Urban upgrade

Along the axis that, from antiquity to the present day, connects the port of Piraeus with the center of Athens, Pireos Street, a concrete building of approximately 10,000 m² has been constructed, accommodating a fashion company alongside office functions.

Design Philosophy

The design of the building seeks to address two critical issues of the contemporary city: the maximization of greenery in relation to the built environment and the optimization of its environmental performance. The architectural composition is articulated through the coexistence of two distinct volumes: a single-storey retail space of 1,300 m² and a five-storey office building in an L-shaped configuration that encloses it, forming a clear boundary towards the adjacent structures and Pireos Street.

The roof of the ground-level volume is transformed into an intensively planted green roof, functioning as an elevated urban garden for both employees and the city. In this way, the project introduces a new topography, where greenery extends vertically, redefining the user’s relationship with the environment.

Spatial Organization

Employees benefit from a direct visual and functional connection to the garden, ensuring privacy and distancing from the noise of the busy urban artery. At the same time, ramps leading to the planted roof, in combination with the geometry of the curved volume, establish a spatial continuity that connects the ground level with a higher, publicly accessible plane.

The façades is differentiated according to orientation through shading systems such as louvers and stainless-steel mesh, regulating solar exposure and reducing thermal loads without compromising outward views. Each surface is conceived as an active filter mediating between interior and exterior conditions.

Sustainability & Technology

The green roof is maintained year-round through an automated irrigation system that utilizes rainwater collection and reuse tanks. The storage of significant water volumes supports the survival of the vegetation even during the summer months.

In parallel, the use of air-to-ground heat exchangers – large underground ducts – allows the introduction of naturally tempered air, contributing to the building’s microclimatic performance. A Building Management System (BMS) controls lighting, ventilation, and air conditioning, as well as window operation and internal shading, ensuring optimal indoor comfort while achieving substantial energy savings.

The project embodies a holistic approach to sustainable design, where architecture, technology, and landscape converge into a cohesive system that redefines the contemporary workplace.

Legible boundaries

The interior design of a 300 m² office space for an insurance company is conceived as a study in transparency, spatial continuity and organizational clarity. The proposal introduces the notion of the “capsule” as a primary morphological and functional device, structuring the workplace through a series of transparent volumes that articulate the program while preserving a continuous visual field throughout the interior.

Spatial Organization

Departing from conventional enclosed office typologies, the design employs glass volumes to accommodate private functions such as meeting rooms and executive offices. These “capsules” operate as lightweight architectural insertions within the open-plan layout, allowing natural light to permeate the entirety of the space while maintaining visual connections across departments. The workspace is thus conceived as a unified environment, where boundaries remain legible yet non-restrictive, supporting both collaboration and autonomy.

Material Palette

Materiality plays a decisive role in shaping the atmosphere of the interior. Exposed cable trays mounted on metal rails, perforated metal panels and glass block partitions foreground the infrastructural and technical dimension of the workspace. In contrast, neutral surfaces introduce a layer of warmth and balance, establishing a dialogue between industrial expression and a more domestic sensibility. This juxtaposition produces a spatial identity that is both precise and inviting.

Lighting Design

In the entrance, a large-scale perforated metal screen defines the first spatial threshold. Acting as a semi-transparent filter, it subtly delineates the reception area while maintaining visual permeability toward the open workspace beyond. Light and movement diffuse through its perforated surface, enabling a gradual transition from the entrance zone into the interior.

Lighting design further reinforces the spatial reading of the project. Linear fixtures trace the primary axes of circulation, while sculptural and directional lighting elements accentuate specific zones of work and interaction. Combined with the abundant daylight entering through large openings, the lighting strategy enhances the rhythm, depth and clarity of the interior environment.

The resulting workspace is defined by openness, adaptability and a coherent spatial language. Through the interplay of transparency, material contrasts and light, the project fosters a dynamic environment that encourages collaboration while accommodating moments of concentration and privacy within a unified architectural framework.

Highlighting the grid

The OTE Headquarters in Athens is the realized architectural study of a multi-storey office building, star-shaped in plan, based on the proposal that was awarded second prize among twelve selected entries. The project concerns the renovation and reconstruction of office and communal spaces from the 2nd to the 13th floor; a decision made in 2019 within the framework of modernization and energy upgrading of the building envelope.

Building history and structure

The construction of the original volume began in 1974, with several modifications to the initial plans, while the building was ultimately put into operation in the 1980s, consolidating all services of the “Hellenic Telecommunications Organization.” On a plot of 52 stremmas, a building with a total floor area of 65,000m² was developed.

