In Puerto Vallarta, on Mexico’s Pacific coast, Casa Tao by HW Studio is conceived around shade as both a climatic necessity and a spatial condition. The 472 m² residence draws on the memories and interests of its inhabitants, translating ideas of shelter, quiet and contemplation into a sequence of enclosed courtyards, filtered views and protected interiors.
The house occupies a neighbourhood without distant views, but directly faces a tree-lined plaza offering shade and breeze. Rather than opening frontally towards it through extensive glazing, the architecture establishes an indirect relationship with its surroundings. Carefully positioned openings allow the presence of the plaza to be perceived while limiting exposure to the intense coastal sun.
Shade as a way of inhabiting
The design emerged in part from the inhabitants’ personal histories. Growing up in Puerto Vallarta, one of the owners understood shade as an essential refuge from the heat and humidity of the Pacific climate. A later family journey to Japan introduced another set of references: spatial restraint, emptiness, carefully filtered light and a sense of stillness.
These influences are translated into an architecture of indirect relationships. The house neither withdraws completely from the city nor exposes itself fully to it. Instead, views, breezes and daylight enter through controlled openings, courtyards and transitional spaces.
The result is an environment shaped less by outward display than by the gradual experience of light and shadow.

Private spaces below, social life above
The principal programme is divided vertically. Bedrooms, the garage and service areas occupy the base of the house, while a lighter, double-height volume containing the main social spaces is raised above them.
Elevating the communal areas separates daily social life from street level and opens it towards the crowns of the surrounding trees. Air circulates around the upper volume, while elevated patios form protected outdoor rooms overlooking the neighbouring greenery.
The arrangement allows the house to engage with the plaza without relying on a conventional panoramic façade. The relationship is experienced through fragments: the movement of branches, the arrival of the breeze and the changing quality of light.
Courtyards and interior retreat
The bedrooms are organized around a courtyard, where enclosure provides privacy while preserving access to air and sky. At the entrance, a curved wall gently redirects movement, while a tree marks the transition into the house.
This inward orientation creates a sequence of spaces focused on the sky, shade and vegetation. The courtyards are therefore more than sources of natural light and ventilation; they establish the slower rhythm around which domestic life is organized.
Throughout the house, privacy is achieved through depth and indirect views rather than complete isolation.

Concrete, whiteness and filtered light
The material palette reinforces the contrast between the intensity of the exterior climate and the subdued atmosphere within. White surfaces respond sharply to the coastal sun, while exposed concrete absorbs and softens light.
Its weight gives the interiors a sense of permanence, but the changing daylight prevents the material from appearing static. Light settles across walls and surfaces, revealing subtle differences between open courtyards, shaded thresholds and more protected rooms.
The architects relate this approach to Junichirō Tanizaki’s In Praise of Shadows, where darkness is understood as a means of giving depth to perception rather than simply as the absence of light. In Casa Tao, shade becomes similarly active: a climatic resource, a spatial filter and the element through which the house establishes its atmosphere.
Casa Tao ultimately proposes a form of domestic life organized around attention and pause. Through its elevated patios, inward-facing courtyards and carefully controlled openings, the house creates a protected interior world while remaining connected to the air, vegetation and climate of Puerto Vallarta.





