A composite timber shell spanning 30m combines the structural requirements of a basketball arena with passive environmental strategies and the reuse of material from the existing building.

 

 

Kyathos is a proposed 4,000m² basketball arena in Veikou Grove, Galatsi. Designed by KAAF | Kitriniaris Associates Architecture Firm, the project was commissioned as a specialist public building requiring experience in mass-timber construction and related architectural research.

The new arena will replace the existing timber gymnasium on the same site. The older building has been designated for demolition, primarily because its structural materials cannot be certified according to contemporary standards. However, part of its timber will be recovered and reused as non-load-bearing elements in the new complex.

A new public sports facility

The programme includes the principal basketball court and spectator stands, together with a perimeter mezzanine overlooking the playing area. Changing rooms for athletes and referees, sanitary facilities, administrative offices, club offices and supporting spaces complete the building.

A reinforced-concrete podium accommodates the areas below the final level of the court and opens towards the adjoining pedestrian route. Above it, the principal structure and enclosure are formed from engineered timber products.

This distinction between a mineral base and a lighter timber superstructure responds to the different spatial and structural requirements of the programme. It also gives the public building a clearly legible constructional order.

 

Ten timber frames across the court

The timber load-bearing structure is arranged around the perimeter of a rectangular grid measuring 45m by 30m, with a regular bay of 5m.

Ten identical statically determinate frames span the 30m width of the arena. Each is composed of columns and beams functioning together as a three-hinged arch. Metal components are introduced where required, mainly at connections and at points demanding additional stiffness.

The structural system combines glulam, plywood and cross-laminated timber. Rather than concealing this framework behind a secondary architectural image, the project uses the timber structure to determine the form and rhythm of the building.

The roof is covered with lightweight waterproof polymer components designed for weather resistance. The system is recyclable and can receive printed surface treatments.

From an ancient cup to a timber shell

The composition is conceptually associated with the kyathos, an ancient cup or ladle. Its profile provides one reference for the curvature and supporting logic of the timber envelope.

A second source comes from the cup-shaped inflorescences and milky sap of Euphorbia, commonly known in Greek as galatsida. The repeated façade elements translate these botanical references into an architectural structure rather than applying them as surface decoration.

Form, structural behaviour and environmental performance are therefore developed as parts of the same system. The external shell gives the arena its identity while also controlling sunlight and defining the sheltered spaces around the building.

 

A permanently shaded enclosure

A central objective of the design is to keep the building and its circulation areas largely under shade. The depth and repetition of the timber shell limit direct solar exposure while allowing daylight to enter the interior.

Openings within the envelope support natural ventilation and passive cooling. The structural rhythm also creates a gradual transition between the surrounding grove, the covered perimeter and the principal internal space.

Rainwater from the roof and other hard surfaces is collected for landscape irrigation. The proposal seeks to reinforce the existing Mediterranean vegetation of Veikou Grove instead of treating the building and its setting as separate systems.

Reuse and material continuity

Timber recovered from the existing gymnasium is intended for reuse in shutters, wall finishes and purpose-made non-structural components. This strategy retains material from the previous building without relying on it for structural performance that can no longer be formally certified.

The new load-bearing system will use engineered timber sourced from certified, managed forests. Concrete is concentrated in the podium and below-court areas, while timber defines the larger spans above.

Through this combination, Kyathos proposes a model for large public sports infrastructure in which the structural system, climatic response and architectural expression are developed together.

Set on an olive-covered slope overlooking the quiet bay of Ampelaki in Meganisi, Amphitheatro Boutique Hotel by ATENO Architecture Studio transforms two existing stone houses into a small contemporary hotel. The intervention retains the character of the original buildings while introducing new shared spaces, shaded areas and a completely redesigned landscape.

The two independent stone volumes had previously been connected by an irregular corridor. Their interiors were fully reorganized to accommodate six guest rooms alongside the necessary reception, kitchen and storage areas. Rather than erasing the existing structures, the design introduces a series of restrained additions that soften their geometric severity and establish a closer relationship with the surrounding landscape.

 

 

Connecting two existing volumes

A metal canopy in an earthy tone bridges the two stone buildings, creating a sheltered central area with an outdoor kitchen. The new element establishes a shared zone between the existing volumes while remaining visually distinct from the original masonry.

In front of it, the swimming pool becomes the focal point of the courtyard. Nearby, a curved built-in seat unfolds beneath a circular canopy, introducing softer geometries into the composition and counterbalancing the rigid lines of the stone buildings.

These additions establish a new architectural vocabulary between the two existing houses. Metal, plaster and timber are introduced alongside the local stonework, while their muted tones maintain the visual continuity of the ensemble.

Shared spaces and private courtyards

The outdoor areas were redesigned entirely and organized across three levels. At the centre, the main courtyard functions as the shared heart of the hotel, bringing together the pool, outdoor kitchen and shaded sitting areas.

Around it, smaller outdoor spaces serve the ground-floor rooms as private courtyards. The arrangement allows collective life and retreat to coexist within the same composition, offering guests places to gather as well as more secluded areas in direct contact with the landscape.

The relationship between these different levels of privacy is central to the project. The hotel is not organized around a single communal space, but through a gradual transition from shared areas to increasingly private settings.

 

 

A material palette rooted in the landscape

The selection of materials seeks to anchor the intervention within its setting. Earthy colours and subdued tones are applied to the metal surfaces, plaster and timber, complementing the existing stone walls.

The intervention avoids strong contrasts between old and new. Instead, differences in geometry, texture and construction distinguish the contemporary additions while allowing the two original buildings to remain the principal elements of the composition.

The architecture is conceived as a quiet background to the experience of the place. The changing light, views towards the sea and the movement of the surrounding trees remain the dominant features of the hotel.

Through a limited series of additions and landscape interventions, Amphitheatro Boutique Hotel gives new use to the existing structures without diminishing their relationship with the site. Shared courtyards, shaded thresholds and private outdoor rooms transform the two stone houses into a small hospitality complex shaped around the experience of the landscape.

 

Originally published in ek magazine 299 | July–August 2025.

 

1. Korean Football Park in Cheonan | UNS

 

In Cheonan, South Korea, Korean Football Park by UNS creates a new national home for the Korea Football Association. The 450,427 sq.m. campus brings together training, recovery, education, public engagement and institutional identity within a single landscape-led masterplan.

The project includes 11 football fields, an indoor climate-controlled arena, an outdoor stadium, gyms, physical therapy areas, healthcare facilities and athlete accommodation. Athletic performance is treated here as a wider ecosystem, where training, medical support, recovery and mental balance remain closely connected to landscape and public life.

 

 

2. Varkiza Resort: Redesign of Varkiza Beach | K-Division

ek Issue: 299 | July–August 2025

 

At Varkiza Beach, K-Division redesigns one of Attica’s most popular seaside complexes, bringing surviving elements of 1960s modernism into dialogue with a new vocabulary of curved forms, natural materials and shaded routes. The new interventions act as second skins for the existing typologies, giving the resort a unified and softer identity.

The new F&B area develops beneath a large pergola shaped by natural materials and organic lines, while bamboo elements form shading devices and enclosures. The project turns the beach experience into a sequence of movement, pause and encounter, where shade, light and landscape create a contemporary environment for summer comfort.

 

 

3.  Hidden Spa – Water Hope in Vietnam | IDEE Architects

 

In Cam Ranh, Vietnam, Hidden Spa – Water Hope by IDEE Architects is designed as a wellness space emerging from the landscape of coastal sand dunes. Rather than imposing itself on the natural setting, the architecture follows the terrain, creating a calm experience of therapy, water and shade.

At the heart of the composition, a central water courtyard works as both a spatial and environmental device. Reflecting water surfaces, planted islands and shaded walkways create gradual shifts in temperature, humidity and light. Water is therefore not treated as a decorative feature, but as infrastructure for cooling and sensory recovery.

 

 

4.  Minthis Spa in Paphos | Woods Bagot

ek Issue: 281 | October 2023

 

In Paphos, Minthis Spa by Woods Bagot is part of a wider hospitality and wellness landscape, where the experience of care gains architectural scale. The project is not limited to a series of treatment rooms; it organizes a relationship between water, light, movement and the calmness of the surrounding landscape.

As a resort spa, it works as a place of distance and restoration, where atmosphere is as important as programme. Materiality, views and the connection with the environment shape a wellness experience based less on the image of luxury and more on duration, physical relaxation and a sense of retreat.

 

 

5.  Hekate Fitness Club in Athens | Studio Maneo

 

In Metaxourgeio, Studio Maneo transforms a former warehouse into a 140 sq.m. exercise space with a calm, restrained atmosphere. Instead of the aggressive image of a conventional gym, the project is based on natural materials, diffused light and carefully controlled boundaries.

The architecture connects exercise with a sense of safety and decompression from the city. The gym therefore works not only as infrastructure for physical strength, but also as an everyday space for mental reset.

 

 

6. Sentō Urban Shop & Spa in Athens | PHOS Architects

ek Issue: 299 | July–August 2025

 

In Athens, Sentō Urban Shop & Spa by PHOS Architects combines beauty, care and wellness services with references to Japanese bathing culture. The project forms a sequence of reception, treatment and relaxation spaces, where materiality and light control degrees of visibility and privacy.

The spa experience is based on gentle transitions. Natural materials, fabric filters and carefully designed surfaces create an urban retreat, where care for the body is connected to silence, touch and a sense of distance from the rhythm of the city.

 

 

7.  + One More Gym | BIVA Design

 

In Muscat, Oman, + One More Gym by BIVA Design organizes a CrossFit center with a strong industrial identity and a complex wellness programme. Reception, café, two sports halls, locker rooms, steam bath, sauna, swimming pool and Jacuzzi come together in an environment that combines exercise, recovery and social experience.

Lighting plays a decisive role in the atmosphere. Reception areas convey a calmer mood, while the sports halls gain energy through directional lighting. The result is a gym that treats the intensity of training and the process of recovery as parts of the same experience.

 

 

8.  Pow Box Fitness Boxing Club in Athens | GJP Design & Construction

ek Issue: 258 | June 2021

 

In Athens, Pow Box Fitness Boxing Club by GJP Design & Construction occupies a neoclassical building, creating a strong contrast between the historic shell and a radically contemporary interior identity. Marble, metal mesh, neon, boxing gloves and theatrical lighting turn the gym into a scenographic environment for exercise.

The different floors organize reception, changing rooms, the boxing ring, a multi-purpose gym and a basement training area with a strong club-like atmosphere. The project shows how architecture can translate the energy of boxing into a complete spatial, visual and kinetic experience.

 

 

9. Molon Labe Gym | ADP Architecture Design Practice

 

In Engomi, Cyprus, Molon Labe Gym by ADP Architecture Design Practice transforms an abandoned industrial building from the 1960s into a contemporary fitness space. The programme includes free-weight areas, equipment zones, an MMA cage, martial arts areas, changing rooms and support functions, while the intervention maintains references to the industrial memory of the shell.

The new façade redefines the gym’s relationship with the street, combining the impression of a solid corten volume with a curtain wall that opens visibility toward the main exercise space. Inside, exposed services, the new metal roof and targeted lighting highlight bodily intensity and use as central elements of the architecture.

 

 

10.  ‘Therapia’ Physiotherapy Center | Mnk Design Studio

 

At ‘Therapia’ Physiotherapy Center, Mnk Design Studio unifies three independent professional spaces into a 100 sq.m. physiotherapy center with treatment rooms, a specialized rehabilitation gym and a private therapist’s office. The architecture balances the technical precision of a healthcare space with the need for calmness, comfort and trust.

Accessibility, microclimate control, natural light and ventilation are central to the design. At the same time, the white palette, subtle color accents and low-emission materials create an environment where therapy and recovery acquire a clear spatial identity.

 

 

Against the rugged coastline of southern Crete, Archway Enclosure by Entopos Architects transforms an existing structure into a summer residence with direct access to the sea. The intervention preserves the original footprint of the building while reorganizing the relationship between interior, exterior and landscape.

The 1,800 m² plot remains largely undeveloped, with the historic fortress of Frangokastello forming the principal point of reference in the wider surroundings. This setting informs an architecture shaped by enclosure and exposure: the residence turns selectively towards the sea while drawing on the defensive character of the local built landscape.

Arches between interior and landscape

Within the existing footprint, the former living and kitchen areas were reorganized to create two independent rooms with uninterrupted views towards the open sea.

The transition between inside and outside is articulated through a sequence of arches that become the defining element of the façades. Rather than functioning as an applied motif, the arch regulates movement and frames successive views of the landscape.

This approach is particularly evident where sheltered spaces open towards the coast. The geometry of the openings creates a gradual transition from the more protected interior to the exposed seaside setting.

 

 

References to fortress architecture

The northern side of the residence is deliberately more introverted. Small openings recall the narrow loopholes of defensive structures, while the inclined wall surfaces draw on the Venetian scarpo, the sloping base characteristic of fortifications.

These elements establish a clear contrast between the two principal orientations of the house. To the north, the architecture becomes heavier and more enclosed; towards the south and the sea, it opens through arches, shaded areas and framed views.

A perforated suspended pergola completes the southern façade, filtering the strong sunlight while preserving the visual relationship with the coast.

Auxiliary structures as part of the composition

Existing structures on either side of the main building were incorporated into the overall design.

