Constellation of volumes

An existing 40-year-old office building is stripped back to its primary structure and comprehensively reinterpreted to respond to contemporary workplace demands. The initial massing logic is recovered and clarified, transforming what was once a fragmented and visually inconsistent assemblage into a cohesive composition. The building is rearticulated as a constellation of twelve distinct volumes, each defined by its own cladding strategy and spatial atmosphere, establishing a new architectural identity rooted in differentiation and clarity.

 

Intervention Strategy

The intervention operates through a process of subtraction and redefinition. By removing non-essential layers, the original structural framework is revealed and reorganized, allowing the building’s inherent geometry to be legible once again. The front façade adopts a restrained material palette, articulated through subtle tonal variations of white, grey, black, and gold. A newly introduced curtain wall defines the primary elevation, while a sequence of cast-in-place terrazzo steps establishes a clear and generous entrance gesture.

In contrast, the rear elevation embraces a more expressive and playful language. Individual volumes are distinguished through color and material differentiation: a pale turquoise-clad elevator core, a striped black-and-white staircase punctuated by yellow window frames, a pink-rendered service core, and blue metal-clad office spaces. This chromatic distribution extends throughout the building, generating a dynamic interplay between interior and exterior surfaces.

 

 

Spatial Organization & Environmental Strategy

The building is reoriented to engage more directly with its adjacent natural park, introducing new openings within previously opaque façades. These interventions enhance visual connectivity while significantly improving daylight penetration, addressing the limitations of the original low ceiling heights.

At roof level, a landscaped green roof is combined with a circular pergola, forming a sequence of outdoor workspaces and social areas. These elevated spaces accommodate informal gatherings, events, and moments of exchange, extending the program beyond the conventional office environment.  

Sustainability is integrated as a core design parameter. The project incorporates high-performance insulation systems, energy-efficient glazing, locally sourced materials, and low-energy mechanical systems. Additional features include photovoltaic panels, electric vehicle charging stations, and bicycle parking, contributing to the building’s A+ energy efficiency rating.

Material Palette

The interior design negotiates between preservation and transformation. Existing black marble flooring is restored, while suspended ceilings are removed to expose the raw concrete structure and its irregular formwork. This juxtaposition of refined and unfinished surfaces establishes a consistent material language across all levels.

Each floor is further differentiated through bespoke architectural elements and furniture interventions. These range from sculptural marble seating installations to a vivid red perforated metal library and expansive shared worktables. On the ground floor, a generous red terrazzo staircase operates simultaneously as circulation and as an amphitheatrical space for events, linking to a luminous mezzanine above.

 

Geometric accents

The project concerns the creation of a car rental hub, located along the main road axis connecting the airport with the city of Chania. The central design concept is defined by the positioning of a pair of circular buildings along the imaginary extension of the nearby runway.

 

Design Philosophy

The geometry of the buildings is based on simple geometric forms, aiming to produce a clear and legible architectural ensemble. The two volumes are arranged on a unified plaza, which operates as a transitional element between built and unbuilt space. Between the two building entities, a metal canopy is introduced, functioning both as a unifying compositional element and as a threshold zone mediating the transition of visitors from the exterior into the interior of the complex.

The initial concept proposed the creation of two circular, single-space halls, organized through a peripheral arrangement of counters or kiosks, following a spatial typology commonly found in airport environments. At the same time, the design needed to accommodate the potential subdivision of the buildings into independent offices and retail units with direct access from the exterior. The circular geometry proved particularly effective in supporting multiple usage scenarios.

 

 

Functional Organization

At ground level, the buildings host the offices of four car rental companies, while the upper floors accommodate independent office spaces available for lease. The basement levels include auxiliary functions serving the retail units, visitor sanitary facilities, a car wash, and additional electromechanical installations.

The outdoor space is carefully configured to support the continuous circulation of small vans transporting customers to and from the airport, while also maximizing the number of parking spaces and vehicle handover points.

 

Material Palette

The folded metal envelope, aluminum cladding, and the use of high-specification glazing and panel systems form a coherent architectural vocabulary that aims to establish a distinct identity for the development, while simultaneously providing a flexible design framework for future expansion.

 

Citadel Within the City

Set within the Matosinhos Sul Urbanization Plan by Álvaro Siza, the former Brandão & Companhia canning factory occupies a privileged position near the coastline, retaining a strong connection to the industrial past and maritime identity of the area. The intervention reinterprets this legacy through a mixed-use development that consolidates healthcare, commercial, office, and residential functions within a unified architectural system, restoring the original envelope and chimney while introducing a contemporary layer.

 

Urban Integration

The proposal addresses the fragmentation of the existing structure by re-establishing continuity within the urban fabric. While the original volumetry occupied almost the entire plot, the project introduces permeable and green voids that allow natural light and circulation to penetrate the block. These interstitial spaces generate visual and physical connections between programs, enhancing accessibility to upper levels and fostering interaction within a dense, multifunctional urban environment. The ground floor accommodates commercial and service functions, offices are positioned on the first level, and residential units are organized in elevated volumes.

 

 

Programmatic Organization

At the entrance to the residential areas, a reception space opens onto a patio that operates as the central node of circulation, linking communal zones and distributing movement across the complex. The spatial hierarchy is structured to balance privacy and collectivity, ensuring fluid transitions between different uses. The distribution of the building mass into distinct volumes creates a dynamic composition that responds both to the scale of the plot and to the surrounding urban context.

 

 

Material Palette

The architectural language is articulated through a juxtaposition of materials with varying densities, notably pigmented concrete and aluminum stretched mesh. This contrast reflects the dialogue between past and present, emphasizing both the solidity of the existing structure and the lightness of the newly inserted volumes. Suspended above the courtyard, these elements introduce a sense of elevation and permeability, with a material palette inspired by the proximity to the sea. The intervention ultimately establishes a balanced relationship with adjacent buildings and the public realm, contributing to the revitalization of the block and supporting a broader strategy of sustainable urban development.

 

Consolidating functions

The Exeter Road Pavilion is an adaptive reuse of a modest Victorian garden outbuilding in northwest London, reimagined as a hybrid domestic and social space for an art collector and amateur DJ. Conceived as both a storage environment and a setting for leisure, the project consolidates diverse functions – archiving, display, gathering, and recreation – within a unified architectural gesture that extends from interior to landscape.

 

Design Philosophy

At the core of the proposal lies a continuous cabinet, operating as a contemporary cabinet of curiosities. Beginning within the refurbished structure and extending outward into the garden, this linear element accommodates an array of uses: art storage and display, shelving for books and vinyl records, a DJ station, a television, and personal artifacts. As it moves outdoors, it integrates recreational functions, including a ping-pong table, weights, and garden games, maintaining spatial continuity across interior and exterior domains.

Encased in a perforated stainless-steel screen, the cabinet oscillates between transparency and opacity. Its surface reflects and filters light, producing shifting visual conditions throughout the day. This duality allows the cabinet to simultaneously reveal and conceal its contents, reinforcing its role as both container and spatial mediator.

 

 

Structural Logic

The cabinet operates not only as storage but also as a structural system, supporting the canopy that extends over the outdoor space. The relationship between these elements introduces a deliberate tension, inspired by the precarious compositions of Fischli & Weiss. Rather than adhering to conventional structural logic, the design removes an expected column, redistributing forces through a counterbalancing system.

This equilibrium is achieved through a precisely milled marble mass embedded within a galvanized steel I-beam, paired with a tension rod anchored to a concealed concrete block below ground. The resulting configuration establishes a legible yet unconventional structural narrative, where balance is perceived as dynamic and contingent rather than fixed.

 

 

Materials & Sustainability

The canopy itself is composed of layered materials – marble, steel, and polycarbonate – articulated in a clear tectonic hierarchy. Stainless steel cladding on the cabinet mirrors the surrounding vegetation, while translucent roofing elements diffuse light into the space below. This material palette oscillates between raw and refined, grounding the project in both industrial precision and environmental responsiveness.

Through reflection, translucency, and spatial extension, the pavilion dissolves the boundary between interior and exterior. It becomes an instrument for observing seasonal and daily changes, where light, vegetation, and built form interact continuously. The project ultimately establishes a condition in which structure, storage, and landscape remain in constant and perceptible dialogue.

 

Core of everyday life

In the heart of the settlement of Pollonia in Milos, a polygonal plot is transformed into a complex spatial organism, where the notion of the courtyard is reinterpreted as the core of everyday life. The proposal reconstructs the atmosphere of the Cycladic village through a contemporary architectural language, creating an environment that balances between privacy and collectivity.

 

Design Philosophy

The plan unfolds along the perimeter of the plot, with independent rooms arranged as volumes tracing its boundary. Within, a network of courtyards and pathways is formed, composing a sequence of open and semi-open spaces. The visitor is invited to navigate this system, discovering hidden corners and inner gardens, and choosing between moments of seclusion or social interaction.

The architectural experience is structured as a succession of spatial transitions, where movement becomes a key tool for understanding the project. The routes are non-linear, gradually revealing the whole and reinforcing the sense of a village at a micro scale.

 

 

Materiality & Architectural Language

The volumes develop across two levels, forming a clear dual material expression. A grounded base of exposed stone anchors the composition, while the white upper level appears to hover lightly above it, separated by a subtle shadow gap. This contrast enhances the plasticity of the composition and articulates the relationship between heaviness and lightness.

The architectural language of projections, corners, and openings generates a dynamic interplay of light and shadow, constantly shifting throughout the day. Light operates as an active design element, revealing material textures and intensifying spatial perception.

Finally, a third layer of materiality is introduced through metal elements. Pergolas and vertical corten features define the boundaries of the gardens, filter light, and create intermediate zones of privacy.

 

 

Spatial Organization

The six suites, featuring double-height interiors, are conceived as minimal and luminous spaces of accommodation. The architecture avoids unnecessary decoration, allowing the contrasts between materials and light to shape the atmosphere.

The courtyard, as a fundamental element of Cycladic typology, re-emerges as a place of gathering and social interaction. Sheltered from the wind, it functions as an inner garden where guests form a temporary community. Through this gesture, the architecture establishes the conditions for shared experiences, conversation, and exchange.

The project constitutes a contemporary interpretation of the traditional settlement, where respect for place is combined with the creation of new modes of inhabitation. It is an environment that balances individuality and collectivity, offering a refuge of simplicity and authenticity within the landscape of Milos.

 

Lighting compositions

In mid-July, the new architectural lighting installation for the Hellenic Parliament Building and the Tomb of the Unknown Soldier was completed, accompanied by the energy upgrade of the underground parking areas and the complex’s nursery facility. The new lighting design seeks to redefine the nocturnal presence of the building and its surrounding space, situating the intervention within a contemporary framework of environmental responsibility and sustainability.

 

Lighting Philosophy & LED Technology

The new lighting scheme was implemented exclusively using advanced LED technology, with particular emphasis on chromatic consistency and precise control of the light sources. Each luminaire is digitally controlled in terms of both intensity and operating duration, allowing the creation of dynamic lighting scenarios with a high degree of accuracy.

The combined use of energy-efficient light sources and an automated high-precision control system ensures optimal energy performance. From sunset onwards, the luminous composition of the façades evolves subtly, with smooth transitions in intensity that respond to the time of day, the day of the week, and the season, forming a dynamic yet refined nocturnal image.

 

 

Technical Characteristics

A central focus of the study was the mitigation of light pollution. For this reason, the lighting system allows for the automatic adjustment of colour temperature, shifting from cooler white tones to warmer light. The warmer spectrum, characterised by reduced blue light content, significantly limits the impact on the night sky.

This transition takes place daily from midnight until dawn, ensuring that the lighting remains compatible with the city’s natural nocturnal environment. At the same time, the luminaires are equipped with precision optical systems, lockable aiming mechanisms and anti-glare accessories, minimizing light spill toward the sky.

