floor features the reception area, a restaurant-bar, and eight rooms, while the first floor contains an additional seven rooms. The main entrance is located on the south-western side of the building, accessible via the municipal road, leading directly to the reception area. The restaurant-bar and rooms on both floors are reached through open and semi-covered corridors and staircases, primarily positioned along the perimeter of the complex.

 

 

Design Philosophy

The primary goal of the design was to create a central atrium-water feature that serves as the core of the composition. Surrounding it, the individual volumes, functions, and circulation paths are arranged in an asymmetrical Π shape, allowing the building to open towards the view and the sea. The water element starts as a narrow strip parallel to the reception area, then curves, gradually widens, and eventually transforms into a swimming pool that runs the length of the building’s atrium. Surrounding the pool are the rooms and the restaurant-bar, with their outdoor spaces extending into the water, as if they are floating.

The rooms on the upper floor, which are in direct visual alignment with the central atrium, also feature outdoor spaces and smaller private pools, further emphasizing the central concept. The building’s form, shaped by the volumes and voids, is gently integrated into the scale and character of its residential surroundings. It takes on a simple cubist appearance, blending traditional elements with modern design.

 

 

Material Palette & Decorative Elements

The interior design draws inspiration from both traditional and modern architectural elements of the island, referencing the morphology and decorative features of its local style. It incorporates the tones and textures of the volcanic landscape, alongside the atmosphere of Mediterranean seaside hotels.

Key design elements include the shape and size of the openings, domes, horizontal slats, spindles, dry-stone walls, tiled mosaics, and the earthy hues of pressed concrete. Bright colors and natural materials are used in the furniture, fixtures, and decorations, while intricate fabric patterns, along with tropical plants, further enrich the space. These elements come together harmoniously, creating a unique and cohesive style.

 

Vertical route

Long An province, a gem in the Mekong Delta region of southern Vietnam, stands out with its traditional beauty and rich cultural identity. LA House, a residence located on a 4mx18m plot, is surrounded by lush green parks and clear lakes, offering a peaceful living space in harmony with nature.

 

Orientation & Façade Design

With the advantage of being a double aspect residence (i.e. having two main facades), the interior is imbued with natural light throughout the day, creating a sense of openness and lightness. This, in addition to a skylight positioned at the center of the space offers cross ventilation and additional light and brings a sense of relaxation and comfort. Finally, the façade design is deeply influence by Southers Vietnam’s traditional style, featuring the characteristically “charming” tiled roof.

 

Open-plan Layout

The residence unfolds in three floors, where the living room and kitchen area are designed in a modern, open-plan style, creating a seamless connection between the living spaces. The bedrooms are thoughtfully arranged, with views overlooking the green park, connecting the residents with the surrounding scenery. The staircase is set against the wall, optimally condensing the circulation space within the already narrow footprint of the residence.

 

Hybrid Aesthetic

The harmonious blend of modern and classical styles is reflected in every exquisite detail, particularly through the cement relief sculptures, which add unique texture and touch to the building. The residence is a fusion of traditional architectural elements and modern aesthetic, with every detail maximizing the use of natural elements, offering an immersive, tranquil living experience.

Modern tradition

Originally built in the 1990s, the residence is a traditional Ibiza home that features stunning views toward Ibiza Old Town. The renovation had two primary goals: to embrace the traditional bohemian style of the region, combined with modern comforts and to create more open-plan, interconnected spaces for better circulation.

 

Functional Layout

The first design gesture was to replicate the existing arc shape, found in the exterior porch arches as well as inside the residence. This, along with the use of handcrafted “stucco” lime wash in various textures preserves the traditional aesthetic of the home. The arc shape also becomes an inspiration for the custom made kitchen island that stands as a social focal point within the villa, along with the spacious living area, which features a double-height ceiling.

A new, bespoke staircase comprised of light, elegant “floating” steps as well as a central hanging chandelier become the protagonists of the living room. In parallel, the interior arch –a reminder of the old house –anchors the different rooms. To preserve a level of privacy throughout the residence, the other bedrooms are positioned organically around the central area, opening directly to their own individual outdoor space.

 

Material Palette & Custom Furniture

The residence features Bohemian-inspired furnishings and lighting, along with materials such as aged oak wood, stucco, and porcelain accents. Both the interior and exterior flooring is made of large Italian tiles. The custom made wooden bed situated in the open-concept master bedroom overlooks breath-taking views of the sea and the city. The bathroom features a stunning Cocoon bathtub, while an abundance of natural light enters the space.

 

Modern Amenities

The villa has been equipped with underfloor heating, a rooftop Jacuzzi, swimming pool with warm water as well as a steam room. Finally, the pool redesign consists of two shallow pools with fountains and seating as well as a ten-meter swimming area with a bar and a seating lounge. The residence is a unique blend of modern and traditional architecture that establishes fluid relationships between the interior and exterior spaces.

Mountain retreat

The vacation home is built on a large property in the Chelmos mountains.