To the west, a 15 m² space was converted into an independent guest unit with a private bathroom. Two new walls with arched openings increase privacy while creating a gradual connection with the surrounding landscape.

To the east, former sheds associated with an improvised grilling area were transformed into storage and an outdoor kitchen with a barbecue. A waterproof pergola extends over an adjoining shaded sitting area, bringing the different functions together.

The outdoor living space continues along the northern boundary. Here, another arch framed by perforated brick directs the view towards the sea, repeating the project’s principal architectural device at the scale of the landscape.

 

 

Water, planting and the existing terrain

Landscape design forms an integral part of the intervention. At the eastern edge of the property, an existing well was preserved and incorporated into a new water zone containing a swimming pool and hydromassage area.

Low stone walls, rising no higher than 45 cm, follow curved lines through the site and discreetly define more private areas without creating rigid boundaries.

Planting is organized in different heights to strengthen the sense of seclusion and enrich the existing vegetation. Islands of endemic Cretan aromatic plants and herbs further connect the residence with the local landscape.

The material palette responds to the demanding coastal conditions. Marble and local stone are used for the floors, while durable timber forms the frames and pergolas. Together with the arches, stone walls and layered planting, these materials create a residence that draws from the character of the place without directly reproducing traditional forms.

 

Originally published in Maison de Campagne 2025, an annual edition by ek Architectural Publications.

Mold Architects was founded in 2011 by Iliana Kerestetzi, an architect who studied in Athens and New York. Based in Athens and Serifos, the award-winning practice works across the full spectrum of design, extending beyond the architecture of buildings. Regardless of scale or programme, its projects maintain the same investigative approach, seeking clear and precisely targeted responses.

 

S.M.: You belong to a generation of architectural practices that emerged during the financial crisis, maintaining a base in Serifos alongside a second office in Athens. How did you navigate this condition, and how did you use it to your advantage almost a decade later?

I.K.: In 2013, I had the good fortune to build my first project, a vacation home in Serifos. During the years that followed, the proposals we received mainly concerned designs intended for off-plan property sales.

That model ultimately failed to bear fruit, and most of those projects were never built. Nevertheless, during a very difficult period, we were able to practise architecture, evolve and delve more deeply into the subject of our work. We developed a clear direction and a conscious approach to selecting projects at a time when, in reality, there was no luxury of choice.

With patience and optimism, we overcame that obstacle. Much later, we are preparing to see many more of our projects realized.

 

 

S.M.: Designing vacation housing requires architects to reconcile demands for “authenticity” and belonging to a particular “place” with residents’ desire for amenities associated with a different way of life. How do you maintain this balance in your projects?

I.K.: I understand the quotation marks around the word “authenticity,” and I assume you are referring to an architecture that tends to reproduce “traditional” structures, materials and construction techniques. It does so to approach the idea of the old, the pure and the traditional, which is, of course, an established tourism product.

The task, however, is clearly more difficult than uncritical reproduction. We belong to the present, with everything that entails—with increasingly complex needs, but also with constantly evolving tools and means—and we are not nostalgic for the past.

Yet we also belong to the place. Whether considered through its geomorphology or its history, the place is the starting point of our thinking, the subject of our analysis and the reservoir from which we draw our ideas. These are simple and clear ideas, with reason and substance, capable of weaving the thread that connects us with the place, its past, its present and its future.

 

 

S.M.: Having worked on many small-scale projects, how did you approach the transition to large hotel developments? What can be retained, and what is lost from your architectural approach when the scale changes?

I.K.: Our approach to architecture is certainly not affected by the size of a project, although the requirements may differ.

One issue that we clearly do not encounter in a residence is the accommodation of extensive back-of-house infrastructure without disturbing the immediacy of the relationship between the user and the landscape that we seek to establish. It is a machine in constant motion that must operate silently while providing every necessary service.

Another challenge is finding ways to introduce the idea of the small into a larger scale. This may be achieved by minimizing the building footprint. Alternatively, the design can prevent the building’s total volume from being perceived from any of its individual parts.

Once uninterrupted visual contact is removed, the scale immediately diminishes. The architecture consequently becomes more approachable and humane.

 

Read the full interview in ek issue 247 | May 2020.

Located in Patras, Dyo Exi Deka by KARN Studio transforms a 173 m² interior into an open and permeable space that mediates between the street and the activities within. Led by Nancy Karagianni, the design reinterprets the familiar typology of the neighbourhood store through transparency, spatial continuity and an emphasis on collective use.

Large openings, pivoting doors and low thresholds weaken the conventional boundary between inside and outside. Rather than functioning as an enclosed commercial interior, the space extends its activity towards the pavement, maintaining a continuous visual and physical relationship with the city.

 

 

An open interior without partitions

The interior is organized as a single flexible space. Instead of dividing the plan through walls, the existing structural columns articulate different areas while maintaining overall continuity.

A clear visual axis connects the entrance with the service counter, allowing the programme to unfold gradually and remain immediately legible. The generous ceiling height reinforces the sense of openness, while suspended linear lighting fixtures introduce rhythm and scale within the large volume.

The lighting system also contributes to the industrial character of the interior. Metal frames, visible installations and off-the-shelf elements are deliberately left exposed, establishing a direct relationship between construction, use and atmosphere.

Material zones within a continuous space

The material palette is deliberately restrained. Exposed brick gives the service counter a warmer and more tactile presence, contrasting with the continuous floor and the neutral surfaces of the surrounding envelope.

Near the façade, a zone of green-and-white tiles marks places for pausing and interaction. Rather than functioning as a physical boundary, the change in material subtly guides movement and distinguishes use within the otherwise continuous plan.

Different spatial conditions therefore emerge without compromising the openness of the interior. Materials, furniture and lighting become the principal tools of organization.

 

 

An interior connected to the city

Natural light enters through glazing along two sides of the space, maintaining visual contact with the surrounding streets. Planting softens the robust material character and introduces a more familiar, almost domestic scale.

The furniture arrangement remains adaptable, allowing the interior to respond both to everyday patterns of use and to larger collective gatherings. This flexibility reinforces the project’s understanding of the neighbourhood venue as a shared urban room rather than a fixed composition.

Dyo Exi Deka balances the directness of an industrial interior with moments of warmth and informality. Through its open edges and adaptable organization, the project positions everyday commercial activity within the broader life of the street.

Hidden Spa–Water Hope is a 3,000m² spa and mud-bath complex in Bãi Dài, Cam Ranh, Vietnam. Designed by IDEE Architects, the building is set low within the coastal sand dunes instead of appearing as a distinct object above them.

The architecture follows the existing terrain and gathers the program around a central water courtyard. This inward-looking arrangement responds to an exposed coastal setting shaped by intense sunlight, strong winds and initially limited vegetation. Water, planting and deep shade create a protected environment for bathing, treatment and rest.

 

 

Architecture beneath the dunes

The spa develops as a continuous curved structure around the courtyard. Its roof follows the profile of the dunes and becomes a walkable planted landscape. From higher points, the architecture recedes beneath vegetation and preserves the continuity of the surrounding topography.

Adapting the building to the natural levels also reduced the need for extensive excavation. The result is a low intervention that retains the relationship between the dune, the preserved landscape and the new program.

A mature tree that stood on the site before construction was retained. The design developed around its position, turning it into a point of orientation within the composition.

Water as an environmental core

Visitors enter through shaded passages defined by stone walls and repeated rows of timber columns. Rather than revealing the complex immediately, the circulation gradually opens towards the central courtyard.

Reflecting pools, planted islands and shaded walkways occupy its interior. The bathing areas, mud-treatment rooms and supporting wellness spaces are organized around this sheltered oasis. Consequently, the rooms maintain a close visual and environmental connection with water and vegetation.

The courtyard is more than a visual center. Its water surfaces and planting contribute to a cooler and more humid microclimate, softening the dry and exposed conditions of the dunes. Changes in shade, temperature and reflected light also shape the visitors’ movement through the complex.

 

 

Local materials and passive cooling

The restrained material palette consists primarily of locally sourced stone, timber and bamboo. Thick stone walls provide thermal mass and protect the internal spaces from direct solar exposure. Meanwhile, open corridors support cross-ventilation throughout the circulation areas.

Bamboo ceilings filter light and introduce a lighter texture above the heavier stone surfaces. Exposed concrete appears alongside the natural materials, reinforcing the contrast between solid walls and open, shaded passages.

The planted roof further limits heat gain. Rainwater collected from its sloping surfaces is reused for landscape irrigation, supporting the vegetation introduced around the courtyard and across the roof.

A landscape transformed over time

The presence of water and shade has encouraged planting to develop around the building. As a result, the formerly sparse dune landscape is gradually becoming a small oasis. The project does not treat the landscape as a decorative layer. Instead, it allows the relationship between architecture, vegetation and climate to continue evolving.

In Cheonan, South Korea, Korean Football Park by UNS creates a new national home for the Korea Football Association. The 450,427 m² campus brings together training, recovery, education, public engagement and institutional identity within a single landscape-led masterplan.

Conceived as a long-term base for Korean football, the project serves the national team while also supporting youth development, women’s football and a wider public audience. Across the site, elite sports facilities are combined with accommodation, healthcare, retail and public spaces, allowing the complex to operate throughout the year.

 

 

A campus for football and public life

The masterplan organizes the site through a clear progression from public to private areas. At its centre, a public plaza brings together the main points of arrival and creates a civic focus for the campus.

Around this central space, the key programmes are positioned with legibility: the indoor stadium, the outdoor stadium integrated with the KFA headquarters and the football museum. This arrangement gives visitors a clear orientation while allowing athletes, staff and operational teams to move efficiently between facilities.

By combining the outdoor stadium with the KFA headquarters, the project places decision-making, coaching, medical support and public presence within close proximity. The result is a compact institutional core, where administration and sport remain visibly connected.

Training, recovery and support

The campus includes 11 football fields, an indoor climate-controlled arena, an outdoor stadium, gyms, physical therapy areas, healthcare facilities and athlete accommodation. Together, these spaces respond to the contemporary reality of elite sport, where performance depends on a wider ecosystem of training, data, recovery and wellbeing.

Training areas are placed in close relation to medical and therapy facilities. This reduces unnecessary movement and supports the daily rhythm of athletes, from exertion to assessment and recovery.

At the same time, residential and wellness spaces are positioned to offer calm and privacy. Natural finishes, planted areas and views towards the landscape contribute to an atmosphere focused on rest as much as performance.

 

 

A terraced landscape

The design responds directly to the sloping terrain of the Cheonan site. Rather than treating the campus as a flat sports complex, UNS uses a terraced topography to organize movement, create level playing surfaces and structure the transition between public, semi-public and private areas.

This approach gives the project a clear spatial hierarchy. Public spaces remain open and visible, while the more private areas for players and staff are placed deeper within the campus.

The landscape therefore acts as more than a setting. It becomes an organizing system, shaping circulation, orientation and the relationship between buildings and pitches.

Collaboration and future adaptability

The project was developed through collaboration between UNS and a network of specialists in stadium logistics, sports science and venue operations. The design process included exchanges with the Johan Cruijff ArenA team, whose expertise informed security zoning, media requirements, public access and operational planning.

This knowledge helped the masterplan address both current and future needs. The campus anticipates developments in training methods, sports science and data-led coaching, with technical infrastructure designed to accommodate change over time.

Through this combination of architecture, landscape and operational expertise, Korean Football Park offers more than a collection of sports facilities. It creates a coherent campus for athletes, institutions and supporters, giving Korean football a visible public identity and a long-term framework for future development.

Minthis Spa by Woods Bagot stands at the centre of a large wellness resort near Paphos, Cyprus. Positioned on the crest of a hill, the building overlooks the Ezousa Valley and the historic Stavros tis Minthis monastery.

The architecture responds differently to the two sides of the site. Towards the resort’s main square and stepped outdoor amphitheatre, the building presents a controlled and largely enclosed façade. In contrast, its opposite side opens towards the valley and the distant horizon.

 

 

Emerging from the hillside

The wellness centre appears to rise from the sloping terrain. Its fragmented planted roofs form a geometric extension of the landscape, while the low horizontal composition limits the building’s visual impact when seen from above.

The two-storey spa contains 2,100m² of public wellness facilities. Its programme includes eight specialized treatment rooms, four of which have private internal courtyards. A 25m heated indoor pool, a smaller thermal spa pool, a gym, a yoga room, a relaxation lounge and body-treatment areas complete the main facilities.

A further 700m² service level is located at the base of the building. Reserved for staff, it accommodates the spa’s supporting functions without interrupting the sequence of spaces used by visitors.

From the square to the courtyard

Visitors approach the spa from the resort’s central square along an outdoor route. On this side, a grid of standardized exposed-concrete volumes creates a protective façade. Gaps between them allow climbing plants to grow across the surface.

The concrete grid is interrupted at the entrance, where glazing reveals the central courtyard beyond. Here, a vertical garden of aromatic local plants is arranged within black metal containers. Their repeated geometry echoes the pattern of the external façade.

This planted courtyard forms the spatial centre of the project. It leads towards the reception and lobby, while maintaining long views across the resort and the surrounding terrain. A white Volakas marble reception desk stands against exposed concrete, accompanied by a wall-mounted ceramic composition. Timber surfaces across the walls and ceilings soften the concrete structure, while grey stone defines the floor.