At the compositional level, the lighting highlights the façades of both the Parliament Building and the Monument, emphasizing the rhythm and plasticity of architectural elements such as pediments, cornices, pilasters and porticoes, as well as individual features including the monument’s central relief, shields and inscriptions. In parallel, light sources with a high colour rendering index revive the texture and colour of the materials, as well as the sculptures of Eleftherios Venizelos, Charilaos Trikoupis and the figure of the Mother.

 

 

Energy Upgrade

The integration of the new lighting equipment was carried out with particular care, ensuring that the morphological characteristics of the listed historic building were preserved. The luminaires installed on the façades underwent special colour treatment to match the surface of installation, allowing them to remain almost invisible during the daytime. In addition, the historic lamp posts and decorative lanterns of the Parliament complex were restored and upgraded.

Over the 15-month construction period, the project presented significant technical challenges, as all works were carried out while the building remained in full operation. The age of the building, combined with the numerous interventions that have taken place over the past 180 years, made the management of electrical routes particularly demanding, while the hybrid nature of the lighting management system required the extensive installation of fibre-optic networks.

Specially designed luminaires were also developed for specific architectural elements, such as the coffers of the porticoes, ensuring that the final result responded fully to the particular spatial requirements. The interventions were carried out with the contribution of a specialized conservation team, ensuring the protection of the building’s aesthetic and historical integrity.

The project’s energy upgrade is particularly significant. In the five-level underground parking facility and the nursery building, nominal energy consumption was reduced from 137KW in the previous installation to 41KW. Furthermore, thanks to the intelligent lighting management system, the final energy consumption is limited to just 29KW. This substantial reduction enhances the overall energy efficiency of the complex while contributing to the sustainable operation of one of the country’s most emblematic public buildings.

 

Relief continuation

The hotel is located at the edge of the traditional settlement of Oia, at the top of the volcanic cliffs of the Caldera. The site has a steep slope, a south-western orientation and unobstructed views toward the sea and the volcano.

 

Restoration Strategy

Within the plot there were ruined cave structures previously used as storage spaces, stables and cellars, as well as an old cubic house located at the northeastern corner. The objective of the project was the reconstruction of the pre-existing buildings and the addition of new cave rooms and communal areas, forming a hotel complex.

As a result, the hotel includes a small reception area, sixteen rooms, a restaurant, a shared swimming pool and a gym-spa. These functions are arranged gradually across the six levels of the complex. The entrance, accessed from the main pedestrian path of the settlement, is located at the upper level together with the reception and an outdoor seating area.

 

 

Spatial Organization

A central outdoor staircase leads from the upper level to the restaurant and the pool, connecting the three intermediate levels that accommodate the guest rooms with their private courtyards and pools. The lowest level includes the spa reception, a small gym, massage rooms, hammam, sauna, sanitary facilities and storage areas, as well as a sheltered relaxation courtyard at the edge of the cliff.

The proposal aimed both at the faithful restoration of the pre-existing buildings and the construction of new cave structures in the spirit of a contemporary and subtle reinterpretation of the cubic morphology of the old settlement, while maintaining a continuous relationship with the natural topography of the Caldera. The form of the new cave spaces preserves the structure of the traditional ones, along with their geometric shapes, materiality and white color.

The typologies of the floor plans, as well as the openings, are oriented so as to frame the view toward the sea. As a result, the façades follow the natural contour lines as broken geometries, resembling folded retaining walls that integrate gently into the landscape. The layering of these compositional strategies ultimately defines the final form of the building and its strong spatial dynamism. The descending movement of the central outdoor staircase, from the hotel entrance to the lowest level, resembles a “crack” in the “body” of the building, guiding movement and directing visitors toward the various private and communal areas.

Materials & Lighting

The interior design follows a strict minimalist approach based on the principles of Cycladic architecture. In the pre-existing cave spaces, a “total white” atmosphere prevails, with subtle touches of iridescent gold and green, while soft curves and freestanding furniture with organic forms highlight and enrich their natural plasticity.

The aesthetic of the new cave rooms is characterized by more intense colors, in the spirit of a “vie en bleu”, with abstract references to the cosmopolitan resorts of the Mediterranean south. These references become more geometric, linking the shapes and volumes of the interior with the forms of the exterior composition.

The lighting of the complex operates in a discreet manner, enhancing the sculptural quality of the white volumes and the experience of movement through the landscape. Along the outdoor pathways and staircases, low-intensity linear luminaires are integrated into the architecture, emphasizing the geometry of the walls and guiding visitors during nighttime circulation. The illuminated pools act as diffused luminous surfaces within the composition, creating soft reflections across the cave volumes. Inside the rooms, lighting remains subtle and integrated into the curved surfaces, highlighting the minimalist aesthetic and the sculptural qualities of Cycladic architecture.

 

Horizontal form

Located in Agios Tychonas, Cyprus, this private residence is conceived as a clear architectural composition of horizontal and vertical volumes that respond to the natural slope of the site. The building rests on an exposed concrete structural frame that establishes a solid base, while the white-rendered upper level introduces a sense of visual lightness. Continuous south-facing glazing and wooden louvers reinforce the relationship between interior space and landscape, creating transparency and warmth. The overall composition emphasizes horizontality, directing views toward the horizon and the infinity pool, which operates as a spatial extension of the interior living areas. The project’s architectural identity balances the raw texture of concrete with warm wooden surfaces and glass, establishing a contemporary dialogue with the surrounding natural environment.

 

Spatial Organization

The functional layout is structured around an open-plan ground floor where living, dining and kitchen spaces unfold seamlessly toward the outdoor terrace and swimming pool. This arrangement strengthens the connection between interior and exterior while extending everyday living into the garden.

The upper level accommodates the private areas of the house. Bedrooms and bathrooms are organized along a linear circulation corridor and are complemented by perimeter balconies that enhance privacy while encouraging cross-ventilation. The clarity of the plan establishes strong visual axes that guide the gaze toward the surrounding landscape, while allowing flexibility of use and a comfortable everyday spatial experience.

Bioclimatic Strategy

Environmental considerations are integrated into the project from the earliest stages of design. The building’s orientation and form respond directly to the climatic characteristics of the site, enabling passive regulation of temperature and daylight.

Carefully positioned overhangs and cantilevered elements, combined with adjustable wooden louvers, mitigate solar exposure during the summer months while allowing the lower winter sun to penetrate the interior spaces. Large openings facilitate natural cross-ventilation and passive cooling, while the exposed concrete structure operates as thermal mass, storing and gradually releasing heat to maintain stable indoor conditions.

 

 

Materials & Landscape Design

The architectural expression of the residence emerges from the dialogue between its material palette and the surrounding landscape. Concrete, wood, glass and white render are employed with restraint, establishing a balanced composition that reflects both modernist clarity and sensitivity to place.

Strategic planting around the perimeter contributes to the improvement of the microclimate, while the presence of the pool and landscaped surfaces enhances evaporative cooling. The overall form of the building adapts to the topography of the site, minimizing environmental impact while shaping a calm and open living environment.

Through this approach, the residence functions as a contemporary retreat where interior and exterior spaces merge seamlessly. Each volume, opening and material choice contributes to a spatial experience that prioritizes sustainability, clarity and a strong relationship with the natural landscape.

 

Reflection of the City

The new National Gallery building, now incorporating a major expansion and museological upgrade of its exhibition spaces, constitutes an important landmark in the contemporary urban landscape of Athens: to the pre-existing building of 9,720 m², which is listed as a modern monument, an additional 11,040 m² was added, more than doubling the functional spaces to a total of 20,760 m².

 

Design Philosophy

Through the new proposal, additions were implemented between the two units of the historic building (“Building A” facing Vasilissis Sofias Avenue and “Building B” facing Michalakopoulou Street), at the point where they are connected by a bridge above the location of the Ilissos riverbed, while underground spaces (“Building C”) were also opened where the groundwater level permits. The interior of the complex was completely redesigned.

The new building volumes, characterized by large glass surfaces, clearly stand apart from the architecture of the preserved building, with its exposed reinforced concrete structure and white marble infill elements. On the Michalakopoulou Street side, the new National Gallery gained an additional floor, while in the void between the two old wings an additional depth of three levels was added.

In the garden created south of the historic main entrance, the Gallery acquires an independent entrance, while the configuration of the surrounding landscape recalls the presence of the Ilissos river, through the creation of a water channel and the extension of greenery. The museum also features visitor circulation ramps with views toward the city skyline, elevators and staircases, full accessibility for people with disabilities, and modern security systems.

 

 

Spatial Organization

The entrance to the building complex takes place through a multifunctional space of 910 m², where in addition to control, information and visitor services, multiple digital information systems provide access to content about the building, the collections and the activities of the Gallery.

The main Gallery shop is also located there, equipped with versatile display cases. From the reception area visitors can move either towards the exhibition spaces of the permanent collections or towards the temporary exhibition areas, as well as to the 350-seat amphitheater or the café.

The interior architecture and the museographic study shaped the spaces accessible along the visitor routes. The museological core of the National Gallery consists of the permanent exhibition halls on the first and second floors of Building B, where the permanent collection of Greek painting and printmaking of the 19th and 20th centuries is presented, the permanent exhibition hall on the second basement level of Building C, where the permanent collection of Western European painting and printmaking is displayed, as well as the halls for rotating exhibitions on the third floor of Building B, where the continuously expanding collections of Contemporary Art (20th and 21st centuries) are presented through a rotating program.

In the permanent exhibition halls, spatial organization is mainly achieved through the placement of fixed exhibition panels that extend across the full height of the space, contributing to the narrative continuity of the exhibits. Through the use of these panels, the path of the gaze is designed through the revelation and concealment of spatial depth, while directions and visual perspectives are created, encouraging multiple associations and readings of the exhibits and forming central configurations as thematic focal points.

 

 

Museography and Exhibition Strategy

In these halls, suspended ceilings with general and accent lighting have been installed, incorporating a translucent elastic sound-absorbing membrane, while the exhibition walls and panels with a final fiber gypsum board surface allow for the hanging of artworks.

The exhibition panels are supported by the floor and the structure of the translucent ceiling, allowing cable routing inside them from the ceiling wiring system. Similarly, cable routes along the perimeter walls are placed at their upper termination. The exhibition space, beyond the exhibition surfaces, is equipped with display cases that enrich the exhibited material with drawings, watercolors and prints, while the artwork security systems allow the identification of each work individually and the immediate monitoring of any change in its condition.

In the halls for rotating exhibitions, in order to address special requirements, a suspended ceiling system was implemented that ensures uniform general lighting, isotropic distribution of accent lighting for the exhibits, as well as the possibility of supporting exhibition panels and hanging exhibits or projection systems. In addition to the permanent collection exhibition halls, the second basement of Building C hosts the temporary exhibition hall, where the suspended ceiling–lighting–display system used in the rotating exhibitions of the permanent collection has been extended in order to provide a suitable supporting background.

At the junctions between exhibition halls and the horizontal and vertical circulation areas of the building, circulation, signage and information nodes are defined and marked by wood cladding on the walls and ceilings. The visitor route is structured as a sequence of exhibition halls and circulation nodes where visitors can orient themselves and redesign their route, obtain digital information about the content of each exhibition hall and view additional exhibition material related to the content of the halls in specially designed display cases.

Overall, the extensions and reconstructions include new exhibition spaces of 2,230 m², modern art storage facilities of 1,645 m² and a space dedicated to educational programs. The new museum is equipped with state-of-the-art conservation laboratories, administrative offices, as well as a library that develops across two floors. It also includes two café-restaurants, with the second, located on the top level of the building, offering panoramic views toward the Acropolis, Mount Lycabettus and the Saronic Gulf.

In the new building, 1,000 works can be displayed as part of the permanent collection, whereas previously the old building could accommodate no more than 400 works. The new temporary exhibition hall approaches 2,000 m², while the storage spaces can house up to 10,000 artworks.

