A 1970s Apartment Reorganized for Contemporary Living

The project concerns the renovation of an 85 sq.m. apartment on the first floor of a 1970s residential building in Neapoli, Nikaia. The owner’s main request was to keep the intervention as limited as possible, while also creating sufficient storage space for everyday use.

The design is based on an open plan that unifies the living areas, reinforces a sense of through-space and allows natural light to spread throughout the apartment. Through a small number of precise moves, the apartment is reorganized in a way that significantly improves its daily use.

One Unified Living Area

The main intervention involved removing the partition walls that separated the living room and dining area from the corridor and kitchen. This allowed the previously divided spaces to merge into a more connected and functional layout, bringing natural light even into the corridor at the center of the plan.

The demolition revealed the main structural elements of the building, including the column at the center of the unified space and the beam that runs lengthwise through the apartment, from the entrance to the bedroom. Rather than concealing these elements, the design incorporates them into the new spatial organization.

 

 

A Bookcase as Spatial Filter

The apartment is organized into three distinct zones: the entrance and living areas; the transitional zone leading to the private rooms, including the bathroom, storage room and corridor; and the bedroom with the auxiliary room-office.

A bookcase placed beneath the beam plays a central role in the new layout. It operates as a dividing piece of furniture, separating the living areas from the private zone without fully closing them off. Its ribbed-glass back allows natural light to diffuse toward the corridor, while limiting direct visual contact and preserving privacy. The material also refers to the aesthetic character of the original 1970s apartment.

The Kitchen as a Place of Gathering

The kitchen is treated as an integral part of the open plan. It is directly connected to the dining and living areas and develops along the north-south axis, becoming a vital component of the unified living space.

A secondary island provides additional work surface while allowing the kitchen to function as a place of gathering. In this way, its role extends beyond functionality and becomes part of the apartment’s everyday social life.

 

 

Storage Through Limited Interventions

The new organization responds to the initial request for improved functionality and storage, without requiring extensive construction work. A built-in wardrobe is designed at the entrance, part of the bathroom is used to create a storage room, and the lower section of the bookcase provides additional storage.

These solutions improve everyday usability while preserving the openness and continuity of the apartment’s new living core.

Earthy Palette and 1970s References

The material and color palette is based on soft, earthy tones, combining the grey of the structural elements with warm off-white shades and natural wood. Stronger color accents appear in the kitchen and bedroom, where green dominates, and in the bathroom, where blue is introduced.

In the bedrooms, the existing flooring was preserved after maintenance, while large-format ceramic tiles were used in the unified living area, reinforcing the sense of continuity and spatial integration.

 

 

Furniture, Objects and Personal Identity

Some of the furniture was custom-designed for the apartment, while a Danish armchair from the owner’s collection, lighting fixtures, artworks and handmade decorative objects with curved forms contribute to the space’s personal identity.

Through the composition of geometric forms, natural materials and contemporary design lines, the renovation achieves a balanced coexistence between old and new. The apartment is redefined as a flexible and ergonomic living environment, with clear architectural identity and functional organization.

ek magazine is organizing an event honoring the architect Yannis Kizis (Kizi Studio) at the SNFCC on Friday, December 11, 2026, under the auspices of the Hellenic Institute of Architecture.

Yannis Kizis is a Professor Emeritus at the NTUA School of Architecture with a long-standing creative career and currently directs the architectural office Kizi Studio together with Constadis Kizis, Associate Professor at NTUA. His extensive and high-quality work includes a wide range of architectural creation (public and private buildings, modern interventions and extensions to historical buildings, restoration of monuments, etc.) and is distinguished and multi-awarded in Greece and internationally. Being one of the most important architects of his generation, he was active both in Greece and abroad, adorning the urban and suburban landscape with high-quality architectural works. His work includes buildings of various typologies and scales, as well as urban regeneration studies. The presentations of the event speakers will attempt to highlight his significant contribution to modern Greek architecture, architectural education and culture.

The event speakers are:

– Panayotis Tournikiotis, Professor Emeritus NTUA, President of HIA

– Panayotis Tsakopoulos, Architect NTUA, researcher, author

– Nelly Marda, Architect, Professor Emerita NTUA

– Dimitris Thomopoulos, Dimitris Thomopoulos Architects, Assoc. Professor AUTH

– Tilemachos Andrianopoulos, Tense Architecture Network, Assoc. Professor NTUA

– Panagiotis Grammatopoulos, G-P Architects

– Manolis Vournous, M+V Architects

– Nikos Vatopoulos, Journalist, author

– Yiorgis Yerolymbos, Photographer, architect NTUA

– Costadis Kizis, Kizi Studio, Assoc. Professor NTUA

 

• Bronze Sponsor: LG Electronics
• Sponsors: Alumil 
• Supporters: Domiki Papanikolaou, Koligas Wood Essence

A Global Resort Rooted in Place

Mandarin Oriental, Costa Navarino is a luxury destination resort that upholds the standards of a global hospitality brand while remaining deeply rooted in its context. Set above the bay of Navarino in Messinia, Greece, the resort balances large scale with an intimate experience, luxury with restraint, and high-end amenities with a meaningful connection to land, culture and environment.

The project engages with a site of historical significance, ecological value and powerful natural beauty. Rather than treating the resort as an object placed in the landscape, the design develops a system of habitation, hospitality and environmental adaptation.

A Masterplan Inspired by Rural Typologies

The masterplan draws inspiration from Greek rural typologies, particularly the mandria: organic stone enclosures that adapt to the terrain and organize sloping land with quiet pragmatism.

This strategy is applied at a larger scale, organizing the resort’s different building units along the contours of the hillside. The 48 earth-sheltered villas are arranged in stepped, undulating rows, ensuring uninterrupted panoramic views from every unit and creating successive horizons across the site.

Most villas are organized in pairs, with only two visible sides that disappear into the ground and independent entrances naturally separated by planted slopes. In this way, the architecture develops as an extension of the hillside, rather than imposing itself upon it.

 

 

Privacy, Autonomy and Semi-Outdoor Living

The dispersed organization of the resort enhances the guest experience in several ways. Each villa enjoys privacy, autonomy and surrounding gardens, while the relationship between interior and exterior is structured through a sequence of transitions.

Interiors flow smoothly into shaded semi-outdoor living areas. Wide overhangs, deep-set openings and filtered views create a sense of calm and refuge, while maintaining contact with the broader landscape.

Restraint, Luxury and Material Presence

The resort combines restraint with richness. Stone and terrazzo are used in tactile, understated ways, while the interiors refer to Mediterranean textures and tones. Curated international details evoke the spirit of travel without distancing the experience from the place itself.

Space planning is intuitive and guest-centered, ensuring clear orientation, comfortable scale and carefully framed views. Circulation takes place outdoors wherever possible, allowing nature to remain a continuous presence throughout the resort.

 

 

Operational Foresight and Flexible Management

The resort also demonstrates operational foresight. Its layout supports scalable operation, as clusters of rooms or villas can be brought into or out of use seasonally, optimizing energy consumption.

Open-air circulation reduces the need for cooled corridors, while semi-protected spaces such as covered terraces and entry courtyards temper climate extremes, reducing mechanical loads and improving guest comfort.

A Contemporary Hybrid Typology

Creatively, the project avoids spectacle in favor of serenity. It does not mimic history, but listens to it. Traditional forms are abstracted rather than replicated, and reinterpreted through contemporary materials and construction methods.

The result is a unique hybrid typology, where the aesthetic of the “village” is not reproduced literally, but translated into a contemporary hospitality system. Architecture preserves local memory without becoming trapped in imitation.

 

 

Passive Strategies and Ecological Ambition

Sustainability guided every decision. Passive strategies include planted roofs, thermal mass and cross-ventilated spaces. Materials were sourced locally whenever possible.

Water-efficient landscaping, low-impact lighting and energy zoning further reinforce the ecological ambition of the project, aligning guest comfort with a lower environmental footprint.

A New Model for Hospitality

Mandarin Oriental, Costa Navarino offers a new model of resort-making: one that privileges relationship over image, groundedness over excess.

It demonstrates that a resort can be both luxurious and low-impact, international and deeply local — a place where architecture, landscape and guest comfort coexist in elegant alignment.

Heat Pump Solutions for European Homes

LG Electronics is strengthening its position in the European residential heat pump market with a diverse portfolio of high-performance solutions adapted to different housing environments.

As demand continues to grow across Europe for energy-efficient heat pump solutions using low-GWP refrigerants, LG is expanding its market response with products designed to combine efficiency, ease of installation and integration into contemporary homes and large-scale residential projects.

 

Therma V R290 Monobloc

One of the key products in the portfolio is Therma V R290 Monobloc, an outdoor air-to-water heat pump unit that uses R290 refrigerant with very low Global Warming Potential.

The unit is designed to provide reliable heating in outdoor temperatures as low as -28°C and can supply domestic hot water up to 75°C. Its monobloc design allows the unit to operate independently, without the need to install components inside the home, making installation easier and faster.

 

 

Multi V i and Multi V S

LG also offers Multi V i and Multi V S as part of its VRF range. Multi V i combines low-GWP R32 refrigerant with a high-efficiency inverter compressor and advanced smart control for efficient operation.

It also includes safety features, such as sensors that activate protection systems when refrigerant leakage is detected, helping maintain operational continuity and safety.

Multi V S is a compact VRF solution offering flexible system integration, energy management capabilities, smart controls and a user-friendly management interface. When combined with indoor units incorporating a domestic hot water tank and the necessary hydraulic components, it can operate as an all-in-one solution for air conditioning, heating and domestic hot water production.

 

Award-Winning Indoor Units

LG recently introduced new indoor units for air-to-water heat pump systems: Combi Unit, Hydro Unit and Control Unit.

The units received the iF Design Award 2026 and Red Dot Design Award 2026, recognizing their integrated design and ease of use. These distinctions reinforce LG’s position in a market where technical performance must be combined with clear design, usability and simple day-to-day management.

 

 

Customized Solutions for Large Residential Projects

LG continues to secure major residential project wins across Europe, supported by the competitiveness of its products and its engineering capabilities.

In Spain, LG supplied Multi V i and indoor units for approximately 1,000 residential units at Calle Fuerzas Armadas, a build-to-rent residential development. From the early stages of the project, LG worked with local partners to review design, certification and installation requirements, providing support aligned with European environmental regulations and site-specific conditions.

 

Residential Projects in Serbia

In Belgrade, LG supplied a customized solution for King’s Circle Residences, combining Multi V S with indoor units that produce cold and hot water. The integrated configuration enables energy monitoring per unit and brings cooling, heating and domestic hot water supply into a single system.

LG also supplied Multi V i, Multi V S and residential air conditioners to The One Residences in Belgrade, working with design teams to propose a heating and cooling system suited to the building structure and installation conditions. Simulation-based technical assessments were also carried out to verify operational stability and installation suitability.

 

 

Energy Efficiency and Ease of Installation

According to James Lee, president of LG ES Company, the European residential heat pump market continues to evolve, with growing demand for solutions that are energy-efficient, environmentally responsible and easy to install.

Through its diversified heat pump portfolio and engineering capabilities, LG aims to respond to the real needs of each space, strengthening its position in the European market and offering integrated solutions for contemporary residential environments.

 

LG Business Solutions Greece

A Compact Cabin Between Forest and River

Located in Plain, Washington, on the edge of the Okanogan-Wenatchee National Forest, Wenatchee River Cabin by Wittman Estes was conceived as a small retreat for outdoor life. The client had owned the nearly half-acre property for years, using it as a base camp for adventures in the surrounding landscape. After a decade of camping on site, often with friends, he decided to build a cabin that would keep the focus on the forest and the river.

The project began as a weekend retreat, but its use changed during the design and construction process. As remote work became part of everyday life, the owner started spending more time on the property and eventually chose to live there full-time once the cabin was complete.

Living Small, Living Well

With a footprint of 746 sq ft, the one-bedroom cabin is deliberately modest. Its compactness reflects both site constraints and a desire for a simpler way of living, where everyday life is shaped less by possessions and more by experience.

The owner’s direct involvement in construction was central to the project. This reinforced the need for a clear and minimal design, built with durable materials and simple architectural moves. Concrete, steel, cedar and restrained interior finishes give the cabin a sense of permanence while allowing nature, light and artwork to remain the dominant presence.

 

 

Elevated Above the Floodplain

Because the cabin sits within the river’s floodplain, the main living level is raised 10 ft above the ground on six concrete columns. This resilient strategy protects the home from seasonal flooding while minimizing its footprint on the site.

The elevated volume also creates a covered ground-level space beneath the cabin. This area functions as sheltered parking and a working space where the owner can maintain his vintage Bronco, protected from rain and snow. In this way, the floodplain constraint becomes part of the daily use and character of the building.

Three Levels and One Large Window Wall

The cabin is organized across three levels. The ground level provides the covered parking and work area; the middle level contains the main living, dining and kitchen space, along with a full bathroom; and the top level includes the bedroom, office, half-bathroom and a loft opening onto a cantilevered steel deck.

A single window wall, 20 ft wide and 24 ft high, directs the main views toward the Wenatchee River while screening neighboring properties. In the bedroom, a view portal looks across the living room and toward the river beyond, creating a vertical connection through the compact interior.

 

 

Owner-Built Steel Elements

The cabin’s material character is closely connected to the owner’s skills. A lifelong metalworker, he fabricated several elements himself, including the raw steel kitchen countertops and backsplash, the hemlock and steel dining table, and the tube-steel guardrails with expanded metal mesh infill.

These elements give the interior a direct, handmade quality. They also reinforce the logic of the cabin as a durable structure shaped by personal labor, weather and long-term use.

A Minimal Interior for Nature, Light and Artwork

The main living space is organized beneath a fir-framed loft, with a wood-burning fireplace creating a compact center of warmth. The interior finishes remain deliberately simple, forming a quiet background for the surrounding landscape, the changing light and the owner’s artwork.

Sustainability is approached through compactness, durability and efficient systems. The cabin uses an air-source heat pump for heating and cooling, with the wood-burning stove serving as the primary heat source. Locally sourced cedar siding and soffits further connect the building to the material culture of the region.

 

 

A Weekend Cabin Turned Full-Time Home

What began as a one-bedroom weekend cabin has become an everyday residence. Its modest scale, elevated structure and durable material palette support a form of living that remains close to the river, the forest and the changing conditions of the Pacific Northwest.

Wenatchee River Cabin shows how small architecture can produce a larger relationship with the world outside. It is a home shaped by restraint, resilience and the quiet ambition to live with less, but more directly.

A 1970s Apartment Reworked for Contemporary Living

Located in a prominent 1970s building in the city of Ioannina, Thalen Apt by Pantazi5 Architects is a 74 sq.m. apartment renovation designed for a sociable couple. The project brings together childhood memories, the existing character of the apartment and a forward-looking approach to everyday domestic life.

Rather than erasing the memory of the original space, the redesign acts as a bridge between what the apartment already carried and the future patterns of living it now needs to support. The result is a compact interior that combines hospitality, practicality and carefully controlled material contrasts.

One Intervention, One New Living Core

The project focuses on the apartment’s living areas. A single change to the existing plan allows previously separated rooms to merge into a more connected and functional layout, creating an extended naturally lit space that becomes the center of the home.

This new living core accommodates everyday use, gatherings and flexible domestic routines. It is organized not through rigid partitions, but through material definition, visual continuity and a clear relationship between open, transparent and enclosed zones.

 

 

Open, Glass and Wooden Areas

The unified space is visually divided into three distinct areas: the open area, the glass area and the wooden area. These correspond respectively to the living room, the kitchen and the service zone, which includes storage and a WC.

Although strongly differentiated in tone and texture, the three areas flow into one another. Existing uses, such as the dining area within the kitchen and the arrangement of the living room, are preserved and reworked, while new functions are introduced to support the apartment’s more practical and hospitable character.

Green Marble and a Parametric Mirror Installation

The open area forms the main living space of the apartment. Closely connected to the kitchen, it also provides access toward the private areas through the service zone.

Clad with green marble flooring, the bright living room includes furniture made from reused materials of the existing apartment. A parametrically designed mirror installation becomes the space’s most distinctive intervention, framing specific views toward the neighboring neo-Byzantine monument of the Zosimaia Educational Academy.

 

 

The Kitchen as a Transparent Room

The kitchen is part of the same unified living area, but it is defined through a glass screen that maintains visual contact and interaction between the two zones. Transparent and opaque cupboards form a flexible arrangement that supports both cooking and dining.

Black granite worktops give the kitchen a strong material presence, while light grey tiles and black steel shelving complete the palette. The shelving adds a sculptural quality to the room, while also functioning as storage.

Iroko Wood and the Introverted Service Zone

Next to the transparent kitchen area, the wooden zone is the most introverted part of the apartment. Finished with upcycled iroko wood from the original apartment, it accommodates storage and a WC, while also mediating access to the private rooms.

Through this compact service core, the renovation adds functionality without fragmenting the new living area. Thalen Apt therefore becomes a careful study in how a small apartment can be reorganized through one precise spatial move, turning existing materials, memory and contemporary use into a coherent domestic environment.

A House Built Around Emptiness

In Morelia, Michoacán, Mexico, Kehai House by HW Studio is a small residence of 95 sq.m., designed by architect Rogelio Vallejo Bores as his own home. The project is described as “the architect’s house”: a house in which someone used to giving form to the dreams of others turns inward, asking how architecture can become coherent with a way of living.

The house was shaped by a limited budget, but also by a long personal path toward Zen, the Dharma and Japan. Its deepest idea is not the production of an object, but the creation of a void: a central emptiness capable of containing life, movement, silence and thought.

A Closed Box That Holds a Garden

From the outside, the house appears as a quiet, closed box in the urban landscape. Its almost hermetic presence does not reveal much of what takes place inside. Once the threshold is crossed, however, the apparent closure is understood differently: the box does not isolate, but protects.

At its center lies a stone garden. It is not touched directly, yet it defines the entire house. Like the stone gardens of Kyoto, its stones are not arranged to represent something, but to evoke a state of attention. On the bed of grey gravel, two wooden platforms float as places of pause: not simply floors, but surfaces for stopping, looking and being.