 

 

Graduated levels of quiet

The internal programme is divided between two wings according to the degree of quiet required by each function. The two pools and gym are placed to the left of the courtyard. On the opposite side, the treatment rooms follow a linear arrangement that supports greater privacy and acoustic separation.

Four treatment rooms incorporate private open-air courtyards. These enclosed spaces bring daylight, vegetation and fresh air into the treatment areas without exposing them to the wider circulation zones.

Towards the valley, the principal functional volumes are emphasized by substantial frames of untreated natural limewood. Transitional spaces occupy the intervals between them. Openings reaching up to 5m in height frame views of the green landscape and draw daylight deep into the building.

Materiality and framed views

The interior combines natural timber battens, board-marked concrete and grey stone in both polished and rough finishes. Natural and artificial lighting reveal the differences between these surfaces, while reinforcing the visual axes towards the exterior.

The indoor pool is positioned directly beside full-height glazing. Reflections from the water extend the view into the landscape, while the timber-lined ceiling introduces warmth to the space. Elsewhere, darker corridors and treatment areas create a gradual transition towards more enclosed and private rooms.

Furniture and decorative elements follow the same material approach. Soft organic forms, woven surfaces, timber and heavily textured fabrics balance the geometric structure of the architecture.

 

The project was first published in print in ek magazine 281 | October 2023, a monthly issue by ek Architectural Publications.

Located in Haras del Bosque, a residential development and nature reserve in southeastern Puebla, Mexico, AE House is shaped by the dense vegetation of its setting. The landscape guides the relationship between the residence and its surroundings, while creating a sense of shelter.

Facing the street, the house maintains a horizontal, sober and understated presence that protects the privacy of the interior. Once inside, the scale changes. A central corridor structures the project and directs movement toward a sequence of courtyards, voids, bridges and platforms.

 

 

Staggered Volumes on the Slope

The house is fragmented into staggered volumes that adapt to the topography and open toward the adjacent hill and the pine-oak forest. The arrangement establishes a direct relationship between architecture and views, gradually weakening the boundary between interior and exterior.

Changes in level become part of everyday movement through the house. The circulation repeatedly opens toward the forest and the terrain, allowing the landscape to remain present from different heights.

The continuity between walls and sloping roofs gives the composition a clear volumetric reading, reinterpreting the elemental silhouette of the house through a contemporary architectural language.

Natural Light Through the Section

Continuous skylights extend from wall to ceiling, bringing natural light deep into the interior and changing its atmosphere throughout the day. Even the most enclosed spaces maintain a connection with the outdoors through variations of light and shadow.

The house is therefore not organized around views alone. Light enters from above and between the volumes, allowing changing external conditions to remain perceptible within the more sheltered areas of the interior.

 

 

Weight and Lightness

The material organization is based on a contrast between weight and lightness. The ground floor forms a solid base of concrete, exposed masonry and cement finishes, while also functioning as a retaining structure against the slope.

Above it, the upper floor takes on a lighter character through a steel frame and an envelope of dark metal panels. The two levels are therefore differentiated both structurally and materially.

Circulation turns the slope into an active part of the house. Inhabiting AE House involves climbing, crossing and pausing at different heights, transforming movement into an opportunity to observe the landscape while remaining sheltered by the architecture.

The Greek Parliament has ratified the concession agreement granting U Resort Vasilitsa, a company within D Group, the right to use, operate, manage and develop the Vasilitsa National Ski Centre.

The agreement was approved on 9 July 2026 and subsequently enacted as Law 5318/2026. It provides for an initial 30-year concession, with the possibility of a single ten-year extension. The legal milestone allows the company to move from strategic planning towards the implementation of its investment programme.

 

 

From a winter facility to a four-season destination

U Resort’s stated objective is to modernize the existing infrastructure and expand Vasilitsa beyond its established role as a winter-sports destination. The strategy envisages a mountain resort that can operate throughout the year, combining skiing with hospitality, outdoor activities, sport and educational programmes.

This transition responds to a broader shift in mountain tourism. As winter seasons become less predictable and visitor expectations change, ski centres increasingly need programmes that are not limited to snow-based activity. The proposed year-round model aims to broaden the destination’s operating period and establish new reasons to visit the wider Pindus region outside the winter months.

The company has not yet released a detailed architectural or construction programme with the press announcement. Consequently, the scope, phasing and design of the individual facilities will need to be assessed as the relevant studies and visual material become available.

Regional development and long-term operation

D Group presents the project as a long-term investment in Western Macedonia and the wider mountain economy. Its objectives include the creation of employment, the attraction of visitors throughout the year and the reinforcement of businesses connected with accommodation, food, sport and outdoor recreation.

The regional impact, however, will depend on more than the modernization of the ski facilities. Accessibility, environmental management, connections with nearby settlements and coordination with the wider tourism network will be central to the project’s long-term performance.

D Group chairman Dr Dimitris Derpanis has connected the investment with his personal ties to Grevena. In the company’s announcement, he describes the project as an opportunity to support the development of his place of origin while creating value for the local community.

Moving from planning to construction

According to U Resort CEO Yiannis Litos, the ratification of the agreement enables the company to begin implementing its operational plan. The company states that the programme will combine upgraded facilities, hospitality infrastructure and new visitor experiences.

U Resort intends to begin the first construction works in spring 2027. This remains the company’s announced timetable and will be shaped by the completion of the required studies, approvals and preparatory procedures.

The redevelopment of Vasilitsa therefore begins with a clear strategic ambition: to retain the destination’s identity as a ski centre while extending its activity across all four seasons. The architectural, environmental and operational decisions that follow will determine how this ambition is translated into a resilient mountain destination.

 

U Resort | D Group

The project concerns the redesign of Varkiza Beach, one of Attica’s most popular and heavily used coastal areas. The complex brought together surviving elements of 1960s modernism and later interventions that had gradually altered its character, presenting the architects with the challenge of establishing a new identity without erasing the existing one.

 

 

Arched typologies

The design draws on mid-century modern architecture and the prefabricated curved forms already present within the complex. The aim was to create an atmosphere of understated elegance, calm and natural harmony.

Against the different orthogonal grids inherited from the modernist complex, repeated curves in both the horizontal and vertical planes establish a coherent architectural vocabulary. The new interventions are applied as “second skins” to the existing building typologies, giving them a renewed identity through soft, organic forms that settle into the natural setting.

The new main entrance is defined by pronounced arched forms and conceived as an experiential gateway and primary point of reference. A separate VIP entrance follows the same logic, using the repetition of the arch to establish a distinct reception sequence.

Shade, food and movement

The new F&B area develops beneath a large pergola shaped by natural materials and organic lines. Sheltering a series of food trucks, it creates an open and active area for gathering.

The existing cabana buildings and communal restrooms are redesigned in the same architectural language. At the same time, the routes leading to and from them are reinforced through the recurring arched typologies, allowing a single formal system to connect the different parts of the resort.

 

 

Materials, landscape and light

The material palette is restrained and earthy. A natural kourasani finish is applied to the exterior shells, while cement render is used inside, both in sandy tones. Bamboo elements form shading devices and enclosures.

The combination of textures and curved forms strengthens the experiential character of the project. Materials respond to the changing daylight, producing patterns of light and shadow and contributing to an atmosphere of calm and summer comfort.

The landscape is redesigned through targeted interventions, new routes and planting choices. A discreet but dynamic lighting strategy supports the sense of summer naturalness and ease without interrupting the continuity of the landscape.

The overall intention was to establish a strong identity without imposing on the site. The beach operates as a continuous system of experiences, structured by curved forms and materials that change with the sunlight. Routes gradually unfold the complex, leading visitors through a sequence of spaces and encounters with the surrounding landscape.

Located in São Paulo, MAS House is the result of a complete remodeling by SUITE Arquitetos, conceived with spatial integration as its starting point and materiality as a structuring element.

The residence was reorganized around the family’s daily life, strengthening spatial continuity and the relationship between interior and exterior. Throughout the house, light, materials and furniture work together to create a calm and coherent living environment.

The Living Area as the Center of the House

At the center of the residence, the living area organizes the social program, bringing the sitting room, dining room, kitchen and outdoor space into the same spatial field.

Conceived as a versatile environment, it accommodates different forms of use, from everyday family life to quieter moments, always oriented toward the garden. Large openings expand the sense of space and make natural light an active component of the architecture, changing the atmosphere of the interiors throughout the day.

The outdoor area is therefore present from the main living spaces rather than treated as a separate part of the house. The garden becomes a constant visual reference and reinforces the continuity between domestic life and the surrounding landscape.

 

 

Material Continuity and Furniture

Materiality defines the identity of the project. Brushed Brazilian travertine establishes a continuous base across the social area, while cabinetry in dehydrated oak veneer extends through the interiors and reinforces the unity of the composition.

Woodstone quartzite, integrated into niches and the dining-room cabinetry, introduces texture and depth. Together with fabrics, smooth surfaces and carefully distributed lighting, the material palette creates a subtly golden atmosphere without visual excess.

Furniture operates as an extension of the architecture. In the living room, the side table and the lamp establish a balance between form and materiality.

The sofa was redesigned specifically for the project. Its straighter and more pronounced lines give it a central role in the composition and reinforce the project’s custom-designed character.

 

 

Private Rooms and the Garden

In the private areas, material continuity and chromatic neutrality create a quieter atmosphere. The primary suite combines woven textures, fabrics and timber flooring, with direct access to a balcony that re-establishes the connection with the exterior.

In the powder room, marble is used on the wall panel and for the sculpted basin with a honed finish. Diffuse lighting emphasizes the texture of the stone without dominating the space.

Outside, dense landscaping surrounds the pool and creates a private setting removed from the pace of the city. Furniture with simple lines and durable materials supports continuous everyday use.

Through the relationship between spatial integration, natural light and material continuity, MAS House proposes a fluid way of living in which the interior, garden, furniture and daily routines form part of the same domestic environment.

Perched on the summit of a hill, Pride Rock Villa combines the simplicity of Mediterranean living with refined finishes and high construction precision. The residence commands a 270-degree panorama towards Kalo Livadi, Divounia and Kalafati, while the islet of Ktapodi and the island of Naxos gradually emerge on the distant horizon.

Modern architectural lines are combined with elements drawn from the local building tradition, establishing a close relationship with the natural landscape and the continuous presence of water. The design brings artisanal craftsmanship together with contemporary technologies, creating an environment defined by clarity, comfort and calm.

 

 

A 270-degree horizon

Four principles guided the design: the orientation of the building volumes towards the principal views, the careful consideration of the sun’s trajectory to maximize natural light, protection from the strong northern winds and a seamless transition between indoor and outdoor spaces.

The rocky topography was central to the architectural composition. Rather than being treated simply as a backdrop, the characteristics of the terrain determined the main axes of the building and its visual connections with the landscape. Outdoor seating areas were positioned in sheltered locations, allowing the panoramic views to remain accessible even when the prevailing winds are strong.

Two wings shaped by the landscape

The residence is divided into two wings, each associated with a triangular swimming pool. One is oriented towards Kalafati and the other towards Kalo Livadi, reinforcing the building’s response to the two principal directions of the site.

The first wing is white and cubical. Its ground floor contains an open-plan living area with direct access to the outdoor spaces, while the primary bedroom occupies the upper level and opens towards uninterrupted views of the sea.

The second wing is built in stone and partly embedded in the terrain beneath a planted roof. It contains three ensuite bedrooms, where cross ventilation and natural light are provided through a sunken rear courtyard. The contrast between the two wings allows the residence to alternate between a more exposed, elevated presence and a quieter integration into the hillside.

 

 

The rock as a spatial anchor

At the centre of the plot, an existing rock formation was preserved and incorporated into the architectural layout. An internal courtyard wraps around it, bringing a fragment of the original landscape directly into the everyday experience of the residence. From the top of the rock, the broader panorama of the Aegean is revealed.

This approach extends throughout the project: the natural features of the site are not concealed but used to define movement, views and spatial relationships. Architecture, water and terrain are brought together in a composition that combines the functional requirements of a summer residence with the distinctive character of its location.

Originally published in MykonosVillas Vol.5, a special edition by ek magazine.

Prefabricated Concrete as Architectural Identity

In Chave, Arouca, Portugal, G–5 Houses by Summary is conceived as a fully prefabricated reinforced-concrete residential complex. Modular panels form all major building elements, including façades, roofs and interior partitions, allowing construction to be streamlined while giving the development a clear architectural identity.

Rather than treating prefabrication only as a technical method, the project uses it as the basis for spatial organization, material expression and construction logic. The repetition and typification of components produce a building that is direct, legible and strongly defined by its system.

Five Dwellings, One Shared Order

The complex contains five dwellings: three two-storey units and two single-storey units. On the ground floor, the houses share a regular rectangular plan, with each unit benefiting from two free façades.

Above this base, three independent volumes are positioned irregularly across the broad roof slab. The spaces between them become outdoor terraces, accessed through an external staircase on the eastern side of the building. From there, the terraces open views toward the Serra da Freita.

 

 

Direct Access and Reduced Circulation

Each dwelling has its own street entrance, leading first to a sheltered exterior area. From this threshold, the main door opens directly into the living room, reducing circulation and eliminating the need for transitional spaces such as atriums.

The plan is organized with an emphasis on efficiency and direct use. The entrance sequence is brief, the living room becomes the distribution point, and the houses avoid unnecessary spatial hierarchy. This economy of movement reinforces the project’s broader logic of constructional clarity.

