Three independent residences step along two terraces in Lefkes, preserving dry-stone walls and mature olive trees while gradually framing the Parian landscape.

 

The residence in Lefkes by KP Office is formed by a complex of three independent houses known as Pezoules House. It occupies a narrow, steeply sloping site in one of the most traditional settlements of Paros.

The project takes its name from its position across two agricultural terraces, or pezoules. Opposite the site, some of the island’s best-preserved terraced fields extend across the hillside. These longstanding structures have shaped both the cultivation and the architectural character of the Cycladic landscape.

 

Buildings arranged along the slope

The narrow proportions and pronounced gradient of the site determined the articulated arrangement of the building volumes. Rather than creating a single compact mass, the design distributes the programme across a sequence of interconnected structures.

The composition follows the two existing terraces. As a result, the buildings remain close to the ground and adapt to the changing levels instead of imposing a uniform platform on the site.

Openings appear gradually as visitors move through the complex. Some provide broad panoramic views, while others frame isolated parts of the surrounding hills. The landscape is therefore revealed as a sequence rather than as a continuous image.

The main project collaborator was Studio265, whose work with KP Office contributed to the architectural and constructional development of the complex.

 

Three independent residences

Each of the three houses develops across two or three levels. Their ground floors contain the principal living and dining areas, together with semi-outdoor sitting spaces integrated into the main volumes.

The bedrooms have private bathrooms and occupy more protected positions. Their distribution establishes a clear distinction between communal and private life without disconnecting them from the landscape.

The stepped organization also gives each house a degree of autonomy. Individual terraces, pools and outdoor rooms are separated from one another, although all three residences remain part of the same architectural composition.

The published ground-floor plan and longitudinal section clarify this relationship. The plan shows the houses extending along the narrow site, while the section explains their gradual descent through the two terraces.

 

Framed views and semi-outdoor rooms

Covered seating areas are incorporated within the principal volumes rather than added as independent structures. They form deep thresholds between enclosed rooms, swimming pools and the surrounding terrain.

These intermediate spaces protect everyday outdoor activity from direct sunlight. At the same time, they preserve visual continuity with the hills and the distant horizon.

The arrangement of openings reinforces this controlled relationship. Windows and passages do not simply provide a view from every point. Instead, they direct attention towards selected elements of the landscape and make orientation part of the movement through the house.

 

Stone from the site

Rendered masonry defines the enclosed residential volumes. In contrast, exposed stone is used for retaining walls, boundaries and other external architectural elements.

The stone was recovered exclusively during the excavation of the site. Its reuse strengthens the material relationship between the new construction and the surrounding terrain.

Existing dry-stone walls were preserved and structurally reinforced. Where sections had collapsed, they were rebuilt with local stone, maintaining the continuity of the agricultural terraces.

The masonry therefore serves several roles. It retains the sloping ground, organizes circulation and outdoor rooms, and connects the new complex with the longstanding constructional logic of the Parian landscape.

 

Building around existing olive trees

The outdoor spaces were designed with the aim of limiting intervention in the natural terrain. Building volumes and circulation routes were positioned around mature olive trees that already occupied the site.

The landscape design by Outside Landscape Architecture extends this approach. Gardens contain olive and cypress trees, vines, herbs, aromatic shrubs and flowering plants associated with the Mediterranean ecosystem.

Rainwater-storage tanks contribute to the irrigation of the planted areas. The intervention therefore relies on specific landscape and water-management measures rather than treating planting as an applied decorative layer.

 

Local techniques and contemporary elements

The houses combine references to traditional Cycladic construction with contemporary building components. Small openings and walls up to 60cm thick create substantial, protected envelopes.

Many elements were custom-made by experienced local craftspeople. In parallel, exposed-concrete ceilings, thermally insulated frames and stainless-steel fittings introduce a more contemporary constructional language.

The project does not reproduce a historic building type. Instead, it draws on the environmental and material logic of local architecture and adapts it to current residential needs.

The result is a sequence of houses embedded in the terraces, where stone walls, framed views and intermediate outdoor rooms establish a measured relationship with the landscape.

 

The project was first published in print in ParosVillas Vol.4, a special edition by ek Architectural Publications.

Near Glyfa beach, the residence unfolds like a small settlement of white and stone volumes, connected by sheltered courtyards, internal pathways and outdoor spaces facing the sea.

 

The project is located in the tranquil southeastern part of Paros, near Glyfa beach. Designed by Maria Doxa Architecture Studio, the seaside residence overlooks the coast and the open horizon.

The complex develops linearly across the site, resembling a small island settlement rather than a single autonomous building. A white cubic residence is accompanied by four smaller stone volumes containing supplementary uses. Courtyards, paths and sheltered outdoor rooms connect the separate parts while preserving their individual scale.

 

A protected route through the complex

Access is from the north, through a stone-walled courtyard planted with olive trees, cypresses and aromatic species. A marble-paved path crosses the garden and leads towards the principal entrance.

The high stone boundary protects the arrival area from strong winds. Instead of immediately revealing the sea-facing side of the house, the entrance sequence gradually moves from the enclosed northern courtyard towards the open southern landscape.

The path continues beyond the entrance and extends along the length of the residence. It connects the principal house with the guest accommodation, the artist’s studio and the smaller gardens distributed throughout the site.

 

Two wings around an entrance axis

Inside, the principal residence is divided into two wings. To the right of the entrance, an open-plan living area contains the kitchen, dining room and sitting space.

Large sliding glazed panels connect this shared interior directly with the central outdoor area. When opened, they establish continuity between the living room, shaded terrace, swimming pool and distant sea horizon.

The private wing develops to the left of the entrance. It contains one principal bedroom and two en-suite bedrooms, organized around an enclosed planted courtyard. This internal garden becomes a common point of reference for the sleeping areas and introduces daylight and vegetation without compromising privacy.