 

 

The Garden as Spatial Order

The garden is not decorative. It organizes the house. Around it, the domestic spaces are arranged like satellites orbiting stillness, each one maintaining a distinct role while remaining connected to the central void.

On one side, the kitchen and dining area unfold in a double-height space. Above them, a volume gathers the smoke from the fire, introducing both memory and practical resilience: the possibility that one day the city may not provide everything needed. On the other side, the living room becomes a space of contemplation, where large stones rest like islands in a quiet sea.

A House That Reconciles with Rain

There is no covered corridor between the living room and the dining area. To move from one to the other when it rains, one either gets wet or waits for the rain to pass. This decision gives the house its most radical everyday lesson: architecture here does not protect from the world, but reconciles the inhabitant with it.

The home does not attempt to neutralize weather, time or discomfort. Instead, it allows them to enter life gently, turning movement through the house into a conscious act.

 

 

Shōji, Light and Shadow

The shōji doors, made with rice paper, are not treated as an aesthetic reference alone. They operate as the real filter between interior and exterior. Light, passing through them, loses its hardness and becomes softer, slower and more atmospheric.

In this house, shadow is not simply the absence of light. It becomes light’s most delicate expression. Daylight does not enter abruptly; it settles, creating an interior defined by quiet transitions rather than visual excess.

Three Windows and an Interior Life

The program is austere. There are no unnecessary corridors and no grand gestures. The house is almost entirely without glass, opening only through three small windows toward what is considered truly worth seeing: a mountain, a neighboring pine and the tree planted at the center of the garden.

The bedroom is placed above, as a minimal and intimate space. A single circular window opens to the foliage of the central tree. It becomes an eye of the house, a point of contemplation rather than display.

 

 

Entering by Descending

The entrance does not rise; it descends. One enters by going down, as if bowing before something sacred. The staircase reaches the point where the stone offered structural stability, reducing unnecessary foundation costs, but the gesture is also spiritual.

To inhabit this house, one must leave a certain pride outside and enter with humility. Like passing through the torii of an invisible shrine, the act of entry becomes a quiet ritual.

Silence as Architecture

In Japanese thought, value is often found in the imperfect, the incomplete and the ephemeral. Kehai House follows this sensibility. It was not designed to impress, but to endure in silence.

Through limited means, careful spatial decisions and a central void that orders domestic life, the house becomes a meditation on how little architecture needs in order to become meaningful. It holds the light weight of an honest life.

A Museum Between Memory and New Identity

In Vila do Bispo, Portugal, Vila do Bispo Museum by spaceworkers is conceived as an intervention that preserves the identity of the place while giving the existing building a new civic role. The project works with the character of the original construction, not by erasing it, but by extending and clarifying its presence.

The design proposes the addition of a new volume to the existing structure, echoing the form of the adjacent naves. This gesture creates urban and formal continuity, while allowing the new addition to establish its own identity as the main entrance to the museum.

A Red Volume Completing the Existing Building

The new volume extends to the southern limit of the plot and accommodates the technical, administrative and social functions of the museum. By concentrating these uses in the addition, the project frees the inner core of the existing warehouses to receive the exhibition areas.

This redistribution of program allows the exhibition to become the central function of the intervention. The museum is therefore organized through a clear distinction between support spaces and public cultural space, while the new red volume gives the ensemble a recognizable presence.

 

 

Neutral Exterior, Black Interior

The two pre-existing naves, with approximately 680 sq.m. of covered area, are treated in a neutral grey tone. This chromatic strategy homogenizes the existing construction and reinforces its formal abstraction.

Inside, the same warehouse volume is lined in black, creating a controlled background for the exhibition. Against this dark interior, a dynamic organic form organizes the display route, creating thematic exhibition pockets and guiding visitors through the museum in a clear and intuitive way.

Red Exposed Concrete as Urban Marker

In contrast to the chromatic abstraction of the existing structure, the new volume is built in exposed concrete with red pigmentation. Its material presence turns it into a point of reference in the urban and aerial landscape, marking the territory with clarity.

The addition acts as a formal completion of the existing building. It recreates its geometry in a delicate way, through a balance of solids and voids that organizes entrances, areas of pause and the relationship with the surrounding landscape.

 

 

A Museum That Feels Already Familiar

The result is a museum that appears as if it has always belonged to the place. For older generations, it evokes the memory of the former granaries; for younger generations, it becomes the “red museum”, a new image in the collective memory of the community.

Through this balance between preservation and transformation, Vila do Bispo Museum establishes a dialogue between continuity and new identity. It is both a careful architectural intervention and a public landmark capable of anchoring itself in the everyday image of the town.

An Office Rooted in the Everyday Landscape

Located in Hashima City, in Japan’s Gifu Prefecture, Office in Hashima by Permanent and Atelier Nagara Architectural Design Office is a new headquarters for a company active in civil engineering and real estate. Set within a calm rural landscape of rice fields, the building was designed to be rooted in the local community and appreciated over time.

The project begins with the quiet value of the ordinary. The seasonal path of the sun, the movement of rice grasses in the wind, and the ripples forming on the water of the fields during rain are treated not as background scenery, but as the material of the architectural experience.

Architecture as a Device for Noticing

Rather than simply blending the building into its surroundings, the architects conceived it as an architectural “device” that makes people more aware of the landscape. Its role is not to disappear, but to sharpen perception: to bring light, wind, rain and seasonal change into focus through the presence of the building itself.

This approach is especially appropriate for a company closely connected to land, infrastructure and construction. The office becomes a place where work, community and landscape are not separated but drawn into a continuous everyday relationship.

 

 

A Roof That Frames Natural Phenomena

The roof is the building’s defining feature. Rising dramatically toward the east, it cuts a bold profile against the sky, while its eaves descend close to the ground. This strong gesture gives the building a recognizable silhouette without overwhelming the rural scale of the site.

A gentle undulation in the roofline introduces a subtle irregularity. Reflected light, the color of the sky and the movement of raindrops are brought into focus, allowing natural phenomena to become part of the architectural expression. The roof does not simply cover the building; it registers the changing conditions of the place.

Intermediate Spaces Beneath the Eaves

Inside, spatial organization is designed to remain closely connected with the exterior. Beneath the raised roof, the entrance and meeting rooms occupy a tall space that naturally draws the outside inward.

Courtyards and verandas are placed under the undulating roof, creating intermediate spaces between interior and exterior. These zones soften the transition from work environment to landscape, offering places for movement, pause and informal encounter.

 

 

Margins, Gardens and Interior Continuity

Throughout the building and the site, small margins and resting places are carefully arranged. Stones and greenery are introduced into the interiors, producing a sense of continuity with nature even while indoors.

The result is a flexible work environment that supports meetings, breaks and moments of observation. The office is not defined only by productivity, but also by the possibility of noticing seasonal change, light, rain and wind as part of daily working life.

Light, Wind and the Southern Openings

On the south side, large openings are combined with low eaves, balancing solar control with an intimate relationship to the garden. The building does not rely on a hard boundary between inside and outside. Instead, wind, light and other natural elements are softly drawn into the interior.

Through this calibrated relationship, the office creates a new everyday scenery for the people who work there, the local community and first-time visitors. It gives form to a quiet ambition: to make the familiar landscape visible again.

Investing in Training and Professional Solutions

LG Electronics presented the fully renewed facilities of the LG B2B Academy, reaffirming the strategic commitment of LG Business Solutions to training, technological innovation and the development of integrated professional solutions. The presentation took place in Athens on 24 June 2026, highlighting LG’s role as a partner for professionals, installers, businesses and organizations seeking high-performance technologies for contemporary applications.

 

LG’s B2B Vision for 2030

During the event, LG presented the strategic goals of its Business Solutions division through 2030. These include doubling sales compared to 2026, increasing the partner network by 40%, and generating service revenues corresponding to 20% of total turnover in collaboration with certified installers. This strategy places training, technical support and the continued development of LG’s partner network at the center of the future growth of LG Business Solutions.

 

 

An Integrated Portfolio of Solutions

LG also presented its complete portfolio of professional solutions, covering air conditioning, ventilation, heating and domestic hot water production, as well as hospitality TVs, Signage, LED and IT display solutions. Among the solutions presented were Multi V systems, Therma V R290 Monobloc heat pumps, Inverter Scroll Chillers, and LG’s integrated control and management solutions.

 

Technologies for Professional Environments

Visitors also showed strong interest in ARTCOOL air conditioners with AI technology, the LG E-Paper display for energy-efficient digital signage, hospitality TVs with AirPlay and Google Cast support, and innovative Gaming Monitors. Guests were also able to tour LG’s new B2B showroom and experience technologies and applications already widely implemented in professional environments in Greece and Cyprus.

 

 

LG All Stars and Technical Support Ecosystem

Special emphasis was placed on LG All Stars, LG’s rewards platform that supports the network of air conditioning and heating installers while promoting collaboration and technical support. The company also presented its extended support ecosystem, which includes a specialized B2B Call Center, a 24-hour service line, remote diagnostic tools, more than 40,000 technical consulting supports per year, and a nationwide network of authorized partners and service centers. Today, LG Business Solutions has a network of more than 600 certified partners in Greece and Cyprus.

 

Knowledge, Experience and Sustainability

The presentation also referred to LG’s participation in the “Exoikonomo” and “Allazo Systima Thermansis” programs, contributing to the energy upgrading of residential and professional buildings.

 

 

Giannis Mantas, Commercial Director of LG Business Solutions, noted that the renewal of the LG B2B Academy and the creation of the new showroom represent an investment in knowledge and experience, with the aim of creating a training environment that highlights innovation and sustainability. Through the renewed LG B2B Academy, LG Business Solutions strengthens its position in the professional applications market, offering partners not only advanced technological solutions, but also access to a contemporary environment for training, demonstration and technical specialization.

 

LG Business Solutions Greece

 

 

In the peri-urban area of Limassol, the residence is organized through two shifted rectangular volumes, creating a cross-ventilated core for semi-outdoor living. This intermediate space works as a filter between interior and exterior, reinforcing the continuity of everyday life. On the upper floor, the private areas are protected by deep projections that integrate planting. This gesture contributes to passive solar protection, while softening the exposed concrete mass and establishing a more nuanced threshold between the building, natural light and the surrounding environment.

 

 

 

At MGO Protopapas I in Limassol, the office building’s façade develops through folded surfaces and parametrically designed vertical elements. Its dynamic form follows the movement of the road, turning the façade into a field of shifting geometries. On the southern side, the aluminium frames are recessed from the building line, while semi-outdoor terraces of varying sizes unfold in front of them. Together with the vertical fins, these terraces provide shade to the office interiors during the summer months, integrating environmental performance into the overall architectural expression.

 

 

04. Aegean Color Rooms | The Hive Architects

 

 

In Naousa, Paros, Aegean Color Rooms redesigns a small hospitality building through clear geometry and a renewed visual identity. The central design idea is the integration of perforated linear canopies, which filter natural light and frame views toward the sea. These structures offer shade and protection, while acting as transitional elements between the rooms and their outdoor spaces. The balconies become small private oases, where shading, color and water come together to create a calm hospitality experience.

 

 

05. Villa Ypsilon | Lassa Architects

ek Issue: 217 | May 2017

 

 

In the southern Peloponnese, Villa Ypsilon is set on a hillside olive grove and defined by its Y-shaped green roof, which functions as an extension of the garden. Circulation around and over the roof creates a continuous promenade, defining three ground-level courtyards with different uses. The roof was specifically oriented to shade the courtyards at selected times of the day. At the same time, a perforated wall protects the interior from the afternoon sun, while allowing cross-ventilation and natural cooling during the evening.

 

 

On a sloping site in Limassol, the House in Kefalokremmos follows the topography and is organized as a refuge in direct dialogue with the natural terrain and sea views. Its stepped layout allows interior and exterior spaces to flow smoothly into one another.

Carefully positioned stoas and semi-outdoor areas act as filters against sun and wind. Shading is therefore not limited to isolated construction elements; it becomes part of the spatial organization of the house, offering comfort, calmness and gradations of privacy.

 

At Ogarden, an existing office building is transformed into a mixed-use project combining office spaces and boutique short-stay apartments. The project’s defining new architectural feature is a system of vertical exterior louvers, made of white concrete with marble chips from Naxos and Tinos. These fixed louvers wrap the building as a second skin, providing shade and privacy. Their different angles create a wave-like effect on the façade, while light and shadow constantly transform the building’s appearance. Horizontal aluminium shading systems at ground level and on the planted roof complete the solar protection strategy.

 

 

 

In Maroussi, Terra Form House creates an architectural microclimate within the dense urban fabric. The residence redefines basic architectural elements, such as the roof, garden, threshold and windows, in order to form a protected inner and outer world. The traditional pitched roof is transformed into a two-sided perforated canopy, extending beyond the enclosed volume of the house and embracing the outdoor spaces. It provides shade and privacy, unifying the gardens and living areas under a single protective structure.

 

 

In Kalyviani, Chania, Corte Interna restores a complex of three stone buildings arranged around an internal courtyard. The intervention preserves the character of the existing ensemble, while introducing contemporary metal elements, natural materials and fluid forms that contrast with the solidity of stone. In the raised courtyard, sliding fabric awnings on tensile steel cables provide shade and create a gathering space. This simple construction is organically integrated into the whole, combining the atmosphere of a traditional material with the clarity of a contemporary addition.

A House Organized Around the Pool

In Caesarea, Israel, architect Raz Melamed has designed E30 – House in Caesarea as a family residence where the swimming pool becomes the spatial and visual center of the project. Rather than treating the pool as an addition to the house, the design reverses the usual hierarchy: the residence is organized around it, allowing the outdoor leisure space to define the rhythm of domestic life.

The project was commissioned by a couple in their 50s as a weekend retreat for hosting their children and grandchildren. Over time, the brief evolved into a full-time residence, with multiple bedroom suites, generous communal areas and a strong emphasis on the relationship between interior, garden and pool.

A Continuous Black Steel Beam

The defining architectural element of the house is an exposed black steel beam, 44 cm in height. Instead of being concealed, the beam is expressed as a continuous line that organizes the plan, divides levels and frames the main public spaces.

Inside, the beam extends as a bridge, connecting the staircase to the bedroom wing. In the double-height living area, it cuts horizontally across the glazed façade, preserving open views toward the sky while reinforcing the linear geometry of the house. Toward the garden, the same element continues outward, supporting a cantilevered pergola that shades the outdoor seating area without columns and keeps the view toward the pool unobstructed.

 

 

Street Façade and Filtered Privacy

The entrance façade is composed of white plaster surfaces, articulated with horizontal joints and vertical wooden slats. The contrast between the white volume and the dark wood gives the house a restrained but clearly defined street presence.

The wooden elements also have a functional role. They conceal the staircase from the outside while allowing natural ventilation, creating a façade that works simultaneously as screen, threshold and environmental device.

Double-Height Communal Space

The main public areas are arranged as a sequence of dining and living spaces beneath a double-height ceiling. The open plan is defined by the black steel beam above, the large glazed openings toward the garden and a restrained material palette of wood, black metal and neutral tones.

Lighting is treated in layers. Suspended linear fixtures respond to the height of the space, while recessed spotlights support everyday functionality. Together, they give scale and clarity to the large interior volume.

 

 

Kitchen as a Tall Wooden Plane

The kitchen is organized in a parallel layout, with a large island and white Corian worktops. Behind it, a tall wooden façade conceals storage and mechanical systems, rising to the full height of the double-height space.

This wooden plane intersects with the black steel beam, turning a functional wall into one of the central visual elements of the interior. The kitchen therefore operates not only as a place of preparation, but also as part of the architectural composition of the public zone.

Suites, Basement and Upper Floor

The ground-floor master suite opens directly toward the swimming pool and is finished with parquet flooring. Its bathroom combines travertine surfaces with black granite walls, black fittings and white Corian elements, continuing the project’s controlled palette of light surfaces, dark accents and natural stone.

Additional bedrooms and leisure spaces are located in the basement and on the upper floor. A home cinema and games room extend the family program, while floating black steel stairs and a glass-railed bridge connect the different levels, maintaining visual continuity across the interior.

 

 

Garden, Travertine and Outdoor Living

The outdoor areas include multiple seating zones, an open-air kitchen and a swimming pool clad in travertine, aligned flush with the garden level. The same travertine flooring continues from the interior to the exterior, strengthening the connection between the living spaces and the garden.

Landscaping remains minimal, allowing the pool, pergola and structural line of the house to dominate the site. The result is a residence where the architecture does not simply frame outdoor life, but is shaped by it.

A Private Landscape at the Center of the House

Located in Austin, Texas, Tarrytown Residence by Alterstudio Architecture introduces a contemporary architectural language into an otherwise traditional post-war neighborhood. The house is organized around a private landscape, positioned between a walled garden along the street and a central courtyard behind.

Rather than treating the exterior as a secondary condition, the project places the out-of-doors at the center of domestic life. The interior opens decisively toward the landscape, held under a continuous ceiling plane and enclosed with custom site-glazed window walls that reduce the visual weight of the frame.

Between Garden, Courtyard and Interior

The house is conceived as a sequence of spatial thresholds. Visitors enter beneath the meandering limb of an adjacent Live Oak tree, moving through a carefully choreographed progression of spaces.

Throughout the plan, the architects balance two apparently opposite intentions: defining distinct rooms while maintaining a strong sense of continuity. Glimpses of adjacent spaces, changing views and unexpected moments around each corner give the house a layered quality, where movement becomes part of the architectural experience.

 

 

Light from Above

At the center of the house, an unexpected monitor opens the interior to the sky. This gesture brings balanced daylight into the deepest part of the plan, while framing views toward the tree canopy above.

In a home otherwise organized around horizontal continuity, this vertical opening becomes a quiet spatial event. It gives the center of the house a sense of height, atmosphere and orientation, allowing natural light to work as one of the project’s primary materials.

Vertical Moments in a Horizontal House

Although the residence is largely horizontal in its organization, two spaces introduce vertical intensity: a two-story library and a similarly scaled screened porch. Together, they expand the section of the house and create moments of unexpected spatial depth.