Modular Panels as Structure and Enclosure

Interior partitions are made from prefabricated concrete panels that function simultaneously as enclosure and structural bracing. This removes the need for additional masonry and makes concrete the dominant material both outside and inside the building.

The specific production process gives each panel one smooth face and one textured face. The design responds to this condition strategically: smooth surfaces are exposed wherever possible, while rough surfaces are concealed behind built-in elements, kitchen equipment or other fixed components.

 

 

Sunlight, Ventilation and Everyday Comfort

The east–west orientation of the dwellings supports natural cross-ventilation and sunlight. This allows the houses to maintain comfort without relying on mechanical cooling or ventilation systems.

Environmental performance is therefore approached through the simplest means: orientation, free façades, direct openings and the thermal mass of concrete. The result is a compact residential complex where construction system, spatial efficiency and passive comfort are closely aligned.

A Clear Constructional Logic

G–5 Houses demonstrates how prefabrication can produce more than speed and efficiency. Here, it gives shape to an entire architectural language, from the large-scale organization of the five dwellings to the tactile presence of concrete panels in the interiors.

Through its modular system, compact planning and terrace spaces overlooking the landscape, the project proposes a pragmatic but distinctive model of collective housing: rational in its construction, precise in its spatial organization and open to the surrounding territory.

A Green Public Landmark at the Entrance to the Village

At the southern entrance to the municipality of Barbian / Barbiano in South Tyrol, Roland Baldi Architects designed a multifunctional public ensemble that combines education, mobility, social interaction and local development. The project brings together a kindergarten, daycare centre, children’s restaurant, tourist office and public infrastructure, rethinking the role of a civic building in a rural context.

Part of Italy’s Recovery and Resilience Plan and financed by the European Union through NextGenerationEU, the building operates as a new green landmark at the entrance to the village. Its architecture responds simultaneously to topography, everyday use and the need for a stronger connection between the public hub and the village centre.

Two Buildings, One Idea

The complex is composed of two separate buildings positioned on opposite sides of the street. On the hillside, the larger volume accommodates the kindergarten, nursery, cafeteria and protected play areas. Across the road, a smaller structure houses the tourist office and barrier-free public restrooms.

Next to the tourist office, a stair and lift tower provides barrier-free access from the existing two-storey underground parking garage directly to the village centre. A bridge spans the road and connects the two buildings, becoming both a functional link and a defining architectural element of the ensemble.

 

 

Learning Through Movement and Openness

The architecture supports a pedagogical approach based on movement, openness and self-directed learning. Instead of following the conventional classroom model, the building is organized through permeable, thematically defined areas: creative and research zones, quiet rooms and role-play spaces.

Corridors widen into small meeting islands, used as lounges, play zones and retreat niches. This spatial variety enriches everyday teaching and allows the building to function as an active educational landscape rather than a sequence of closed rooms.

Layered Program on a Steep Slope

The steep slope becomes the central generator of the project. Because of the terrain, the functions are organized horizontally in layers: technical spaces at the base, educational areas above and a safe outdoor play area on the roof.

On the first basement level, which opens fully toward the valley and benefits from natural light, two group rooms and the children’s restaurant are located, together with a kitchen that also serves the neighbouring primary school. The ground floor includes another nursery group and the independently organized daycare centre, with group and quiet rooms, kitchenette, cloakroom, sanitary facilities and an indoor terrace. On the top floor, a multifunctional exercise room connects directly to the protected playground.

 

 

Tourist Office, Mobility and Public Infrastructure

The tourist office extends the building’s role beyond education. It introduces an information point, public facilities and a newly designed bus stop into the ensemble, strengthening the project’s connection with visitors, residents and daily mobility.

Traffic and pedestrian flows are clearly structured, while two speed bumps slow down vehicles and improve safety around the entrance. Through this combination of education, transport and public service, the project becomes a civic threshold for the village.

Concrete Base and Green Timber Façade

The building’s material strategy follows its topographic logic. A robust exposed-concrete base anchors the structure to the slope, while the upper levels are built in lightweight timber construction. The vertically structured, green-glazed timber façade gives the ensemble a recognizable appearance from a distance and establishes a distinct presence at the entrance to Barbiano.

The architecture does not conceal the complexity of the program. Instead, it gives it clarity, using the landscape as a design generator and transforming the slope into an organized public section.

 

 

Sustainability and Child-Friendly Atmosphere

The building was constructed to the Climate House Gold standard. Photovoltaic panels contribute to its energy supply, while heating is provided by a heat pump, supported by controlled ventilation with heat recovery.

Inside, light-coloured materials, consistent daylighting and local wood create a calm, child-friendly atmosphere. Oiled floors, solid wood furniture and acoustically effective wooden ceilings define the interiors, allowing architecture and education to work as a single environment.

A Place for the Future

With the multifunctional ensemble in Barbiano, Roland Baldi Architects transform a complex functional program into a clear architectural narrative. Educational building, sustainable mobility and tourist infrastructure are brought together in a single public gesture.

The result is a meeting place, a point of arrival and a new landmark for the village: a green bridge that connects levels, uses and communities, while opening new possibilities for rural public architecture.

Vechro received two distinctions at the Home Improvement Awards 2026, with the awards recognizing two different areas of the company’s activity: product development and social responsibility.

The first distinction was awarded to Vechro Pro Acrylic PU Hybrid in the Paints | Outdoor category. Designed for exterior surfaces, the product combines high resistance, breathability and advanced protection, addressing the performance requirements of contemporary building applications.

The second award concerned the company’s “Packages of Love” initiative in the CSR | Product category. Through the programme, Vechro supported people and communities in need, extending the company’s activity beyond the development and distribution of paint products.

Product performance and responsible business

The two distinctions reflect two parallel aspects of Vechro’s approach. On the one hand, the company continues to invest in products designed to respond to changing market and building-performance requirements. On the other, it incorporates social initiatives into a broader understanding of responsible business practice.

The distinction for Vechro Pro Acrylic PU Hybrid places particular emphasis on technical performance in exterior applications, where durability and the management of moisture are key factors in the long-term protection of surfaces.

At the same time, the recognition of “Packages of Love” highlights the role that organised corporate initiatives can play in supporting wider social needs.

Two awards, one broader direction

By recognising both a specific product and a social initiative, the Home Improvement Awards 2026 distinctions bring together two fields that are often discussed separately: technological development and social impact.

For Vechro, the awards underline a broader direction centred on quality, innovation and responsible growth, with value created through both the products introduced to the market and the initiatives developed around the company’s wider social role.

 

Vechro Paints

Eltrak Group has inaugurated a new store in Perama, strengthening its presence in one of the most active centres of Greece’s maritime and ship-repair industry. Located at 393 Leoforos Dimokratias, the new facility brings the Group’s products, specialist personnel and technical services closer to the companies and workshops operating across the wider ship-repair zone.

The opening reflects Eltrak’s strategy of establishing a direct physical presence where the daily maintenance, repair and technical requirements of the maritime sector are concentrated. Through the new location, the Group provides local access to products and services associated with Caterpillar, Palfinger and MaK.

The inauguration was attended by Eltrak clients, representatives of the shipping sector and senior executives from the international companies represented by the Group, who travelled to Greece for the occasion.

 

 

A strategic presence in the ship-repair zone

Perama plays a central role in the repair and technical support of vessels operating in Greece and the wider region. The new Eltrak facility has been developed in response to the increasing demand for immediate access to specialist personnel, equipment, spare parts and technical assistance.

The location brings the company’s support infrastructure closer to technical departments and repair crews, reducing the distance between the point of service and the maritime activities it supports.

The facility forms part of a broader network through which Eltrak provides engines and generators, lifting systems, cranes, genuine spare parts and specialist technical assistance. For maritime applications, the Group’s portfolio includes Cat engines and generators, MaK service and Palfinger lifting equipment.

Direct contact and technical support

Commenting on the new opening, Natasha Covas-Kneiss, CEO of Eltrak Group, highlighted the importance of establishing a permanent presence in Perama:

“Our strategic decision to establish a physical presence in Perama underlines our commitment to being where the heart of Greek maritime operations beats. With this new facility, we offer immediate, personal contact and Caterpillar technical support to the technical departments and workshops of the ship-repair zone.”

She added that the Group’s objective remains the practical support of Greek shipping through the technical expertise and reliability developed by Eltrak over several decades.

Closer to the operational needs of shipping

Founded in 1982, Eltrak is the official Caterpillar representative in Greece and also represents international brands including Palfinger and MaK. Its activities extend across construction, maritime operations, energy, recycling, transport and logistics.

The new Perama store places this technical and commercial network directly within the working environment of the ship-repair zone. More than a new retail point, the facility is intended to function as a local interface between the Group’s technical capabilities and the day-to-day operational requirements of the maritime sector.

For Eltrak, the investment signals a move closer to its customers. For the wider Perama maritime ecosystem, it adds a new point of direct access to equipment, spare parts and specialist technical support.

 

Eltrak

Geometric Clarity and Landscape Integration

Located in Loulé, Portugal, PCG House by Visioarq Arquitectos is a residence that balances formal clarity, functional efficiency and a close relationship with the landscape. The design is structured through a refined volumetric composition, where distinct bodies are articulated with coherence and harmony.

The architectural language privileges pure and essential forms. Large glazed surfaces establish a direct dialogue between interior and exterior, allowing natural light to enter generously into the living areas and making the surrounding landscape part of everyday domestic life.

South-West Orientation and Natural Comfort

The social spaces are oriented to the south and west, playing a central role in the project’s strategy of openness. Generous windows frame the landscape while supporting natural cross-ventilation, an important factor for thermal comfort during the summer months.

Comfort and energy efficiency are therefore approached not only through technology, but through the careful calibration of orientation, siting and openings. The house uses its relationship with the sun, wind and topography as part of its environmental strategy.

 

 

Horizontality and Topography

The residence is anchored in a strong sense of horizontality. This gesture reduces the visual impact of the building on the terrain and strengthens its integration with the existing topography.

Each volume corresponds to a distinct function, yet the shared plasticity of the forms ensures unity and balance. Subtle projections and recesses in the façades create a changing interplay of light and shadow throughout the day, enriching both the spatial and sensory experience of the house.

Pool, Terraces and Outdoor Living

The relationship with the exterior is one of the defining principles of the project. To the south and west, an infinity pool extends toward the horizon, visually dissolving the boundary between architecture and landscape.

On the upper floor, the east-facing façade is set back from the ground floor, creating a sheltered terrace screened by a wall that ensures privacy from the adjacent street. To the west, shaded terraces with pergolas invite extended use of the outdoor living areas, reinforcing a way of inhabiting based on openness and proximity to nature.

 

 

Fluid Interiors and Everyday Flexibility

The interiors are fluid and interconnected, with seamless transitions toward the exterior spaces. This organization supports flexible use and reinforces the sense of continuity between the house, the terraces, the pool and the landscape.

The plan is shaped around everyday comfort, clear movement and the experience of natural light. Transparency does not function only as a formal device, but as a way of organizing domestic life around views, climate and exterior space.

Precision and Contextual Sensitivity

PCG House brings together geometric precision and contextual sensitivity. Its clarity of form, subtle integration into the landscape and capacity to provide environmental quality and comfort define a residence that is both visually controlled and deeply connected to the experience of living.

The project does not rely on excess. Instead, it uses proportion, orientation, light, shade and continuity with the outdoors to create a calm and efficient contemporary home.

Gratalum participates in the realization of The Ilisian, the new multifaceted destination being developed at the former Hilton Athens. The company has undertaken the fabrication and installation of aluminium systems across the project, addressing the requirements of a development of international scale and increased technical complexity.

The scope extends from the main tower to the lobby and common areas. Different aluminium systems are applied according to the function and construction requirements of each zone, with the aim of maintaining quality, functionality and visual consistency throughout the project.

 

 

Aluminium systems for the tower

In the tower, Exalco Space Replace minimal systems are used for the sliding frames, while Elvial W67BS systems are applied to the hinged openings.

The selection responds to the different types of openings required across the building and forms part of the wider package of aluminium applications undertaken by Gratalum.

 

 

Lobby and common areas

In the lobby and common areas, the project incorporates Exalco Albio 130 curtain-wall systems, Albio 135 door systems and Albio 127C Superthermo frames.

The company’s scope also includes Alufire fire-resistant systems, extending the aluminium package to areas with different functional and technical requirements.

Through the fabrication and installation of these systems across multiple parts of the development, Gratalum contributes to the coordination of the building envelope and openings at The Ilisian, bringing together a range of solutions within a project of exceptional scale.

Gratalum

An Operational Hub in the Vineyard

In Buellton, California, Alma Rosa Vineyard Barn by Clayton Korte is designed as a new equipment barn serving more than 50 acres of planted vineyard. Positioned at the heart of the property, the building supports vineyard blocks on both sides of the winery, creating an efficient operational hub for daily agricultural work.

The barn is carefully sited within the gently rolling terrain of California’s Central Coast. Its placement responds to the contours of the land, while maintaining clear views across the vineyard rows. Rather than appearing as a purely utilitarian structure, the project takes cues from the agrarian character of the region, balancing functionality with a strong sense of place.

A Durable Structure for Agricultural Work

The steel-framed structure provides expansive open-air covered space for the storage and maintenance of heavy farming equipment, tools and picking bins. Enclosed areas are also included, offering year-round workspace and supporting the practical needs of vineyard operations.