 

Corrugated form

The proposal concerns the reconstruction of a seven-storey office building on Syngrou Avenue and seeks to assign a central role to the building’s architectural identity, shaping the surrounding urban and cultural landscape while serving as the primary means of presenting the building as a contemporary landmark within the city.

 

Design Philosophy

Through an analysis of the building’s relationship with its wider urban context, the design proposes the relocation of the main axis of movement onto the façade facing Syngrou Avenue. This gesture became the geometric foundation for the development of the new architectural expression of the building envelope.

Drawing on the experience of movement along the urban axis, a system reminiscent of chronophotography was conceived – an image that condenses the perception of sequential motion into a single, legible form. In this way, movement is translated into architectural language, granting the building a dynamic and recognizable presence within the urban fabric.

The composition is articulated through a system of vertical elements consisting of sixty-four custom-made, wave-shaped louvers, each with a unique geometric development. Their repetition and variation generate a rhythmic surface that changes according to the observer’s viewpoint and the trajectory of natural light.

 

 

Sustainable Design

A central objective of the project was the integration of sustainable design principles. The building was designed and constructed with the aim of achieving LEED Gold certification, incorporating strategies that enhance both energy efficiency and environmental performance.

Within this framework, a specialized parametric study was carried out for the façade louver system to ensure optimal penetration of natural light into the interior spaces while simultaneously providing thermal and visual comfort. The dynamic form of the façade therefore operates not only as an aesthetic feature but also as an active filtering system for daylight and shading, contributing to the regulation of the microclimate and the overall environmental performance of the building.

 

Façade Lighting Design

The sense of movement created by the wave-like louvers is intensified by the interplay of light and shadow throughout the day. Continuous variations in illumination transform the appearance of the façade, giving it a shifting character that responds to the movement of the sun.

During the evening hours, the building’s architectural identity is further emphasized through a permanent lighting installation designed specifically for each point, angle and element of the façade. A carefully calibrated sequence of subtle variations in white light runs along the building envelope, establishing a quiet dialogue with the city’s nocturnal landscape.

Particular emphasis was placed on minimizing light pollution. The lighting fixtures are controlled through specialized systems that allow them to operate at very low luminance levels, thereby protecting the surrounding urban environment.

At roof level, a recreational terrace with views towards the Acropolis is created, framed by planting. This space offers a moment of release for the building’s users, introducing an element of greenery and relaxation within the dense urban fabric of central Athens.

 

New connections

Eleftheria Square lies adjacent to the Venetian walls and the dry moat that surrounds Nicosia. These distinctive defensive fortifications, originally built during the Middle Ages and extensively restored by the Venetians in the 16th century, define the historic core of the capital, separating the old city from the newer districts that developed beyond the walls.

 

Urban Design Strategy

The transformation of the square into the city’s primary gathering space is based on the creation of new connections intended to contribute to the reunification of the divided capital. The design secures unobstructed views toward the historic walls, establishing them as an integral component of Nicosia’s identity, while simultaneously opening the moat to public uses, allowing it to host festivals and outdoor events.

The project elevates the level of the moat to form a bridge that connects organically with the surrounding urban fabric, creating a new civic square at the heart of the city. Within this framework, extensive archaeological excavations were carried out, alongside conservation and protection works for the historic Venetian fortifications. The project also includes the creation of two cafés within the square and the construction of a new underground parking facility, accessed from Omirou Avenue.

 

 

Elements of Circulation

Staircases and elevators directly link the square with the Solomos Square bus terminal, reinforcing the functionality and permeability of the area. The transformation of previously inaccessible areas within the moat into plazas, gardens, and palm-lined pedestrian paths establishes a new “green belt” around the city.

This belt has the potential to extend along the historic fortifications, forming a continuous network of public spaces that encircle Nicosia and reconnect the communities of the divided capital. In this way, the square acts as a catalyst for the activation of public space, offering new opportunities for social interaction and urban life.

 

 

Materiality & Lighting Design

Within the broader vision of transforming the moat into an urban park, the project’s fluid geometries emerge from the triangulation of the irregular forms of the fortification perimeter. Points of spatial intensity are transformed into seating areas, planting beds, or water elements, shaping a dynamic urban landscape. Granite paving introduces a sense of timeless solidity, while the open joints between the slabs function as a passive system for stormwater drainage. Newly planted trees contribute to the natural regulation of water levels, reducing erosion around the foundations of the medieval walls.

The upper-level bridge and its supports are constructed from sculptural concrete forms that ensure seismic stability, while the bases of the columns are shaped to function as integrated seating elements. Through this transformation, Eleftheria Square emerges as the largest urban public space in Nicosia. By bridging the Venetian walls and the moat, the square becomes a significant gateway to the old city, while the underground parking facility removes vehicular traffic from the historic center, facilitating its future pedestrianization. In this way, the project enriches the urban landscape of this historic district while simultaneously creating new public gardens and gathering spaces for residents and visitors alike.

Finally, the lighting design reinforces the square’s fluid geometry and acts as a spatial guidance system during the evening hours. Linear lighting elements are discreetly integrated along the contours of the curved surfaces and bridges, emphasizing the dynamic morphology of the composition and enhancing the legibility of the structure within the urban landscape. At the same time, low-intensity lighting fixtures embedded within the paving create a subtle “field of light” that follows the geometry of the circulation paths and areas of pause. This approach highlights the plasticity of the concrete surfaces, enhances the sense of safety, and transforms the public space into a nocturnal landscape where light operates both functionally and atmospherically.

 

 

Domestic landscape

The redesign of this compact urban apartment emerged through close and meaningful collaboration with its users, aiming to create an environment that responds to contemporary needs for living, working, and everyday flexibility. The project is grounded in the idea that spatial quality is not determined by size, but by clarity of organization, the flow of natural light, and the conscious integration of functions.

 

Spatial Organization

The original layout was reconsidered through a process of spatial reprogramming, with the primary strategy focusing on the creation of a unified open-plan environment. The selective removal of walls allowed new visual connections and spatial relationships to emerge, enhancing both the penetration of natural light and the continuity of movement throughout the apartment.

A key element of the composition is the custom-designed opening between the entrance and the dining area. This architectural gesture functions simultaneously as a light filter, a transitional threshold, and a spatial organizer, introducing clarity to the spatial sequence while reinforcing the perception of depth within the interior.

Material Palette

The material identity of the project is defined through a restrained yet expressive palette of natural materials. Wood and marble are combined in specially designed built-in constructions that accommodate storage, work surfaces, and everyday functions.

Furniture is approached as an architectural component rather than as independent objects. In this way, it becomes organically integrated into the spatial composition, reinforcing the sense of coherence and visual clarity within the interior. These integrated solutions enable the efficient use of space without visually overwhelming the environment.

 

 

Custom Elements

Particular emphasis was placed on flexibility and multifunctionality. Office furniture, storage units, and adaptable surfaces are carefully integrated so that the space can easily transform to accommodate different scenarios of use – from working from home to everyday living and social gatherings.

The final result is a bright and balanced domestic environment, where the clarity of the design, the consistency of the material palette, and the careful detailing transform a small apartment into a flexible and contemporary living landscape. Through targeted architectural interventions, the project demonstrates how compact living can be reimagined as a refined and cohesive spatial experience.

 

Layered continuity

Located in the heart of Jingdezhen’s Imperial Kiln Historic District, the regeneration of a former porcelain factory complex proposes a contemporary strategy for historic preservation through what the architects describe as a “Plugin Architecture” approach. Rather than replacing the existing structures, the intervention introduces new architectural insertions within and around the historic fabric, revitalizing the site while maintaining its cultural and spatial continuity. Jingdezhen – renowned as China’s “Porcelain Capital” – has been associated with porcelain production for more than a millennium, making the careful integration of new architectural elements within this context particularly significant.

 

Design Philosophy

The core concept of the project is based on a system of architectural “plugins”— new spatial modules inserted into existing buildings to enhance functionality while preserving their historic character. These contemporary interventions upgrade the aging workshops and support structures to accommodate new programs such as offices, meeting rooms and guest accommodations.

Rather than imitating historical forms, the inserted modules are intentionally expressed as modern architectural elements. Their clear visual distinction establishes a dialogue between old and new, reinforcing the layered history of the site while enabling the complex to function as a contemporary cultural destination. Circulation elements such as staircases and walkways are introduced both inside and outside the structures, improving connectivity and enabling the adaptive reuse of previously fragmented spaces.

 

 

Glass Pavilion & Lighting

At the center of the site stands a three-story glass pavilion that functions as a new architectural landmark within the historic district. Designed as a transparent volume topped with a traditional double-pitched roof clad in clay tiles, the structure houses exhibition spaces and a café while acting as a focal point for the main public square.

The contrast between the transparent glass enclosure and the surrounding masonry buildings establishes a clear architectural dialogue between contemporary design and historic context. The roof appears to float above the glazed structure, reinforcing the sense of openness and creating a spatial extension of the public square into the building interior. From a distance, the pitched roof emerges among the surrounding tiled rooftops, subtly referencing the traditional architectural language of Jingdezhen.

Carefully integrated lighting design plays a crucial role in reinforcing the pavilion’s architectural presence, particularly after sunset. Warm recessed luminaires embedded within the timber soffit of the roof evenly illuminate the glass envelope, transforming the pavilion into a softly glowing lantern within the historic courtyard. Inside, discreet linear and point lighting accentuate the brick core and the vivid orange circulation elements, highlighting the layered spatial composition while maintaining a restrained and atmospheric ambiance. The transparency of the façade allows interior light to spill into the surrounding public square, strengthening the visual connection between interior activity and the historic urban fabric.

 

 

Materials & Urban Circulation

The project reinforces the relationship between interior and exterior space through the careful treatment of the courtyard landscape. Brick paving extends from the public square directly into the interior of the glass building, dissolving the boundary between inside and outside.

Within the courtyard, the paving transforms into stepped surfaces that accommodate changes in elevation while simultaneously functioning as informal seating areas. On the opposite side of the square, a series of barrel-vaulted brick rooms form the building’s base, anchoring the new structure within the historical material language of the site.

To improve accessibility and spatial continuity across the complex, one of the existing buildings was rotated, merging two separate courtyards into a single shared public space. This reconfiguration allows visitors to move fluidly between the public square, the glass pavilion and the surrounding workshops, effectively transforming the former industrial compound into a cohesive cultural environment.

Located adjacent to Chimney Square, the project sits within a dense historical landscape that includes the Imperial Kiln Museum and the archaeological remains of the Imperial Porcelain Factory to the west, while the historic Xu Family Kiln – the oldest and most complete preserved wood-fired kiln site in Jingdezhen – lies to the north. Within this historically layered setting, the project establishes a careful balance between preservation and contemporary intervention, transforming the former industrial site into a vibrant public destination that celebrates both the legacy and the future of porcelain culture.

 

Unified narrative

Located within Asia Pacific’s tallest tower, Merdeka 118, the newly opened Park Hyatt Kuala Lumpur introduces the first Park Hyatt hotel in Malaysia. The project forms a spatial narrative that merges contemporary luxury with references to the traditional Malay kampung house. Through a carefully articulated lighting strategy, the interiors highlight texture, colour and materiality while framing expansive panoramic views of Kuala Lumpur’s skyline.

 

Spatial Organization

From the moment guests arrive on the lobby ground mezzanine, the spatial experience is shaped by a sequence of warm, timber-clad surfaces illuminated through discreet recessed uplighting. Backlit panels silhouette a series of pivoting screens, introducing a subtle theatricality that establishes the atmosphere of the hotel.

The main public spaces are situated on Level 75 and include the Lobby, Merdeka Grill, Park Lounge and Cacao Mixology & Chocolate Bar. Within these double-height interiors, accent lighting highlights key architectural features such as perforated brass screens engraved with intricate batik canting patterns. Bespoke ceiling pendants anchor each space and reinforce the rhythm of the interior composition.