A glass-floored bridge from an office loft provides access to the upper bookshelves and extends toward the screened porch as a Juliet balcony. This element combines circulation, structure and view, turning a functional connection into one of the house’s most distinctive architectural moments.

 

 

Abstract Volumes and Controlled Privacy

The residence is framed by two abstract volumes clad in long-format black brick and black-stained cedar. These volumes complete the composition while shielding the interior from the street and from potential future neighboring development.

In a relatively dense suburban context, the house creates a carefully protected enclave. Privacy is not achieved through withdrawal alone, but through the precise placement of walls, glazing, courtyards and opaque material surfaces.

Construction as Atmosphere

Construction and detail play a central role in the character of the house, yet the expression of detail is deliberately restrained. The architecture is conceived as a primed canvas for light and shadow, natural materials and the presence of the garden.

A custom site-glazed window system minimizes the presence of frames, while steel elements — including custom structural columns, fascia and trim, a glass floor and steel bridge, and a double-height screened porch — introduce precision and depth. These details work together with black brick, stained cedar, purpose-built cabinetry and custom furniture to create a controlled but tactile domestic environment.

 

 

Hidden Color and Material Depth

Behind the restrained exterior and disciplined detailing, the interior includes unexpected moments of color and texture. These appear behind doors, at the back of bookcases and in carefully selected surfaces, giving the house a private richness that reveals itself gradually.

Tarrytown Residence is therefore not only a house of enclosure and transparency. It is a home shaped through contrast: between public and private, shadow and light, horizontal continuity and vertical intensity, precision and delight.

The seventh edition of Material Matters, organized by ek magazine, was successfully held on 16 June at the Banquet Hall of Megaron the Athens Concert Hall. Dedicated to the design and construction of architectural façades, Material Matters Vol. 7: Facades — Metal, Wood, Glass & Cladding brought together leading architectural practices to reflect on the façade as a technical, spatial, material and cultural interface.

The event was moderated by architects Ariadni Vozani, Professor at the National Technical University of Athens and Editor-in-Chief of ek magazine, and Stavros Martinos, member of the magazine’s editorial team. Invited speakers were asked to present two of their own projects and one work by another architect, through their own critical lens, within a ten-minute format.

The evening opened with Natassa Lianou and Ermis Chalvatzis of LC Architects, who presented the projects Orbit and Antenna Group at the level of detailed design, while pointing to the potential of glass-fibre reinforced concrete in contemporary façade design. Nikolas Travasaros of Divercity Architects then focused on the relationship between visibility and bodily movement, through an office building on Syngrou Avenue and the new Mitsis N’U Piraeus Port hotel, using the Institut du Monde Arabe by Ateliers Jean Nouvel as a reference.

Matilda Beraha of Arid offered a reflective exploration of the façade as boundary, presenting the Veil building in Kypseli and a shipping company headquarters on Alimou Avenue, while drawing parallels with related works in New York and Paris. Dimitra Katsota of Buerger Katsota Architects highlighted the façade as part of the public realm through the work of Alison and Peter Smithson, before bringing this line of thinking into the design of the new University of Nicosia facilities at Ellinikon and an office building nearing completion on Kifisias Avenue.

Anargyros Mougiakos of ISV Architects addressed the façade as a sculptural construction composed of successive standardized elements, drawing on examples from 1950s American modernism and two corresponding applications in specialized buildings in Athens. Fotini Gouveli and Niki Katsaragaki of A&S Architects brought the importance of the “fifth façade” to the fore, through an office building on Pireos Street and Education City in Doha, using COBE Architects’ The Silo in Copenhagen as their reference project.

Eraclis Papachristou of Eraclis Papachristou Architects discussed the challenges of designing tall buildings through two recent projects in Limassol, focusing on the importance of views — but also of a broader architectural vision — in relation to tactility and material presence. Ivy Nanopoulou and Eri Nikoloudi of TPA – Thymio Papayannis and Associates selected two projects separated by almost sixty years: the OSE Building on Karolou Street and the “Odysseas” Hellenic Maritime Heritage Park, currently under construction in Faliro Bay. Their presentation traced the continuity of the practice’s thinking through a creative reading of place, landscape and history, with Frank Gehry’s Fondation Louis Vuitton in Paris serving as their reference building.

Loukas Bobotis of Bobotis+Bobotis Architects presented his private residence in Athens and the One Floreasca complex in Bucharest, taking as a point of reference the renovation of the Palazzo della Civiltà Italiana in Rome.

The evening concluded with the keynote lecture by Doriana Mandrelli Fuksas and Massimiliano Fuksas, who presented an impressive panorama of their work, ranging from interior design to large-scale building complexes and public spaces. The participation of the internationally acclaimed Studio Fuksas gave this year’s edition particular weight, opening a direct dialogue with the Greek architectural community and confirming the high quality of the presentations that define the Material Matters series.

The event was held under the auspices of the Hellenic-Italian Chamber of Commerce of Athens, the Hellenic-Italian Chamber of Commerce of Thessaloniki, and the Hellenic Institute of Architecture. Material Matters Vol. 7 was honoured by the presence of the Ambassador of Italy to Greece, H.E. Paolo Cuculi.

Platinum Sponsor: Elval Colour
Gold Sponsor: F|Nous
Silver Sponsor: Voutsadakis
Bronze Sponsor: E-dreams
Stage Design Sponsor: Rouchotas
Cocktail Event Sponsor: Dipo-Interwood
Sponsors: AkzoNobel, Alumil, Etem, Europa, Ilicon, Mipeco, Nolte Kitchens, VasGlass, Vitex
Supporters: Anegersi, Diodos, Domiki Papanikolaou, Gratalum, Koligas Wood Essence, Knauf, Saint-Gobain Glass, Textures & Tiles
Hospitality Sponsors: Electra Rhythm Athens, Inn Athens
Wine Sponsor: Zacharias Winery

 

 

An All-in-One Solution for Hybrid Work

LG Electronics presents LG One:Quick, an all-in-one series of video conferencing displays designed to support the way professional meetings are conducted in the era of hybrid work.

The series offers an integrated communication and productivity environment, bringing together technologies that usually require multiple separate systems. By combining a high-resolution 4K UHD display, built-in computing system, high-definition camera, microphones, speakers and real-time collaboration functions, LG One:Quick simplifies the meeting process and reduces the need for complex connections or external equipment.

 

Communication and Collaboration in One Device

LG One:Quick is designed to help organizations create more efficient meeting environments, where communication, presentation and teamwork can take place through a single device.

The series responds to the growing need for flexible collaboration tools in offices, meeting rooms and professional spaces. Its integrated design allows users to move quickly from video conferencing to shared work, reducing technical barriers and supporting more direct interaction between teams.

 

LG One:Quick Works for Meeting Rooms

LG One:Quick Works is the most complete solution in the series, designed for meeting rooms and professional environments where stable, high-quality communication is essential.

The product offers a video conferencing experience with automatic speaker focus, clear audio transmission in larger spaces and direct access to collaborative applications without the need for additional installations. It also supports digital whiteboard functions, allowing teams to develop ideas in real time, as if they were working together in the same room.

 

LG One:Quick Flex for Flexible Use

LG One:Quick Flex approaches professional collaboration through greater flexibility, adapting to different use scenarios, from small meetings and presentations to remote collaboration.

Multi-touch functionality, an integrated camera and support for writing and annotation directly on the screen make it a useful tool for interactive communication. Its mobility also allows the device to be used across multiple spaces within the same organization, extending the value of a single collaboration solution.

 

A Smarter Meeting Environment

With the One:Quick series, LG aims to create a simpler, faster and more efficient way of working together. By transforming different spaces into smart communication environments, the solution supports productivity and helps reduce the technical obstacles of contemporary work.

 

LG Business Solutions Greece

An Ecological Shelter in the Pyrenees

Forestone Cabin by the Institute for Advanced Architecture of Catalonia (IAAC) is a 20 sq.m. experimental wooden dwelling located at MónNatura Pirineu, in the Pyrenees. Designed and built by the 2025 cohort of IAAC’s Master in Ecological Architecture and Advanced Construction, the cabin forms part of the Bio for Piri initiative, which promotes regenerative forestry and the sustainable use of local timber from Pyrenean forests.

Led by Fundació Catalunya La Pedrera and funded by the Biodiversity Foundation with European Next Generation funds, the initiative focuses on forest management, local material cycles and the development of architecture as an ecological tool. Within this framework, Forestone operates as a student-built prototype, a research project and a small inhabitable structure for two people, including a sleeping area, workspace and bathroom.

A Resting Rock in the Landscape

The form of the cabin is inspired by the rocky terrain of the Pyrenees. Conceived as a block of stone that appears to have rolled down the mountain and come to rest on the site, its faceted geometry is shaped by inclined walls and a sloping roof.

This sculptural form is not only symbolic. The geometry responds to programmatic needs, climatic conditions and solar exposure, adjusting ceiling heights and spatial proportions within a compact footprint. Carefully positioned openings frame views of the surrounding mountains and enable cross-ventilation, while operable wooden shutters provide complete darkness at night, reducing light pollution and supporting the site’s astronomical activities.

 

 

Local Timber and Fire-Aware Construction

The structure and envelope were built using locally sourced cross-laminated timber panels and charred wood from nearby forests. The exterior façade is made of pine boards with natural edges, charred according to the Japanese Yakisugi or Shou Sugi Ban technique, which burns the surface layer of the wood to increase resistance to insects, water, fire and mold.

The boards were cut to size and charred by the students themselves. Beyond improving durability, this treatment symbolically connects the cabin to fire management and prevention, a crucial aspect of regenerative forestry in the Pyrenees. The project therefore treats fire not only as a threat, but also as a material and cultural condition embedded in the landscape.

A Continuous Wooden Interior

Inside, the cabin becomes a compact, fully integrated wooden environment. Custom-made CLT elements, including the bed, built-in furniture, washbasin counter and seating, were designed and fabricated by the students at Valldaura Labs.

Architecture, structure and furniture are brought together as a single material system. The interior avoids unnecessary separation between building and object, allowing the compact space to function with clarity while preserving a strong sense of warmth and material continuity.

 

 

Hands, Wool and Stone

Forestone extends its material logic beyond timber. During an annual wool festival in the nearby town of Sort, students collaborated with local farmers to collect sheep’s wool. The wool was then washed, dried and transformed into felt at Valldaura, with the support of Dutch artist Rian van Dijk.

The resulting blankets, rugs and pillowcases furnish the cabin, integrating local craftsmanship and agricultural by-products into the project. During the same visit, students collected a stone from the surrounding landscape and manually carved it with power tools to create a unique washbasin. Through these gestures, the cabin becomes materially tied to its geographical and cultural context.

A Replicable Prototype for Forest Habitation

From the beginning, Forestone was conceived with an emphasis on replicability. It demonstrates how small-scale architecture can be built with local timber, regional knowledge and low-impact construction methods, while inhabiting forest landscapes without altering existing ecosystems.

The use of modular CLT elements, dry-assembly techniques and locally available materials allows the cabin to be adapted, replicated or dismantled as needed. In this sense, the project proposes a model of sustainable forest habitation, aligning architectural production with long-term environmental stewardship.

 

 

Education, Industry and Regenerative Forestry

Forestone brings together education, local industry, craftsmanship and regenerative forestry. Through its careful detailing, layered construction and direct connection to place, the cabin proposes an alternative approach to building in sensitive landscapes.

From January 2026, the cabin is open to guests at MónNatura Pirineu in Planes de Son, offering visitors the opportunity to inhabit the prototype and experience its relationship with landscape, materials and climate first-hand.

A Detached Workshop for Ceramics in West Seattle

In West Seattle, Ceramics Studio by GO’C is a new detached workshop and classroom, permitted as a detached accessory dwelling unit, or DADU. Designed for a compact urban residential lot, the building provides generous interior and exterior spaces for forming and firing ceramics, while allowing for future residential use.

The project was commissioned by a maker of functional ceramics whose work is deeply informed by the landscape and memory of Northern Saskatchewan. The design challenge was to create a space that could support her practice, reflect the quiet strength of her work and offer an inspiring environment for teaching others.

A Space for Making, Teaching and Gathering

Finding adequate studio space for ceramics in Seattle is difficult and costly, especially for a growing practice that requires room for sculpting, firing, storage, classes and pop-up shops. Having lived in the existing residence for several years, the client decided to build a dedicated studio closely aligned with her functional needs and design sensibility.

The new structure was conceived not only as a workspace, but also as a flexible neighborhood hub. Since its completion, it has been used as a ceramics studio, classroom, holiday pop-up shop, kitchen prep space, setting for communal dinners and, in the loft, as an office and guest bedroom.

 

 

Light as a Working Tool

Natural light is central to the project. Large skylights pierce the roof in three key locations: the loft, the main interior studio and the covered exterior kiln terrace. Each opening brings daylight where it is most needed, supporting both the precision of ceramic work and the atmosphere of the space.

A large cantilevered roof extends from the interior toward the exterior, creating a covered terrace for two kilns and expanding the usable area of the studio. This gesture connects making, firing and gathering within one continuous architectural sequence.

Structure, Wood and Material Continuity

Exposed rafters inside and outside create a clear structural rhythm, bringing warm wood tones through the entire building. The roof structure becomes a unifying element, visually connecting the interior studio, the loft and the outdoor working terrace.

A strong material transition defines the interior: white display walls below and warm wood above. This contrast supports the display of ceramic work while echoing the lines of the structure and the cantilevered roof. Linear up/down lighting illuminates the wood underside of the roof, adding warmth during Seattle’s long winters.

 

 

A Simple, Powerful Architectural Expression

The client’s ceramic practice is described through quiet forms, simplified designs and natural earthy tones. The architecture responds with a similarly restrained language: direct, warm and carefully detailed, without unnecessary visual noise.

Rather than producing a neutral utility shed, the project gives the act of making an architectural presence. It is compact but generous, modest but precise, and designed to support both solitary work and collective activity.

Built Through Collaboration

The project was built on a tight budget. The client worked full-time alongside the contractor during construction, while her partner and friends also contributed to the making of the space. This collaborative process gives the studio a particular character: it is not only a designed object, but a place shaped through shared effort.

Ceramics Studio brings together making, teaching, hospitality and future adaptability in a single small building. It demonstrates how a detached workshop can become both an intimate space of production and a generous social infrastructure for a creative practice.

A House in the Forested Landscape of Canela

Set within a residential condominium in Canela, in the mountainous region of Rio Grande do Sul, Brazil, House in Canela by 0E1 Arquitetos explores the relationship between architecture, construction technique and landscape. Surrounded by native forests and rolling hills, the house occupies a 500 sq.m. sloping plot, where the terrain drops approximately 10 m from the entrance to the chosen building site and around 15 m across the entire lot.

This topographical condition became one of the main conceptual drivers of the project. Rather than treating the slope and vegetation as obstacles, the design uses them as the basis for the siting, access and construction strategy of the house.

A Compact Retreat for Flexible Use

The house was commissioned by a family with a strong interest in architecture, who actively participated in discussions and decisions throughout the process. Conceived as both a weekend retreat and a short-term rental, the project required a compact and self-sufficient program capable of comfortably accommodating up to two couples.

Within approximately 120 sq.m. of built area, the house needed to ensure independence between bedrooms while maintaining generous spatial quality. The result is a small but carefully worked residence, where every square meter is tied to a clear functional and atmospheric intention.

 

 

Site Analysis and Minimal Impact

Before the design process began, a multidisciplinary team of biologists and surveyors carried out a detailed site analysis. Vegetation was mapped, trees were catalogued and species were classified as native or exotic, allowing the architects to understand the forested terrain with precision.

The house was placed in the only existing clearing on the plot, minimizing tree removal and reducing the need for major earthworks. This decision preserves the surrounding ecosystem and turns the forest into an active component of the architectural experience.

A Square Plan with Pinwheel Organization

The house is organized on a square footprint measuring 10.8 x 10.8 m. Within this regular geometry, the spaces are arranged dynamically in a pinwheel-like configuration. The living room occupies the center of the plan and acts as the main organizational core.

From this central room, the service areas and private zones radiate outward. Two independent suites, a kitchen, service area, barbecue area and terraces are connected to the central living space, creating a clear balance between communal use and privacy.

 

 

Light Steel Frame as Construction Strategy

The choice of a light steel frame system responds directly to the constraints of the terrain and to the experimental character of the project. Lightweight and quick to assemble, the system eliminated the need for concrete mixers on site and reduced impact on soil and vegetation.

A leveling slab acts as the platform for the metal structure, helping reduce waste, maintain a clean construction site and ensure precise control over the building process. Beyond its technical role, the steel frame also informed the architectural language of the house, allowing generous spans, accurate closures and a clear volumetric relationship with the landscape.

Industrial Materials at Domestic Scale

Instead of covering the steel frame to imitate conventional masonry, the house embraces its industrial logic. The exterior walls and roof are clad with trapezoidal sandwich panels, a material usually associated with industrial buildings, here applied at the scale of a domestic retreat.

The panels provide thermal and acoustic performance, require low maintenance and visually unify the building. Their installation demanded specialized teams, ensuring construction precision and a controlled finish. Externally, the dark-toned cladding reduces visual impact, allowing the house to appear discreetly among the trees.

 

 

Skylight, Openings and Forest Views

The asymmetrical roof culminates in a skylight at its highest point, creating the only direct view of the sky from within the dense forest. This opening brings consistent daylight into the interior, enhances the perception of space and creates shifting patterns of light and shadow throughout the day.

Generous floor-to-ceiling windows, 2.4 m high, bring in natural light and ventilation while turning the surrounding forest into a continuous presence inside the house. Slightly recessed rather than flush with the façade, the windows create a sequence of planes and framed views that add depth to the envelope.

Access Through the Terrain

Access to the house is carefully integrated into the slope. A staircase of 64 steps winds through the site, avoiding trees and roots. Each step measures 1.20 x 0.30 m, with intermediate landings of 1.20 x 1.20 m.

The staircase was adjusted during construction in response to the terrain. Centrally supported steps create subtle cantilevers, and together with the landscaping, they give the impression of a light, almost floating path through the forest.