With a total area of 3,569 sq ft, including 2,677 sq ft of covered space and 892 sq ft of open-air area, the barn is compact but highly efficient. Its organization reflects the daily demands of viticulture, where storage, maintenance, access and durability are essential.

 

 

Weathering Steel, Perforated Metal and Concrete

The material palette is restrained and rugged. Weathering steel, perforated corrugated metal and cast-in-place concrete were selected for their durability, low-maintenance qualities and ability to age naturally over time.

These materials give the barn a direct and honest expression. They allow the building to withstand the elements while gradually developing a more embedded relationship with the landscape. The architecture does not attempt to hide its agricultural function; instead, it gives that function clarity and permanence.

Light, Air and Partial Concealment

Perforated metal cladding plays a central role in the character of the building. It filters light and air, while partially concealing the equipment stored inside. This gives the barn a layered presence: open and breathable, yet visually controlled.

The result is a structure that remains functional without becoming visually heavy. Its minimalist form and careful material expression allow it to recede into the vineyard, blending with its agricultural surroundings while maintaining a quiet architectural refinement.

 

 

Long-Term Stewardship

Alma Rosa Vineyard Barn is designed to endure and evolve with the vineyard. Its robust construction, efficient siting and low-maintenance material strategy reflect a long-term investment in both land stewardship and operational performance.

The project shows how agricultural infrastructure can be designed with care, without losing its directness or utility. Here, architecture supports work, landscape and time, producing a building that is modest in form but precise in its relationship to place.

A Winery Rooted in the Agricultural Landscape

In Châteauneuf-du-Pape, France, Les Terres Blanches Winery by JSPA Design is conceived as a multi-layered project within a predominantly rural and agricultural setting. The proposal includes the creation of a new wine cellar, the extension of an existing winery to increase production capacity, the addition of a shop and the development of new public event spaces.

The design establishes a clear relationship between the existing architecture and the new intervention. Rather than producing a single large object, the project creates a coherent whole through scale, typology and material continuity, allowing the extension to become part of the broader landscape of the village.

Four Volumes Around a Patio

The different functions of the winery are organized into four distinct volumes around a central patio. This fragmented arrangement gives the project a scale closer to the surrounding built environment, helping the new complex integrate into the existing village fabric.

The old and new parts of the winery are connected only through an underground passage. This allows the existing building and the new extension to remain visually distinct, placed side by side without direct contact, while still operating as a unified production and visitor experience.

 

 

Rammed Earth as Structure, Texture and Climate Strategy

The compacted earth walls give the project its defining material character. Traditional in origin but contemporary in expression, rammed earth allows the winery to establish a direct relationship with the ground, the local landscape and the agricultural identity of Châteauneuf-du-Pape.

Beyond its visual and tactile qualities, the material contributes to the environmental performance of the building. Its thermal and acoustic properties support the stable conditions required for wine production and storage, while reinforcing the sense of continuity between architecture and site.

Water as an Organizing Element

Water circulation is one of the main drivers of the design. Cantilevered structures direct rainwater absorbed by the green roofs toward a pool in the central patio, where it is collected. Narrow slits along the patio allow excess water to drain toward the underground wine cellar and eventually into a cistern for future use.

Through natural evaporation, the collected water helps maintain the humidity level required for the proper conservation of wine throughout the year. In this way, water is not treated as a secondary technical system, but as an architectural and environmental mechanism embedded in the project.

 

 

An Underground Cellar of Light and Shadow

The wine cellar is located underground, benefiting from a more constant temperature. Its atmosphere is shaped by low levels of natural light entering through thin openings in the slab above.

These fine cuts produce sequences of shadow and light, giving the cellar depth and a sense of mystery. The visitor experience becomes immersive: architecture supports not only production and storage, but also the sensory culture of winemaking.

A Contemporary Rural Typology

Les Terres Blanches Winery proposes a contemporary interpretation of local materials and rural forms. Its rammed-earth walls, fragmented massing, green roofs and water-management strategy create a project that is both technical and atmospheric.

The winery becomes a place where production, landscape, public experience and environmental performance are brought together. Through its careful balance of old and new, visible and underground, earth and water, the project offers a grounded model for sustainable wine architecture.

A 1970s Apartment Reorganized for Contemporary Living

The project concerns the renovation of an 85 sq.m. apartment on the first floor of a 1970s residential building in Neapoli, Nikaia. The owner’s main request was to keep the intervention as limited as possible, while also creating sufficient storage space for everyday use.

The design is based on an open plan that unifies the living areas, reinforces a sense of through-space and allows natural light to spread throughout the apartment. Through a small number of precise moves, the apartment is reorganized in a way that significantly improves its daily use.

One Unified Living Area

The main intervention involved removing the partition walls that separated the living room and dining area from the corridor and kitchen. This allowed the previously divided spaces to merge into a more connected and functional layout, bringing natural light even into the corridor at the center of the plan.

The demolition revealed the main structural elements of the building, including the column at the center of the unified space and the beam that runs lengthwise through the apartment, from the entrance to the bedroom. Rather than concealing these elements, the design incorporates them into the new spatial organization.

 

 

A Bookcase as Spatial Filter

The apartment is organized into three distinct zones: the entrance and living areas; the transitional zone leading to the private rooms, including the bathroom, storage room and corridor; and the bedroom with the auxiliary room-office.

A bookcase placed beneath the beam plays a central role in the new layout. It operates as a dividing piece of furniture, separating the living areas from the private zone without fully closing them off. Its ribbed-glass back allows natural light to diffuse toward the corridor, while limiting direct visual contact and preserving privacy. The material also refers to the aesthetic character of the original 1970s apartment.

The Kitchen as a Place of Gathering

The kitchen is treated as an integral part of the open plan. It is directly connected to the dining and living areas and develops along the north-south axis, becoming a vital component of the unified living space.

A secondary island provides additional work surface while allowing the kitchen to function as a place of gathering. In this way, its role extends beyond functionality and becomes part of the apartment’s everyday social life.

 

 

Storage Through Limited Interventions

The new organization responds to the initial request for improved functionality and storage, without requiring extensive construction work. A built-in wardrobe is designed at the entrance, part of the bathroom is used to create a storage room, and the lower section of the bookcase provides additional storage.

These solutions improve everyday usability while preserving the openness and continuity of the apartment’s new living core.

Earthy Palette and 1970s References

The material and color palette is based on soft, earthy tones, combining the grey of the structural elements with warm off-white shades and natural wood. Stronger color accents appear in the kitchen and bedroom, where green dominates, and in the bathroom, where blue is introduced.

In the bedrooms, the existing flooring was preserved after maintenance, while large-format ceramic tiles were used in the unified living area, reinforcing the sense of continuity and spatial integration.

 

 

Furniture, Objects and Personal Identity

Some of the furniture was custom-designed for the apartment, while a Danish armchair from the owner’s collection, lighting fixtures, artworks and handmade decorative objects with curved forms contribute to the space’s personal identity.

Through the composition of geometric forms, natural materials and contemporary design lines, the renovation achieves a balanced coexistence between old and new. The apartment is redefined as a flexible and ergonomic living environment, with clear architectural identity and functional organization.

ek magazine is organizing an event honoring the architect Yannis Kizis (Kizi Studio) at the SNFCC on Friday, December 11, 2026, under the auspices of the Hellenic Institute of Architecture.

Yannis Kizis is a Professor Emeritus at the NTUA School of Architecture with a long-standing creative career and currently directs the architectural office Kizi Studio together with Constadis Kizis, Associate Professor at NTUA. His extensive and high-quality work includes a wide range of architectural creation (public and private buildings, modern interventions and extensions to historical buildings, restoration of monuments, etc.) and is distinguished and multi-awarded in Greece and internationally. Being one of the most important architects of his generation, he was active both in Greece and abroad, adorning the urban and suburban landscape with high-quality architectural works. His work includes buildings of various typologies and scales, as well as urban regeneration studies. The presentations of the event speakers will attempt to highlight his significant contribution to modern Greek architecture, architectural education and culture.

The event speakers are:

– Panayotis Tournikiotis, Professor Emeritus NTUA, President of HIA

– Panayotis Tsakopoulos, Architect NTUA, researcher, author

– Nelly Marda, Architect, Professor Emerita NTUA

– Dimitris Thomopoulos, Dimitris Thomopoulos Architects, Assoc. Professor AUTH

– Tilemachos Andrianopoulos, Tense Architecture Network, Assoc. Professor NTUA

– Panagiotis Grammatopoulos, G-P Architects

– Manolis Vournous, M+V Architects

– Nikos Vatopoulos, Journalist, author

– Yiorgis Yerolymbos, Photographer, architect NTUA

– Costandis Kizis, Kizi Studio, Assoc. Professor NTUA

 

• Bronze Sponsor: LG Electronics
• Sponsors: Alumil 
• Supporters: Domiki Papanikolaou, Koligas Wood Essence

A Global Resort Rooted in Place

Mandarin Oriental, Costa Navarino is a luxury destination resort that upholds the standards of a global hospitality brand while remaining deeply rooted in its context. Set above the bay of Navarino in Messinia, Greece, the resort balances large scale with an intimate experience, luxury with restraint, and high-end amenities with a meaningful connection to land, culture and environment.

The project engages with a site of historical significance, ecological value and powerful natural beauty. Rather than treating the resort as an object placed in the landscape, the design develops a system of habitation, hospitality and environmental adaptation.

A Masterplan Inspired by Rural Typologies

The masterplan draws inspiration from Greek rural typologies, particularly the mandria: organic stone enclosures that adapt to the terrain and organize sloping land with quiet pragmatism.

This strategy is applied at a larger scale, organizing the resort’s different building units along the contours of the hillside. The 48 earth-sheltered villas are arranged in stepped, undulating rows, ensuring uninterrupted panoramic views from every unit and creating successive horizons across the site.

Most villas are organized in pairs, with only two visible sides that disappear into the ground and independent entrances naturally separated by planted slopes. In this way, the architecture develops as an extension of the hillside, rather than imposing itself upon it.

 

 

Privacy, Autonomy and Semi-Outdoor Living

The dispersed organization of the resort enhances the guest experience in several ways. Each villa enjoys privacy, autonomy and surrounding gardens, while the relationship between interior and exterior is structured through a sequence of transitions.

Interiors flow smoothly into shaded semi-outdoor living areas. Wide overhangs, deep-set openings and filtered views create a sense of calm and refuge, while maintaining contact with the broader landscape.

Restraint, Luxury and Material Presence

The resort combines restraint with richness. Stone and terrazzo are used in tactile, understated ways, while the interiors refer to Mediterranean textures and tones. Curated international details evoke the spirit of travel without distancing the experience from the place itself.

Space planning is intuitive and guest-centered, ensuring clear orientation, comfortable scale and carefully framed views. Circulation takes place outdoors wherever possible, allowing nature to remain a continuous presence throughout the resort.

 

 

Operational Foresight and Flexible Management

The resort also demonstrates operational foresight. Its layout supports scalable operation, as clusters of rooms or villas can be brought into or out of use seasonally, optimizing energy consumption.

Open-air circulation reduces the need for cooled corridors, while semi-protected spaces such as covered terraces and entry courtyards temper climate extremes, reducing mechanical loads and improving guest comfort.

A Contemporary Hybrid Typology

Creatively, the project avoids spectacle in favor of serenity. It does not mimic history, but listens to it. Traditional forms are abstracted rather than replicated, and reinterpreted through contemporary materials and construction methods.

The result is a unique hybrid typology, where the aesthetic of the “village” is not reproduced literally, but translated into a contemporary hospitality system. Architecture preserves local memory without becoming trapped in imitation.

 

 

Passive Strategies and Ecological Ambition

Sustainability guided every decision. Passive strategies include planted roofs, thermal mass and cross-ventilated spaces. Materials were sourced locally whenever possible.

Water-efficient landscaping, low-impact lighting and energy zoning further reinforce the ecological ambition of the project, aligning guest comfort with a lower environmental footprint.

A New Model for Hospitality

Mandarin Oriental, Costa Navarino offers a new model of resort-making: one that privileges relationship over image, groundedness over excess.

It demonstrates that a resort can be both luxurious and low-impact, international and deeply local — a place where architecture, landscape and guest comfort coexist in elegant alignment.

Heat Pump Solutions for European Homes

LG Electronics is strengthening its position in the European residential heat pump market with a diverse portfolio of high-performance solutions adapted to different housing environments.

As demand continues to grow across Europe for energy-efficient heat pump solutions using low-GWP refrigerants, LG is expanding its market response with products designed to combine efficiency, ease of installation and integration into contemporary homes and large-scale residential projects.

 

Therma V R290 Monobloc

One of the key products in the portfolio is Therma V R290 Monobloc, an outdoor air-to-water heat pump unit that uses R290 refrigerant with very low Global Warming Potential.

The unit is designed to provide reliable heating in outdoor temperatures as low as -28°C and can supply domestic hot water up to 75°C. Its monobloc design allows the unit to operate independently, without the need to install components inside the home, making installation easier and faster.

 

 

Multi V i and Multi V S

LG also offers Multi V i and Multi V S as part of its VRF range. Multi V i combines low-GWP R32 refrigerant with a high-efficiency inverter compressor and advanced smart control for efficient operation.