 

 

Materials & Furnishings

Throughout the hotel, lighting functions as a primary design instrument, emphasizing the tactile qualities of materials and enhancing the layered interior palette. Brass, timber and textured surfaces are revealed through carefully controlled illumination that produces depth and warmth.

The hotel’s 252 guestrooms and suites are conceived as intimate spaces framing the surrounding cityscape. Lighting is carefully integrated within joinery elements to maintain visual clarity and avoid clutter. Discreet downlights illuminate artwork and architectural surfaces, while decorative fixtures inspired by woven fabrics introduce a softer, residential warmth to the interiors.

 

 

Lighting Strategy

The lighting strategy also strengthens the spatial hierarchy of the public areas. Feature lighting directs attention to architectural focal points, while softer ambient layers ensure visual comfort and reinforce the calm, refined character associated with the Park Hyatt brand.

On Level 99, the Wellness Floor transitions from the openness of daylight-filled spaces to a tranquil and immersive retreat. A sequence of softly illuminated arches references the traditional Malaysian five-foot ways, guiding guests through the spa environment while generating a calm and contemplative atmosphere that evolves throughout the day.

Together, the lighting and interior architecture establish a cohesive environment in which every element contributes to the guest experience. The result is a luminous architectural composition – one that transforms materials, spatial sequences, and panoramic views into a unified narrative reflecting the cultural spirit and contemporary identity of Malaysia.

 

Client: PNB Merdeka Ventures
Operator: Hyatt
Project Managers: Turner International
Art Consultants:  ArtLink
General Contractor:  Samsung C&T Corporation UEM Construction JV Sdn Bhd (SUJV)

Inhabited shadow

Located next to the Sotogrande golf course, this house was designed to dwell inside the shadow, in-between the ground plane and the flat roof that hovers above. This generous cantilever not only provides shelter from the intense sun of Cadiz but also offers protection against the heavy rainfall arriving from the nearby Grazalema mountain range, the region with the highest precipitation in the Iberian Peninsula.

 

Design Philosophy

The design establishes four distinct architectural boundaries that define the spatial experience of the house. Below, the ground plane receives the imprint of the shadow. Above, the roof slab is designed with a water surface, functioning both as an aesthetic and a bioclimatic element. Peripherally, a continuous floor-to-ceiling glass façade allows for efficient climate control within the interior while maintaining unobstructed views and seamless movement towards the landscape. Finally, the inner core features a wooden volume that ensures the necessary privacy for the rooms while introducing warmth throughout the space.

 

 

Functional Layout

Access to the house is from the upper street, a strategic point that offers a privileged view of the landscape and the water surface on the roof -an unexpected feature that provides thermal and acoustic insulation. The water layer absorbs heat during the day and gradually releases it at night, reducing the need for artificial heating and cooling.

The roof and ground planes are subtly displaced to create a covered entrance leading to the main access, parallel to an infinity pool that extends towards the golf course. Internally, the program is organized around a central circulation core, which also incorporates skylights that bring natural light into the central spaces and guide movement towards the rooftop water surface.

 

 

Materials & Furniture

One of the primary design requirements was the use of materials that compose a warm color palette. As a result, the entire ground surface -both indoors and outdoors is clad in large-format off-white ceramic slabs, harmonizing with the wooden finishes of the core and the free-standing walls that define different interior areas. The furniture is dominated by natural wood and textured white fabrics, while linear warm white lighting highlights the overall composition.

Throughout the day, sunlight washes across textured surfaces and natural materials, accentuating depth and shadow while reinforcing the continuity between interior and exterior spaces. During the evening, a carefully composed artificial lighting scheme takes over through discreet, indirect fixtures integrated into ceilings, walls and architectural details. Warm, low-intensity lighting highlights key spatial elements and circulation paths while maintaining a soft ambient glow that preserves the serene character of the residence, allowing the architecture and material palette to remain the focal point of the spatial experience.

The design aims to minimize the building’s footprint on the environment, creating a living experience within the shaded zone defined between the two primary planes. Through a simple architectural gesture, the house orchestrates an experience with a strong identity and a timeless character.

 

Geometric elements

Built amidst fields of wheat, the house is defined by the geometric treatment of three natural elements: Earth, water, and light. The composition becomes a sequence of different impressions throughout the day, and the poetics of space creates a detachment from the environment, as a layout raised above the landscape.

 

Design Philosophy

At once, a home, and imagery: the former attribute is experienced practically, and the latter becomes the source of ideas. One layout and one clear line, diagonally traced upon a simple volume, define the building. It is an elongated volume of bare concrete, placed in-between the ground and the sky. Its elegant character is described in simple lines, uniting and dividing.

The floor-to-ceiling opening maintains proportions which allow an unobstructed sky view. The building volume is subtracted from the soil, creating a seamless flow of open air space beneath – a gesture further accentuated with the water axis, perpendicular to the building.

 

 

Façade Morphology

The shell is introverted, with only a few incisions on its surface, and the dominant bare concrete is complemented with a screen of perforated, folded bronze shades. Contact with the outside remains at the disposition of the inhabitant. Each idea requires a practical application. The living experience is entirely introverted, with the materiality of concrete enforcing this impression. The bold gesture at the entrance -an oversized prism which absorbs a disproportionate part of the whole- acts as a bridge to the interior, with its geometry and size underlining the distance between public and private.

 

 

Materials & Sustainability

Incisions are few, and precise: one opening at the kitchen looks downwards; one light well at the end of the corridor accentuates a sculpture in space, and marks arrival. At the entrance prism, a vertical aperture is juxtaposed to the incision of the kitchen; as a result, each afternoon, a strip of light crosses through. Those elements are brought into a marked contrast with the other two faces of the volume, where the wall is expressed as absence.

The shading device is also a mechanism, a filter in an environmental approach. The ample height of the spaces alludes to vernacular architecture, where the large air volume stabilizes interior temperature. The thermal mass of the walls adds to this effect. The tectonic shell of the project wraps this interior in an austere line, without any superficial gestures.

 

In dialogue with nature

The new exhibition space is located in the heart of Platres, nestled among pine trees and the stone textures of the mountainous Troodos landscape, and stands as a contemporary, understated architectural gesture. From the outset, the intention is clear: not to impose upon the environment, but to shape a structure that rises organically from its natural setting, engaging it in terms of balance and continuity.

 

Material Palette

The composition is grounded in the use of natural materials – local stone and exposed concrete surfaces – that draw their tonal qualities and textures directly from the earth. Rather than confronting the mountainous terrain, the building integrates into it, adopting a calm, grounded presence. Clean lines and a minimalist volumetric expression reinforce a sense of measure, establishing a contemplative dialogue between the natural and the man-made, the solid and the transparent.

 

 

Design Philosophy

The building’s formal articulation is achieved through a series of horizontal concrete slabs, differentiated in height and projection, generating a controlled interplay of light and shadow. This succession of planes introduces rhythm and a subtle sense of movement, as though the architecture were interpreting the geometry of the landscape itself. Materiality and geometry act as carriers of atmosphere, shaping a space defined by continuity, serenity, and spatial clarity.

 

 

Functional Organization

The transition between interior and exterior is treated with complete fluidity. Full-height aluminium glazing dissolves visual boundaries, allowing natural light, forest air, and ambient sounds to permeate the interior. The exhibition space operates as an open platform for art and culture, hosting exhibitions, installations, and community events. More than an autonomous structure, it constitutes an experience of inhabiting nature through architecture – a poetic composition that invites visitors to reconsider their relationship with the landscape through the lens of art, light, and materiality.

 

The courtyard as an extension

This project concerns the renovation of an apartment located in a 1970s residential building in Palaio Psychiko. The residence unfolds across two levels, ground floor and basement, and features an open-air courtyard at the rear, conceived as a natural extension of the domestic space.

 

Renovation Strategy

A fundamental architectural intention was to respect the morphology and materiality of the existing shell. No alterations were made to the exterior façades, apart from careful maintenance and the subtle enhancement of the original materials, preserving the building’s character within its urban context. The interior layout is structured around principles of clarity, fluid circulation and functional simplicity, prioritizing comfort and adaptability in everyday living.

 

 

Material Palette

The aesthetic direction follows a minimal approach, articulated through an earthy color palette, wood-effect surfaces and nuanced variations of texture across walls and built-in furnishings. Warm lighting reinforces a sense of calm, while concealed lighting elements and refined finishes in the bathrooms cultivate an atmosphere of relaxation and intimacy.

 

 

Courtyard Design

The uncovered rear space is transformed into a sheltered courtyard, where the preservation of the existing stone surfaces and the integration of built-in seating with planters strengthen the dialogue between interior and exterior. A generous opening in the living area visually and functionally unifies these two realms, culminating in a residence defined by quiet quality and a timeless architectural character.

 

Pocket Nursery

Set within a garden in the Belgian countryside stands the newly constructed wooden volume of Pocket Nursery, a 120m² “pocket” kindergarten whose architecture seeks to support learning through action and physical engagement.

 

Design Philosophy

In response to the programmatic requirements and the specific pedagogical approach, the creation of a space capable of cultivating design sensitivity in children was not simply desirable, but fundamental. The scope of spatial experimentation was largely determined by the thickness of the walls: their lower sections incorporate small steps for toddlers learning to stand, while their inclined surfaces double as drawing boards. Openings are positioned at the children’s eye level, establishing a direct visual connection with the garden, which functions as both a spatial extension and an integral component of the educational experience. An inclined table is also embedded within the walls, serving alternately as a pottery workstation or as a communal surface for shared meals.

 

 

Custom Construction

The ceiling – so often an overlooked architectural element, typically relegated to housing smoke detectors and mechanical devices – assumes a central role in this project. Considering that infants spend the first nine months of their lives lying on their backs or crawling, the ceiling design integrates not only structural logic but also acoustic performance and lighting strategy. Necessary equipment is discreetly concealed between layers of wooden panels, which articulate circulation toward the garden and the dormitories.

 

 

Material Palette

Construction time efficiency played a decisive role in shaping the project’s design strategy. Avoiding prefabricated wall systems and costly psychomotor furniture, the spatial framework was conceived to integrate both structure and furnishing into a continuous series of timber frames. Executed in laminated plywood sheets, the turned wooden frames were preassembled into units of three to four segments within just a few days, then transported to the site where they were joined together. The result is a cohesive environment that bridges interactive design and pedagogy through construction itself.

 

Functional Connection

The recently completed addition to the campus of the European University Cyprus houses the Schools of Medicine, Dentistry and Veterinary Medicine. More specifically, the building comprises standard tertiary education classrooms along with their supporting facilities, as well as laboratories of various kinds in conjunction with a series of complementary communal spaces.

 

Urban Context and Institutional Role

Given the building’s significant institutional role within the university campus, the architecture was required to establish a connection with the existing facilities while preserving the distinctiveness of its character. The project site lies along one of Nicosia’s main traffic arteries (Agiou Prokopiou Avenue), an urban environment that remains largely under development. As such, the building seeks to respond with a restrained yet substantial presence within this context of extended distances and high-speed movement. The architecture of the area presents certain characteristics, which the project was called upon to respect.

 

 

Design Philosophy

The objective, therefore, was for the extension to become the new architectural expression of the university and to shape its modernised identity, while retaining the fundamental lines of the existing buildings’ morphology. This connection was achieved through the design of the facades using customised aluminium frames that reference the earlier morphology of the openings, while simultaneously providing the necessary protection against constantly shifting climatic conditions. The specially designed profiles shade the interior without restricting views, creating an engaging interplay between closed and open, solid and transparent. Within the broader modernisation of the university facilities, both the facades and the existing buildings were renovated and upgraded. In parallel, a smart building management system was installed to optimise energy performance and operational efficiency.