 

 

Interior Planes, Wood and Slate

Inside, the architecture is organized in two visual planes. Up to 2.40 m high, the walls remain white, continuing through doors and terrace openings. Above this level, Tauari wood panels follow the slope of the roof, while black metal trim marks the material transitions and reappears at the baseboards.

Slate flooring reinforces the material palette. Originally supplied in 0.40 x 0.40 m slabs, it was cut into 0.10 x 0.40 m pieces, creating a pattern reminiscent of parquet. Over time, the slate develops a greenish patina, allowing the effects of climate and humidity to become part of the house’s character.

Living Room, Kitchen and Autonomous Suites

The living room, elevated about 2 m above the ground, opens onto a terrace with a hidden staircase leading to the garden. A wood-burning stove brings warmth to the cooler mountain climate and becomes a focal point in the central space. From here, the surrounding landscape unfolds like a constantly changing painting.

The kitchen faces the access side and maintains a direct relationship with the staircase and rear barbecue area. Basalt countertops are combined with cabinets in alternating white and wood finishes, following the interior’s broader material logic.

The suites are conceived as autonomous units. In the main bedroom, a wooden slat headboard incorporates a functional niche, while the bathroom door is camouflaged within the same plane, reinforcing visual continuity. Floor-to-ceiling windows open the bathroom to the forest, offering generous views while preserving privacy.

 

 

A Laboratory for Residential Construction

Started in 2021 and completed in 2024, House in Canela functions as an architectural laboratory. Its 120 sq.m. built area corresponds to the condominium’s minimum permitted size, achieved without removing trees by reducing lateral setbacks.

The construction process followed an efficient schedule: approximately two months for foundations, two weeks for assembling the steel structure and additional months for closures and interior finishes. Through this process, the project demonstrates how contemporary construction systems and materials rarely used at residential scale can respond to strict site conditions.

The result is a compact retreat that combines technical rigor with architectural sensitivity, offering an immersive experience of living within the landscape.

A Residential Building of Curved Geometry in Athens

Located in the northern suburbs of Athens, Chiven by The Hive Architects is a residential building that balances architectural precision with the fluidity of form. Through clean geometries and curved surfaces that appear shaped by wind and light, the project develops as a dynamic composition of volumes, avoiding static expression and encouraging the continuous movement of the gaze.

The building, with a total area of 770 sq.m., is expected to be completed in 2028. Its architectural language is defined by strong horizontal lines and soft, curved envelopes that wrap around the interior spaces, shaping both the façade and the experience of inhabitation.

Horizontal Layers and Curved Envelopes

The main architectural gesture is expressed through successive horizontal layers and curved edges that soften the building’s volume. These curves are not treated as formal decoration, but as spatial devices: they guide movement, frame views and produce a changing play of light and shadow across the façades.

As the sun moves throughout the day, the building’s surfaces respond through reflections, shadows and shifts in depth. The result is a residential composition that changes gradually over time, giving the building a sense of movement despite its compact urban presence.

 

Interior and Exterior in Continuity

Particular emphasis is placed on the relationship between interior and exterior space. Transparent railings reduce the sense of boundary, allowing light to penetrate deeper into the building and reinforcing the visual continuity between living areas, balconies and the surrounding environment.

Large balconies extend the apartments outward, offering generous outdoor living areas. The building is organized as a vertical sequence of private and semi-open spaces, where each level maintains its autonomy while contributing to the overall continuity of the composition.

Water, Light and Bioclimatic Character

Elevated pools and water elements operate as mirrors of the sky, enhancing a sense of lightness, calm and suspension. Water becomes a key compositional element, contributing to the atmosphere of the project and reinforcing its bioclimatic character.

The interplay between water, light and curved surfaces gives the building a softer presence. Instead of relying on mass and opacity, the project works through reflections, filtered light and the modulation of outdoor thresholds.

 

 

Earthy Materiality and Planted Terraces

The material palette remains discreet, based on earthy tones where textured surfaces meet smoother finishes. This controlled material language supports the building’s formal clarity, while giving depth and warmth to its curved geometry.

Attention to detail is expressed in the curved endings of the slabs, the continuity of the horizontal lines and the integration of planting. Greenery softens the geometry and introduces the idea of elevated gardens across the upper levels, bringing natural elements into the vertical development of the building.

A Roof Terrace as an Elevated Place of Retreat

The composition develops vertically through successive levels that ensure privacy while maintaining visual continuity. At the top, the building is crowned by a generous roof terrace, conceived as an elevated place for relaxation.

Openings filter the light and create focused visual escapes, transforming the roof into a protected outdoor space. In this way, the building extends the idea of residence beyond the apartment itself, proposing a layered experience of domestic life.

 

 

Contemporary Urban Living

Chiven reconsiders contemporary residential architecture through a balance of simplicity, technology and natural elements. The project does not seek to impose itself on its surroundings, but to enter into dialogue with them through form, light, water and planting.

The result is a residential proposal where architecture becomes both sensory and functional: a building shaped by movement, material restraint and the search for a more fluid way of living in the city.

Modular Timber Architecture for Regenerative Tourism

Located in Barra dos Remédios, on the western coast of Ceará, Casa Daia Bungalows by UNA barbara e valentim forms part of a boutique hotel conceived around regenerative tourism, cultural immersion and a close relationship with the territory and its local community. Opened in 2025, Casa Daia is set within a remote and environmentally sensitive area, where architecture is asked to respond not only to program and comfort, but also to landscape, logistics and environmental care.

The project occupies a former farm of approximately 220 hectares, where mangroves, dunes, riverbanks, caatinga vegetation and coastal forest coexist in a complex overlap of ecosystems. Within this context, the bungalows operate as a precise and low-impact architectural insertion, using industrialized timber construction as a tool for hospitality in fragile territories.

Four Bungalows in Existing Clearings

The intervention consists of four bungalows, each approximately 90 sq.m., carefully positioned in existing clearings in order to avoid the removal of native vegetation. Shallow foundations and elevated decks minimize direct interference with the soil and preserve the natural permeability of the land.

The position of each volume was guided by studies of solar orientation and prevailing winds. Cross ventilation, shading and thermal comfort are achieved without relying on mechanical systems, allowing the buildings to work with the climate rather than against it.

 

 

Verandas, Overhangs and the Continuity of Landscape

The bungalows are defined by verandas, generous overhangs and large protected openings. These elements establish a continuous relationship between interior and landscape, allowing natural light, shade and air to become structuring parts of the spatial experience.

The architecture avoids a hard boundary between building and site. Instead, it creates shaded thresholds and open edges, where the experience of hospitality is shaped by the surrounding vegetation, the coastal climate and the slower rhythm of the land.

Modular BV: An Industrialized Timber System

The bungalows were built using Modular BV, a construction system developed by UNA barbara e valentim in partnership with the Brazilian engineered timber manufacturer Crosslam, and assembled on site by Abaeté Construtora e Incorporadora. The system is based on prefabricated modules made of reforested eucalyptus CLT, produced in a controlled factory environment and dry-assembled on site.

For a project located in a remote and environmentally sensitive area, this system offers clear advantages. It increases control over cost, time and environmental impact, while reducing waste and shortening the construction process compared to traditional high-end building methods.

 

 

Industrial Precision and Architectural Authorship

At Casa Daia, prefabrication is not treated as a limitation. By combining architectural authorship with industrial precision, the project proposes a model in which technology supports the architectural intention rather than replacing it.

The result is a modular timber system capable of responding to the environmental, logistical and cultural conditions of the site. Casa Daia is the second built example using the Modular BV system, following Modular Bahia, a single-family residence on the southern coast of Bahia that applied the same principles of independent timber structure, CLT enclosures, cross ventilation, shading and integration with the landscape.

Landscape, Community and Low-Impact Practices

The siting of the bungalows begins with the recognition of the environmental singularity of Barra dos Remédios, where multiple ecosystems and traditional ways of life coexist within a landscape that has resisted the passage of time. Before construction began, an extensive environmental zoning study was carried out, in alignment with the principles of regenerative tourism: minimal impact, integration with the landscape, appreciation of local culture and respect for the time of the land.

Casa Daia also maintains an ongoing dialogue with neighboring communities such as Pescada Nova and Praia Nova. The project prioritizes local labor, supports social initiatives and adopts low-impact practices, including rainwater harvesting, photovoltaic energy, waste management, agroforestry and the reduction of disposable plastics.

 

 

Architecture, Landscape and Community in Continuity

In a context marked by environmental and social transformation, Casa Daia positions itself as a sensitive and tangible alternative for contemporary tourism. The bungalows show how hospitality architecture can engage with remote territories without imposing itself on them.

Through modular timber construction, careful siting and a commitment to the surrounding community, Casa Daia articulates architecture, landscape and local culture in a relationship of continuity.

A Former Warehouse Transformed into a Wellness Space

In Metaxourgeio, Athens, Hekate Fitness Club by Studio Maneo transforms a former warehouse into a bright and calm wellness space. The project is guided by the architectural idea of disconnecting from the intensity of the city, creating an interior where exercise, safety and sensory decompression are brought together.

Although the owner comes from the world of sports, the ambition was not to create a conventional gym. The design instead seeks to shape a space that first conveys a sense of personal safety and respect for each visitor’s identity, while offering a moment of retreat from the dense rhythm and visual noise of the city center.

A Space of Disconnection from the City

The project approaches wellness as a broader physical and mental experience. The goal was for visitors to feel closer to nature, but also to their own physical and spiritual condition. In this sense, the interior is conceived less as a place of performance and more as a protective environment for movement, concentration and recovery.

This atmosphere is developed through natural materials, clean geometries and light as a primary design tool. Wood cladding, terracotta tones and earthy shades create a calm setting, where the balance between light and shadow becomes part of the spatial experience.

 

 

Natural Materials and Soft Opacity

The façade is treated with milky glass, establishing a balance between light diffusion and soft opacity. This gesture protects the interior from direct visual exposure while allowing light to enter gently, forming a secure and atmospheric environment for exercise.

Inside, the 140 sq.m. space is organized across two levels. The ground floor hosts the reception and workout areas, while the upper level contains support functions, including changing rooms and washrooms. The plan is structured through the idea of a “box within a box,” clearly defining uses without fragmenting the overall atmosphere.

The “Box Within a Box” and the Martial Arts Area

The martial arts area is defined by wooden wall panels, distinguishing it from the rest of the program and reinforcing the perception of an inner volume nested within the larger space. This architectural strategy gives the project clarity and depth, while preserving a sense of continuity between the different functions.

The reception is also conceived as a wooden box-like structure. Its clostra surface visually connects it with the rear martial arts area, allowing the idea of nested spaces to be repeated across the interior through material and rhythm.

 

 

Linear Skylights and the Stair as a Light Filter

Two key elements define the lighting qualities of the project: the linear skylights and the central staircase leading to the secondary level. The skylights allow natural light to enter softly throughout the day, gradually transforming the atmosphere of the interior as time passes.

The staircase is framed by a tall freestanding wall, which acts as a spatial filter between the two main uses. A vertical slit in the middle of the wall is fitted with clostra panels, creating shifting effects of light and shadow, opacity and transparency.

Indoor Planting as a Transitional Gesture

As visitors move through the space, they encounter indoor plants placed within built-in planting beds. This gesture introduces nature into the interior not as decoration, but as a transitional filter.

The planting supports decompression both upon entering from the intensity of the city and when leaving after physical exercise. Through this sequence, Hekate Fitness Club shapes wellness as an experience that begins before training and continues after it, connecting body, light, material and atmosphere.

Advanced Ventilation for the Contemporary Home

LG Business Solutions presents LG Residential ERV, an advanced ventilation solution designed to improve indoor air quality and upgrade everyday comfort in the modern home.

As people spend a significant part of their daily lives indoors, air quality has become a critical factor for health, wellbeing and domestic comfort. LG notes that indoor air can be considerably more burdened than outdoor air, making effective ventilation an essential part of a healthy living environment.

Continuous Air Renewal with Energy Efficiency

LG Residential ERV ensures the continuous renewal of indoor air by removing stale air from the home and introducing fresh air from outside. At the same time, the system is designed to avoid unnecessary impact on indoor temperature, using a high-efficiency heat exchanger.

According to LG, this allows for significant energy savings compared to conventional natural ventilation, while maintaining thermal comfort for residents. The ERV system can save up to 85% more energy compared to natural ventilation, thanks to its highly efficient heat exchanger.

Air Purification Technologies

Beyond ventilation, LG Residential ERV incorporates advanced air purification technologies. High-efficiency filters help remove fine dust, while UVnano™ technology contributes to the reduction of bacteria and viruses on the pre-filters.

The system also features an antibacterial design for its internal components, helping prevent mold development and maintain high hygiene levels within the unit. According to the press release, with the application of UVnano technology, bacteria and viruses on the pre-filters are removed by up to 99.99%.

Monitoring and Smart Control

LG Residential ERV also includes advanced air quality monitoring and control functions. Integrated CO₂ sensors and fine dust sensors allow the system to adjust its operation in real time according to indoor conditions.

Through these features, users can maintain stable levels of comfort and air quality, while the system responds dynamically to the needs of the space.

A More Sustainable Living Environment

With LG Residential ERV, LG Electronics strengthens its commitment to developing technologies that combine energy efficiency, health and comfort. The solution contributes to the creation of a more contemporary and sustainable home environment, addressing one of the key challenges of modern living: the quality of the air we breathe indoors.

LG Business Solutions Greece

An Architect’s Own Apartment in São Paulo

Designed as his own residence, AC Apartment by Arthur Casas is a synthesis of technical precision, functionality and personal narrative. Located in Praça Henrique Monteiro, a mixed-use complex also designed by the architect, the apartment is conceived as a direct extension of his thinking on architecture, design and urban life.

Every decision, from the organization of the plan to the detailing of the carpentry, reflects a conscious adaptation to everyday use. The result is a residence that combines spatial fluidity, integrated systems and aesthetic intention, while marking a significant shift in the architect’s way of living: from a 1940s house in Pacaembu, designed by Artigas, to a more compact, contemporary and practical urban apartment.

A 300 sq.m. Plan Without Residual Space

With an area of approximately 300 sq.m., the apartment was designed to eliminate unused spaces and prioritize direct circulation, functional clarity and versatile environments. Full automation, custom-made solutions and extensive use of natural materials create an atmosphere that is precise but welcoming, controlled but lived-in.

The interior also functions as a calm background for Arthur Casas’ personal collection of artworks, sculptures, books, photographs, cherished objects and design pieces. As the architect notes, designing for himself was, in his words, easy: he knew what he liked and how he lived.

 

 

A Continuous Social Area

Upon entering the apartment, the integration of spaces is immediately apparent. The door opens into a continuous social area, where the living room, dining room, home theater and kitchen are connected through a single architectural gesture. Circulation is fluid and unobstructed, while fixed elements organize the space naturally.

In the living room, the Fusca sofa by Arthur Casas for Micasa occupies a central position, accompanied by Bauhaus chairs by Franco Albini, the Elda armchair by Joe Colombo and a Desenho coffee table by Arthur Casas. The atmosphere is strongly shaped by art, with works by Mira Schendel, Carlito Carvalhosa, Anna Maria Maiolino and Waltércio Caldas, among others.

Dining Room, Kitchen and Integrated Carpentry

The transition to the dining room is seamless. A dining table in canela wood slats, designed by Arthur Casas, is surrounded by Flair’o chairs from B&B Italia, while sculptures by Rafael Oboé, Liuba Wolf, Ilha do Ferro and Rhodes contribute to the layered character of the space. A painting by Paulo Pasta marks the wall, while embedded fixtures in the continuous wooden ceiling provide precise lighting throughout the apartment.

The kitchen features the Disco stool by Arthur Casas for Studio Objeto and Neolith Basalt Grey countertops, integrated into a custom carpentry structure designed by the architect. The cabinetry conceals appliances and optimizes storage, allowing the kitchen either to merge with the social area or to be closed off by a sliding door, according to use.

 

 

Home Theater and Multifunctional Office

Adjacent to the kitchen, the home theater revisits the Fusca sofa, now combined with the Tavolino 1932 side table by Gio Ponti, the Marsala armchair by Michael Ducaroy for Ligne Roset and a tapestry by Henri Laurens. Shelves display sculptures, ceramics and plates by Livia Gorka, Pablo Picasso and Jean Lurçat, alongside books and personal objects.

Between the social and intimate areas, the office operates as a multifunctional room. It serves as a workspace, while also accommodating a bed for visits from one of the architect’s children. The room features the Pivot High stool by Vitra and a collection of Arthur Casas’ miniature cars, displayed in custom-designed niches.

A Wooden Transition to the Private Areas

The corridor leading to the bedrooms is lined in wood, creating a quiet transition toward the private areas of the apartment. Along the walls, a collection of photographs includes works by Pierre Verger, Mario Cravo Neto, Bob Wolfenson and Cristiano Mascaro, turning circulation into a gallery-like sequence.

In the master suite, the atmosphere is defined by subtle lighting, vintage table lamps, technical fixtures such as the Ledtube by Marset, a continuous wooden ceiling and custom-designed furniture. A Giuseppe Scapinelli armchair and a Via Appia marble nightstand complete the room, alongside works by artists including Tarsila do Amaral, Emiliano Di Cavalcanti, Athos Bulcão and Flávio de Carvalho.

 

 

Technology, Precision and Atmosphere

Every technical detail was integrated with precision: central vacuum, embedded sound system, invisible air conditioning, anti-moisture system, intelligent sensors and full automation. Lighting fixtures by XAL highlight the artworks and materials with precise light distribution, without competing with the architecture.

This technical control supports the apartment’s broader atmosphere. The project is not only about efficiency or display, but about creating a living environment where infrastructure disappears into the architecture and allows materials, art and daily life to take the foreground.

Architecture Experienced at Scale 1:1

Living in an apartment he designed himself, from the building and plan to finishes and furniture, gives Arthur Casas the opportunity to experience his architecture at full scale. Praça Henrique Monteiro, which brings together hotel, restaurant, boulangerie, jazz club and residences within one complex, is understood by the architect as a living organism in constant adaptation.

For Casas, the apartment could not be separated from the wider project. Its meaning lies in the continuity of language between the residence, the tower and the other programs of the complex. AC Apartment is therefore both a private home and a lived manifesto: a compact urban residence shaped by architecture, art, memory and the routines of everyday life.