The new proposal for the interior layout of the office spaces followed the structural grid of the existing shell. The superstructure consists of three rectangular wings, connected through a central circular core of vertical circulation. Each of the 13-storey wings was designed on a vertical structural grid of 1.25×1.25 m, expressed on the façades through external, non-structural, horizontal and vertical reinforced concrete panels. A similar approach is applied to the circular core, where the panels are exclusively vertical and arranged in a radial configuration. Each wing was “divided” into three longitudinal zones, each corresponding to six openings of 1.25m, resulting in a total width of 7.50m per zone.

Functional organization

In this way, alternative work modules were developed in full correspondence with the building’s structural grid. In the two lateral zones of each wing, both open-plan and enclosed office spaces were arranged, along with dedicated meeting rooms. In these areas, which benefit from natural light and unobstructed views, the arrangement of workstations in two groups of four creates a maximum unit of eight workstations.

The four corner zones of each wing were enclosed with fixed partitions, accommodating special uses, alternating between executive offices, workspaces, collaboration areas, meeting rooms, relaxation zones, creative spaces, rest areas, and spaces for employee retreat.

Movable, flexible, or fixed partitions for integration, repetition, or separation can accommodate – with mechanical precision – all possible conditions of flexibility, functionality, and adaptability. In the central zone, aligned with the structural grid, meeting rooms, sanitary facilities, and support spaces are developed.

Design Interventions

These include meeting rooms and areas, WCs, a closed kitchen, printing and copying rooms, semi-open meeting booths for private discussions, and open communal spaces for gathering and relaxation. A significant portion is occupied by the existing central core, which houses MEP spaces and the emergency staircase, while a dedicated project/meeting room at the top level, along with the distinctive design and material selection of the entrance area, complete the central zone.

The primary function of the central circular core is circulation and communication, and secondarily, it accommodates auxiliary uses such as WCs and storage areas. Interventions were kept to a minimum, focusing on the refinement of existing material finishes or the localized addition of new ones, the redesign of lighting and ceilings, and the introduction of custom constructions and selected furniture pieces in the radial, curved areas for rest or breaks between the wings.

In one of these areas, the open food service space (cafeteria) was fully upgraded according to specifications, with new elements, lighting, and equipment. Similarly, the WCs were upgraded through the replacement of partitions, claddings, and sanitary fixtures.

Material Palette

Key parameters in the process of design, selection, and application methods of materials were compliance with the requirements of LEED and WELL Building Standard certification systems.

The construction materials follow the logic of a central design strategy, with consistent choices in flooring, acoustic ceilings, and lighting, combined with numerous variations in claddings, textures, colors, subtle tonalities, material qualities, and furniture equipment. In this way, each wing and floor forms a distinct yet unique visual identity, resulting in a cohesive compositional and aesthetic outcome aligned with the new concept of the study.

The architectural design of the new interior layouts of the headquarters, along with its subtle visual differentiation on the façade (through the replacement of aluminum frames), completes its aesthetic identity, fully implementing the requirements of certification systems, while respecting the existing shell and reinforcing the building’s established presence in the urban consciousness of a major organization.

Evolving environment

The interior architecture of the Brazilian headquarters of the global law firm White & Case, emerges from a refined exploration of how local identity can coexist with an international corporate framework. Rooted in a synthesis of tradition and contemporaneity, the project foregrounds the human experience while articulating a spatial narrative shaped by cultural, behavioral, and functional parameters.

Design Philosophy

The conceptual approach is grounded in a deep reading of place, where intangible cultural attributes and patterns of use inform the spatial composition. Every design decision, from the incorporation of Brazilian materials and artworks to the selection of furniture by local designers, operates as a deliberate gesture toward expressing identity without resorting to clichés. The result is an environment that is both welcoming and stimulating, fostering engagement through subtle yet meaningful references to locality.

Spatial Organization

The layout is structured around a continuous and fluid spatial sequence that connects communal areas, such as the reception, café, and landscaped terrace, with private workspaces and meeting rooms. Open-plan workstations are complemented by acoustic solutions, phone booths, and adaptable meeting spaces, supporting a range of working modes. Retractable partitions enable meeting rooms to shift between openness and enclosure, reinforcing a flexible and dynamic office environment. This adaptability extends to the reception area, conceived as a transformable space capable of hosting events or accommodating more formal, everyday functions.