 

 

Functional Integration & Lighting

Beyond the aesthetic unification with the existing built complex, a key objective was the functional interconnection of the university buildings, which are developed on either side of a road axis. To ensure safe and comfortable movement between them, an elevated bridge was designed, organically integrated into the university’s internal circulation network. The architectural design was completed with a lighting study that discreetly highlights the lines and individual features of the facades. The exterior lighting lends depth and continuity to the complex’s presence, maintaining its identity and visibility even beyond operating hours.

 

 

Civic framework

In the early 2000s, ‘Paspoel,’ a neighbourhood in Tongeren, Belgium, was seen as a poorly designed and poorly maintained social housing area lacking a distinct identity. Residents felt isolated within their apartments, surrounded by an underutilized, park-like landscape that was unsafe. The development included 192 homes spread across three monolithic blocks that were nearing the end of their lifespan. Faced with the decision to demolish or renovate, the Flemish Ministry of Housing opted for demolition, aligning with our client’s goal to significantly enhance social equity and living conditions.

 

Site Challenges

Because the site held archaeological significance, development was restricted to the foundations of existing buildings and the adjacent basement parking. Despite these limitations, the proposal envisioned an pioneering reimagining: a collection of urban villas, terraces, and a revitalized public realm that would serve as a new civic framework for the community.

The design integrates residents’ natural movement across the site – from the northeast to the southwest – within a ‘grid-like’ spatial layout. This creates a series of interconnected ‘outdoor rooms’ that frame daily journeys and spontaneous interactions amongst neighbors. These outdoor spaces encourage community bonding, stewardship, and healthy living through areas designated for gathering, playing, and growing.

 

 

Functional Organization

The ground floors, framed by buildings ranging from three to eight stories, offer ample opportunities for social interaction. Terraces with front doors navigate the sloping terrain, while wide ‘galleries’ allow neighbors to connect while overlooking gardens. The broad entrances of the urban villas extend over public spaces, providing shelter, pathways, and seating. New community rooms at ground level serve as venues for meetings and local events. Landscaped areas cater to all ages, featuring basketball courts, formal play zones, community gardens, and sheltered lawns for informal recreation. Trees line key pathways, serving as shelters and defining three communal areas. A pedestrian street at the heart of the project, lively with front-door activity, supports outdoor pop-up events.

 

 

Construction Strategy

A crucial aspect of the project was ensuring residents could remain on site throughout the transformation. Due to limited buildable space, a complex phased construction plan was implemented over ten years. The basement parking permitted initial phases to be built between the old structures, facilitating a gradual process of demolition, construction, and resident relocation.

The “Caring Neighborhoods” initiative launched alongside construction fostered cooperation among residents, volunteers, associations, and professionals. Emphasizing livability and community involvement, this program brought services closer to residents.

 

Clear details

The primary intention of the project was to create a residence that offers protection without sacrificing a sense of openness -an environment in which spaces are revealed gradually, guiding the experience from the urban frontage toward a luminous inner world.

 

Design Philosophy

The architectural composition is organized through horizontal volumes that slide past one another, forming shaded seating areas and carefully calibrated openings. These elements express the project’s central idea: a dialogue between transparency and privacy. Toward the street, the building adopts a more introverted stance, allowing only selective views outward. Near the garden, however, the architecture becomes almost diaphanous, as large sliding surfaces open entire façades, integrating the exterior into the everyday life of the interior spaces. Materiality follows the same logic: clean horizontal lines, textured plaster finishes, and solid surfaces convey stability, while expansive glazing introduces lightness and permeability.

 

 

Spatial Organization

Within the interior prevails a strong sense of continuity. The ground floor functions as a unified social field where the living area, kitchen, and dining space flow seamlessly into one another. The dining area, conceived as a double-height space, forms the spatial core of the house. A large skylight above allows natural light to penetrate deep into the interior, creating an ever-changing atmosphere that accompanies the rhythm of the day. This luminous void acts as a vertical connector, giving the home the character of an internal “courtyard” that links the different levels.

The upper floor accommodates the private functions. The master bedroom is positioned on the most protected side of the plot and is complemented by generous auxiliary spaces. The remaining bedrooms are designed as flexible units, offering independence to family members, while the attic functions as a workspace.

 

 

Material Palette

The interior material palette remains calm and earthy: warm tones, soft textures, and refined detailing create an atmosphere of balance and serenity – an architecture grounded in restraint and light.

 

Quiet framework

The architecture is conceived as a quiet framework that intensifies the relationship between interior space and the natural environment. Rather than competing with the landscape, the building acts as a device that frames views, regulates light, and heightens awareness of external conditions, positioning the house as a precise and deliberate insertion between forest, sky, and terrain.

 

Context Integration

The project is located in a low-density residential area near the Pacific Ocean. The clients requested a residence defined by spatial clarity, privacy, and a close relationship to the surrounding landscape. The site occupies the edge of a residential zone and is characterized by dense vegetation and long-distance views toward the sea. A mandarin orchard extends along the southern slope, while a mature bamboo forest defines the western boundary. The gently sloping plot measures approximately 5,200 m², and the primary design challenge was the precise positioning of the house within this expansive and largely undeveloped landscape.

 

 

Functional Organization

The organizing element of the project is a 20-meter-long swimming pool, 5 meters wide and reaching a depth of 2.5 meters. The pool establishes the main axis of the composition and is aligned directly with the mandarin orchard. All primary spaces are arranged in relation to this linear element, allowing visual continuity across the site and positioning the pool as both a spatial and orientational device. The reflective surface of the water mediates between architecture and landscape and remains perceptible from all major interior spaces.

Access to the house is conceived as a compressed sequence. Entry occurs through a partially enclosed approach that leads to a low-lit gallery. From this transitional space, a set of wide, heavy doors opens into the main living area, where the full length of the pool and the orchard beyond are revealed. This sequence of compression and release, articulated through contrasts in ceiling height, scale, and light, draws from principles found in traditional Japanese architecture. These contrasts are subsequently resolved into a consistent structural grid with a uniform height of 3.5 meters, establishing a clear spatial rhythm across the interior.

 

 

Material Palette

The tearoom is located at the most secluded point of the plan. It is intentionally darker and more enclosed than the surrounding spaces and is oriented toward the adjacent bamboo forest. The room reinterprets elements of the traditional tea house – natural plaster finishes, bark-covered timber, and references to the work of Sen no Rikyū – a through a contemporary lens, emphasizing restraint, proportion, and material presence.

The program also includes a wine cellar, two guest bedrooms, and a fitness room, all integrated within the same structural and material logic. A restrained palette of materials and a high degree of detail control reinforce the minimalist character of the project.

 

 

Internal connection

The project concerns the reconfiguration and addition of a new building at the American Farm School, aiming to achieve environmental sustainability and the construction of infrastructure compatible with the existing school buildings, with a strong emphasis on accessibility.

 

Design Philosophy

Originally, the school complex consisted of two single-storey buildings constructed in two different phases. The first was set at an elevation of +0.60 m above ground level with a rectangular floor plan, while the second was located at +0.00 m. Communication between the two was provided via staircases, which hindered access for people with disabilities.

The project proposed the construction of an additional building, funded through a donation by the Panteliadis family, in order to create five additional classrooms, spaces for teaching staff, and an internal shared zone for breaks. The optimal solution involved replacing the building located at +0.60 m with a new two-storey linear building at ground level, allowing for an internal connection between the two units.

 

 

Functional Organization

Access to the new building is provided through its central section, marked by a large double-height opening. On either side of the entrance are two administrative offices, while along the rear elevation runs the main circulation axis, which distributes access to the classrooms and terminates at two staircases – one on each side – leading to the upper floor.

Along the extension of the entrance axis, the connection between the two buildings is established, forming an internal shared space for recreation. Classrooms and teachers’ rooms are arranged around this area, while auxiliary functions and restrooms are located at the junction of the two units.

The new two-storey building accommodates a total of eight classrooms—four on each level—arranged in sequence along the front façade so that all enjoy natural daylight and views towards the square in front of the building complex. On the upper floor, smaller-scale shared zones were created, along with a double-height void positioned directly above the entrance area.

 

 

Façade Design & Sustainability

The façade of the new building was designed to be compatible with the morphology of the adjacent volume. Openings are of limited width and positioned at regular intervals, in accordance with national building regulations.

Overall, the design aims to reduce the building’s energy footprint during both construction and operation. At the same time, the new addition ensures the preservation of the existing outdoor layout, maintaining extensive green areas.

The architectural study was awarded first prize in the architectural competition organized by the American Farm School.

 

 

Platonic solids

Cyprus Planetarium is composed of two buildings that house a Planetarium, exhibition zones, a conference center, an amphitheater–observatory, an astronomical observatory, a restaurant, and educational facilities. It is located in Episkopeio, in the Nicosia district, and stands as a landmark project for Cypriot society.

 

Design Philosophy

It is a pioneering complex that brings together high aesthetics, technology, sustainable development, economic viability, and social impact, contributing to research and innovation, academia, knowledge, and study. Access to the Planetarium is achieved through a transitional “threshold” and a route that passes between water features, planting, and light.

The composition of the project is based on Platonic solids such as the cube, the sphere, and the polyhedron. The design seeks to translate symbols into architectural choices: mystery, the unknown, and the universe are expressed through black, while white represents truth, purity, scientific thought, and the soul.

 

 

Functional Organization

The amphitheater building includes, on the ground floor, a restaurant, café, and sanitary facilities, while the upper level accommodates the amphitheater–observatory, ideal for outdoor music events and performances, as well as a state-of-the-art telescope and astronomical observatory.

The Planetarium building houses, on the ground floor, the planetarium hall with an 18-meter screen, 10 projectors, and 176 seats, a 360° VR room, a temporary exhibition space, a gift shop, and a café. The first floor contains the conference center, while the basement accommodates offices and an additional VR room.

 

 

Bioclimatic Design

Within the framework of sustainable construction, the project is environmentally friendly, bioclimatic, and technologically advanced. Materials, technologies, and techniques have been adopted to minimize environmental impact and to create a zero-energy building. A double ventilated façade system reduces the thermal mass of the walls, as natural ventilation is distributed through the two layers.

Optimal orientation was pursued to maximize beneficial solar heat gains, along with the careful design of openings to ensure ample natural daylight, views toward the planted exterior environment, and cross-ventilation of interior spaces. In the basement, both a light well for daylighting and an air shaft for natural ventilation were created. Water features were also integrated into the composition, contributing significantly to overall cooling.

The green roof, as part of the passive design strategy, improves thermal insulation and the microclimate. At the same time, the use of renewable energy sources – photovoltaic solar panels installed on the dome – ensures the building’s autonomous energy operation.

 

Sinuous structure

The winery is part of a family-run wine tourism development in Portugal’s Alto Douro Wine Region, a UNESCO World Natural and Cultural Heritage Site. Together with a hotel still under construction, the winery blends into the landscape, combining tradition with innovation and sustainability.

 

Context Integration

Designed to minimize environmental impact, the project utilizes existing infrastructure while anticipating future adaptations. Its curvilinear architecture echoes the zigzag vineyards without compromising functionality. Locally sourced materials such as schist and granite reduce transport emissions, while wooden structures replace concrete where possible, limiting CO2 release. Over time, the pinkish greys, greens and browns take on new hues and textures, potentiating the building’s integration into the environment.

The configuration of the building is a set of interlocking naves that follow the existing topographic slopes, replicated on its internal mechanics, where the winemaking process takes place by gravity. The gravitational system is a traditional solution on the banks of the River Douro and this wine cellar showcases it with all its up to-date operational capabilities.

 

 

Design Philosophy

The geometry of the cellar’s roof interprets the vernacular gable roof structured in wood. This structure is exposed in the winery, and becomes a sinuous, continuous and organic sculptural element that flows through the tangential curves of the vineyards.

The winery’s main entrance houses a visitor center with a reception area and a wine shop that leads up to a meeting room with an all-glass wall and to the wine tasting area in a spacious balconied gallery, overlooking both the wine ageing area in the central nave of the building and the surrounding landscape. These rooms have access to the vineyard and a stone little old chapel, via a large terrace overlooking the Douro. Events that favor a prestigious wine tourism may be hosted to promote the winery and the region and celebrate both nature and architecture.