A Museum for Children’s Creative Autonomy

In Amsterdam Noord, KiMu Kinderkunstmuseum opens as a new art museum dedicated to children’s creative process. Rather than presenting art education as a sequence of fixed assignments, KiMu gives children the space to explore, test, wander, question, fail and begin again. The museum provides conditions, tools and materials, without directing the work toward a predetermined result.

This approach is grounded in a clear pedagogical position. Children are treated as full participants in the creative process, with their own ideas, competencies and desires. As founder and director Suzanne Huis explains, children want to know whether they are welcome and whether they can be who they are. At KiMu, the answer to both questions is yes.

Parallel Processes: Children and Artists Working Side by Side

KiMu opens with the exhibition Parallel Processes, presenting the work of nearly seventy children alongside that of Dutch artists Brian Elstak, Willem Harbers and Roos van Haaften. Each artist contributed to the setup of the ateliers through their own way of working, without the children seeing their work during the process.

Roos van Haaften informed the light studio, where children explore light, reflection and shadow through simple materials. Brian Elstak contributed his practice of storytelling through image, language and collective making, while Willem Harbers brought a process of material exploration, working with stone, metal and constructed forms.

The exhibition focuses not only on completed works, but on the process behind them: sketches, experiments, intermediate stages and moments of trial. Children and artists worked with similar materials, questions and strategies, developing their results independently. At times, unexpected similarities appear, such as Elstak’s robots or Harbers’ cage-like structures reappearing in children’s work, despite the fact that the children had not seen the artists’ pieces.

Process as the Starting Point

The museum’s ateliers are workspaces, not classrooms. Tools and materials are accessible, and the setup supports independent use. Children decide what they make and how they work, while the environment is structured to help them concentrate and follow their own ideas.

KiMu’s pedagogy builds on years of experience in art education and atelier-based work with children. The museum offers what it calls a “prepared environment”: richly arranged tables and floor setups, where materials and tools invite children to begin working without imposing a theme, schedule or fixed outcome.

From Concrete Shell to Museum Environment

KiMu is located in Amsterdam Noord, a rapidly developing district across the River IJ, known for its mix of garden villages, former industrial areas and waterfront redevelopment. Within a new building designated for museum use, KiMu and WE architecten transformed an empty concrete shell into a museum environment while deliberately preserving the raw industrial character of the space.

The layout is organized around a large double-height central area with generous windows facing the water. Visitors enter through a two-storey foyer with shop before moving into this open volume, where different routes, views and spatial experiences unfold.

Stairs, Balcony, Net and Open Sightlines

Two wooden staircases, a triangular balcony and a suspended net shape the way the museum is used. The balcony functions almost like a crow’s nest, breaking up the central volume and offering children a new point of view. The net creates a place for lounging and rest, while a mirror above it catches the light and reflects the water outside back into the interior.

Slender cherry wood frames and internal windows keep sightlines open between the ateliers and the main spaces, while introducing a restrained architectural language with references to a minimal Japanese aesthetic. The palette combines soft industrial grey, drawn from the existing concrete base, with moss yellow accents.

A Space Designed Through Use and Making

The design developed through close collaboration. Suzanne Huis defined how the spaces needed to function and developed many of the interior concepts, including the ateliers and furniture, while WE architecten translated this into a spatial design and introduced new interventions such as the stairs, balcony and net.

The process remained visible throughout the interior. Materials were sourced along the way, and furniture was designed, adapted and built during the project, often using reused or found materials. Children were also involved in making parts of the interior, reinforcing the idea that the museum is not a finished image, but a living environment for discovery.

Interior Details and Shared Authorship

The combined foyer and shop are organized around a single counter serving both museum and retail functions. It is clad in second-hand 1930s tiles, printed by children with parts of KiMu’s logo. Above it, a large light installation by artist Rein, suspended from the ceiling, is composed of mirrored glass elements that shift in color with the light.

The cloakroom includes a locker system by i29 architects under their Elements Amsterdam label, executed in steel and felt in contrasting colors, with coat hooks placed at children’s height. In the ateliers, furniture was developed through practical use and Suzanne Huis’ experience of working with children, then built by Lika Kortmann / LikaPika. The Atelier of Light was developed in collaboration with TOEVAL GEZOCHT, drawing on their experience with exhibitions on children’s creative processes, including earlier presentations at the Stedelijk Museum Amsterdam.

A Museum for Process, Imagination and Discovery

KiMu shows what can happen when children are given the space to think, make and develop in their own way. By focusing on how ideas take shape over time, rather than only on finished results, the museum offers a different model for engaging with art, education and creativity.

The museum was officially opened by Femke Halsema, Mayor of Amsterdam, together with Amsterdam’s children’s mayor Kiyaro. More than a museum for children, KiMu is conceived as an environment where autonomy, imagination and process become the foundation for creative growth.

Lightness and Transparency

On a corner plot in Glyfada, with a southwestern orientation and openness toward the sea, Divercity Architects designed a residential building composed of three floor apartments and a two-level residence at ground level. The project responds to the conditions of the Athenian Riviera, where the Mediterranean climate encourages the daily use of outdoor space and turns balconies, terraces and gardens into essential parts of domestic life.

The building is developed through an architecture of slabs and large glazed surfaces, seeking a balance between light and shadow, view and privacy. Rather than treating the façade as a fixed boundary, the project uses it as a layered interface between the interior, the city and the surrounding landscape.

Balconies, Views and Filtered Privacy

Large openings and continuous perimeter balconies define the main façades, giving the residences a sense of transparency and lightness. The apartments open toward the view while remaining protected through a system of movable shading elements that filter sunlight without obstructing the visual connection from the interior.

These light shading screens create moments of privacy and allow the façade to change throughout the day. Their movement and material expression mediate between exposure and retreat, making the exterior envelope responsive to climate, orientation and inhabitation.

 

 

Vertical Gardens as Spatial Filters

A series of vertical gardens is integrated into the balconies, separating shared from more private zones. These planted elements introduce greenery into the experience of urban living, while also supporting the creation of a more favorable microclimate around the residences.

At night, the gentle lighting of the vertical gardens transforms them into luminous markers within the building’s composition. Their presence produces a subtle play of shadows and reinforces the dialogue between architecture, planting and atmosphere.

White Geometry and Precise Detailing

The clean white geometry of the envelope and the careful handling of details give the building a sense of clarity and duration. The architectural language remains restrained, allowing the contrast between solid slabs, transparent surfaces, planting and movable screens to define the project.

This balance gives the building a timeless quality, avoiding excess while supporting a generous mode of living. Light, air, shade and view become the main materials of the residential experience.

 

 

Ground-Level Residence, Water and Greenery

At ground level, the two-level residence is framed by water and planting. A large swimming pool defines the outdoor living area, while the perimeter planting visually connects the plot with the dense vegetation beyond its boundaries.

The result is a building that extends domestic life outward, using terraces, gardens and shaded thresholds to connect the apartments with the climate and landscape of Glyfada. Transparency and lightness are not only formal qualities here, but conditions of inhabitation.

A Compact Nail Studio in Pangrati

Located in Pangrati, Nailon Room by So Far Studio is a neighborhood nail studio developed within a compact space of just 20 sq.m. Rather than treating the limited area as a restriction, the project is conceived as a single atmospheric environment, where light, texture and spatial continuity define the experience of the interior.

The design focuses on softness and intimacy, creating a quiet pause within the rhythm of the city. Upon entry, the space is immediately shaped by a suspended textile installation at ceiling level, which introduces a sense of lightness and enclosure without reducing the clarity of the room.

A Suspended Textile Installation as Spatial Device

The translucent textile surface acts simultaneously as a light filter and a spatial device. It diffuses illumination across the interior, softening the atmosphere and transforming the perception of the room into something quieter, more immersive and almost scenographic.

This ceiling intervention becomes the defining element of the project. It gives the compact plan a sense of depth and continuity, while establishing an immediately recognizable identity for the studio.

Materials, Reflections and Pastel Tonalities

A restrained palette of cement plaster, plywood surfaces and pastel pistachio-toned details establishes a calm architectural language rooted in texture and tactility. Clean geometries and carefully balanced proportions reinforce the clarity of the interior, allowing the few material gestures to carry the atmosphere of the space.

Subtle reflections and layered transparencies continuously shift the perception of depth throughout the day. A large mirror positioned along the main axis visually expands the room, multiplying the presence of the textile installation and dissolving the physical limits of the compact plan.

A Linear Bar and Integrated Bench

The spatial organization is structured around a long linear bar element, which functions simultaneously as reception desk, manicure station and social threshold. This element concentrates activity and gives the small interior a clear functional order.

Opposite, a continuous built-in bench accommodates the waiting area, product display and pedicure station within a single integrated gesture. In this way, the different functions of the nail studio coexist without fragmenting the space.

Atmosphere Over Visual Excess

Rather than prioritizing capacity or visual excess, Nailon Room focuses on atmosphere, softness and sensory experience. Through light diffusion, muted tonalities and material continuity, the interior momentarily detaches visitors from the intensity of the city.

The result is an intimate and immersive environment, gently suspended between function and scenography. Within just 20 sq.m., the project creates a complete interior world defined by restraint, clarity and atmospheric precision.

A Wooden Façade in a Densely Wooded Setting

Built from scratch in a densely wooded area of São Paulo, MLL Residence by Dado Castello Branco Arquitetura is introduced through a wooden façade that immediately reveals the project’s organic character. The house is conceived in close relation to the landscape, where architecture, vegetation and everyday family life are brought into a continuous domestic experience.

The residence does not stand apart from its surroundings. It is framed by trees, shaded paths and generous timber elements, allowing the built volume to settle softly within the garden while maintaining a clear architectural presence.

Landscape as an Extension of Domestic Life

A defining feature of the project is the way the landscaped pathways, designed by Isabel Duprat, appear to flow naturally into the interiors. This continuity creates a direct connection between the residence and the neighboring property, which belongs to the resident’s brother.

The gesture reflects an important aspect of the family’s daily life: the tradition of gathering for shared meals. Landscape is therefore not treated as a decorative frame, but as an active part of the house, supporting movement, encounter and everyday rituals.

A House Organized Around Family Connection

The relationship between the two neighboring properties gives the project a specific social dimension. The pathways do more than organize circulation through the garden; they reinforce the bond between two houses and the family members who inhabit them.

A wide canopy shelters the walkway toward the second house, creating a protected passage through the vegetation. This architectural element turns movement between the two homes into a daily experience of proximity, shade and continuity.

Tropical Greenery and the Social Area

In the social area, a striking wall of Monstera deliciosa forms a lush green backdrop. Native to Central America and widely loved in Brazil, the plant introduces depth, texture and drama into the interior atmosphere.

This living surface reinforces the project’s broader intention: to allow vegetation to participate directly in the spatial experience of the house. Greenery is not kept outside the architecture, but becomes part of how the residence is perceived, used and inhabited.

Generous Openings, Wooden Eaves and Spatial Amplitude

The residence is defined by expansive openings, generous wooden eaves and a ceiling height of 3.50 m, all of which enhance the feeling of spaciousness. These elements allow the house to feel both sheltered and open, protected from the climate while remaining connected to the surrounding vegetation.

Through material warmth, landscape continuity and an emphasis on family gathering, MLL Residence forms a calm and generous living environment. The project turns the house into a place where architecture and nature support a shared way of life.

The Red Dot Award-winning solution combines paper-like design, ultra-low energy consumption and flexible content management.

A New Commercial Display Solution by LG Electronics

LG Electronics (LG) strengthens its position in the professional display market with the introduction of the LG E-Paper Display, an ultra-low-energy commercial display solution designed for a range of business environments. The new product was recognized with the Red Dot Award: Product Design 2026 for its innovative, user-centered design and will launch first in South Korea early next month, followed by Europe and the U.S. in July.

Ultra-Low-Energy E-Paper Technology

The LG E-Paper Display features a 32-inch QHD screen with a resolution of 2,560 x 1,440 and a 16:9 aspect ratio. It uses electronic ink technology, forming images by moving and positioning electrically charged color particles within an electric field.

The display consumes energy only when its content is updated, significantly reducing power consumption. Its ability to support dynamic content updates while reducing dependence on printed advertising materials, such as point-of-sale displays and in-store signage, makes the solution suitable for commercial interiors including retail, hospitality and corporate environments.*

Paper-Like Design and Comfortable Viewing

A defining feature of the LG E-Paper Display is its ability to reproduce the texture and feeling of a traditional paper poster. Without requiring a backlight, the screen can be integrated smoothly into different commercial environments.

The product has a total thickness of 17.8 mm, reaching just 8.6 mm at its thinnest point, and weighs only 3.1 kg including the built-in battery, enabling easy installation and repositioning.

The display also offers comfortable viewing and wide viewing angles of 180 degrees horizontally and 180 degrees vertically, thanks to its reflective backlight-free panel. Using LG’s exclusive image optimization algorithm, the E-Paper Display reproduces vivid colors that help enhance the visual impact of on-screen content.

Smart Energy and Content Management

The new LG display is designed to improve operational efficiency. Its high-capacity 72Wh battery supports extended operation and can be fully charged in approximately three hours using the supplied charger, when the product is powered off. The display also supports wireless charging through a detachable magnetic battery.

The energy management function further enhances efficiency by automatically controlling the power consumption of the LG E-Paper Display according to user-defined content schedules, minimizing energy use by activating only when updates are required.

Remote Control Through webOS and LG SuperSign CMS

Equipped with a version of webOS, LG’s intuitive smart platform, optimized for B2B signage applications, as well as built-in Wi-Fi connectivity, the LG E-Paper Display allows easy remote management. Through LG’s browser-accessible signage management solution, users can monitor device status, adjust settings, perform software updates and replace content.

For more flexible content distribution, the display supports integration with LG SuperSign CMS, allowing users to remotely distribute and schedule single-image content across multiple E-Paper Display units. It also supports content distribution via USB storage devices or customers’ own CMS servers.

A New B2B Display Solution

“With its ultra-light, ultra-thin design and pioneering ultra-low-power technology, the LG E-Paper Display represents an attractive new commercial display solution for B2B customers,” said Nicolas Min, Head of the Information Display Business at LG Media Entertainment Solution Company.

LG Business Solutions Greece

A Demanding Transformation in Kolonaki

In the heart of Kolonaki, Kokosalaki Architecture renovates a 170 sq.m. apartment, shaping a contemporary urban residence around art, objects, textures and refined domestic atmosphere. The project, originally titled Refined Luxury, is set within a 1950s apartment building in central Athens and responds to the particular character of the existing shell.

The renovation was guided by the owner’s important personal art collection and distinct vision of modern luxury. The aim was to create a calmer, cleaner and more contemporary environment, without sacrificing the warmth, atmosphere and personality of the home.

Art, Objects and Contemporary Urban Living

The apartment is organized as a layered interior in which art is not treated as a later addition, but as an active part of the overall atmosphere. Works of art, objects and textures are integrated into a composition that allows the residence to remain personal while retaining a sense of order and clarity.

Through this approach, contemporary urban living is understood not as a neutral background, but as a daily experience with character. Surfaces, furniture, lighting and details are brought together to support intimacy, privacy and the presence of art in everyday life.

 

Working Within the Existing Shell

As is often the case with the renovation of 1950s apartment buildings in central Athens, the project involved a series of technical and construction challenges: outdated infrastructure, restricted site access, complex coordination requirements and the constant need to balance contemporary intervention with the character of the existing shell.

These limitations were absorbed into the design process in a controlled way. The new architectural language does not impose itself on the existing apartment, but develops through it, allowing the residence to acquire a more contemporary identity while preserving its memory and scale.

Light, Contrast and Atmosphere

From the bright, sun-filled living areas to the intentionally darker and more atmospheric WC, the apartment unfolds through contrast. Softness is set against structure, natural textures against refined detailing, openness against intimacy.

These contrasts do not operate as conflicts, but as complementary conditions that give the residence depth, rhythm and internal balance. The result is a domestic interior that is calm, composed and quietly expressive.

Understated Luxury and Personal Character

Luxury is approached through restraint rather than excess. The sense of quality emerges from precise choices, the relationship between materials, the atmosphere of the spaces and the way the apartment supports daily life.

Apartment Renovation in Kolonaki by Kokosalaki Architecture forms a home that feels both contemporary and deeply personal. Art, texture and contemporary urban living coexist in balance, shaping a residence of understated luxury in the center of Athens.

The second edition of Spain is in Athens took place at the Benaki Museum on Pireos Street, under the thematic title The Value of Design in Hospitality. The event forms part of Spain is in, ICEX’s international campaign for the promotion of Spanish design abroad.

Following an invitation by the Embassy of Spain in Athens and ICEX, ek magazine undertook, for the second consecutive year, the overall curation and production of the event in Greece. This included shaping the event program, selecting the theme and venue, and coordinating the participation of companies, speakers, industry professionals and invited guests.

Spain is in Athens Vol. 2 was held as a closed, invitation-only event, bringing together selected representatives from the fields of architecture, design, hospitality and real estate development. The evening highlighted the ways in which design moves from concept to the realized hospitality experience.

The event opened with a welcome address by the Ambassador of Spain, H.E. Jorge Domecq, followed by a keynote lecture by Spanish designer Héctor Serrano, who approached design as a tool for creating emotional connections, clarity, usability and surprise.

The keynote was followed by the panel discussion “From Design to Delivery: How does design actually translate into a built hospitality project?”, moderated by Stavros Martinos from ek magazine. The panel featured Dimitris Karampatakis, Lead Architect at K-Studio; Evgenios Vassilikos, President of the Athens-Attica & Argosaronic Hotel Association; Penny Zaglaridou, Co-Founder of Wealthia Hospitality; and Panagiotis Kapetanakos, Chief Asset Management Officer at Dimand S.A.

The discussion approached hotel design not as image or decoration, but as a complex process shaped by architecture, investment planning, operations, construction, maintenance, brand identity and the long-term value of the project.