Material Palette

The material palette draws from natural references, with wood and stone employed to evoke the textures and tones of the Brazilian landscape. A gradual chromatic transition from darker tones at the core to lighter hues toward the perimeter, enhances the perception of depth and spatial progression. Curvilinear elements in floors and partitions, inspired by the work of Roberto Burle Marx, introduce a sense of continuity and movement, reinforcing the project’s fluid spatial identity.

Finally, the project integrates structural and programmatic strategies that anticipate future change. By embedding adaptability into its core, the design responds to evolving workplace demands while addressing the broader issue of spatial obsolescence. The office thus becomes not only a place of work but an evolving environment, capable of renewal, responsive to context, and expressive of both corporate and cultural identity.

Biophilic design

The company’s offices, belonging to a global leader in the food industry, have been fully renovated, transitioning from a traditional layout to a biophilic, innovative work environment. Moving away from the conventional closed-office typology, the new space adopts a variety of scenarios. Centered around an open plan logic, the design introduces flexibility, enabling the creation of spaces that support diverse modes of collaboration.

Design Philosophy

Materials assume a defining role, shaping atmospheres that encourage a sense of engagement – an essential catalyst for fostering creativity. At the same time, sustainability is embedded as a key component, aligned with the company’s philosophy throughout the entire design process. Upon entry, the reception area conveys a welcoming character, with soft, curved wooden lines that gently embrace the Nestlé logo. Elements such as marble and an olive tree are incorporated to reinforce local identity, while the material and color palette subtly reference local brands. The company’s values are dynamically communicated through an LED wall that adjusts its lighting according to the time of day.

The overall design is organized around a layout accommodating approximately 50–60 workstations per floor, complemented by alternative work areas tailored to the needs of different departments. The workspace prioritizes the open plan concept and the diffusion of natural light through perimeter openings, minimizing visual barriers. At the center of the design lies the “core” – a closed, dynamic form that defines Nestlé’s new era while hosting a variety of functions across distinct zones.

Spatial Organization

Collaboration rooms, focus booths, pet corners, and recreational areas respond to the diverse needs of the workplace. The aesthetic of the core, linked to the motto “Growing Tree of Good Life,” aligns with the company’s work strategy, while relaxation areas and soft corners distributed throughout the layout promote a sense of comfort, facilitating dialogue and collaboration.

At the main entrance of each floor, a lounge meeting point welcomes visitors, functioning as a flexible space for waiting, relaxation, or informal meetings. Adjacent to it, the “Amphitheater” – inspired by Greek sculptural architecture – offers the possibility of large-scale open gatherings for idea exchange, combining physical presence with technology. Thematic leisure areas on each level act as landmarks that embrace the brand represented by each floor. The meeting room on the north side draws inspiration from the deep blue of the Aegean, symbolizing the dynamism of technology as a medium for next-generation communication and collaboration. Descending to the semi-basement level, users encounter the restaurant, which operates as a space for dining, meetings, or assemblies.

Materiality & Sustainability

Aiming to support this multifaceted narrative, the restaurant is equipped with flexible furniture that allows for alternative configurations, while plants, in combination with the surrounding outdoor environment, complete the design.

Across the project, 90% of the flooring consists of recyclable materials, wall claddings are made from natural materials such as wood and cork, and acoustic panels are constructed from recycled plastic bottles.

Sustainability lies at the core of the design, with each floor featuring dedicated recycling points for waste separation. The office is also pet-friendly, the first of its kind in Athens, featuring pet corners and a dedicated check-in/check-out system for companion animals.

Digital ecosystem

The Viva Wallet headquarters constitute a model working environment, with sustainability at the core of the architectural design. By maximizing natural light and introducing 2,234 plants from 35 different species, an artificial landscape is created that promotes wellbeing and team cohesion.

Brand Identity

Mediterranean gardens, lush with lavender, thyme, olive trees, and almond trees, articulate an architecture with a strong ecological consciousness, offering ideal conditions for creativity and innovation within the fast-paced context of the fintech world.

The twin-building complex, organized around a central atrium, operates as an administrative hub for the company’s European activities, accommodating 450 of its total 1,000 employees.

The architectural branding strategy developed for this project established the foundations for a unified corporate identity, applied across all 24 countries where Viva Wallet operates.

Spatial Organization

The transformation of the workplace model after the pandemic calls for new approaches to spatial design. The new headquarters is thus conceived not only as a place of work, but as a hub for interaction and creative exchange.

Flexible collaboration zones encourage communication and interaction, while areas for individual work provide conditions for focus and seclusion. Meeting rooms, defined by glass surfaces with varying degrees of transparency, maintain spatial continuity while ensuring privacy.