 

 

Sustainable Design & Vegetation

The development uses renewable energy sources, namely geothermal energy, to reduce greenhouse gas emissions and to provide ideal hydrothermal conditions for wine production and human comfort. Energy efficiency is fundamental to the winery’s design. The building’s northerly orientation and its specific insulation ensure optimum indoor temperatures and humidity levels, with limited mechanical climate control. The few windows and skylights frame the landscape and maximize the use of natural light.

Water conservation is also integral to the winery, which lacked public water supply infrastructure. Rainwater is harvested, drinking water sourced from artesian boreholes, and wastewater is treated and recycled for irrigation, cleaning, and fire prevention. Permeable pathways return rainwater to agricultural use, reducing waste and preserving resources.

The landscape design revives native flora, enriching biodiversity and supporting ecosystems that benefit vineyard health and promote economic activities that run parallel to the wine production.

 

Structural honesty

The project constitutes a new residential composition on the outskirts of Chania. The proposal is developed as a set of two autonomous building volumes, organized around a clear structural logic and characterized by the extensive use of exposed reinforced concrete. The architectural language of the complex is grounded in the honesty of the load-bearing structure, transforming construction into a primary morphological element and creating a discreet yet dynamic presence within the Mediterranean landscape.

 

Design Morphology

The volumes are shaped through the interplay of solid and void, generous balconies and deep overhangs that filter natural light, provide shading, and enhance the bioclimatic performance of the residences. Large openings and carefully articulated cuts in the building envelope frame views and strengthen the relationship between interior spaces and the natural surroundings, fostering a sense of calm and clarity.

 

 

Material Palette

The interiors are designed with an emphasis on functionality, spatial flow, and simplicity. Natural materials, understated surfaces, and neutral tones compose a restrained aesthetic that highlights the character of the exposed concrete and supports a way of living closely connected to the land and the local climate. Transitions from private to semi-outdoor and outdoor spaces are smooth and seamless, reinforcing a sense of continuity and openness.

 

 

Design Philosophy

Recently completed, the project stands as an example of contemporary Mediterranean architecture that combines efficient construction methods, material economy, and a clear architectural expression. In particular, the design proposes an accessible, contemporary model of living, where structure, light, and landscape exist in a continuous dialogue.

 

Structural consolidation

The project involves the renovation and extension of a farmhouse set within a courtyard on the crest of the hills in the Piedmont area of the Reggio Emilia Apennines. The original stone building, dating back to the early 1900s, had undergone several interventions over time, including structural consolidation works that introduced reinforced concrete terraces on the valley-facing sides, as well as more recent upgrades such as the refurbishment of the roof and the addition of a concrete-and-wood portico on the eastern elevation.

 

Renovation Strategy

The intervention was driven by two main objectives: to expand the ground floor – where the existing living and bedroom spaces were insufficient – and to redesign the extensive outdoor areas of the property. The first-floor sleeping quarters were left untouched, as they were already adequate in terms of size and functionality.

The reconfiguration of the living spaces began with the transformation of the existing sloped portico, which was converted into a new volume accommodating a living and dining area, along with a wellness extension connected to the ground-floor bedroom. The original wooden and tiled roof was removed, while the concrete pillars were retained. A new metal structure was introduced to support a flat roof slab, reusing the original wooden beams of the portico.

 

 

Layout & Materials

This new volume was enclosed with continuous glazing, articulated by staggered aluminum pilasters with a Corten finish, while the original stone wall was deliberately left exposed within the interior. The former living area was repurposed as a kitchen and connected to the new living space through a large sheet-metal-clad portal, created by reworking the existing wall openings. A similar intervention was carried out in the bedroom, where a new opening in the stone wall leads directly to the wellness area, which includes a sauna.

 

 

Landscape & Façade Design

Externally, the existing terraces were redefined through the introduction of an infinity pool projecting toward the ridge, with a basement level beneath it housing technical systems and storage spaces. The terracing system was further expanded through the use of reinforced and gabion-retained earthworks, creating new landscaped areas designed for outdoor use.

The areas in front of the building were cleared of walls and fences to enable the creation of a new main entrance to the house. Access is no longer aligned with the center of the portico but instead positioned along the short side of the extension, allowing for a reorganization of vehicular access from the main road, now separated from the rest of the courtyard.

The new main façade is marked by an entrance structure consisting of a metal pergola, partially covering the main doorway and designed to support climbing vegetation, reinforcing the dialogue between architecture and landscape.

 

Stone-built form

The project is a 120 m² private residence located in Xiro Chorio, a rural settlement on the outskirts of Rethymno, Crete. Set within an olive grove, the house is conceived as a contemporary stone-built structure that draws directly from the principles of traditional Cretan architecture, both in terms of form and materiality.

 

Design Philosophy

The building is shaped as a compact, solid volume defined by load-bearing stone masonry. The use of locally referenced stone lends a strong tectonic presence and anchors the residence to its natural and cultural context. Thick stone walls, deep-set openings, and strategically placed apertures evoke traditional construction techniques, while precise detailing and clean lines introduce a contemporary architectural clarity. The roof geometry follows a simple gabled form clad with traditional ceramic tiles, reinforcing the archetypal silhouette of rural Cretan dwellings.

 

 

Spatial Organization

Subtle variations in height and volume reflect the internal spatial arrangement, particularly through the incorporation of mezzanines in two of the bedrooms. These mezzanines exploit the building’s section, allowing interior spaces to develop vertically while preserving the compact external form. The residence is organized to accommodate three bedrooms, with a clear hierarchy between private and shared areas.

 

 

Materials & Custom Elements

Openings are carefully positioned and dimensioned, establishing a controlled dialogue between interior and exterior. Narrow vertical and horizontal slits frame views of the landscape, regulate natural light, and reinforce the sense of enclosure characteristic of stone architecture. Deeply recessed window frames further emphasize the thickness of the walls and the sculptural quality of the material.

The interiors are designed as calm, tactile environments where natural light interacts with stone surfaces, enhancing the authenticity of the materials. Overall, the project represents a contemporary reinterpretation of Cretan rural architecture – a restrained stone-built dwelling that respects traditional typologies while responding to the needs of modern living. The result is a timeless, grounded home, inseparably connected to its context.

 

Multilayered structure

The residential complex is comprised of eleven units organized around a system of nested spatial layers. At its core lies the “Void Core,” acting as a conduit for light and air. This central element is surrounded by the primary living “Space,” which is further wrapped by the “Buffer” – a zone formed by circulation corridors, staircases, and storage. Enclosing the system is the “Case,” the outer shell that defines and protects the living areas.

 

Context Integration

The site is located adjacent to a railway line within a densely built residential neighborhood. As a result, the design addresses the need for enhanced privacy and noise mitigation, while ensuring ample daylight and natural ventilation. In contrast to conventional rental housing – often characterized by repetitive, standardized layouts that overlook site-specific conditions – this project promotes spatial individuality, aesthetic diversity, and adaptability to context.

 

 

Functional Layout

The primary living areas, including the living, dining, and kitchen spaces as well as the bedrooms, are enveloped by the “Buffer.” This intermediate layer, composed of corridors, staircases, and storage zones, mediates between private interiors and external conditions. In select units, the living spaces extend outward, establishing subtle visual and spatial connections with the surrounding environment. Bathrooms are strategically positioned between adjacent units, forming an additional layer of acoustic and visual separation that enhances privacy.

At the center of the building, the “Void Core” channels light and airflow deep into the complex, improving environmental performance while shaping the overall massing. By dividing the project into two volumes, a lane-like passage is created within the site, allowing even centrally located units – typically prone to enclosure – to maintain a relationship with the outdoors. This volumetric articulation, together with canopies that define the ground and upper levels, mitigates the perceived scale of the complex and ensures a more harmonious integration with the surrounding low-rise context.

Staircase Design

Rather than functioning solely as circulation elements, the staircases are conceived as spatial devices that modulate external influences, contributing to improved acoustic, luminous, and thermal comfort. In the maisonette units occupying the third floor, the staircases extend beyond their conventional linear role. They expand at intermediate points to form annex-like spaces that complement the main living areas. When viewed from the exterior, this strategy generates a distinctive articulation of projecting walls, lending visual lightness and dynamism to the overall volume.

 

Organic aesthetic

The restaurant is located in the picturesque neighborhood of Ano Petralona, in the heart of Athens. Although close to the city’s bustling center, the project exudes an introverted charm, reflecting the warm atmosphere of its surroundings. The strong materiality, combined with a dark color palette, is carefully balanced with the organic interior, creating a welcoming and intimate space.

 

Functional layout

A key element of the design is the open kitchen at the rear of the restaurant, visible from every point within the interior. Against this backdrop, two dining areas are arranged on different levels, organized around a centrally positioned, curved open bar. Guests are able to observe the activity in the kitchen while experiencing the various design details and the interplay of materials across the surfaces.

The bar at the front of the restaurant serves as an inviting point of arrival before the dining areas. With three distinct seating options, guests may choose to sit along the central bar, directly facing the lively open kitchen, or in a cozy corner of the second dining room, which offers greater privacy and seclusion.

Custom-made elements

To enhance the distinct experience of each individual zone and to minimize distractions from external stimuli, semi-transparent curtains are used along the glazed façade, preventing direct visual contact with the busy street. The connection to the surroundings is achieved through an operable roof, which allows views of the sky and introduces a sense of openness and freshness into the dining area.

 

 

Materials & furnishings

The design concept focuses on texture, emphasizing the use of natural materials to infuse the space with authenticity. Vertical surfaces are clad in custom-made terracotta tiles, reinforcing the organic character, while the floors and the central bar feature rough-textured tiles. The main dining area is finished with custom-applied terrazzo, adding a playful note to the otherwise earthy, matte environment through its subtle reflections. Throughout the project, emphasis is placed on craftsmanship and handmade elements at every scale, from flooring to ceramic vases.

The lighting fixtures – wooden wall sconces and suspended ceramic pendants – as well as the ceramic decorative elements, were custom-designed and crafted to achieve the desired aesthetic. Upholstery fabrics, ranging from leather and suede to linen in a variety of tones, were carefully selected to enhance the natural and harmonious atmosphere of the space.

 

Concrete frame

An existing concrete structure forms the point of departure for the project. Such frames became a familiar presence in the Greek landscape following a regulation that allowed building permits to remain valid if only the structural skeleton was constructed. By the time the project began, this concrete frame had stood unfinished for more than a decade. Its reuse was a deliberate choice, directly addressing issues of sustainability, economy, and legislation – concerns that are particularly pressing in the context of overtourism in the Cycladic islands.

 

Reuse Strategy

The intervention was based on a strategy of subtraction and addition using elementary geometries. Only the necessary portions of the existing structure were carefully removed, while new L-shaped and rectangular volumes were introduced to establish formal and programmatic clarity. This measured approach produced a solution that both transcended the limitations imposed by the site’s past and navigated its complex regulatory framework.

The plot is characterized by its flat terrain and proximity to the port and village. Surrounded by neighboring developments on all sides except the western edge – which is expected to remain undeveloped due to its protected forestry status – the site lacks the extroverted qualities typical of a seaside plot. As a result, the house is conceived as a balance between introversion and openness.

 

 

Functional Layout

At ground level, volumes are arranged around a central pool to form an inner courtyard, mediating between privacy and openness toward anticipated or existing construction. This configuration moves away from a conventional sequence of enclosed rooms, proposing instead a communal mode of living in which water becomes the focal point of daily life.

On the upper floor, the living area and master suite are oriented toward both the active port and the island’s northern landscape. A large opening frames views of the port, allowing daily activity to remain visually present. An external staircase provides independent access to the upper level and the roof, where unobstructed views extend across the surroundings. With its restrained geometry, the house emerges quietly, maintaining a measured dialogue with its context.