Following the panel, the participating companies — Actiu, Agora Fabrics, Bathco, Gandiablasco, Hisbalit, Ondarreta, Oset and Punt — presented solutions for hotels, contract projects and interiors, ranging from furniture, fabrics and outdoor equipment to bathroom products, mosaics, ceramic surfaces and bespoke applications. The evening continued and concluded with networking, visits to the stands, finger food and wine.

Spain is in Athens serves as a platform for dialogue and networking, bringing leading Spanish design companies into contact with the Greek architecture, hospitality and construction markets, while highlighting the potential for collaboration between the two countries.

 

Japanese Aesthetics in Contemporary Athens

The Darya J Hotel is a contemporary hospitality destination in Athens, where the principles of Japanese aesthetics are translated into a refined architectural experience. Rooted in ideas of simplicity, balance, and material authenticity, the project establishes an atmosphere of calm and understated luxury within the dense urban fabric of the city.

Shared Spaces, Courtyard and Rooftop

The shared spaces are organized around a sense of continuity and flow, connecting the lobby, bar, and breakfast area with a landscaped outdoor courtyard featuring planting and a swimming pool. On the mezzanine level, flexible co-working spaces are introduced, while the rooftop hosts a bar with a jacuzzi, offering panoramic views over Athens.

Rooms, Suites and Spatial Transitions

Across five floors, the hotel accommodates 34 rooms, including four suites. The spatial organization is defined by clarity of form and fluid transitions between functions. In selected rooms, elevated sleeping platforms and partition elements inspired by traditional Japanese noren curtains create a contemporary interpretation of Japanese domestic space.

Material Authenticity and Crafted Details

Materiality plays a central role in the design language. Warm cherry-toned timber, Volakas and Cretan marble, natural textures, and bespoke surface treatments compose interiors with a strong tactile presence and timeless character. Custom lighting elements, flush details, and carefully crafted junctions reinforce a sense of harmony and precision throughout.

A Shoji-Inspired Façade

The architectural identity of the building is expressed primarily through its reimagined façade, inspired by traditional Japanese shoji screens. Vertical metal fins and perforated metal elements act as filters of light and privacy, introducing depth, rhythm, and a constantly shifting perception of the building envelope. At night, linear architectural lighting accentuates the geometry of the composition, strengthening the building’s presence within the urban landscape.

Calmness, Material Sensitivity and Atmosphere

The Darya J Hotel approaches hospitality as an experience defined by calmness, material sensitivity, and carefully composed atmosphere, where Japanese philosophy meets contemporary Athens.

A Holiday Residence in the Landscape of Apokoronas

In Kokkino Chorio, in the Apokoronas area of Crete, this holiday residence is set on a gently sloping plot with expansive views toward Souda Bay, the city of Chania, the Thodorou islands and, in the distance, the Spatha peninsula. To the south, the landscape opens toward the Apokoronas plain and the White Mountains, while to the north it looks toward the Akrotiri peninsula and the Cretan Sea.

Designed for a large family, the house is positioned relatively centrally within the site, set back from the main road to the east and kept at generous distances from neighboring plots. This placement conceals much of its volume from the street, allowing the residence to reveal itself gradually as one moves through the plot.

Three Volumes Across Three Levels

The residence is organized as three volumes distributed across three levels: a basement, a ground floor partially embedded in the natural terrain, and an upper floor. The central volume contains the main living areas, while the northern and southern volumes accommodate the more private parts of the program.

Rather than appearing as a single large object, the house is broken down into a sequence of volumes, courtyards and terraces. This strategy allows a residence designed to accommodate up to 16 people to remain closely connected to the topography and landscape, reducing its visual impact despite its considerable size.

Arrival Across Water and a Double-Height Living Space

Visitors enter from the upper level, crossing a bridge over an artificial lake located to the east of the residence. At the ground-floor level, this water element becomes a waterfall, shaping a more private entrance courtyard accessed by car.

Inside the central volume, the upper level includes a lounge with a bar and billiards area overlooking the main living room below. This double-height space connects the two levels visually, while a staircase oriented toward the eastern courtyard and waterfall reinforces the relationship between interior movement and the presence of water.

Bedrooms, Living Areas and Panoramic Views

On the upper floor, two corridors to the north and south lead to four bedrooms, each with an en-suite bathroom, while also accommodating a WC and laundry room. On the ground floor, the main living room, dining area and kitchen are arranged around the central volume, with corresponding corridors leading to four additional en-suite bedrooms.

The living and dining areas open toward the western courtyard with the swimming pool and panoramic views in all directions. Through an internal courtyard, the kitchen maintains visual relationships with both the pool and the rear courtyard with the waterfall, reinforcing the continuous dialogue between interior and exterior life.

Courtyards, Pool and Outdoor Living

Between the volumes, two courtyards structure the outdoor experience. The northern courtyard includes an outdoor dining area and kitchen with barbecue, while the southern courtyard features a water element connected to the pool. This water overflows into a lightwell, creating a waterfall within a rock garden at basement level.

The immediate outdoor spaces are organized as extensions of daily life: a large courtyard leading to the pool in front of the central volume, a seating area with an outdoor fireplace to the north, and a sunbathing area with loungers to the south. The house is therefore conceived around the Cretan continuity between inside and outside, where domestic life moves fluidly through shaded, open and water-cooled spaces.

Stone, Concrete and Framed Horizons

The building is constructed from reinforced concrete and stone masonry. Taller walls framing the roofs are clad in local stone, and through their form and position they alternately connect or separate the different spaces of the house.

The northern and southern volumes are identical in size and shape, yet their openings differ according to orientation and view. Each frames a distinct landscape condition: the open sea in one direction and the White Mountains in the other. Architecture becomes a device for selecting, measuring and intensifying the surrounding horizon.

A Large Family Residence with Reduced Visual Impact

Although the residence spans a considerable area, its partial integration into the terrain, alignment with the natural contours, distribution across three levels and separation from the ground through the prominent waterfall all help reduce its scale within the landscape.

The house is barely visible from the main road and only gradually appears as one approaches within the site. Beyond the building itself, interventions are limited to the immediate outdoor areas, allowing the Cretan landscape to embrace the courtyards rather than be overwritten by them.

Living with the Cretan Landscape

Each position within the residence offers a different relationship to the landscape: the White Mountains, olive groves and villages of Apokoronas; sunsets behind the Thodorou islands; the city of Chania; Souda Bay; the Akrotiri peninsula; and the open sea. At the same time, there is no visual contact with the main road to the east, preserving the sense of retreat.

The house creates a gradient of privacy, from the bedrooms to the playrooms in the attic and basement, while supporting a way of living in which indoor and outdoor life can merge for most of the year. In this sense, the residence is less a detached object than an inhabited sequence of views, courtyards, water and stone: a Cretan setting for family life shaped by the idea of carpe diem.

A Top-Floor Apartment Reopened to Light

In Vouliagmeni, Athens, D Flat by Virginia Malami transforms a top-floor apartment open on three sides into a clearer and more luminous domestic interior. In the existing layout, the living areas were oriented in a single direction, leaving the depth of the apartment underlit. The renovation opens the plan from end to end, allowing daylight to travel the full 14.5 metres of the interior from morning to evening.

The project establishes a renewed relationship between active shared spaces and quieter private rooms. Rather than treating the apartment as a sequence of separate rooms, the redesign introduces a continuous spatial order, balancing openness, privacy and the changing presence of light throughout the day.

Three Longitudinal Zones

The plan is organized into three longitudinal zones: a living zone, a central service and infrastructure zone, and a sleeping zone beyond. This division creates a contrast of tempo and atmosphere. The common rooms remain open and flexible, designed to host everyday life in different forms, while the bedrooms are more serene and contained.

The middle band becomes the threshold between these two conditions. It gives thickness to the plan, defines transitions and holds the more technical parts of the apartment, allowing the living areas and bedrooms to retain a sense of calm and clarity.

An Oak Spine for Domestic Infrastructure

At the center of the project is a continuous oak construction that runs along the length of the apartment. It is both furniture and space, a precise architectural element that gathers almost everything newly introduced by the renovation into one continuous system.

The oak spine contains the kitchen, entry coat storage, concealed bedroom doors, a utility cabinet with washing machine, WC, bookshelf and media cabinet. By consolidating these functions, the rest of the plan remains open and uncluttered. A continuous linear light follows the length of the element, turning it after dark into the apartment’s protagonist: an illuminated spine that gives the new program a single, unmistakable presence.

Material Continuity Through Marble and Oak

The material strategy is based on continuity rather than replacement. The existing beige Ioannina marble was preserved as a datum, while new oak was introduced in dialogue with the apartment’s earlier wood presence.

Together, marble and oak create a measured rhythm along the plan through pattern, joints and repetition. Red-and-white striped awnings were also reintroduced, echoing the original elements and carrying their graphic presence into the renewed apartment.

Reuse and Spatial Memory

Reuse forms an integral part of the project’s approach to sustainability and to the respect of what was already there. Where new marble was required in the kitchen after removing parquet, the material was sourced from the demolition rubble of a nearby renovation.

This decision reduces waste while extending the life of an existing material by giving it a new role within the apartment. The renovation therefore works not only with new elements, but also with fragments of material memory that are absorbed into the project’s contemporary organization.

Greek Atmosphere and Swiss Precision

D Flat also reflects the architect’s own trajectory. Raised within a Greek cultural context, with its particular relationship to light, materials and everyday outdoor living, and architecturally formed in Switzerland, where precision and functional clarity are fundamental, the project brings these two registers together without hierarchy.

Local atmosphere and familiar domestic cues are paired with a Swiss-inflected discipline of organization, concentrated infrastructure and concealed transitions. The result is an apartment that feels calm and usable, while retaining a strong relationship to its setting and history.

New Life for an Inherited Apartment

The renovation also acknowledges the personal history of the apartment, which is set within a structure originally built by the architect’s father. Its existing character and spatial memory are treated as material to be worked with, sharpened and carried forward rather than replaced.

Ultimately, D Flat is a project of alignment: plan with sun, new work with existing matter, and contemporary life with inherited character. Through a continuous oak spine, preserved marble and carefully organized light, the apartment is transformed into a calm and precise domestic interior.

A Courtyard House Shaped by Urban Constraints

In Baghdad, Shatt Al-Arab House by Fran Silvestre Arquitectos is conceived from the limitations of its site. Located at street level on one of the city’s busiest avenues, the plot is defined by the geometry of the surrounding urban fabric and by the need to create privacy, openness and domestic calm within a dense metropolitan condition.

The brief called for a residence that would bring together a daytime living area, two nighttime rooms and a space for physical exercise. Given the limited size of the plot, the most immediate strategy would have been to build vertically, freeing part of the site for a garden. Instead, the architects chose to occupy the entire plot with an extensive single-storey volume.

A Horizontal Strategy for a Compact Plot

The decision to work horizontally allows the house to establish a different relationship with the exterior. Rather than concentrating the program in a compact vertical form, the project expands across the site and connects with outdoor space in two distinct ways.

The first is a perimeter garden, which acts as a filter between the house, the avenue and the surrounding streets. The second is a central circular courtyard, which becomes the main open space of the residence and the organizing element of the entire plan.

The Circular Courtyard as the Center of the House

The central courtyard gathers the more public and open areas of the house around it. In one direction, it creates a sequence of indoor and outdoor spaces that begins and ends in the perimeter garden, allowing the interior to extend visually and physically across the full depth of the plot.

This spatial sequence is defined by four glass boundaries that can be fully retracted along the side walls. When opened, they create a hybrid condition between interior and exterior, transforming the house into a continuous open space that stretches from one end of the plot to the other.

Perimeter Garden, Privacy and Retractable Boundaries

The perimeter garden plays a dual role. It protects the house from the intensity of the surrounding urban context, while also allowing each space to remain connected to greenery and natural light. As a boundary, it is not a hard separation, but a planted threshold that mediates between domestic life and the city.

The retractable glass enclosures reinforce this sense of permeability. They allow the living areas to change character according to use, climate and time of day, expanding the domestic interior into the garden and courtyard whenever needed.

Night Rooms, Service Cores and Spatial Clarity

In the opposite direction from the main open sequence, the two primary nighttime rooms are positioned with a more controlled relationship to the exterior. These rooms open only toward the perimeter, ensuring privacy while maintaining contact with the garden.

At the four corners of the house, enclosed cores concentrate the service areas. This clear distribution frees the central and perimeter spaces, giving the plan a precise organization in which open, private and service zones are carefully balanced.

A Rooftop Oasis Above the City

The roof completes the spatial composition of the house. Accessed by an internal staircase, it is conceived as an elevated oasis defined by a series of boundaries. On the outer edge, the vegetation of the garden provides privacy from the city.

On the inner edge, a sheet of water crowns the circular courtyard below. One side of this water element becomes deeper, allowing it to be used for bathing. The roof therefore extends the logic of the house vertically, creating a final outdoor space where vegetation, water and enclosure form a protected domestic landscape above the street.

 

A Contemporary Café in the Alpine Borderland

In Tarvisio, a town shaped by its position between Italy, Austria and Slovenia, Caffè Nazionale reopens as a contemporary space of gathering and social interaction. Designed by Elisa Mansutti Architetto, the project brings back to life a name deeply rooted in the town’s collective memory, reinterpreting it through a language of arches, timber, marble and greenery.

Tarvisio lies within a border landscape defined by exchange, transit and arrival. Located between the peaks of the Julian Alps and the Tarvisio Forest, the café draws on this condition of passage and encounter, translating the forms and materials of Alpine tradition into a refined interior for everyday use.

Reinterpreting the Historic Café

The project occupies a large vacant retail unit along the town’s main street, fully glazed toward the exterior and internally structured by a sequence of existing columns. Rather than treating these columns as constraints, the design incorporates them into a rhythmic architectural system that organizes the entire space.

The result is an interior that balances openness and intimacy. The café remains visually connected to the street, while its internal composition introduces a more layered sequence of spaces, allowing different forms of use to coexist throughout the day.

Arches as Permeable Thresholds

The first design gesture was the transformation of the existing columns into a wall articulated by a continuous series of arches. Beginning at the entrance, this arched sequence extends across the length of the interior, filtering the space and establishing a clear spatial rhythm.

The arches distinguish the bistro area from the more intimate lounge without fully separating them. Regular and measured, they operate as permeable thresholds: architectural elements that suggest division while preserving visual continuity and movement.

A Modular Fir Wood System

At the rear of the café, a fir wood backdrop recalls the native tree species of the Tarvisio region. Warm and tactile, this wooden system separates the service areas from the public space, while introducing a material presence directly connected to the surrounding Alpine landscape.

The system is based on a 60 cm module. Vertical timber elements clad the walls and define open shelving for the display of wine bottles. Following the same rhythm, they extend upward into the ceiling, becoming beams and panels that integrate the lighting system. Walls, furniture and ceiling surfaces are therefore linked through a continuous modular order.

Green Marble and the Operational Heart of the Café

The counter forms the operational heart of Caffè Nazionale. Designed in an L-shaped configuration with a central island, it brings together materials that evoke the Alpine environment: fir wood and green marble.

The layout provides generous work surfaces, a raised ledge for quick service and direct access to the basement and staff areas. Functional clarity is combined with material intensity, making the counter both a working element and a visual anchor within the café.

Lounge, High Table and Scenic Greenery

Along the glazed façade, a wooden bench runs parallel to the windows. Upholstered in green leather padding, the seating reinforces the material palette of the interior while offering a comfortable place to linger. Heating elements are integrated behind slatted timber panels, preserving visual continuity while allowing warm air to circulate.

In the lounge area, a large high table in marble is fixed to the floor as a sculptural presence. Solid yet refined, it transforms the area into a place dedicated to conviviality. At the back of the lounge, a raised linear planter clad in glossy green ceramic tiles introduces a living backdrop, bringing the presence of the surrounding landscape into the interior.

Flexible Hospitality for Different Moments of the Day

The layout is designed to support multiple uses, structured around the rhythmic sequence of arches that divides the café into two main zones: the bistro and the lounge. Each area can host different activities while maintaining a coherent overall atmosphere.

From morning breakfasts and brunches to afternoon aperitifs and evening live music, the café can adapt to changing social and cultural programs. The combination of modular elements, open plan and adaptable furniture allows Caffè Nazionale to remain inviting and functional throughout the day.

Alpine Materials and a Renewed Local Identity

The project begins from the existing marble flooring, characterized by shifting tones between forest green and deep reddish brown. This material base informs a wider palette that reinterprets the Alpine context: fir wood for walls and ceiling structures, green expressed through marble, glazed ceramic tiles and textured plaster, and living vegetation completing the composition.

Through these elements, Caffè Nazionale becomes more than a renovated hospitality interior. It is conceived as a place of encounter and identity, in constant dialogue with the town, its landscape and the memory of Tarvisio as a borderland of movement and exchange.

A 1970s Apartment Reimagined Through Curved Geometries

In Glyfada, Grozopoulos+Associates undertook the complete renovation of a 100 sq.m. apartment dating from the 1970s. The original residence carried the typical spatial and material characteristics of its period: separated rooms, standardized layouts, parquet flooring, mosaic surfaces and a fragmented domestic organization.

The owners requested a full redesign that would transform the apartment into a contemporary and welcoming residence, suitable both for private use and short-term rental. Rather than erasing the memory of the existing interior, the design upgrades the apartment according to the needs of contemporary living, while preserving traces of its original atmosphere and material character.

Reorganizing the Plan for Contemporary Living

The renovation involved a significant reworking of the apartment’s layout. The positions of the bathroom and kitchen were exchanged, the corridor was opened up, and the floors and finishes in the kitchen, bathroom and WC were fully replaced.

This reconfiguration allows the apartment to function with greater clarity and fluidity. The former segmentation of the plan gives way to a more open domestic sequence, where the main living areas are visually and functionally connected.

Curves as Spatial and Functional Devices

The central design gesture is the introduction of curved geometries throughout the apartment. These curves appear in the ceilings, in fixed furniture and in movable elements, establishing a consistent spatial language across the residence.

Rather than operating only as a formal motif, the curves also organize the interior. They integrate lighting, soften transitions and define functional zones with subtlety, giving the apartment a sense of continuity without relying on rigid divisions.