The working environment is further enriched through multifunctional configurations such as brainstorming caves, lounges, and a planted roof, offering alternative modes of working, coexisting, and relaxation. The atrium hosts the “Code Bites” restaurant, promoting gastronomic wellbeing as an integral aspect of corporate culture, while the rooftop café functions as an alternative social hub. Both facilities are designed to transform into amphitheatrical layouts for presentations and corporate events.

Materiality & Bioclimatic Design

The building’s aesthetic balances technology and nature, with a color palette that combines the deep blue of the corporate identity with earthy tones and natural materials. The bioclimatic design integrates a wide variety of plants, functioning as a living filter that purifies the air and reduces noise pollution. Large glass surfaces allow abundant natural light to penetrate the interior, significantly reducing energy consumption and enhancing indoor environmental quality.

The new Viva Wallet headquarters is not merely a workspace, but a complex ecosystem designed to respond to the evolving demands of the digital era. It reflects the transition from a static, linear model of work to a dynamic, sustainable, and adaptable environment, where physical presence acquires new meaning.

Its architecture serves not only productivity but equally wellbeing, creativity, and sustainable development, shaping a holistic model that supports contemporary professional life and anticipates the future of work.

Set within the Matosinhos Sul Urbanization Plan by Álvaro Siza, the former Brandão & Companhia canning factory occupies a privileged position near the coastline, retaining a strong connection to the industrial past and maritime identity of the area. The intervention reinterprets this legacy through a mixed-use development that consolidates healthcare, commercial, office, and residential functions within a unified architectural system, restoring the original envelope and chimney while introducing a contemporary layer. The proposal addresses the fragmentation of the existing structure by re-establishing continuity within the urban fabric. While the original volumetry occupied almost the entire plot, the project introduces permeable and green voids that allow natural light and circulation to penetrate the block.

04. Office Building in Attica | Georges Batzios Architects

ek Issue: 251 | October 2020

The existing building is one of the rare examples of the Brutalist architectural movement in Greece. It was constructed in 1972 and represents one of the most significant works by the Tombazis office. It served as a flagship for the company specializing in industrial concrete production. The revival of the historic building posed an ethical challenge in terms of the intervention limit on the existing structure. It is worth noting that over its 50 years of existence, the building had been covered in various hues and materials, with the most recent being an ochre shade, which obscured its original Brutalist texture. Therefore, the initial intervention focused on restoring the original (1972) composition of exposed concrete in all visible elements of the building (40,000 sqm).

05. Car Rental Hub | Veneris Architects

ek Issue: 276 | April 2023

The project concerns the creation of a car rental hub, located along the main road axis connecting the airport with the city of Chania. The central design concept is defined by the positioning of a pair of circular buildings along the imaginary extension of the nearby runway. The geometry of the buildings is based on simple geometric forms, aiming to produce a clear and legible architectural ensemble. The two volumes are arranged on a unified plaza, which operates as a transitional element between built and unbuilt space. Between the two building entities, a metal canopy is introduced, functioning both as a unifying compositional element and as a threshold zone mediating the transition of visitors from the exterior into the interior of the complex.

The company’s offices, belonging to a global leader in the food industry, have been fully renovated, transitioning from a traditional layout to a biophilic, innovative work environment. Moving away from the conventional closed-office typology, the new space adopts a variety of scenarios. Centered around an open plan logic, the design introduces flexibility, enabling the creation of spaces that support diverse modes of collaboration. Materials assume a defining role, shaping atmospheres that encourage a sense of engagement – an essential catalyst for fostering creativity. At the same time, sustainability is embedded as a key component, aligned with the company’s philosophy throughout the entire design process. Upon entry, the reception area conveys a welcoming character, with soft, curved wooden lines that gently embrace the Nestlé logo.

An existing 40-year-old office building is stripped back to its primary structure and comprehensively reinterpreted to respond to contemporary workplace demands. The initial massing logic is recovered and clarified, transforming what was once a fragmented and visually inconsistent assemblage into a cohesive composition. The building is rearticulated as a constellation of twelve distinct volumes, each defined by its own cladding strategy and spatial atmosphere, establishing a new architectural identity rooted in differentiation and clarity. The intervention operates through a process of subtraction and redefinition. By removing non-essential layers, the original structural framework is revealed and reorganized, allowing the building’s inherent geometry to be legible once again.