 

 

Sustainable Design

Beyond standard strategies such as cross-ventilation and high-performance thermal insulation, a skylight positioned above the interior staircase transforms it into a passive cooling tower. Photovoltaic panels generate sufficient energy for autonomous operation, reducing reliance on the local grid. Native trees and vegetation, selected for their low water demand, help filter views toward neighboring hotel facilities, ensuring privacy while acknowledging the realities of building within an existing village fabric.

 

An urban canteen

Tanpopo is the Japanese word for the dandelion plant and the title of a cult Japanese film from 1985 that follows the story of a young mother who is taught by a truck driver how to make the perfect bowl of ramen. It is also a distinctive space tucked away behind Klafthmonos Square, where Japanese food is served in a casual, canteen-like atmosphere that feels as if it is set directly on the sidewalk.

 

Design Philosophy

The design intent was to blur the boundaries between public and private space, bringing the act of cooking into constant interaction with passersby. Spatially, this idea is expressed through the placement of the food preparation area on the façade, at the core of the flow between the street and the interior. The peripherally open kitchen is housed within a metal solid that rises to a double height and is integrated into the space without relying on the existing structural elements, even allowing for the possibility of being relocated.

 

 

Spatial Organization

In this way, the kitchen functions as an independent universe with its own rhythm and rules. The unobstructed visibility of all food preparation processes enhances the sense of immediacy, while simultaneously transmitting the pulse of the kitchen to the visitors. Points of interaction and meeting between the two worlds – preparation and consumption – are formed by the food counters, where the chef serves the ramen directly to the guests.

 

 

Material Palette

The materials selected to dress the fast and ephemeral eat-and-go concept are raw in character, with metal taking a dominant role. Stainless steel surfaces in the kitchen interior combine with the prevailing grey tones and Aliveri marble details in the seating area, creating a sense of continuity. The variety of textures and the transition from the smoothness of stainless steel to the roughness of plastered walls and processed bush-hammered marble create tactile differentiation, while the color palette visually unifies the space, placing preparation and consumption in a constant negotiation of boundaries and differences.

The design is completed with wooden counters that evoke memories of traditional street canteens, making the atmosphere more familiar while enhancing functionality and circulation flow. The particular emphasis on the harmonious interplay of materials and structures aims to enrich the overall concept, highlighting the authenticity of the brand.

 

 

Dessert arcade

The central objective for the ground floor of a 1960s building in the Metropolis area was the creation of a “Sweet Arcade”: a multi-layered venue that would need to accommodate a production laboratory, a retail area, and a dessert restaurant.

 

Cultural Context

The concept that emerged during the design process drew inspiration from the Athenian arcade. This archetypal form of a covered yet freely accessible space seamlessly connects commerce, social gathering, and leisure. The first arcade built on Athenian soil, at Kapnikarea Square, was constructed in 1883 to designs by Ernst Ziller, within the four-storey neoclassical Melas Mansion, featuring a “glass-roofed passage” modeled after the Parisian galeries made of metal and glass.

Among the most vital nodes of commercial life, arcades were primarily thematic, functioning as hubs for specific activities or types of retail. Initially conceived as spaces for the concentration of goods, they ultimately evolved to “serve the pursuit of pleasure in the city, through strolling and other forms of entertainment.”

 

 

Design Philosophy

Inspired by the commercial arcade and motivated by its inclusive vibrancy, the pastry shop is designed primarily using metal and glass. It is articulated as a sequence of three distinct spatial units (shops), each with its own façade (shopfront) facing an elongated, central shared space -the arcade.

The olive-green arcade, measuring 9×3m and featuring the original mosaic flooring, forms along its entire outer edge the main, twin entrance. A slender, elongated structure placed along the central axis organizes movement, provides a functional counter surface, and supports suspended, illuminated planting that enhances the sense of a public, open space. Flanking the entrance and extending to the back, metal and textured glass define the shopfronts of the three units as well as the passage leading to the restrooms.

 

 

Spatial Organization & Materials

The retail shop on the left and the restaurant on the right are located behind two facing metal arches that act as thresholds to the respective spaces. In the first, a brightly lit central table of white marble displays the products, adjacent to a luminous wall of glass blocks that filters the constant activity of the laboratory beyond. In the second, warm orange tiles, wooden tables, and subdued lighting create an inviting dining room for à la carte desserts.

At the rear, behind a retractable partition, lies the production laboratory. It comes alive in the afternoon, when its lights are turned on and its window opens, revealing the chef -now visible to the public- preparing the sculptural plates, the true protagonists of the Sweet Arcade.

 

Simple aesthetic

For more than 120 years, Aigli has been a focal point of Athenian social life. Since its beginnings in 1904 as a small café beside the neoclassical Zappeion building, it has evolved into a shared point of reference for the city. The new Aigli draws on this legacy, while aiming to broaden its reach and become more inclusive, open, and dynamic.

 

Existing Building

The first step in shaping the design proposal was a careful analysis of the existing building and the public space of which it forms an integral part. This process led to the development of a design language that is both classical and contemporary, acknowledging and utilizing the existing decorative elements -columns, marble patterns, and intricate woodwork- without allowing them to take on a dominant role that would compromise everyday use.

While historically the building was inward-looking, the new design highlights the natural beauty of the surrounding gardens by opening up views and access wherever possible. A primary objective was for the architecture of the new Aigli to be unique and heterogeneous, with each of its diverse spaces -the All-Day Café, the restaurant, the cinema, the event, music, and art halls, among others- possessing a distinct identity, all connected through a shared “DNA” of design elements and materials.

 

 

Spatial Organization

The All-Day Café consists of both indoor and outdoor areas with a total capacity of 320 seats, drawing inspiration from the tradition of large cafés of the 19th century in Greece and Europe. Four key gestures organize and define the character of the project.

First, the interior floors and the walls up to bar height are clad in locally quarried green Tinos marble, with the marble edges left rough, as if in an outdoor garden. Second, a 20-meter-long marble bar dominates the historic space, incorporating stations for coffee, juices, cocktails, food, and a DJ booth. Third, a large interior window opens onto the central kitchen, creating a lively, theatrical backdrop within the dining area. Similar openings at the rear of the kitchen connect both the café and the kitchen to the garden. Finally, to further strengthen this connection, two large planters with ficus trees are positioned at the center of the hall.

In contrast to the vibrant atmosphere of the All-Day Café, the restaurant is conceived as a sequence of smaller spaces that foster intimacy and understated luxury. Nestled among the foliage of the garden trees, its interior and exterior areas are designed to fully embrace views of the surrounding landscape and the Acropolis. A key intention of the design was to ensure that visitors can fully experience and enjoy the natural beauty around them.

 

 

Materials & Furnishings

The existing red-and-white triangular marble floor pattern was revealed and restored, a geometry that is echoed in the contemporary wooden pattern of the ceiling. Along the perimeter, generous booth-style seating was designed, while a sculptural bar establishes a central axis around which the restaurant’s activity revolves. Layers of color and texture, expressed through custom-designed furniture and fabrics, contribute to a rich and welcoming dining atmosphere.

 

 

Handcrafted aesthetic

In designing the restaurant, the aim was to create a non-conventional space that would actively engage visitors in an experience highlighting the values of art, design, and gastronomy, translating them into tangible forms, materials, and textures.

 

Spatial Organization

The existing restaurant features a distinctive double-height space with a mezzanine and a spiral staircase, while its façades are clad with large metal openings that provide full visual permeability throughout the interior. Upon entering, visitors encounter the central dining zone, arranged in an open-plan layout with seating, the bar and its counter, and an open kitchen at the rear, allowing guests to observe the food preparation process.

With a strong emphasis on detail, custom-made marble tables were designed, along with stainless-steel chairs featuring cushions made of flexible gel, introducing an unusual, soft tactile quality. The floor is finished with a mosaic composed of various Greek marble fragments, combined with bespoke ceramic tiles by artist Vasilis Papageorgiou.

 

 

Materials & Furnishings

Although wood in its natural tone appears to dominate at first glance, the design also incorporates materials with a more robust character, such as stainless steel and marble, which are seamlessly absorbed by the warmth and softness of the wood.

A central feature of the space is a sculptural light tube that rises to the ceiling and draws the eye from every direction, even from outside the restaurant. A handcrafted wool-and-silk rug by artist Yannis Varelas adorns the wall in front of the luminous column, becoming a focal point through its rich chromatic variety. The interplay of these two key elements creates an atmosphere of warmth and comfort, further enhanced by ambient lighting from smaller pendant fixtures and wall sconces.

 

 

Staircase Design

The stainless-steel staircase at the rear introduces a distinctive geometry to the space and leads visitors to the mezzanine, which is lined with wooden, wall-mounted wine libraries. This function extends to the basement as well, where the entrance resembles a wooden tunnel illuminated by a 90-degree light tube that continues the vertical column from the ground floor.

 

Simple aesthetic

Skrew is an all-day bar-restaurant designed for relaxation and socializing, serving as a favorite meeting point for its guests from morning until late at night. The owners’ desire for a fresh yet timeless space, housed within an existing industrial building, defined the overall design approach.

 

Design Philosophy

The interior preserves the restrained aesthetic of exposed concrete while incorporating distinctive features, such as a striking bar set against a 3.5-meter-high backdrop and a counter clad in tin. The dining area offers a variety of seating options, including banquettes paired with custom-designed marble tables and vintage chairs. At the rear, the open kitchen with its glass frontage adds vibrancy and a sense of interaction. The presence of plants, combined with a diverse selection of furniture and architectural elements, creates a layered experience, with different spatial qualities unfolding in every corner.

 

 

Spatial Layout

A key element of the restaurant is the sculptural metal staircase leading to the secluded mezzanine, which also functions as a display surface for wines. Its industrial character reinforces the identity of the building, while its bold color introduces an artistic accent within the otherwise neutral setting. The upper level accommodates a lounge area, ideal for working or reading during the day, as well as a retail corner featuring a curated selection of accessories and clothing.

 

 

Material Palette

The existing terrazzo flooring, with its three-color composition, lends a nostalgic touch to the space. Yellow leather details on the bar stools complement the overall color palette. The combination of diverse styles and textures -raw concrete, polished cement, glass blocks, and the leather-clad bar front- creates an atmospheric and dramatic setting. The final result is a two-level space that blends pop and classic culture, luxury and informality, quiet daytime moments and vibrant nightlife.

 

Urban recovery

The architectural proposal for the adaptive reuse of the iconic Mínion department store in the center of Athens posed a significant challenge, as the restoration of its extensive, abandoned shell became an opportunity for a design approach with a clear narrative and morphological intent.

 

Design Philosophy

The central design idea interprets the historical layering of the urban block, shaped over time by the gradual consolidation of different properties during its operation as a department store. The selection of a three-color palette for the façade’s functions symbolically, subtly alluding to the composition of the individual buildings. In this way, the project establishes a dialogue with the surrounding urban fabric, expressed through a distinctly rationalist and understated rhythm.

Particular emphasis was placed on redesigning the base of the building. Through a pronounced shift in architectural language and typology, the arcades along the street frontage were shaped with arches, evoking a more commercial and urban Athens of the past. The varying geometry of the openings responds to the existing structural framework, preserving the building’s constructional identity.

 

 

Functional Organization

The new “double” envelope consists of two layers: the inner one is organized through the rhythm of the openings to maximize natural daylight, while the outer one is formed by a grid of colored metal shading panels. The composition draws references from Athenian rationalism, modernism, and the city’s neoclassical heritage, adding depth and a three-dimensional expression. The engraved “Mínion” logo, carved into the marble cladding, marks the building’s renewed identity with respect for its past.