It also includes safety features, such as sensors that activate protection systems when refrigerant leakage is detected, helping maintain operational continuity and safety.

Multi V S is a compact VRF solution offering flexible system integration, energy management capabilities, smart controls and a user-friendly management interface. When combined with indoor units incorporating a domestic hot water tank and the necessary hydraulic components, it can operate as an all-in-one solution for air conditioning, heating and domestic hot water production.

 

Award-Winning Indoor Units

LG recently introduced new indoor units for air-to-water heat pump systems: Combi Unit, Hydro Unit and Control Unit.

The units received the iF Design Award 2026 and Red Dot Design Award 2026, recognizing their integrated design and ease of use. These distinctions reinforce LG’s position in a market where technical performance must be combined with clear design, usability and simple day-to-day management.

 

 

Customized Solutions for Large Residential Projects

LG continues to secure major residential project wins across Europe, supported by the competitiveness of its products and its engineering capabilities.

In Spain, LG supplied Multi V i and indoor units for approximately 1,000 residential units at Calle Fuerzas Armadas, a build-to-rent residential development. From the early stages of the project, LG worked with local partners to review design, certification and installation requirements, providing support aligned with European environmental regulations and site-specific conditions.

 

Residential Projects in Serbia

In Belgrade, LG supplied a customized solution for King’s Circle Residences, combining Multi V S with indoor units that produce cold and hot water. The integrated configuration enables energy monitoring per unit and brings cooling, heating and domestic hot water supply into a single system.

LG also supplied Multi V i, Multi V S and residential air conditioners to The One Residences in Belgrade, working with design teams to propose a heating and cooling system suited to the building structure and installation conditions. Simulation-based technical assessments were also carried out to verify operational stability and installation suitability.

 

 

Energy Efficiency and Ease of Installation

According to James Lee, president of LG ES Company, the European residential heat pump market continues to evolve, with growing demand for solutions that are energy-efficient, environmentally responsible and easy to install.

Through its diversified heat pump portfolio and engineering capabilities, LG aims to respond to the real needs of each space, strengthening its position in the European market and offering integrated solutions for contemporary residential environments.

 

LG Business Solutions Greece

A Compact Cabin Between Forest and River

Located in Plain, Washington, on the edge of the Okanogan-Wenatchee National Forest, Wenatchee River Cabin by Wittman Estes was conceived as a small retreat for outdoor life. The client had owned the nearly half-acre property for years, using it as a base camp for adventures in the surrounding landscape. After a decade of camping on site, often with friends, he decided to build a cabin that would keep the focus on the forest and the river.

The project began as a weekend retreat, but its use changed during the design and construction process. As remote work became part of everyday life, the owner started spending more time on the property and eventually chose to live there full-time once the cabin was complete.

Living Small, Living Well

With a footprint of 746 sq ft, the one-bedroom cabin is deliberately modest. Its compactness reflects both site constraints and a desire for a simpler way of living, where everyday life is shaped less by possessions and more by experience.

The owner’s direct involvement in construction was central to the project. This reinforced the need for a clear and minimal design, built with durable materials and simple architectural moves. Concrete, steel, cedar and restrained interior finishes give the cabin a sense of permanence while allowing nature, light and artwork to remain the dominant presence.

 

 

Elevated Above the Floodplain

Because the cabin sits within the river’s floodplain, the main living level is raised 10 ft above the ground on six concrete columns. This resilient strategy protects the home from seasonal flooding while minimizing its footprint on the site.

The elevated volume also creates a covered ground-level space beneath the cabin. This area functions as sheltered parking and a working space where the owner can maintain his vintage Bronco, protected from rain and snow. In this way, the floodplain constraint becomes part of the daily use and character of the building.

Three Levels and One Large Window Wall

The cabin is organized across three levels. The ground level provides the covered parking and work area; the middle level contains the main living, dining and kitchen space, along with a full bathroom; and the top level includes the bedroom, office, half-bathroom and a loft opening onto a cantilevered steel deck.

A single window wall, 20 ft wide and 24 ft high, directs the main views toward the Wenatchee River while screening neighboring properties. In the bedroom, a view portal looks across the living room and toward the river beyond, creating a vertical connection through the compact interior.

 

 

Owner-Built Steel Elements

The cabin’s material character is closely connected to the owner’s skills. A lifelong metalworker, he fabricated several elements himself, including the raw steel kitchen countertops and backsplash, the hemlock and steel dining table, and the tube-steel guardrails with expanded metal mesh infill.

These elements give the interior a direct, handmade quality. They also reinforce the logic of the cabin as a durable structure shaped by personal labor, weather and long-term use.

A Minimal Interior for Nature, Light and Artwork

The main living space is organized beneath a fir-framed loft, with a wood-burning fireplace creating a compact center of warmth. The interior finishes remain deliberately simple, forming a quiet background for the surrounding landscape, the changing light and the owner’s artwork.

Sustainability is approached through compactness, durability and efficient systems. The cabin uses an air-source heat pump for heating and cooling, with the wood-burning stove serving as the primary heat source. Locally sourced cedar siding and soffits further connect the building to the material culture of the region.

 

 

A Weekend Cabin Turned Full-Time Home

What began as a one-bedroom weekend cabin has become an everyday residence. Its modest scale, elevated structure and durable material palette support a form of living that remains close to the river, the forest and the changing conditions of the Pacific Northwest.

Wenatchee River Cabin shows how small architecture can produce a larger relationship with the world outside. It is a home shaped by restraint, resilience and the quiet ambition to live with less, but more directly.

A 1970s Apartment Reworked for Contemporary Living

Located in a prominent 1970s building in the city of Ioannina, Thalen Apt by Pantazi5 Architects is a 74 sq.m. apartment renovation designed for a sociable couple. The project brings together childhood memories, the existing character of the apartment and a forward-looking approach to everyday domestic life.

Rather than erasing the memory of the original space, the redesign acts as a bridge between what the apartment already carried and the future patterns of living it now needs to support. The result is a compact interior that combines hospitality, practicality and carefully controlled material contrasts.

One Intervention, One New Living Core

The project focuses on the apartment’s living areas. A single change to the existing plan allows previously separated rooms to merge into a more connected and functional layout, creating an extended naturally lit space that becomes the center of the home.

This new living core accommodates everyday use, gatherings and flexible domestic routines. It is organized not through rigid partitions, but through material definition, visual continuity and a clear relationship between open, transparent and enclosed zones.

 

 

Open, Glass and Wooden Areas

The unified space is visually divided into three distinct areas: the open area, the glass area and the wooden area. These correspond respectively to the living room, the kitchen and the service zone, which includes storage and a WC.

Although strongly differentiated in tone and texture, the three areas flow into one another. Existing uses, such as the dining area within the kitchen and the arrangement of the living room, are preserved and reworked, while new functions are introduced to support the apartment’s more practical and hospitable character.

Green Marble and a Parametric Mirror Installation

The open area forms the main living space of the apartment. Closely connected to the kitchen, it also provides access toward the private areas through the service zone.

Clad with green marble flooring, the bright living room includes furniture made from reused materials of the existing apartment. A parametrically designed mirror installation becomes the space’s most distinctive intervention, framing specific views toward the neighboring neo-Byzantine monument of the Zosimaia Educational Academy.

 

 

The Kitchen as a Transparent Room

The kitchen is part of the same unified living area, but it is defined through a glass screen that maintains visual contact and interaction between the two zones. Transparent and opaque cupboards form a flexible arrangement that supports both cooking and dining.

Black granite worktops give the kitchen a strong material presence, while light grey tiles and black steel shelving complete the palette. The shelving adds a sculptural quality to the room, while also functioning as storage.

Iroko Wood and the Introverted Service Zone

Next to the transparent kitchen area, the wooden zone is the most introverted part of the apartment. Finished with upcycled iroko wood from the original apartment, it accommodates storage and a WC, while also mediating access to the private rooms.

Through this compact service core, the renovation adds functionality without fragmenting the new living area. Thalen Apt therefore becomes a careful study in how a small apartment can be reorganized through one precise spatial move, turning existing materials, memory and contemporary use into a coherent domestic environment.

A House Built Around Emptiness

In Morelia, Michoacán, Mexico, Kehai House by HW Studio is a small residence of 95 sq.m., designed by architect Rogelio Vallejo Bores as his own home. The project is described as “the architect’s house”: a house in which someone used to giving form to the dreams of others turns inward, asking how architecture can become coherent with a way of living.

The house was shaped by a limited budget, but also by a long personal path toward Zen, the Dharma and Japan. Its deepest idea is not the production of an object, but the creation of a void: a central emptiness capable of containing life, movement, silence and thought.

A Closed Box That Holds a Garden

From the outside, the house appears as a quiet, closed box in the urban landscape. Its almost hermetic presence does not reveal much of what takes place inside. Once the threshold is crossed, however, the apparent closure is understood differently: the box does not isolate, but protects.

At its center lies a stone garden. It is not touched directly, yet it defines the entire house. Like the stone gardens of Kyoto, its stones are not arranged to represent something, but to evoke a state of attention. On the bed of grey gravel, two wooden platforms float as places of pause: not simply floors, but surfaces for stopping, looking and being.

 

 

The Garden as Spatial Order

The garden is not decorative. It organizes the house. Around it, the domestic spaces are arranged like satellites orbiting stillness, each one maintaining a distinct role while remaining connected to the central void.

On one side, the kitchen and dining area unfold in a double-height space. Above them, a volume gathers the smoke from the fire, introducing both memory and practical resilience: the possibility that one day the city may not provide everything needed. On the other side, the living room becomes a space of contemplation, where large stones rest like islands in a quiet sea.

A House That Reconciles with Rain

There is no covered corridor between the living room and the dining area. To move from one to the other when it rains, one either gets wet or waits for the rain to pass. This decision gives the house its most radical everyday lesson: architecture here does not protect from the world, but reconciles the inhabitant with it.

The home does not attempt to neutralize weather, time or discomfort. Instead, it allows them to enter life gently, turning movement through the house into a conscious act.

 

 

Shōji, Light and Shadow

The shōji doors, made with rice paper, are not treated as an aesthetic reference alone. They operate as the real filter between interior and exterior. Light, passing through them, loses its hardness and becomes softer, slower and more atmospheric.

In this house, shadow is not simply the absence of light. It becomes light’s most delicate expression. Daylight does not enter abruptly; it settles, creating an interior defined by quiet transitions rather than visual excess.

Three Windows and an Interior Life

The program is austere. There are no unnecessary corridors and no grand gestures. The house is almost entirely without glass, opening only through three small windows toward what is considered truly worth seeing: a mountain, a neighboring pine and the tree planted at the center of the garden.

The bedroom is placed above, as a minimal and intimate space. A single circular window opens to the foliage of the central tree. It becomes an eye of the house, a point of contemplation rather than display.

 

 

Entering by Descending

The entrance does not rise; it descends. One enters by going down, as if bowing before something sacred. The staircase reaches the point where the stone offered structural stability, reducing unnecessary foundation costs, but the gesture is also spiritual.

To inhabit this house, one must leave a certain pride outside and enter with humility. Like passing through the torii of an invisible shrine, the act of entry becomes a quiet ritual.

Silence as Architecture

In Japanese thought, value is often found in the imperfect, the incomplete and the ephemeral. Kehai House follows this sensibility. It was not designed to impress, but to endure in silence.

Through limited means, careful spatial decisions and a central void that orders domestic life, the house becomes a meditation on how little architecture needs in order to become meaningful. It holds the light weight of an honest life.

A Museum Between Memory and New Identity

In Vila do Bispo, Portugal, Vila do Bispo Museum by spaceworkers is conceived as an intervention that preserves the identity of the place while giving the existing building a new civic role. The project works with the character of the original construction, not by erasing it, but by extending and clarifying its presence.

The design proposes the addition of a new volume to the existing structure, echoing the form of the adjacent naves. This gesture creates urban and formal continuity, while allowing the new addition to establish its own identity as the main entrance to the museum.

A Red Volume Completing the Existing Building

The new volume extends to the southern limit of the plot and accommodates the technical, administrative and social functions of the museum. By concentrating these uses in the addition, the project frees the inner core of the existing warehouses to receive the exhibition areas.

This redistribution of program allows the exhibition to become the central function of the intervention. The museum is therefore organized through a clear distinction between support spaces and public cultural space, while the new red volume gives the ensemble a recognizable presence.

 

 

Neutral Exterior, Black Interior

The two pre-existing naves, with approximately 680 sq.m. of covered area, are treated in a neutral grey tone. This chromatic strategy homogenizes the existing construction and reinforces its formal abstraction.

Inside, the same warehouse volume is lined in black, creating a controlled background for the exhibition. Against this dark interior, a dynamic organic form organizes the display route, creating thematic exhibition pockets and guiding visitors through the museum in a clear and intuitive way.

Red Exposed Concrete as Urban Marker

In contrast to the chromatic abstraction of the existing structure, the new volume is built in exposed concrete with red pigmentation. Its material presence turns it into a point of reference in the urban and aerial landscape, marking the territory with clarity.

The addition acts as a formal completion of the existing building. It recreates its geometry in a delicate way, through a balance of solids and voids that organizes entrances, areas of pause and the relationship with the surrounding landscape.