 

Design Philosophy

The main considerations in its design are the rocky feel of the location, and high snowfall. Comprising two stone-built volumes in a diagonal arrangement, and a third one perpendicular to the former, the building turns, seeking the warmth of the sun. The linear, main building houses the common areas, and the master bedroom. The guest suite is adjusted as a second volume in the north and can accommodate two visitors. This part of the compound protects from the northern wind, by diverting its direction, limiting the exposure of the main building.

The upper volume is perpendicular to those on the ground level, creating a covered porch in-between. This sheltered courtyard is used year-round, providing shade at summer noon, and protection during the cold winter days and nights. The project is clad in a yearlong “white cloak”, evoking the snow on the surrounding slopes, which never melts due to the cool winds.

 

Material Palette

The southeastern sides of the buildings open towards the unspoiled forest, providing unobstructed views and direct sunlight. In the interior, the discreet, timeless design, with earthy tones, wooden floors and furniture, and large openings, incorporates the light, colors, and materials of the natural landscape, creating warm, hospitable and comfortable living spaces.

 

Context Integration

The entire design development was guided by environmental awareness, leading to a home which blends seamlessly into the structure of the landscape. The building coexists with nature, leaving a minimal footprint. The extensive use of wood and stone, access to the natural soil without any ground cover, and the concealment of vehicles underground, testify to the ecological approach of the architectural proposal.

Serene atmosphere

The project’s design is based on the red bricks of Chiang Mai’s ancient city wall, Lanna, as well as an array of water features and vegetation that echo the area’s tropical scenery.

 

Design Aesthetic

Chiang Mai is the origin of Thai ancient massage and spa, thus becoming the overall inspiration for the design aesthetic. The space is dominated by earthly tones, where natural materials such as red bricks, thin rock slabs, terrazzo, red fabrics and red antique tiles are all blended in the same colour palette, paying homage to the ancient city of Lanna.

Additionally, a variety of herbs and utensils, rattan furniture and screen partitions, Chiang Mai’s local wood carvings, linen-dyed hanging curtains as well as water lamps and tropical plans contribute to the peaceful and scenic atmosphere.

 

Functional Layout

The entrance serves as a waiting area, completely isolated from the noisy sounds of the outdoor street, leading to a lounge and seating space with an impressive view towards the city. In parallel, a footpath leads to a courtyard complimented by water elements and tropical plants, transforming it into a timeless, ancient garden. The ground floor also includes a pool made of red brick, further separating the serene interior from the bustling streets as well as a massage room and spa separated from the rest of the space through heavy curtains. Finally, a small staircase leads to the outdoor terrace, where visitors can enjoy the breathtaking views of the city.

 

Custom Structures

A series of custom structures such as transparent glass, mirrors, heavy-curtains and semi-blinds as well as the different textures used for the flooring and the soft artificial lighting deliberately create sensory illusions, providing a sense of privacy and security, encouraging visitors to lose themselves in the environment and focus on a journey of introspection.

Landscape tapestry

The property, in the east part of the island, is facing Naxos. The terrain is steep, containing an olive grove and dry-stone earth retaining walls looking like threads on the ground.

 

Landscape integration

The concept for the new building is to weave into the existing landscape. The house extends meandering in-between the olive trees and daily life is organized around three of them, that are assigned special importance. The many thresholds of the house correspond to individual courtyards, on different levels; those are retained by new dry-stone walls, emulating the existing ones.

The curved, threadlike system of the old walls becomes striated at the area of intervention. Rectangular courtyards, becoming stages for everyday life, compose a patchwork fabric woven into the landscape. This way, the house becomes a canvas highlighting nature.

 

Spatial organization

The compound is comprised of three distinct volumes: The main house, with the kitchen, the living room and three master bedrooms, escalates towards the south; a second volume with a guest room and a third one with a mezzanine for the family’s children and their friends, turn towards the east. At their junction, an open-air cooking area under a pergola becomes the core of the house.

 

Material Palette

The material and color palette of the outdoor spaces integrates the house into the natural landscape of the island. Hard floor surfaces are faced with grey pressed cement, in the same tonality as the frames and shutters of the openings breaking the whiteness of the walls. The impression is complemented with wooden pergolas in their natural tone and dry-stone walls.

The exact same palette is repeated in the interior, where the fair-faced concrete ceiling and the grey cement flooring frame the white vertical surfaces in-between. Case and mobile furniture feature wooden surfaces in a natural tone, highlighted by light or dark blue details on fabric upholstery or ornamental tiles.

 

Lighting Design & Sustainability

Lighting is either built into the ceiling or indirect, from the low part of the walls. The house is bioclimatic. Rainwater from the terraces is collected, filtered and reused, while all spaces benefit from natural cross-ventilation, creating a pleasant cooling effect during the summer months.

Traditional typology

The vacation residence, situated on a rocky slope overlooking the Aegean Sea, draws its character from the traditional Cycladic settlements. It features minimalist, small volumes that are closely integrated into the hillside and oriented towards the stunning sea view.