 

 

Bioclimatic Design

Bioclimatic principles inform the entire project. More than 97% of the load-bearing structure was preserved, reducing demolition and the embodied carbon footprint. Automation and management systems for lighting and climate control were implemented, achieving significant energy savings, while the use of low-emission materials enhances the building’s sustainable character. The green roof, planted with Mediterranean vegetation, improves the local microclimate. Now accommodating both commercial and office uses, and achieving an excellent environmental performance certified with LEED Gold, Mínion is reintroduced to the city not as a memory, but as an active, sustainable chapter of its urban future.

 

Dynamic facade

The project concerns the transformation of an existing shopping center on Pireos Street into a sustainable and pioneering office complex, complemented by the addition of a new, independent five-storey building. This new structure functions both as a landmark and as a catalyst for the revitalization and development of the wider area.

 

Renovation Strategy

The design is based on managing and upgrading the existing building stock, converting it into an energy-efficient structure with contemporary uses. The approach follows the principles of sustainability and the circular economy, incorporating the reuse of materials.

The existing building is characterized by pronounced contrasts -most notably the introverted external facades versus the extroverted interior. The redesign utilizes these contrasts as compositional elements, redefining the façade and generating a new architectural envelope. Through a process of subtraction and addition -two opposing yet complementary actions- the façade is reshaped, adopting the logic of the (bar)code as the central design reference. The final result resembles a linear code: a dynamic composition of voids and solids with varying dimensions.

 

New Construction Systems

This composition is formed by metal cylinders which, after a special color treatment, are repositioned in new configurations, enhancing the façade’s interaction with its environment. The system allows future adjustments to the façade based on evolving needs, making it adaptable and flexible. The arrangement of the cylindrical columns supporting the energy canopy defines the first layer of the new façade, following the rhythm and dynamism of the existing shell.

On a second level, a three-dimensional envelope made of fiber-reinforced cement board incorporates glazed surfaces within recesses, maintaining the autonomy of materials while contributing to the cohesion of the composition. The new building, located southwest of the existing one, is developed across a ground floor, four upper floors, and a green roof.

 

 

Vegetation & Sustainability

The surrounding landscape acts as a connective tissue between the two structures, while the energy canopy and supporting columns reinforce the overall unity of the complex. The intermediate outdoor space creates a transitional landscape that encourages user interaction and relaxation. Planting and carefully selected surface materials complete the architectural composition.

The green roof offers significant environmental and functional benefits: it contributes to air purification, stormwater management, reduction of ambient temperatures, and improved sound insulation. Additionally, it enhances biodiversity, boosts the efficiency of solar systems, protects surfaces from erosion, and promotes social interaction.

The project has achieved LEED Gold certification for both the existing and the new building -a distinction of particular importance in today’s context, where climate change underscores the need for sustainable, resilient, and healthy work environments.

 

Rhythmic exchange

In an area of the city with a distinctly industrial character, near the Athens-Lamia National Road, an unfinished pre-existing structure was reconstructed with the aim of preserving its load-bearing system while simultaneously accommodating an expanded building program, including a larger surface area of office spaces.

 

Design Philosophy

A central condition for the design was the development of a new construction system that would not only adapt to the existing structure but also organize it, forming a unified architectural identity while responding to the bioclimatic requirements of a contemporary work environment. The new envelope, conceived as a thickened skin, either touches or stands slightly apart from the existing structure, thereby unifying enclosed spaces with outdoor areas, terraces, and balconies.

 

 

Spatial Organization

This envelope is fragmented into individual components that create, through a rhythmic alternation of solid and void, a system of shading and openings that moderates daylight and shading conditions within the interior. Alternating wall and window elements wrap around all levels of the building, bringing coherence to the previously independent and somewhat disparate volumes, and establishing a cohesive overall perception of the structure.

Sustainable Design

The architectural proposal, combining bioclimatic and functional upgrading with the redesign of the envelope and the reconfiguration of interior spaces, creates a comfortable and sustainable, human-centered environment. At the same time, it establishes a new, coherent, and recognizable identity that transforms the building into a point of reference within its urban context.

 

 

Organic forms

The project’s location -along one of Limassol’s most important commercial corridors, near a major junction- set from the outset the ambition to create a landmark building for the Mesa Geitonia area.

 

Design Philosophy

This strategic position, coupled with the elongated geometry of the plot, informed the building’s distinctive massing from the very early design stages. To meet the project’s goal, the design adopts a linear, organically shaped volume that unfolds along the avenue, both asserting the presence of the complex and preserving the continuous flow and pulse of the commercial axis.

 

 

Functional Organization

The building is structured across five levels. The ground floor accommodates retail units, reflecting the commercial character of the street, while the four upper floors house office spaces that open toward the narrow façades through covered verandas. Although the primary pedestrian entry is located on Spyrou Kyprianou Avenue, the building also incorporates a two-level underground parking garage accessed via the internal road running parallel to the avenue. This underground structure provides all required parking spaces, mechanical rooms, and storage areas.

 

 

Architectural Language

The architectural expression merges a futuristic, dynamic aesthetic with fluid, organic forms. The façades alternate between metal panels and expansive glazing to maximize natural light. Cantilevers and projecting architectural elements reinforce the building’s horizontal character, while simultaneously functioning as shading devices that regulate solar exposure, enhance daylight performance, and reduce dependence on mechanical cooling.

On the narrow elevations, the shifting balance between interior space and covered verandas on each level creates a vertical, volumetric rhythm. This generates a parametric, organic pattern that imbues the building with a distinctive sense of movement, resulting in striking perspectives and visually compelling, theatrical façades.

 

Sustainable hospitality

Tella Thera redefines Mediterranean hospitality through an architectural idiom that is rooted in tradition while remaining firmly oriented toward sustainability. Conceived as a retreat outside Chania, the project explores how cultural memory and contemporary design can converge to create a new model of regenerative hospitality.

 

Context Integration

In full harmony with its natural setting, the design incorporates planted roofs with olive trees and Mediterranean vegetation across all buildings, enhancing thermal insulation, fostering biodiversity, and anchoring the project to its environment. The façades are articulated through a sequence of arches -both full and half forms- serving as abstract interpretations of the traditional geometries found in the Venetian and Ottoman architecture of Chania. This motif continues inside, where seamless microcement surfaces unify floors, ceilings, and walls.

The cave-like atmosphere evokes natural shelters, offering a tactile calmness in which light and shadow shape the spatial experience. A total of 21 luxury suites provide panoramic views and maximum privacy, embodying both cultural depth and environmental stewardship.

 

 

Design Philosophy

The project is guided by eco-emotional design, a philosophy in which ecological intelligence and emotional resonance are intrinsically linked. Passive design principles, natural ventilation, and microclimatic strategies minimize reliance on mechanical systems, while the landscape interventions preserve and reinforce the existing olive groves.

 

 

Lighting, Materials & Sustainability

Through interdisciplinary collaboration, every aspect, from lighting to branding, contributes to a holistic narrative, while sustainability consulting ensured that environmental responsibility and experiential richness evolved in tandem. The complex does not merely rest on the land; it grows out of it. Its architecture is grounded in a “sense of belonging,” allowing guests to experience luxury through authenticity and an intimate connection with Crete’s timeless landscape.

 

Central core

The complex is located in the seaside village of Matala, in southern Crete, surrounded by the area’s distinctive rocky formations that create a natural embrace around the site.

 

Design Philosophy

The primary starting point of the design was the creation of a cluster of small buildings oriented around a shared central courtyard, reminiscent of the protected square of a small village. As a direct reference to the values and heritage of “togetherness” and communal life in Matala, the project reinterprets the traditional Greek island neighborhood, shaping a contemporary lodging for today.

The building volumes are arranged to offer residents privacy while simultaneously encouraging coexistence and interaction in the shared courtyard. The relationships formed between the structures generate open and enclosed living spaces -both private and communal- each with its own distinct character.

 

 

Spatial Organization

Access to the complex is through a courtyard gate on the southern side of the plot, a feature of traditional Cretan architecture. Along the perimeter of the courtyard are the entrances to the individual apartments, each leading to a private patio with a pool and views toward Matala’s iconic rock formations. External staircases connect the upper-level apartments to the common gathering area on the ground floor.

 

 

Material Palette

Natural plasters and materials, such as wood and locally sourced stones, were used throughout the wall surfaces of the buildings and the surrounding enclosure, providing a variety of textures. The selected color palette enhances the integration of the architecture into the landscape, harmonizing with the natural tones of the surrounding rocky and sandy formations. Finally, the construction relied primarily on local crews and craftsmen.

 

 

 

 

 

Sincere geometry

The residence is conceived as an architectural gesture rooted deeply in its natural setting. Specifically, the building’s form merges from an interactive engagement with the landscape, resulting in a structure that both asserts its presence and remains open to the immediate context.

 

Design Philosophy

Simple lines and rigorous proportions carry a “sincere” visual geometry that is further enhanced through the material honesty of exposed concrete. The design rejects imitation and speaks to an architectural ethos that embraces authenticity. Material, form and space are all approached with profound architectural discipline, eventually producing a residence that feels both monolithic and porous.

 

 

Functional Organization

Organized on a steep hillside, the residence unfolds through a sequence of interlocking volumes and voids. Large rectangular openings break up the rigidness of the square, acting as apertures that connect the residence to the site, shifting between interior and exterior thresholds. The plan is comprised of layered planes and long horizontal spans that create double height spaces as well as sheltered outdoor rooms. In parallel, a series of structural elements, such as a concrete staircase leading to a sunken courtyard, celebrate the residence’s sculpted simplicity. The plan is straightforward yet spatially rich, offering a continuous dialogue between enclosure and openness.

 

 

Context Integration

The residence is positioned within the terrain with precision, rising from the forest canopy as a measured, geometric insertion. Rather than imitating the surrounding nature, the building becomes a dynamic counterpoint, where its rigid concrete form contrasts the organic densities of the surrounding nature.

 

Principles of enclosed space

The residence is positioned within the local scale of the Lakatamia area in Nicosia, in a neighborhood characterized by empty plots, limited vegetation, and an abandoned old shoe factory directly across the street.

 

Design Philosophy

The initial design objective, shaped by the conditions of the area, was to create a single-storey home that centres on inwardness and privacy, while maintaining a direct connection between the interior and surrounding greenery. At the same time, the aim is to provide a safe and comfortable Mediterranean interior environment defined by lived experience, through a contemporary local architectural approach supported by modern systems and materials.

From the early stages, the design principles, developed in relation to the inhabitants’ needs, focused primarily on forming transitional open-air spaces and placing a main protective filter at the façade, referencing the character of a traditional boundary wall.

 

 

Spatial Organization

The spatial configuration offers organic flexibility, with public and private areas arranged in relation to a workspace volume that “suspends” itself as a focal point within the residence, allowing multiple movement paths. The inward-looking, through-ventilated layout and its relationship with the outdoor space create a core of privacy and security for the residents. The external walls, together with the eastern gabion wall filled with local stone, form a protective diaphragm separating public from private space, while the interior spaces extend toward the courtyards, ensuring cross-ventilation and natural light.

A central architectural feature of the interior is the workspace, which hovers as a wooden volume above the kitchen and the everyday living area. It functions as the secondary main use of the home, meeting the need for book storage and providing a dedicated study area for the residents.

Its placement above the kitchen and living space creates an interesting dynamic in the spatial experience. On one hand, the workspace remains visually connected to the broader living area; on the other, it retains a degree of privacy for its users. This dual condition encourages a balance between shared and personal space.

 

 

Exterior Design & Vegetation

One of the main architectural elements expressing the adaptability of the interior as it opens to the exterior is the set of foldable perforated shading panels. These allow residents to adjust privacy levels and control sunlight according to their needs.

The courtyards, functioning as the key bioclimatic components of the residence, form the heart of the design. Positioned next to the communal areas and the bedrooms, they provide private outdoor zones for each room while allowing the flow of natural light and ventilation with privacy in mind. Planted with low-growing Cypriot vegetation, the courtyards create microclimates that bring natural greenery into the home. In this way, the residence “embraces” the natural environment, achieving an organic continuity with the landscape.