 

 

A Museum That Feels Already Familiar

The result is a museum that appears as if it has always belonged to the place. For older generations, it evokes the memory of the former granaries; for younger generations, it becomes the “red museum”, a new image in the collective memory of the community.

Through this balance between preservation and transformation, Vila do Bispo Museum establishes a dialogue between continuity and new identity. It is both a careful architectural intervention and a public landmark capable of anchoring itself in the everyday image of the town.

An Office Rooted in the Everyday Landscape

Located in Hashima City, in Japan’s Gifu Prefecture, Office in Hashima by Permanent and Atelier Nagara Architectural Design Office is a new headquarters for a company active in civil engineering and real estate. Set within a calm rural landscape of rice fields, the building was designed to be rooted in the local community and appreciated over time.

The project begins with the quiet value of the ordinary. The seasonal path of the sun, the movement of rice grasses in the wind, and the ripples forming on the water of the fields during rain are treated not as background scenery, but as the material of the architectural experience.

Architecture as a Device for Noticing

Rather than simply blending the building into its surroundings, the architects conceived it as an architectural “device” that makes people more aware of the landscape. Its role is not to disappear, but to sharpen perception: to bring light, wind, rain and seasonal change into focus through the presence of the building itself.

This approach is especially appropriate for a company closely connected to land, infrastructure and construction. The office becomes a place where work, community and landscape are not separated but drawn into a continuous everyday relationship.

 

 

A Roof That Frames Natural Phenomena

The roof is the building’s defining feature. Rising dramatically toward the east, it cuts a bold profile against the sky, while its eaves descend close to the ground. This strong gesture gives the building a recognizable silhouette without overwhelming the rural scale of the site.

A gentle undulation in the roofline introduces a subtle irregularity. Reflected light, the color of the sky and the movement of raindrops are brought into focus, allowing natural phenomena to become part of the architectural expression. The roof does not simply cover the building; it registers the changing conditions of the place.

Intermediate Spaces Beneath the Eaves

Inside, spatial organization is designed to remain closely connected with the exterior. Beneath the raised roof, the entrance and meeting rooms occupy a tall space that naturally draws the outside inward.

Courtyards and verandas are placed under the undulating roof, creating intermediate spaces between interior and exterior. These zones soften the transition from work environment to landscape, offering places for movement, pause and informal encounter.

 

 

Margins, Gardens and Interior Continuity

Throughout the building and the site, small margins and resting places are carefully arranged. Stones and greenery are introduced into the interiors, producing a sense of continuity with nature even while indoors.

The result is a flexible work environment that supports meetings, breaks and moments of observation. The office is not defined only by productivity, but also by the possibility of noticing seasonal change, light, rain and wind as part of daily working life.

Light, Wind and the Southern Openings

On the south side, large openings are combined with low eaves, balancing solar control with an intimate relationship to the garden. The building does not rely on a hard boundary between inside and outside. Instead, wind, light and other natural elements are softly drawn into the interior.

Through this calibrated relationship, the office creates a new everyday scenery for the people who work there, the local community and first-time visitors. It gives form to a quiet ambition: to make the familiar landscape visible again.

Investing in Training and Professional Solutions

LG Electronics presented the fully renewed facilities of the LG B2B Academy, reaffirming the strategic commitment of LG Business Solutions to training, technological innovation and the development of integrated professional solutions. The presentation took place in Athens on 24 June 2026, highlighting LG’s role as a partner for professionals, installers, businesses and organizations seeking high-performance technologies for contemporary applications.

 

LG’s B2B Vision for 2030

During the event, LG presented the strategic goals of its Business Solutions division through 2030. These include doubling sales compared to 2026, increasing the partner network by 40%, and generating service revenues corresponding to 20% of total turnover in collaboration with certified installers. This strategy places training, technical support and the continued development of LG’s partner network at the center of the future growth of LG Business Solutions.

 

 

An Integrated Portfolio of Solutions

LG also presented its complete portfolio of professional solutions, covering air conditioning, ventilation, heating and domestic hot water production, as well as hospitality TVs, Signage, LED and IT display solutions. Among the solutions presented were Multi V systems, Therma V R290 Monobloc heat pumps, Inverter Scroll Chillers, and LG’s integrated control and management solutions.

 

Technologies for Professional Environments

Visitors also showed strong interest in ARTCOOL air conditioners with AI technology, the LG E-Paper display for energy-efficient digital signage, hospitality TVs with AirPlay and Google Cast support, and innovative Gaming Monitors. Guests were also able to tour LG’s new B2B showroom and experience technologies and applications already widely implemented in professional environments in Greece and Cyprus.

 

 

LG All Stars and Technical Support Ecosystem

Special emphasis was placed on LG All Stars, LG’s rewards platform that supports the network of air conditioning and heating installers while promoting collaboration and technical support. The company also presented its extended support ecosystem, which includes a specialized B2B Call Center, a 24-hour service line, remote diagnostic tools, more than 40,000 technical consulting supports per year, and a nationwide network of authorized partners and service centers. Today, LG Business Solutions has a network of more than 600 certified partners in Greece and Cyprus.

 

Knowledge, Experience and Sustainability

The presentation also referred to LG’s participation in the “Exoikonomo” and “Allazo Systima Thermansis” programs, contributing to the energy upgrading of residential and professional buildings.

 

 

Giannis Mantas, Commercial Director of LG Business Solutions, noted that the renewal of the LG B2B Academy and the creation of the new showroom represent an investment in knowledge and experience, with the aim of creating a training environment that highlights innovation and sustainability. Through the renewed LG B2B Academy, LG Business Solutions strengthens its position in the professional applications market, offering partners not only advanced technological solutions, but also access to a contemporary environment for training, demonstration and technical specialization.

 

LG Business Solutions Greece

 

 

In the peri-urban area of Limassol, the residence is organized through two shifted rectangular volumes, creating a cross-ventilated core for semi-outdoor living. This intermediate space works as a filter between interior and exterior, reinforcing the continuity of everyday life. On the upper floor, the private areas are protected by deep projections that integrate planting. This gesture contributes to passive solar protection, while softening the exposed concrete mass and establishing a more nuanced threshold between the building, natural light and the surrounding environment.

 

 

 

At MGO Protopapas I in Limassol, the office building’s façade develops through folded surfaces and parametrically designed vertical elements. Its dynamic form follows the movement of the road, turning the façade into a field of shifting geometries. On the southern side, the aluminium frames are recessed from the building line, while semi-outdoor terraces of varying sizes unfold in front of them. Together with the vertical fins, these terraces provide shade to the office interiors during the summer months, integrating environmental performance into the overall architectural expression.

 

 

04. Aegean Color Rooms | The Hive Architects

 

 

In Naousa, Paros, Aegean Color Rooms redesigns a small hospitality building through clear geometry and a renewed visual identity. The central design idea is the integration of perforated linear canopies, which filter natural light and frame views toward the sea. These structures offer shade and protection, while acting as transitional elements between the rooms and their outdoor spaces. The balconies become small private oases, where shading, color and water come together to create a calm hospitality experience.

 

 

05. Villa Ypsilon | Lassa Architects

ek Issue: 217 | May 2017

 

 

In the southern Peloponnese, Villa Ypsilon is set on a hillside olive grove and defined by its Y-shaped green roof, which functions as an extension of the garden. Circulation around and over the roof creates a continuous promenade, defining three ground-level courtyards with different uses. The roof was specifically oriented to shade the courtyards at selected times of the day. At the same time, a perforated wall protects the interior from the afternoon sun, while allowing cross-ventilation and natural cooling during the evening.

 

 

On a sloping site in Limassol, the House in Kefalokremmos follows the topography and is organized as a refuge in direct dialogue with the natural terrain and sea views. Its stepped layout allows interior and exterior spaces to flow smoothly into one another.

Carefully positioned stoas and semi-outdoor areas act as filters against sun and wind. Shading is therefore not limited to isolated construction elements; it becomes part of the spatial organization of the house, offering comfort, calmness and gradations of privacy.

 

At Ogarden, an existing office building is transformed into a mixed-use project combining office spaces and boutique short-stay apartments. The project’s defining new architectural feature is a system of vertical exterior louvers, made of white concrete with marble chips from Naxos and Tinos. These fixed louvers wrap the building as a second skin, providing shade and privacy. Their different angles create a wave-like effect on the façade, while light and shadow constantly transform the building’s appearance. Horizontal aluminium shading systems at ground level and on the planted roof complete the solar protection strategy.

 

 

 

In Maroussi, Terra Form House creates an architectural microclimate within the dense urban fabric. The residence redefines basic architectural elements, such as the roof, garden, threshold and windows, in order to form a protected inner and outer world. The traditional pitched roof is transformed into a two-sided perforated canopy, extending beyond the enclosed volume of the house and embracing the outdoor spaces. It provides shade and privacy, unifying the gardens and living areas under a single protective structure.

 

 

In Kalyviani, Chania, Corte Interna restores a complex of three stone buildings arranged around an internal courtyard. The intervention preserves the character of the existing ensemble, while introducing contemporary metal elements, natural materials and fluid forms that contrast with the solidity of stone. In the raised courtyard, sliding fabric awnings on tensile steel cables provide shade and create a gathering space. This simple construction is organically integrated into the whole, combining the atmosphere of a traditional material with the clarity of a contemporary addition.

A House Organized Around the Pool

In Caesarea, Israel, architect Raz Melamed has designed E30 – House in Caesarea as a family residence where the swimming pool becomes the spatial and visual center of the project. Rather than treating the pool as an addition to the house, the design reverses the usual hierarchy: the residence is organized around it, allowing the outdoor leisure space to define the rhythm of domestic life.

The project was commissioned by a couple in their 50s as a weekend retreat for hosting their children and grandchildren. Over time, the brief evolved into a full-time residence, with multiple bedroom suites, generous communal areas and a strong emphasis on the relationship between interior, garden and pool.

A Continuous Black Steel Beam

The defining architectural element of the house is an exposed black steel beam, 44 cm in height. Instead of being concealed, the beam is expressed as a continuous line that organizes the plan, divides levels and frames the main public spaces.

Inside, the beam extends as a bridge, connecting the staircase to the bedroom wing. In the double-height living area, it cuts horizontally across the glazed façade, preserving open views toward the sky while reinforcing the linear geometry of the house. Toward the garden, the same element continues outward, supporting a cantilevered pergola that shades the outdoor seating area without columns and keeps the view toward the pool unobstructed.

 

 

Street Façade and Filtered Privacy

The entrance façade is composed of white plaster surfaces, articulated with horizontal joints and vertical wooden slats. The contrast between the white volume and the dark wood gives the house a restrained but clearly defined street presence.

The wooden elements also have a functional role. They conceal the staircase from the outside while allowing natural ventilation, creating a façade that works simultaneously as screen, threshold and environmental device.

Double-Height Communal Space

The main public areas are arranged as a sequence of dining and living spaces beneath a double-height ceiling. The open plan is defined by the black steel beam above, the large glazed openings toward the garden and a restrained material palette of wood, black metal and neutral tones.

Lighting is treated in layers. Suspended linear fixtures respond to the height of the space, while recessed spotlights support everyday functionality. Together, they give scale and clarity to the large interior volume.

 

 

Kitchen as a Tall Wooden Plane

The kitchen is organized in a parallel layout, with a large island and white Corian worktops. Behind it, a tall wooden façade conceals storage and mechanical systems, rising to the full height of the double-height space.

This wooden plane intersects with the black steel beam, turning a functional wall into one of the central visual elements of the interior. The kitchen therefore operates not only as a place of preparation, but also as part of the architectural composition of the public zone.

Suites, Basement and Upper Floor

The ground-floor master suite opens directly toward the swimming pool and is finished with parquet flooring. Its bathroom combines travertine surfaces with black granite walls, black fittings and white Corian elements, continuing the project’s controlled palette of light surfaces, dark accents and natural stone.

Additional bedrooms and leisure spaces are located in the basement and on the upper floor. A home cinema and games room extend the family program, while floating black steel stairs and a glass-railed bridge connect the different levels, maintaining visual continuity across the interior.

 

 

Garden, Travertine and Outdoor Living

The outdoor areas include multiple seating zones, an open-air kitchen and a swimming pool clad in travertine, aligned flush with the garden level. The same travertine flooring continues from the interior to the exterior, strengthening the connection between the living spaces and the garden.

Landscaping remains minimal, allowing the pool, pergola and structural line of the house to dominate the site. The result is a residence where the architecture does not simply frame outdoor life, but is shaped by it.

A Private Landscape at the Center of the House

Located in Austin, Texas, Tarrytown Residence by Alterstudio Architecture introduces a contemporary architectural language into an otherwise traditional post-war neighborhood. The house is organized around a private landscape, positioned between a walled garden along the street and a central courtyard behind.

Rather than treating the exterior as a secondary condition, the project places the out-of-doors at the center of domestic life. The interior opens decisively toward the landscape, held under a continuous ceiling plane and enclosed with custom site-glazed window walls that reduce the visual weight of the frame.

Between Garden, Courtyard and Interior

The house is conceived as a sequence of spatial thresholds. Visitors enter beneath the meandering limb of an adjacent Live Oak tree, moving through a carefully choreographed progression of spaces.

Throughout the plan, the architects balance two apparently opposite intentions: defining distinct rooms while maintaining a strong sense of continuity. Glimpses of adjacent spaces, changing views and unexpected moments around each corner give the house a layered quality, where movement becomes part of the architectural experience.