The contrast between the two wings is deliberate. The shared spaces open broadly towards the sea, while the bedrooms are organized around a more introspective landscape.

 

Guest accommodation and an artist’s studio

At the western end of the complex, a stone guest house contains two double-height rooms with direct access to the main terrace.

Each room includes a kitchen, bathroom and small sitting area at ground level. The sleeping area is placed on a mezzanine, creating a more private zone within the vertically organized interior.

A small painting studio completes the composition at the eastern end. It is reached through the outdoor path that begins at the entrance courtyard and follows the length of the house.

In the northwestern part of the site, a partially subterranean volume contains two further bedrooms with bathrooms and a shared kitchen. A planted roof and stepped courtyards integrate it into the terrain and limit its visual presence within the wider complex.

Outdoor life between stone and water

A large sheltered outdoor space occupies the area between the principal residence and the guest house. Facing the linear swimming pool and the sea, it forms the main setting for outdoor life.

A pergola and solid stone back wall protect the terrace, which contains an external bar and sitting area. An imposing fixed marble dining table stands close to the indoor kitchen, supporting a direct relationship between food preparation and outdoor dining.

The swimming pool reinforces the longitudinal organization of the residence. Its water surface extends visually towards the horizon and brings together the main house, guest accommodation and central terrace.

The outdoor spaces are not concentrated in a single area. Smaller courtyards, gardens and routes create different degrees of enclosure, shade and contact with the landscape.

 

 

A contrast of white plaster and local stone

The material palette draws on the character of island architecture without directly reproducing traditional forms. White plaster defines the principal residence, while local untreated stone gives the smaller volumes a heavier and more textured presence.

Large, pale marble slabs form a continuous floor across interior and exterior areas. This repeated surface connects the enclosed rooms with the terraces and weakens the boundary between them.

Rough timber beams and reed linings emphasize selected ceilings. Grey pergolas and window frames introduce a restrained contemporary layer, while natural timber and light fabrics with subtle textures define the furnishings.

The contrast among plaster, stone, marble, timber and reed gives each part of the residence a distinct identity. At the same time, the limited palette maintains the coherence of the whole.

Gardens across the site

The landscape design by Outside Landscape Architecture is distributed across small gardens and courtyards rather than concentrated around the main façade.

Mediterranean aromatic plants, grasses, shrubs, fruit trees and wildflowers establish a close relationship with the existing island landscape. Most ground surfaces remain permeable, combining exposed soil, gravel and paths formed from irregular stone slabs.

The result is a seaside residence with several different spatial scales and multiple possibilities for outdoor occupation. Controlled transparency reveals the sea and vegetation gradually through a sequence of measured architectural forms.

 

The project was first published in print in ParosVillas Vol.4, a special edition by ek Architectural Publications.

Located in Agkairia, on the southwestern side of Paros, the building is organized as four distinct volumes along an elongated axis across the plot. Designed by Chris Tessas, the residence breaks its programme into smaller spatial units, using internal courtyards to introduce natural light and privacy.

The two central volumes contain the living room and kitchen. The outer sections accommodate the family bedrooms and guest rooms. Rather than forming a single compact house, the separate parts establish a linear sequence of enclosed spaces, atriums and sheltered outdoor areas.

 

 

Four volumes and three atriums

Each volume has a distinct function. However, the residence remains connected through a clear longitudinal organization.

Three of the four volumes are separated by internal atriums. These open spaces bring daylight into the centre of the plan and allow the rooms to maintain a direct relationship with the exterior. At the same time, their position within the composition protects domestic life from being immediately visible from the surrounding landscape.

Because the atriums remain largely concealed from the perimeter, they also divide the apparent scale of the house. From a distance, the residence is perceived as a sequence of smaller structures rather than a single extended building.

This arrangement establishes a dialogue with the additive character of traditional Cycladic settlements, where compact rooms and small building units develop gradually in response to use and terrain.

Shared life at the centre

The living room and kitchen occupy the two central sections of the residence. Their position turns the middle of the composition into its shared social core.

Large openings connect these spaces with the terrace, pool and shaded dining area. In contrast with the more controlled openings on the outer façades, this side of the house develops a broader relationship with the landscape and outdoor life.

The pool runs parallel to the main terrace, reinforcing the linear direction of the plan. A lightweight pergola protects the outdoor dining area and creates an intermediate zone between the enclosed rooms and the open Cycladic setting.

Inside, the restrained palette allows natural light to define the atmosphere. Rooflights illuminate the kitchen from above, while narrow openings frame selected views and preserve the sense of enclosure established by the external volumes.

 

 

Proportions derived from local architecture

The proportions of the individual volumes and the discreet external openings draw on the historic stone structures found across Paros and the wider Aegean.

This reference is expressed through scale and spatial organization rather than through the literal reproduction of traditional details. The building remains contemporary, but its fragmentation allows it to relate to the surrounding landscape and the established architectural character of the island.

The repeated wall surfaces and controlled openings give the outer elevations a compact presence. By contrast, the concealed courtyards introduce light and openness within the composition.

An external stair towards the roof

The northern volume contains the family bedrooms and is separated from the adjoining parts of the residence by an external staircase. Its broad, solid form recalls the external stairs of traditional island houses.

The stair leads to the roof and becomes part of the architectural promenade. Beyond its practical role, it invites occupants to rise above the low volumes and observe the wider Cycladic landscape.

Through its combination of linear organization, fragmented volumes and hidden atriums, Cycladic Layout proposes a contemporary residence that belongs to Paros without relying on the direct imitation of vernacular forms.

 

The project was first published in print in ParosVillas Vol.4, a special edition by ek Architectural Publications.