A Green Marble Bar-Counter as a Focal Point

The unification of the kitchen, dining area and living room is organized around a linear bar-counter clad in deep green Indian marble. Positioned as both a focal point and an everyday functional element, the counter anchors the open-plan living space.

The natural stone, with its distinctive color and depth, introduces a sense of understated luxury. It is balanced by the wooden surfaces of the new kitchen and by the restored parquet flooring, creating a dialogue between new interventions and the apartment’s existing material memory.

Restored Parquet and the Continuity of Material Memory

The original herringbone parquet was carefully restored and sealed, allowing it to function as a timeless surface that connects the apartment’s past with its new identity. This decision was guided not only by aesthetic and historical considerations, but also by sustainability.

By preserving and reusing the existing floor, the intervention significantly reduced the need for new materials. The restored parquet becomes both a visual foundation and a subtle reminder of the apartment’s former life.

Earthy Tones, Organic Forms and an Urban Retreat

The material and color palette is composed of soft, earthy tones, warm off-whites, natural and dark wood, with stronger accents introduced through furniture and selected details. Contemporary lighting fixtures, furniture, artworks and decorative objects with organic forms reinforce the apartment’s overall character.

Through curved geometries, natural materials and contemporary lines, the renovation establishes a balanced relationship between old and new. The apartment is transformed into a flexible and refined living environment: a quiet urban retreat shaped by clarity, warmth and restraint.

A Midcentury Modern Home Reimagined in Alexandria

Located at the end of a cul-de-sac in Alexandria, Virginia, the Menachery Residence by MODE4 Architecture transforms a midcentury modern developer home into a more expressive, functional and enduring family residence. Framed by mature perimeter trees, the property benefits from a canopy that provides privacy and shade, grounding the house within its natural setting while allowing it to retain a confident presence in the neighborhood.

The project began as a radical rethinking of the existing house. Select portions of the original structure were retained in order to direct resources toward new construction, while much of the previous envelope was replaced after proving structurally unsound. This process allowed the architects to introduce a taller roofline and an entirely new massing composition, giving the residence a renewed architectural identity.

New Massing, Taller Roofline and Vertical Rhythm

The added height of the new roof enabled the vertical tower elements to be integrated within a broader and more cohesive form. Instead of appearing as isolated volumes, these elements now participate in a unified architectural composition, where proportion and rhythm shape the overall character of the house.

A key reference for the design was the visual movement of musical notes across a staff, inspired by the clients’ teenage daughter, who is a pianist. This idea informed the project’s vertical rhythm, producing a composition that feels carefully structured while retaining a lyrical quality.

 

A Contemporary Court-and-Garden Sequence

The first floor introduces a formal foyer, office, dining room, pantry with wet bar, powder room, mudroom, family room and a new three-car garage with integrated storage. The main stair anchors the plan, organizing the sequence from the driveway court to the double-height foyer and onward toward the rear garden terrace.

This spatial continuity reinterprets the traditional court-and-garden typology within a contemporary suburban context. Arrival, movement and domestic life are treated as parts of a single architectural experience, where the house opens gradually from the street-facing court toward the more private landscape at the rear.

A New Upper Level for Family Life

The second floor extends the program with a primary suite and attached bath, connected to the first level by its own private stair. The upper level also includes a bridge, secondary family room, guest suite, laundry, powder room and storage areas.

A new wing extends from the main house to form an L-shaped plan, strengthening the dialogue between structure and site. This configuration balances openness, privacy and flow, allowing the house to accommodate family life with greater spatial clarity.

 

 

Quiet Modernism Through Restraint and Precision

Through proportion, restraint and clarity of form, the Menachery Residence reflects MODE4 Architecture’s Quiet Modern ethos. The project does not treat renovation as surface renewal, but as a deeper transformation of structure, sequence and identity.

Calmness is achieved through precision rather than excess. The familiar language of the midcentury suburban home is reworked into a more timeless architectural composition, where massing, movement and family life are brought into careful balance.

Urban Housing Around Open-Air Courtyards

Located in the Brooklyn neighborhood of Southeast Portland, Brookland Apartments by Hacker proposes a residential model shaped around light, air, greenery and everyday contact with the outdoors. The 166-unit, five-storey building reintroduces natural connections within a dense urban setting, using a sequence of open-air courtyards to bring planted outdoor space directly into the life of the apartments.

A Residential Framework for Well-Being and Community

The project is conceived as a framework for well-being and community. Rather than treating circulation as a purely functional requirement, the building organizes movement around exterior walkways, planted thresholds and shared outdoor spaces. These courtyards operate as collective “front yards,” lined with seating, planters and vine-covered pathways, while also extending outward to form terraces along the building perimeter.

 

Bright Interiors and Shared Amenities

Inside, the apartments are designed with restraint and clarity. The residential mix includes micro studios, studios, one-, two- and three-bedroom units, supported by communal amenities such as a ground-floor lounge, coworking space, fitness center, sauna and rooftop commons. Simple, bright interiors, calm colors and natural textures create a measured contrast with the warmth of Western red cedar and the dense planting of the courtyards.

Natural Light, Fresh Air and Dual Orientation

A key aspect of the design is the relationship between private units and shared outdoor space. Each apartment is planned to maximize access to natural light and fresh air, with openings toward the internal courtyards as well as views toward the surrounding neighborhood. This dual orientation reinforces the connection between domestic life, collective space and the wider urban context.

 

Open-Air Circulation and Western Red Cedar

The 127,500-square-foot building uses its open-air circulation to encourage informal encounters between residents. Walkways and stairs line the courtyards, creating moments of contact and visibility across the building. Western red cedar surfaces wrap the outdoor voids, adding visual warmth on Portland’s cloudy days and offering a tactile, natural counterpoint to the building’s scale. Vine-covered trellises provide shade and texture along common paths, while planting softens the experience of moving through the complex.

Terraces, Rooftop Commons and Urban Well-Being

On the upper levels, the courtyards open toward terraces, expanding the sense of connection to the neighborhood. The rooftop commons further extends this social and environmental agenda, offering residents sunlight, views and shared outdoor space within the city. Mechanized parking stackers improve parking efficiency, allowing more of the site to be dedicated to housing and shared amenities.

 

Nature, Community and Density as One Strategy

Through its combination of compact living, generous communal areas and carefully integrated greenery, Brookland Apartments explores how urban residential architecture can support everyday well-being. The project turns circulation, courtyards and terraces into active spatial elements, creating a housing environment where nature, community and density are not treated as opposing conditions, but as parts of the same architectural strategy.

 

 

A Retail Interior Conceived as a Journey

Located in Kaohsiung, Taiwan, Travelmar Kaohsiung by FLOAT DESIGN STUDIO transforms a multi-brand luggage store into a layered spatial narrative, where travel, craft and local memory converge. The flagship space is dedicated primarily to Globe-Trotter, the historic British luggage brand founded in 1897, whose handmade cases are known for their distinctive combination of strength and lightness.

The design draws from Globe-Trotter’s visual language — curves, quarter-circles and arches — and reinterprets it through the urban and material context of Kaohsiung. Rather than creating a neutral retail environment, the project establishes a dialogue between brand identity and place. The result is a store that operates not only as a commercial interior, but as a spatial metaphor for departure, movement and return.

Globe-Trotter, Kaohsiung and the Language of the Arch

Kaohsiung’s history as a port city plays a central role in the concept. The image of ships arriving in the city is translated into a spatial system inspired by its gridlike urban fabric. This modular logic informs the display platforms, which can be joined, staggered or stacked according to different retail needs.

At the same time, the warm red-brick palette refers to the city’s material heritage, including its historical production of red brick and the brick-arched structures of the nearby British Consulate at Takao. The arch becomes a shared reference between brand and city: a form associated with Globe-Trotter’s rounded luggage details, but also with the architectural memory of Kaohsiung.

A Street-Front Façade with Red Brick Hues

The façade extends this narrative into the street. As a street-front store, Travelmar uses its exterior as a first gesture of invitation. The storefront is slightly recessed to form a soft diagonal corner, allowing passersby to perceive the depth of the interior while moving through the surrounding arcade.

Red brick tones, curved forms and arched elements distinguish the store from its urban context, while the floor pattern and color gradient draw the eye inward, toward the angled counter and the staircase beyond. From exterior to interior, the curved geometry establishes a sense of continuity, turning the threshold into the beginning of a spatial journey.

Modular Retail Displays Across Three Levels

Inside, the ground floor is dedicated to Globe-Trotter and uses arcs and arches to reinforce the brand’s flagship presence. The second and third floors are conceived with greater flexibility, offering adaptable platforms for other brands.

Lightweight partitions, galvanized panels and reclaimed components introduce a rawer material character, while natural wood elements create a tactile dialogue with the displayed products. The result is a retail environment that can shift according to different collections, without losing the coherence of the overall spatial language.

 

Light, Circulation and Urban Layering

A key challenge of the long, narrow plan was the limited daylight at the rear of the store. To address this, partitions were removed and the stairwell was opened, allowing natural light from the third floor to filter downward through the interior.

Ceiling fixtures follow a grid-like arrangement, echoing the structure of the city while providing a steady rhythm of illumination across the different levels. This light-guided circulation helps visitors move through the store intuitively, as if following a runway or urban route.

A Layered Interior Landscape Inspired by Kaohsiung

The project’s spatial composition is built through layering. Platforms, shelving and display elements stack, shift and interlock, creating an interior landscape that recalls the vertical density of Kaohsiung.

Adjustable modules allow the store to accommodate changing collections, while staggered arrangements break the rigidity of linear display. Visitors move through the space as if through a compact urban field, where changes in height, direction and material produce a continuous sense of discovery.

A Cultural Port for Contemporary Travel

Travelmar Kaohsiung is ultimately conceived as a cultural port: a place where international craftsmanship meets the memory of the city. Through its red-brick hues, arches, modular displays and light-guided circulation, the store frames retail as an experience of movement.

Each suitcase becomes the beginning of a story; each step through the space suggests both departure and return. In this sense, the project transforms the luggage store into an architectural narrative about travel, memory and place.

Architectural gestures

Located in a quiet neighborhood of Palaio Faliro, this small-scale 1950s house is reapproached through a series of restrained and precise architectural gestures. The project seeks to preserve the domestic identity and spatial memory of the existing shell while adapting it to the demands of contemporary everyday living.

 

Spatial Organization

The original layout of the residence is largely maintained, with selective interventions enhancing functionality and spatial flow. The central design gesture is the reconfiguration of the kitchen, which transforms from an isolated, enclosed room into an open core of daily life. Its extension toward the entrance reinforces the continuity of the interior, while its relationship with the living area is organized through the framing of the existing opening, allowing visual connection without fully dissolving the separation between functions.

 

 

Reintegration of Existing Elements

Rather than disconnecting the house from its past, the intervention seeks to creatively incorporate traces and elements of its previous life. The decorative plaster ceiling moldings are preserved as carriers of memory, while the original kitchen sink is restored and repurposed within the bathroom, acquiring a new function in a different spatial context. The residence thus becomes a field of continuity, where old and new coexist without resorting to nostalgic imitation.

 

 

Material Palette

The material palette follows a calm and tactile logic, shaped by natural textures, earthy tones and clear geometries. Wood acts as the primary element of warmth and continuity throughout the interior, while the stainless-steel kitchen countertop introduces a subtle contemporary tension within the otherwise restrained composition. In the bathroom, the relationship between refinement and rawness is reinforced through materials that reference exposed concrete and rougher flooring surfaces, intensifying the tactile experience of the space.

The project approaches the idea of an “urban holiday house”: an intimate domestic environment where simplicity, material honesty and spatial clarity coexist with a subtle sense of nostalgia. Without attempting to replicate the past, the design seeks to carry its traces into the present, allowing the house to evolve while preserving its distinct character.

 

House of Curves

The residence is a 240m² interior shaped by softness, light and material continuity. Conceived as a calm domestic environment, the project unfolds through fluid transitions and a muted palette, creating a home that changes subtly throughout the day.

 

Design Philosophy

The client, co-owner of a leading fashion brand, wanted the residence to reflect her lifestyle and memories of Mediterranean journeys. References to nature, gentle landscapes and Southern European architecture informed an interior defined by flowing lines, restrained tones and carefully selected natural materials.

Curves become the central design language of the project, appearing in architectural elements, built-in furniture, window niches, countertops and finishing details. More than an aesthetic gesture, these rounded forms diffuse light, soften spatial perception and create an atmosphere of quiet continuity.

 

 

Spatial organization

Achieving this sense of openness required a substantial reorganization of the house, including the reconstruction of the staircase, the opening of the living area and the elimination of sharp corners. At the center of the composition stands a sculptural staircase, designed as a fluid volume rising through the interior. Its asymmetrical form, rounded solid-wood treads and winding balustrade emphasize the precision of the craftsmanship, while connecting adjacent areas such as the study and play zone.

The main living area combines a spacious lounge with an open kitchen and concealed storage. A fireplace is integrated into a long multifunctional unit that also operates as seating, while rounded shelves, subtle ceiling moldings, warm wood tones and crisp white surfaces reinforce the project’s soft minimal character.

 

 

Material Palette

The bathrooms are conceived as private relaxation zones, inspired by spa interiors and Mediterranean serenity. Monolithic bathing areas, recessed alcoves, freestanding bathtubs and walk-in showers are framed by soft geometries and handmade glazed tiles, whose irregular surfaces create delicate variations of light and shadow.

Rounded countertops with integrated basins, hidden shelving, minimalist linear drains and concealed fixtures strengthen the clarity of the design while preserving everyday functionality. Wood, linen, stone and microcement form a tactile material palette, unified by shades of white and grey.

The project stands out through its formal consistency and quiet boldness. Rather than imposing itself, the interior builds character through precision, calm and continuity, creating a home that invites return.

 

Architecture in the in-between

The “Polikatikia” is located on the island of Karpathos and consists of six family residences. The project approaches dwelling within the island landscape not as a strictly typological exercise, but as a complex field where morphology, topography and the everyday experience of the Mediterranean climate collectively shape a unified architectural system.

 

Landscape Integration

The arrangement of the six residences is organized through a series of overlapping volumes that shift and subtly rotate, disrupting the strict orthogonality of the conventional apartment building. The composition evokes an initially solid mass that gradually appears to fragment, separate and split into distinct spatial elements.

These geometric displacements operate not only as formal gestures but also as environmental mechanisms, generating intermediate voids, shaded areas, natural light penetration, outdoor extensions and visual openings toward the landscape. The staircase is positioned precisely within the “in-between” void created by the displacement of the volumes, transforming this transitional space into the primary vertical connective tissue of the complex.

 

 

Design Philosophy

The architecture seeks to reinforce the relationship between interior and exterior space, following the principles of Mediterranean living. Large openings and the horizontal development of the primary volumes allow the living spaces to extend outward toward the landscape, creating a sense of spatial continuity with light, air and views toward the sea.

The transitional outdoor areas function as intermediate climatic zones, providing shade, protection from strong winds and different spatial qualities throughout the day. Through this compositional approach, the residence is not perceived as an isolated object, but rather as part of a continuous experience of place and climate.

 

 

Spatial Organization

The internal organization of each apartment is structured around three distinct functional zones. At the center lies the “service core” containing the auxiliary and wet areas, naturally illuminated and ventilated through light wells, enhancing both comfort and environmental performance.

The living spaces, including the living room, dining area and kitchen, are arranged toward the north, directly oriented toward the sea views and surrounding landscape. In contrast, the bedrooms are positioned on the southern side, protected from strong winds while benefiting from natural light.

The overall composition seeks to translate the particularities of island dwelling into a contemporary architectural language, where building, climate and landscape operate as interconnected components of a unified spatial experience.

 

Dissolving into the landscape

Located within a residential development on the outskirts of São Paulo, the project was conceived as a residence where architecture, landscape and everyday life operate as a unified spatial experience. It responds to a site bordered by a golf course and an artificial lagoon, establishing a careful dialogue between built form and the surrounding environment.

Rather than emphasizing monumentality, the design strategy seeks to fragment and soften the scale of the residence. The house develops primarily across a single horizontal plane, while secondary technical spaces and recreational functions are discreetly concealed within a lower level. This organizational approach allows the architecture to remain visually grounded within the landscape, reinforcing a sense of continuity with the terrain rather than imposing itself upon it.

 

Spatial Organization

The residence is structured around a central planted courtyard filled with native Atlantic Forest vegetation, transforming nature into an active spatial nucleus rather than a peripheral backdrop. This internal garden mediates circulation, light and visual continuity throughout the house, while simultaneously reinforcing the atmosphere of retreat and privacy that defines the domestic experience.

The program includes four bedrooms, expansive living areas and entertainment spaces organized around carefully framed views toward the surrounding landscape. The spatial composition privileges openness and fluidity, allowing interior and exterior environments to overlap continuously.

A generous covered gallery occupies the most privileged edge of the plot, overlooking both the lagoon and the golf course. In response to the Brazilian climate and its strong culture of outdoor living, this semi-exterior space becomes the social heart of the residence. Inclined concrete partitions regulate western sunlight, reducing heat gain during the afternoon while preserving visual openness and airflow.

 

 

Material Palette 

Material restraint and geometric clarity define the architectural language of the project. Concrete surfaces, controlled proportions and elongated horizontal lines establish a calm and cohesive architectural identity, while the interplay between solid partitions and open voids generates constantly shifting conditions of light and shadow.

The elevated swimming pool extends directly from the main living level, visually merging with the adjacent lagoon through reflective continuity. Its infinity edge creates a cascading effect toward the lower ground, transforming the pool into both an infrastructural and sculptural element within the composition.

The bedrooms, positioned toward the front garden, establish a quieter domestic zone where vegetation operates simultaneously as privacy filter and environmental mediator. Large openings reinforce the inhabitants’ connection with nature while maintaining controlled intimacy from the street frontage.

 

 

Construction

An essential dimension of the project was the collaborative relationship established between architect, clients and construction team. Specifically, the successful realization of the house depended largely on the owners’ commitment to preserving the integrity of the architectural vision throughout the construction process.

Despite geographical distance, the coordination between the architectural office and the construction company remained continuous and highly collaborative. This ongoing exchange enabled the project to maintain coherence from concept to execution, resulting in a residence where the built outcome closely reflects the precision and atmosphere of the original design intent.