The OTE Headquarters in Athens is the realized architectural study of a multi-storey office building, star-shaped in plan, based on the proposal that was awarded second prize among twelve selected entries. The project concerns the renovation and reconstruction of office and communal spaces from the 2nd to the 13th floor; a decision made in 2019 within the framework of modernization and energy upgrading of the building envelope. The construction of the original volume began in 1974, with several modifications to the initial plans, while the building was ultimately put into operation in the 1980s, consolidating all services of the “Hellenic Telecommunications Organization.” On a plot of 52 stremmas, a building with a total floor area of 65,000m² was developed.

In 2019, the Dimnikcobau company organized an international competition to design the DCB business center in the Moste industrial zone of Ljubljana. The project transcends the building’s functional character as an office space turning it into an urban catalyst, adding value to this suburban area which is historically linked to generic spaces for business and logistics. The compact space of the new building, with the ground floor shaped like a rhomboid and 10 floors above ground level, is taller than neighboring buildings and dominates the landscape of the area. The diagonal displacement of the ground floor allows access to the central foyer consisting of a large atrium with a fluid shape and which goes up vertically to end in a skylight overhead. The atrium opens up to the exterior through two large windows that are the height of three levels, and which add a sculptural character to the space, allowing it to be bathed in natural light from two sides, as well as allowing views of the city’s outline and the mountainous Alpine scenery from its terraces.

Geometric accents

The project concerns the creation of a car rental hub, located along the main road axis connecting the airport with the city of Chania. The central design concept is defined by the positioning of a pair of circular buildings along the imaginary extension of the nearby runway.

Design Philosophy

The geometry of the buildings is based on simple geometric forms, aiming to produce a clear and legible architectural ensemble. The two volumes are arranged on a unified plaza, which operates as a transitional element between built and unbuilt space. Between the two building entities, a metal canopy is introduced, functioning both as a unifying compositional element and as a threshold zone mediating the transition of visitors from the exterior into the interior of the complex.

The initial concept proposed the creation of two circular, single-space halls, organized through a peripheral arrangement of counters or kiosks, following a spatial typology commonly found in airport environments. At the same time, the design needed to accommodate the potential subdivision of the buildings into independent offices and retail units with direct access from the exterior. The circular geometry proved particularly effective in supporting multiple usage scenarios.

Functional Organization

At ground level, the buildings host the offices of four car rental companies, while the upper floors accommodate independent office spaces available for lease. The basement levels include auxiliary functions serving the retail units, visitor sanitary facilities, a car wash, and additional electromechanical installations.

The outdoor space is carefully configured to support the continuous circulation of small vans transporting customers to and from the airport, while also maximizing the number of parking spaces and vehicle handover points.

Material Palette

The folded metal envelope, aluminum cladding, and the use of high-specification glazing and panel systems form a coherent architectural vocabulary that aims to establish a distinct identity for the development, while simultaneously providing a flexible design framework for future expansion.

The shelter of an imprisoned spirit

The project is a photography studio that goes beyond being a purely functional space, unfolding instead as a deeply introspective environment inspired by the concept of intrauterine habitation and prenatal comfort.

Design Philosophy

The design employs symbolic elements that convey warmth, protection, and a cocoon-like sense of enclosure, aiming to foster creativity within a calm and intimate atmosphere. Central to the concept is the interplay of light and shadow, a deliberate choice that reflects the photographer’s expertise and creative journey. The space becomes a sanctuary: a place where creativity can be nurtured and where personal and artistic paths intersect within a meaningful, womb-like environment.

Custom Structures

Specifically designed custom metal structures were developed for the studio, serving the organization and storage of equipment while playing a decisive role in enhancing the visual dynamics of the space. These restrained, reflective surfaces capture and modulate light, producing striking reflections that shift according to the time of day and the position of light sources. The use of metal fulfills both functional and aesthetic objectives, offering durable and practical solutions for everyday needs while contributing to the overall artistic atmosphere. As light interacts with these structures, it rebounds in unexpected ways, casting delicate patterns onto the surrounding walls and further emphasizing the play of light and shadow that lies at the core of the architectural composition.

Materials & Lighting

The selected materials achieve a subtle balance between opacity and translucency, reinforcing the relationship between light and darkness. This design approach not only enhances the spatial aesthetics but also alludes to an inner tension experienced by the photographer – described as a “prisoner of spirit,” engaged in an ongoing dialogue between light and shadow. This poetic tension is visually articulated through the thoughtful placement of windows, skylights, and lighting elements, creating layers of illumination that shift and transform throughout the day.