 

Project Aim

The building, with a total area of 500m², is designed for a family of four seeking a modern residence that blends harmoniously with the architecture of Syros. The design features a distinctive presence in the landscape, using natural materials and neutral colors. The owners requested spacious interiors and ample accommodation for frequent guests. The proposal creates a cluster of low, rectangular volumes connected by a network of pathways, linking enclosed spaces with the roofs, gardens, and courtyards. The functions are arranged on different levels, taking full advantage of the steep slope of the site to provide unobstructed views from every angle.

 

 

Functional Organization

The main residence includes a master suite and a second bedroom, along with a freestanding, open-plan lounge room. Two guest rooms provide additional sleeping quarters and are connected to the main structure through shared utilities and strategically designed openings. The central courtyard acts as a plaza and serves as the “heart” of the residence, directing movement towards the infinity pool and outdoor seating area at the lowest point of the plot. This courtyard offers unobstructed views of the horizon. The underground level features a gym and yoga terrace, providing a private, tranquil environment.

 

 

Material Palette

The simple material palette of unpainted local stone, wood, and plaster, along with the scattered arrangement of the building volumes, gives the complex the appearance of having naturally emerged from the arid island landscape. The light, natural colors, terrazzo mosaic floors, traditional sunshades, and pergolas are complemented by a garden of native vegetation and a planted roof, enhancing the building’s seamless integration into the Syros environment. The ensemble exudes a sense of understated luxury, featuring large, spacious interiors and a wealth of meticulously crafted details and materials such as Olympus marble, travertine stone, reeds, and natural oak.

The architecture reflects the owners’ wish for a residence that evokes the feel of traditional Aegean settlements, offering a diverse array of spatial experiences and qualities. Leveraging the large size of the plot, the design seamlessly connects the interior and exterior spaces, creating visual narratives and oriented views throughout the property.

 

Local materialities

In Plaka, one of the oldest districts in Athens, an apartment on Lempessi Street is renovated, blending modern aesthetics with traditional references and materials. This two-bedroom apartment, situated on the first floor of a typical post-war building, showcases a harmonious fusion of contemporary design and historic charm.

 

Interior Layout

The floor plan features an open layout centered around a main area that includes the living room, kitchen, and entrance. This central space is connected with the two bedrooms and utility rooms, enhancing the apartment’s ergonomics. Every room has access to a balcony, allowing seamless transition to a semi-outdoor living area.

 

Material Palette

The selection of colors and materials respects the traditional Athenian houses of the area and earth tones and textures are used throughout the interior. In the open-plan area, light terracotta ceilings complement off-white walls and ceramic tile floors. The entrance wall is clad with reclaimed old bricks sourced from material yards. The kitchen, designed with traditional elements, features a modern cooking area and a distinctive dining table.

The floor is covered with wood, while the walls are painted in soft tones, creating a warm atmosphere. The two bedrooms and bathrooms follow a cohesive design approach, each utilizing different ceramic tiles in various colors, shapes, and patterns to distinguish the spaces from one another.

 

Decorative Elements

A divider made of perforated ceramic elements with triangular patterns separates the kitchen from the living room while maintaining a visual connection. Wooden doors with black metallic fixtures, handles, and faucets contribute to a modern aesthetic, creating a contemporary home that references the region’s historical past.

Creative reuse

The project involves the restoration of a deteriorated traditional residence in the settlement of Kastelorizo, which has suffered significant damage, primarily from WWII bombings. The masonry foundations were the only elements that were preserved.

 

Building Restoration

Based on the footprint of the original floor plan as well as old photographs taken before the settlement’s destruction, the building was restored to its original architectural volume. The refurbishment also included the resurgence of previous typological features of the façade, such as the design of the openings, the roof structure, and the exterior facade. Due to the lack of sufficient original elements, the internal configuration was adapted to serve the needs of its new use as a modern holiday home. The house is developed in three levels, with a total area of 100 m2 on a plot of 105m2.

 

Layout Configuration

The ground floor features a kitchen that leads directly into a courtyard, which includes an outdoor sitting area, storage space, and a wc. Both the mezzanine and first floor contain a bedroom with a private bathroom, offering panoramic views of the settlement. The holistic design approach, encompassing both fixed and mobile equipment, is set against a neutral white canvas. This design incorporates elements made from recycled materials, clearly referencing traditional furnishing patterns.

 

Reuse Initiative

Visitors experience a “primitive” lifestyle, highlighting the issues of overproduction and the need for reuse in an age of rapid development. This project represents the first conceptual and experimental interior design work by artist-designer Savvas Laz.

Using the “Trashformers” method -a creative, multi-level process characterized by uniqueness and manual practice- the project includes stages of collection, composition, sculpture, and finishing. The process begins with selecting pieces of expanded polystyrene packaging collected from garbage bins found in the streets of Athens. These pieces are then assembled into a collage and coated with fiberglass and resin. Alongside these compositions, architectural elements are constructed from brick, concrete, or metal, maintaining the “Trashformers” aesthetic. This approach harmoniously balances tradition with the reuse and recycling of new materials and old motifs.