 

Interconnected space

The project consists of two interconnected interventions: the restoration of a 1920s Cretan stone residence and the addition of a contemporary vertical extension, together forming a unified family home. Originally built as part of the refugee housing settlements of the early twentieth century, the existing structure represents a characteristic example of vernacular domestic architecture, now reinterpreted through a contemporary architectural language that allows the building to regain visibility and presence within the urban fabric.

 

Restoration Strategy

Rather than concealing the traces of the original dwelling, the intervention embraces the existing stone shell as a bearer of memory and spatial identity. Elements of the historic residence are preserved and incorporated into the new architectural composition, particularly within the lower level where the shared living functions are organized. Century-old details remain visible throughout the interior, contributing to an atmosphere that balances familiarity, permanence and subtle nostalgia.

 

 

Design Philosophy

The new extension is constructed through a lightweight metallic structural system combined with a timber roof and an additional loft level. The design approach seeks to establish a coherent architectural dialogue between the permanence of the original masonry structure and the lighter contemporary intervention. Clean geometric volumes, semi-transparent surfaces, generous ceiling heights and a restrained material palette contribute to an environment defined by spatial clarity and continuity.

 

 

Spatial Organization

Within the upper levels, where the private sleeping quarters are located, the architectural composition explores variations in height and section to introduce spatial complexity and moments of openness. The shifting interior volumes generate a sense of lightness and optimism, reinforcing the experiential quality of everyday domestic life. The result is a residence where restoration and contemporary addition coexist without hierarchy, producing a unified architectural narrative grounded equally in memory and transformation.

The Company Highlighted an Integrated Cooling Portfolio and Strategic Partnerships Designed to Maximize Data Center Efficiency and Performance

LG Electronics presented its comprehensive cooling solutions for AI Data Centers (AIDCs) at Data Center World 2026 in Washington, D.C., from April 20 to 23. The global exhibition, focused on data center and infrastructure technologies, showcased LG’s integrated AIDC cooling portfolio, underlining the company’s capabilities as a provider of end-to-end cooling solutions.

 

Complete Direct-to-Chip Cooling Lineup for AI Workloads

At DCW 2026, LG introduced its Direct-to-Chip (DTC) cooling lineup for data centers, utilizing liquid cooling technologies to address the high thermal density and power demands of AI workloads. The cooling plate incorporates a skived-fin structure to optimize coolant flow and efficiently manage the heat generated by high-performance chips. The 1.4 MW Coolant Distribution Unit (CDU) combines a compact design with LG’s advanced control and sensor technologies, supporting stable operation and improved energy efficiency through an inverter pump system.

LG also presented its Computer Room Air Handling (CRAH) system, which integrates high-efficiency fans and EC motors, as well as an Air-Cooled Chiller with a centrifugal compressor (ACC), expanding coverage from server-level cooling to full facility infrastructure cooling.

 

Partnerships in Immersion Cooling Systems

LG is expanding its portfolio with immersion cooling systems through partnerships that address the growing cooling requirements of high-density AI environments. The lineup includes immersion cooling tank systems developed in collaboration with U.S.-based Green Revolution Cooling (GRC), as well as cooling fluids jointly developed with SK Enmove, a provider of premium base oils and lubricants. These solutions immerse IT equipment directly in dielectric fluid, enabling more stable cooling performance even in high-heat environments.

 

Advanced Monitoring and Operational Capabilities

To complement its hardware offerings, LG is strengthening its control and operational capabilities through its Data Center Cooling Management (DCCM) system. The software enables integrated, data-driven monitoring and control across complex cooling infrastructures, including CDU, CRAH and ACC systems.

DCCM supports continuous operation through early anomaly detection and diagnostics based on virtual sensors. It enhances risk management through predictive maintenance, while real-time optimization based on IT workload conditions can improve operational efficiency. Its 3D visualization capabilities allow operators to monitor system status and manage data center operations more effectively.

Maximizing Compute Power per Megawatt™

Beyond cooling technologies, LG also highlighted software and power infrastructure solutions aimed at improving data center efficiency and increasing overall computing capacity. Among them is an AI-based workload orchestration platform developed by PADO, a company incubated through LG NOVA.

Acting as an intelligent “energy-aware compute orchestration” platform for data centers, the system analyzes IT, cooling and power infrastructure through a multi-physics digital twin and reinforcement learning to deliver real-time operational adjustments. For example, it can shift power from idle servers to systems managing more demanding AI workloads, supporting up to a 25 percent increase in utilization.

Jointly Developed DC Grid Solution to Improve AIDC Power Efficiency

LG also introduced a Direct Current (DC) Grid solution for data center operations, developed in collaboration with LS Electric, LS Cable & System and LG Energy Solution. The DC Grid solution reduces energy loss by minimizing the power conversion stages common in traditional Alternating Current (AC) systems, where approximately 25 percent of energy can be lost as heat.

The solution enables core data center equipment, including chillers, to operate directly on DC power, reducing initial power loss to approximately 15 percent.* When combined with renewable energy sources such as solar power, the rate can be reduced to as low as 10 percent. The result is improved energy efficiency that can contribute to lowering overall operational costs.

“AI data centers require advanced cooling technologies, but they also demand more integrated approaches to power and operations,” said James Lee. “LG will continue expanding its AIDC cooling capabilities, delivering solutions that improve performance and support greater energy efficiency.”

Visitors to DCW 2026 were able to explore LG’s latest AIDC solutions – including the DTC cooling lineup, immersion cooling tank systems, integrated DCCM software, PADO’s AI-based workload orchestration platform and the DC Grid solution – at the company’s booth (#416, Walter E. Washington Convention Center) from April 20 to 23.

 

* Testing was conducted under specific conditions, and results may vary depending on testing environments and operational conditions.

Linear volume

Conceived as a continuous linear volume that bends and unfolds across the site, the Courtyard Office organizes its program around a large internal garden that becomes the social and environmental core of the project. The building’s geometry creates a porous workplace environment where circulation, landscape and workspace remain in constant visual dialogue, fostering openness, interaction and environmental comfort.

 

Spatial Organization

The office develops sectionally between two and four levels, allowing the building mass to respond dynamically to orientation, climate and circulation requirements. At the southwest and northeast edges, the volume lifts from the ground plane, enabling prevailing south-westerly breezes to move naturally through the internal courtyard and enhancing passive cooling throughout the complex.

Additional lifted corners at the northeast and northwest ends generate generous double-height volumes that accommodate shared collective functions, including a cafeteria and a library. These spaces establish visual continuity between floors and encourage informal interaction across different departments and working environments.

The primary circulation spine traces the perimeter of the courtyard, maintaining constant visual contact with the landscape while connecting the office floors. Workspaces are arranged along the outer edges of the building envelope, opening toward planted gardens and benefiting from natural light and framed exterior views.

 

 

Climate-Responsive Design

The geometry of the building was carefully developed to maximize environmental performance. Its longest facades are oriented toward the north, ensuring consistent indirect daylight across the office interiors throughout the day. On the remaining elevations, angled louvers filter sunlight while directing views and light northwards, minimizing heat gain and reducing the building’s overall energy demand.

Natural ventilation strategies are embedded directly into the architectural form. The lifted ground conditions, landscaped courtyard and sectional variation collectively generate airflow through the building, creating comfortable internal conditions while limiting dependence on mechanical cooling systems.

 

 

Design Philsoophy

Drawing inspiration from the spatial logic of traditional Indian courtyard houses, the project reinterprets the courtyard not merely as an outdoor void, but as an active climatic and social device. Open and enclosed environments alternate throughout the complex, creating a varied sequence of volumes, orientations and atmospheres that support different modes of work and interaction.

The result is a workplace environment where architecture and landscape operate as a continuous system, balancing environmental efficiency with spatial diversity and human experience.

 

Levitating mass

The house is located in a quiet rural area, with one floor above ground and another dug into the earth. Featuring imposing black pigmented concrete, the design is centered around three main masses, creating a balance between open spaces and solid structures. The transparent central volume serves as the heart of the building, while the surrounding landscape plays an integral role in shaping the living experience.

 

Design Philosophy

The lower floor contains a large, excavated courtyard, which acts as a central gathering space. The central mass, over 5m high, offers clear views of the entire site. On either side, two long, parallel masses extend across the lot, reinforcing its length and creating a balanced composition. These masses penetrate the central structure, giving the appearance of floating concrete beams that stretch outward, enhanced by differences in the roof heights.

A floating bridge made of reflective stainless steel connects the entrance of the house across the courtyard, offering a clear view of the interior spaces. The path leads through a shallow reflecting pool, revealing the private areas of the house that are not visible from the street. This bridge also creates a visual link between the two long masses that extend through the structure.

 

 

Functional Organization

The upper floor includes the main living spaces, with a large living room, kitchen, dining area, and family rooms. The master suite features a walk-in closet, bathroom with a shower inside a reflecting pool, and a bedroom with views of the garden. A staircase made of dark natural stone leads to the lower level, where the wellness and leisure spaces are located, enhancing the flow between the levels.

The lower floor accommodates an indoor pool, gym, spa, cinema room, and a hospitality area, including a bar and wine room. Additional spaces for supporting functions, such as a laundry room and staff quarters, are also located here.

On the opposite side of the house, a large, landscaped garden includes a soccer field, pool, outdoor kitchen, and living areas, designed to support various social and recreational activities.

 

 

Material Palette

The house features clean, modern lines with black concrete facades, fiber-c cladding, and large glass openings. Dark natural stone flooring is complemented by blackened brass details. The design emphasizes an illusion of levitation, where the contrast between solid concrete and floating masses is achieved through roof disconnection and transparent elements.

 

Timeless contemporary living

Located in the heart of Kolonaki, the 115m² apartment renovation reinterprets classical interior architecture through a contemporary spatial narrative. Rather than imposing contrast, the proposal establishes continuity between inherited decorative elements and modern living conditions, preserving ornamental ceiling moldings, wall paneling and symmetrical proportions while introducing a calmer, more minimal architectural vocabulary. The intervention approaches the apartment as a layered spatial composition where historical references and contemporary clarity coexist in balance.

 

Design Philosophy

The project positions itself within a contemporary neo-classical framework, where proportion, material permanence and spatial coherence become the primary design tools. Existing architectural details are neither concealed nor replicated nostalgically; instead, they are carefully reframed within a restrained interior atmosphere that prioritizes rhythm, tactility and long-term relevance over temporary stylistic gestures.

Dark timber wainscoting introduces depth and visual grounding throughout the residence, while curved travertine surfaces soften transitions between spaces and generate sculptural movement within the plan. Herringbone wood flooring reinforces the apartment’s refined domestic character, establishing continuity across the different living zones. Minimal kitchen surfaces and integrated detailing maintain spatial calmness, allowing materials and proportions to define the architectural experience. Artworks and sculptural objects are positioned as integral spatial components rather than decorative additions, contributing to the composition of each room.

 

 

Spatial Organization

The organization of the apartment is defined by flexibility and controlled permeability. Folding partitions composed of metal frames and fluted glass operate as transitional thresholds between the living room, dining area and kitchen. These movable boundaries enable the interior to alternate between openness and privacy without interrupting the continuity of natural light or visual connection.

The spatial arrangement avoids rigid separations, instead supporting changing patterns of everyday habitation through adaptable configurations. Circulation unfolds organically through layered thresholds and framed visual axes, while the interplay between transparency and opacity creates a dynamic relationship between collective and private functions within the residence.

 

 

Material Palette

Materiality functions as the central architectural language of the project. Travertine surfaces, dark wood textures and muted tonal palettes establish a tactile environment rooted in permanence and restraint. The bathroom spaces continue this material dialogue through vertically articulated stone textures and contrasting dark timber cabinetry, maintaining consistency across the apartment’s interior identity.

Furniture selections further reinforce the sculptural quality of the spaces, introducing rounded geometries and soft forms that balance the architectural rigidity of the classical envelope. Lighting is integrated discreetly throughout the project, emphasizing texture, curvature and depth while preserving the calm atmospheric quality of the interiors.

Through a careful negotiation between preservation and reinterpretation, the project proposes a residential environment where contemporary domesticity unfolds within the enduring framework of Athenian neo-classical architecture.

 

Varying context

Located in Ílhavo, Portugal, the project unfolds as a single-storey residence that seeks to reconcile the programmatic requirements with the specific characteristics of the site. The plot is situated within an area that currently remains undeveloped along its periphery, though it is expected to undergo significant residential growth in the near future. Within this transitional context, the residence attempts to establish from the outset a clear relationship between private living and the surrounding landscape.

 

Functional Organization

The decision to resolve the entire program on a single level transforms the outdoor space into an integral component of the architectural composition. The remaining green areas are not treated as residual space, but rather as active elements of everyday habitation and the overall spatial organization of the house.

The arrangement of the volumes gradually defines the spatial hierarchy of the residence. As movement progresses deeper into the site, the spaces acquire an increasing sense of privacy and seclusion. Architecture employs the positioning and geometry of the volumes as tools for organizing daily life, creating a clear transition from the more public to the more protected functions.

 

 

Design Philosophy

The architectural proposal is structured around two distinct volumes, differentiated both formally and functionally in response to the specific content of the program. These volumes are strategically positioned on the site in order to maximize solar exposure, establish controlled relationships with the surroundings and frame the outdoor spaces.

At the same time, the openings and incisions of the façades allow for controlled natural light while reinforcing the continuity between interior and exterior space. In this way, the residence develops a constant visual and functional extension toward the landscape, integrating greenery into the spatial experience of the interior.

 

 

Material Palette

The form and materiality of the project draw reference from the region’s traditional constructions, reinterpreting familiar architectural elements through a contemporary compositional language. Clean volumes, inclined surfaces and a restrained material palette compose an architecture that engages with the local building tradition without resorting to mimicry.

The use of zinc surfaces, natural timber and bright neutral materials throughout the interior reinforces the understated character of the residence, while simultaneously introducing durability and timelessness to the composition. Light is treated as a primary architectural tool, shaping interiors defined by calm atmospheres and subtle variations of illumination throughout the day.

The result is a residence articulated with clarity and economy of means, transforming the relationship between built and unbuilt space into the central core of the architectural experience.

 

Domestic prototype

In the wake of the global realignment brought about by the Covid-19 pandemic, Riverhouse emerged as a deeply personal exploration of domesticity. Situated within a protected river corridor in rural Rhode Island, the project reflects broader cultural shifts toward slower living, environmental consciousness and closer engagement with nature. Designed as both family residence and experimental retreat, the house reconsiders how architecture can support evolving modes of living, working and gathering.

Originally occupying the site was a deteriorating summer structure that had hosted a series of informal architecture camps since 2014. These gatherings brought together architects, collaborators and families in an environment centered around dialogue, collective reflection and shared living. Over time, the fragile building became increasingly unsustainable, prompting the architects to envision a new dwelling capable of preserving the spirit of the site while responding to contemporary environmental and spatial demands.

 

Domestic Prototype

The new residence occupies the footprint of the original structure while introducing a compact yet highly articulated architectural form. Elevated to comply with floodplain regulations, the house balances technical rigor with an atmosphere of informality and warmth. Conceived according to Passive House principles, the project incorporates triple-glazed openings, heavily insulated wall assemblies and rooftop photovoltaic systems with battery storage, allowing the building to operate entirely on electricity while minimizing year-round energy consumption.

Rather than emphasizing technological performance as an end in itself, the project integrates environmental systems seamlessly within the architectural language. The design maximizes natural ventilation and daylight through strategically positioned apertures, while outdoor rooms, terraces and roof gardens extend domestic life into the surrounding landscape. The architecture negotiates openness and enclosure through a sequence of carefully calibrated spatial conditions that reinforce the connection between interior and exterior environments.

The distinctive geometry of the house emerged through an iterative process of physical model-making. A folded blue metal roof descends asymmetrically across the facades, producing a diagonal ridgeline that creates dynamic sectional relationships throughout the interior. This manipulation of volume allows for double-height spaces, mezzanine rooms and carved outdoor courtyards that bring light deep into the plan while framing views toward the river and surrounding forest.

 

 

Material Palette

Material selection played a central role in shaping the identity of the project. Thermally modified ash wood cladding, unfinished plywood surfaces and handmade Lebanese tiles introduce tactile richness while maintaining a restrained material palette. Vibrant window frames punctuate the muted exterior composition, echoing the changing colors of the surrounding vegetation throughout the seasons.

Inside, the house is organized around a spacious communal living area designed for both everyday inhabitation and collective gathering. Storage systems are embedded within the architectural envelope to maintain spatial clarity, while each room is dimensioned with precision to maximize efficiency without sacrificing comfort. The spatial organization privileges adaptability and fluidity, allowing domestic routines, work and social activities to coexist seamlessly.

The project evolved through an extended process of collaboration involving architects, designers, artists and craftspeople. These interventions blur the boundaries between architecture, interiors and objects, reinforcing the house’s role as a continuously evolving environment shaped through collective authorship.

Construction itself became part of the project’s narrative. Built incrementally within a modest budget, the project relied heavily on the involvement of friends, collaborators and local builders. The process unfolded gradually, with many contributors living alongside the project as it took shape, reinforcing the architects’ broader understanding of architecture as a social and participatory act.

 

 

Design Philosophy

Beyond its role as a private residence, the project operates as an ongoing platform for exchange, experimentation and dialogue. Continuing the legacy of the original architecture camps, the project supports gatherings that foster conversation around architecture, ecology and collective living. A second phase currently underway introduces a pavilion, swimming pool and gardens intended to accommodate future communal events and workshops.

In this sense, Riverhouse belongs to a lineage of architect-designed experimental houses that function simultaneously as homes and spatial manifestos. Yet unlike historical precedents centered on formal autonomy, this project responds directly to contemporary concerns surrounding climate adaptation, evolving family structures and the redefinition of domestic space in an increasingly uncertain world.

The result is a residence that resists the notion of retreat as isolation. Instead, the project proposes an architecture rooted in openness, resilience and environmental sensitivity – a carefully inhabited structure that remains unfinished in the most productive sense: continuously adapting, evolving and engaging with the people and landscape that surround it.