Both natural and artificial light play a crucial role in the studio, not merely as functional components but as expressive tools in their own right. The way light filters through the materials generates a meditative atmosphere that encourages reflection and the exploration of creative depth. Extending beyond pure utility, the design transforms the studio into a symbolic space that promotes deep, inward-looking creativity.

Work Container

The new offices are housed within an industrial shell of 1,200 m², where tall metal racks for cable storage dominate the space from floor to ceiling. The central design idea focuses on the strategic placement of “work containers” that accommodate the staff offices.

Corporate Identity & Design

The container form was chosen as a characteristic expression of the company’s industrial identity and environmental ethos. Just as the company’s products are designed to be fully recyclable, the container, originally used for their storage and transport, is repurposed and transformed into office space. Two distinct zones are created on either side of the central storage and packaging area to ensure the uninterrupted circulation of machinery and personnel.

Spatial Organization

On the west side of the building, the largest container is positioned to function as a customer waiting area and goods reception zone, along with a dispatch office, staff locker area, and archive. On the east side, a cluster of containers arranged across two levels accommodates the remaining needs of the administrative staff, positioned to ensure optimal visual connection with the production area.

On the ground floor of the eastern cluster are two sales offices, a dining room, staff restrooms, and storage. The upper level includes two offices, a meeting and presentation room, and additional storage space. Access to the offices is provided through two opposing entrances, with an internal metal staircase connecting the two floors.

Materials & Lighting

The material palette consists of metal, wood, and glass -materials commonly used in industrial environments. Metal and glass surfaces form the architectural volumes, while wood is applied in flooring and furniture to complement the construction. The exterior white and gray tones highlight the wooden finishes used inside.

Linear warm-white lighting follows the rectangular surfaces of the containers. Containers serve as a contemporary method of creating workspaces in facilities requiring direct proximity to production. With the appropriate configuration, they allow for efficient workflow while offering the possibility of expansion to meet a company’s future needs, without compromising the overall design.

Creative flexibility

The new 1000m² offices were designed from the ground up to ensure that every corner within the space encourages collaboration, ideation and brainstorming at any given moment.

Spatial Organization

The layout is organized in a rectangular shape with a 100m2 interior courtyard at its center. The reception’s design conveys the idea of an unconventional working environment, with minimal aesthetic and guided by the company’s brand colours. The ceiling is defined by an industrial blue sky, while the reception area offers additional space for short meetings or work. The concept of maximum flexibility is carried out throughout the office, where spaces are organized in different typologies.

Exclusive Designs

Marketing and sales are the first departments to be distinguished in the space. Specifically designed webnests, featuring custom metal structures, accommodate 6 to 8 cozy workstations, complete with TVs and whiteboards. This setup facilitates seamless problem-solving and brainstorming sessions and enables each team member to share information on the screens at any time.

Bar marketing is the first brainstorming area, consisting of a large table and a series of seats arranged in a bar layout. The first meeting room has whiteboards on the walls and a custom-made ping pong table seating 8 people. Several think tanks become ideal for isolated work, private calls or even as an alternative workspace.

Custom Elements

Drawing inspiration from the word “disrupt”, a term prevalent in cloud companies, the main meeting room’s design embodies innovation since half of the room seamlessly extends outwards towards the courtyard creating a dynamic space that blurs the boundaries between interior and exterior. The meeting room is clad with vertical panels and includes a 12-seat table as well as a 16-seat sofa. Its walls are lined with whiteboard as well as a custom-made structure with hidden lighting.

The brainstorming room is designed as a small theatre, with the opposite wall also covered in whiteboard. The theatre is constructed in such a way that allows space for stools, which can be used for large group meetings. Adjacent to the brainstorming room is another private office, a four-person meeting bar with a TV and the RnD area with an additional 8-seat webnest. Finally, there is an additional office space filled with workstations with a central sliding mechanism that allow employees to move their desks around.

Innovative Uses

TV screens are installed in all workspaces, allowing employees to share information via a wireless network. A series of tripod desks offer twelve additional seats for workers and have a special moving mechanism installed that serves as storage as well as a temporary seating for a colleague.

Entertainment plays an important role in the office environment. Throughout the space there are several board and video games, including two large Score 4’s as well as a dedicated playroom illuminated with hidden lighting and clad with high-strength fabrics. The kitchen-dining room features 360o doors and small house-shaped structures with TV screens for enjoying a casual lunch break or impromptu work discussions. The courtyard becomes an extension of the dining room and includes indoor and outdoor seating to accommodate all employee needs.