 

 

Light from Above

At the center of the house, an unexpected monitor opens the interior to the sky. This gesture brings balanced daylight into the deepest part of the plan, while framing views toward the tree canopy above.

In a home otherwise organized around horizontal continuity, this vertical opening becomes a quiet spatial event. It gives the center of the house a sense of height, atmosphere and orientation, allowing natural light to work as one of the project’s primary materials.

Vertical Moments in a Horizontal House

Although the residence is largely horizontal in its organization, two spaces introduce vertical intensity: a two-story library and a similarly scaled screened porch. Together, they expand the section of the house and create moments of unexpected spatial depth.

A glass-floored bridge from an office loft provides access to the upper bookshelves and extends toward the screened porch as a Juliet balcony. This element combines circulation, structure and view, turning a functional connection into one of the house’s most distinctive architectural moments.

 

 

Abstract Volumes and Controlled Privacy

The residence is framed by two abstract volumes clad in long-format black brick and black-stained cedar. These volumes complete the composition while shielding the interior from the street and from potential future neighboring development.

In a relatively dense suburban context, the house creates a carefully protected enclave. Privacy is not achieved through withdrawal alone, but through the precise placement of walls, glazing, courtyards and opaque material surfaces.

Construction as Atmosphere

Construction and detail play a central role in the character of the house, yet the expression of detail is deliberately restrained. The architecture is conceived as a primed canvas for light and shadow, natural materials and the presence of the garden.

A custom site-glazed window system minimizes the presence of frames, while steel elements — including custom structural columns, fascia and trim, a glass floor and steel bridge, and a double-height screened porch — introduce precision and depth. These details work together with black brick, stained cedar, purpose-built cabinetry and custom furniture to create a controlled but tactile domestic environment.

 

 

Hidden Color and Material Depth

Behind the restrained exterior and disciplined detailing, the interior includes unexpected moments of color and texture. These appear behind doors, at the back of bookcases and in carefully selected surfaces, giving the house a private richness that reveals itself gradually.

Tarrytown Residence is therefore not only a house of enclosure and transparency. It is a home shaped through contrast: between public and private, shadow and light, horizontal continuity and vertical intensity, precision and delight.

The seventh edition of Material Matters, organized by ek magazine, was successfully held on 16 June at the Banquet Hall of Megaron the Athens Concert Hall. Dedicated to the design and construction of architectural façades, Material Matters Vol. 7: Facades — Metal, Wood, Glass & Cladding brought together leading architectural practices to reflect on the façade as a technical, spatial, material and cultural interface.

The event was moderated by architects Ariadni Vozani, Professor at the National Technical University of Athens and Editor-in-Chief of ek magazine, and Stavros Martinos, member of the magazine’s editorial team. Invited speakers were asked to present two of their own projects and one work by another architect, through their own critical lens, within a ten-minute format.

The evening opened with Natassa Lianou and Ermis Chalvatzis of LC Architects, who presented the projects Orbit and Antenna Group at the level of detailed design, while pointing to the potential of glass-fibre reinforced concrete in contemporary façade design. Nikolas Travasaros of Divercity Architects then focused on the relationship between visibility and bodily movement, through an office building on Syngrou Avenue and the new Mitsis N’U Piraeus Port hotel, using the Institut du Monde Arabe by Ateliers Jean Nouvel as a reference.

Matilda Beraha of Arid offered a reflective exploration of the façade as boundary, presenting the Veil building in Kypseli and a shipping company headquarters on Alimou Avenue, while drawing parallels with related works in New York and Paris. Dimitra Katsota of Buerger Katsota Architects highlighted the façade as part of the public realm through the work of Alison and Peter Smithson, before bringing this line of thinking into the design of the new University of Nicosia facilities at Ellinikon and an office building nearing completion on Kifisias Avenue.

Anargyros Mougiakos of ISV Architects addressed the façade as a sculptural construction composed of successive standardized elements, drawing on examples from 1950s American modernism and two corresponding applications in specialized buildings in Athens. Fotini Gouveli and Niki Katsaragaki of A&S Architects brought the importance of the “fifth façade” to the fore, through an office building on Pireos Street and Education City in Doha, using COBE Architects’ The Silo in Copenhagen as their reference project.

Eraclis Papachristou of Eraclis Papachristou Architects discussed the challenges of designing tall buildings through two recent projects in Limassol, focusing on the importance of views — but also of a broader architectural vision — in relation to tactility and material presence. Ivy Nanopoulou and Eri Nikoloudi of TPA – Thymio Papayannis and Associates selected two projects separated by almost sixty years: the OSE Building on Karolou Street and the “Odysseas” Hellenic Maritime Heritage Park, currently under construction in Faliro Bay. Their presentation traced the continuity of the practice’s thinking through a creative reading of place, landscape and history, with Frank Gehry’s Fondation Louis Vuitton in Paris serving as their reference building.

Loukas Bobotis of Bobotis+Bobotis Architects presented his private residence in Athens and the One Floreasca complex in Bucharest, taking as a point of reference the renovation of the Palazzo della Civiltà Italiana in Rome.

The evening concluded with the keynote lecture by Doriana Mandrelli Fuksas and Massimiliano Fuksas, who presented an impressive panorama of their work, ranging from interior design to large-scale building complexes and public spaces. The participation of the internationally acclaimed Studio Fuksas gave this year’s edition particular weight, opening a direct dialogue with the Greek architectural community and confirming the high quality of the presentations that define the Material Matters series.

The event was held under the auspices of the Hellenic-Italian Chamber of Commerce of Athens, the Hellenic-Italian Chamber of Commerce of Thessaloniki, and the Hellenic Institute of Architecture. Material Matters Vol. 7 was honoured by the presence of the Ambassador of Italy to Greece, H.E. Paolo Cuculi.

Platinum Sponsor: Elval Colour
Gold Sponsor: F|Nous
Silver Sponsor: Voutsadakis
Bronze Sponsor: E-dreams
Stage Design Sponsor: Rouchotas
Cocktail Event Sponsor: Dipo-Interwood
Sponsors: AkzoNobel, Alumil, Etem, Europa, Ilicon, Mipeco, Nolte Kitchens, VasGlass, Vitex
Supporters: Anegersi, Diodos, Domiki Papanikolaou, Gratalum, Koligas Wood Essence, Knauf, Saint-Gobain Glass, Textures & Tiles
Hospitality Sponsors: Electra Rhythm Athens, Inn Athens
Wine Sponsor: Zacharias Winery

 

 

An All-in-One Solution for Hybrid Work

LG Electronics presents LG One:Quick, an all-in-one series of video conferencing displays designed to support the way professional meetings are conducted in the era of hybrid work.

The series offers an integrated communication and productivity environment, bringing together technologies that usually require multiple separate systems. By combining a high-resolution 4K UHD display, built-in computing system, high-definition camera, microphones, speakers and real-time collaboration functions, LG One:Quick simplifies the meeting process and reduces the need for complex connections or external equipment.

 

Communication and Collaboration in One Device

LG One:Quick is designed to help organizations create more efficient meeting environments, where communication, presentation and teamwork can take place through a single device.

The series responds to the growing need for flexible collaboration tools in offices, meeting rooms and professional spaces. Its integrated design allows users to move quickly from video conferencing to shared work, reducing technical barriers and supporting more direct interaction between teams.

 

LG One:Quick Works for Meeting Rooms

LG One:Quick Works is the most complete solution in the series, designed for meeting rooms and professional environments where stable, high-quality communication is essential.

The product offers a video conferencing experience with automatic speaker focus, clear audio transmission in larger spaces and direct access to collaborative applications without the need for additional installations. It also supports digital whiteboard functions, allowing teams to develop ideas in real time, as if they were working together in the same room.

 

LG One:Quick Flex for Flexible Use

LG One:Quick Flex approaches professional collaboration through greater flexibility, adapting to different use scenarios, from small meetings and presentations to remote collaboration.

Multi-touch functionality, an integrated camera and support for writing and annotation directly on the screen make it a useful tool for interactive communication. Its mobility also allows the device to be used across multiple spaces within the same organization, extending the value of a single collaboration solution.

 

A Smarter Meeting Environment

With the One:Quick series, LG aims to create a simpler, faster and more efficient way of working together. By transforming different spaces into smart communication environments, the solution supports productivity and helps reduce the technical obstacles of contemporary work.

 

LG Business Solutions Greece

An Ecological Shelter in the Pyrenees

Forestone Cabin by the Institute for Advanced Architecture of Catalonia (IAAC) is a 20 sq.m. experimental wooden dwelling located at MónNatura Pirineu, in the Pyrenees. Designed and built by the 2025 cohort of IAAC’s Master in Ecological Architecture and Advanced Construction, the cabin forms part of the Bio for Piri initiative, which promotes regenerative forestry and the sustainable use of local timber from Pyrenean forests.

Led by Fundació Catalunya La Pedrera and funded by the Biodiversity Foundation with European Next Generation funds, the initiative focuses on forest management, local material cycles and the development of architecture as an ecological tool. Within this framework, Forestone operates as a student-built prototype, a research project and a small inhabitable structure for two people, including a sleeping area, workspace and bathroom.

A Resting Rock in the Landscape

The form of the cabin is inspired by the rocky terrain of the Pyrenees. Conceived as a block of stone that appears to have rolled down the mountain and come to rest on the site, its faceted geometry is shaped by inclined walls and a sloping roof.

This sculptural form is not only symbolic. The geometry responds to programmatic needs, climatic conditions and solar exposure, adjusting ceiling heights and spatial proportions within a compact footprint. Carefully positioned openings frame views of the surrounding mountains and enable cross-ventilation, while operable wooden shutters provide complete darkness at night, reducing light pollution and supporting the site’s astronomical activities.

 

 

Local Timber and Fire-Aware Construction

The structure and envelope were built using locally sourced cross-laminated timber panels and charred wood from nearby forests. The exterior façade is made of pine boards with natural edges, charred according to the Japanese Yakisugi or Shou Sugi Ban technique, which burns the surface layer of the wood to increase resistance to insects, water, fire and mold.

The boards were cut to size and charred by the students themselves. Beyond improving durability, this treatment symbolically connects the cabin to fire management and prevention, a crucial aspect of regenerative forestry in the Pyrenees. The project therefore treats fire not only as a threat, but also as a material and cultural condition embedded in the landscape.

A Continuous Wooden Interior

Inside, the cabin becomes a compact, fully integrated wooden environment. Custom-made CLT elements, including the bed, built-in furniture, washbasin counter and seating, were designed and fabricated by the students at Valldaura Labs.

Architecture, structure and furniture are brought together as a single material system. The interior avoids unnecessary separation between building and object, allowing the compact space to function with clarity while preserving a strong sense of warmth and material continuity.

 

 

Hands, Wool and Stone

Forestone extends its material logic beyond timber. During an annual wool festival in the nearby town of Sort, students collaborated with local farmers to collect sheep’s wool. The wool was then washed, dried and transformed into felt at Valldaura, with the support of Dutch artist Rian van Dijk.

The resulting blankets, rugs and pillowcases furnish the cabin, integrating local craftsmanship and agricultural by-products into the project. During the same visit, students collected a stone from the surrounding landscape and manually carved it with power tools to create a unique washbasin. Through these gestures, the cabin becomes materially tied to its geographical and cultural context.

A Replicable Prototype for Forest Habitation

From the beginning, Forestone was conceived with an emphasis on replicability. It demonstrates how small-scale architecture can be built with local timber, regional knowledge and low-impact construction methods, while inhabiting forest landscapes without altering existing ecosystems.

The use of modular CLT elements, dry-assembly techniques and locally available materials allows the cabin to be adapted, replicated or dismantled as needed. In this sense, the project proposes a model of sustainable forest habitation, aligning architectural production with long-term environmental stewardship.

 

 

Education, Industry and Regenerative Forestry

Forestone brings together education, local industry, craftsmanship and regenerative forestry. Through its careful detailing, layered construction and direct connection to place, the cabin proposes an alternative approach to building in sensitive landscapes.

From January 2026, the cabin is open to guests at MónNatura Pirineu in Planes de Son, offering visitors the opportunity to inhabit the prototype and experience its relationship with landscape, materials and climate first-hand.

A Detached Workshop for Ceramics in West Seattle

In West Seattle, Ceramics Studio by GO’C is a new detached workshop and classroom, permitted as a detached accessory dwelling unit, or DADU. Designed for a compact urban residential lot, the building provides generous interior and exterior spaces for forming and firing ceramics, while allowing for future residential use.

The project was commissioned by a maker of functional ceramics whose work is deeply informed by the landscape and memory of Northern Saskatchewan. The design challenge was to create a space that could support her practice, reflect the quiet strength of her work and offer an inspiring environment for teaching others.

A Space for Making, Teaching and Gathering

Finding adequate studio space for ceramics in Seattle is difficult and costly, especially for a growing practice that requires room for sculpting, firing, storage, classes and pop-up shops. Having lived in the existing residence for several years, the client decided to build a dedicated studio closely aligned with her functional needs and design sensibility.

The new structure was conceived not only as a workspace, but also as a flexible neighborhood hub. Since its completion, it has been used as a ceramics studio, classroom, holiday pop-up shop, kitchen prep space, setting for communal dinners and, in the loft, as an office and guest bedroom.

 

 

Light as a Working Tool

Natural light is central to the project. Large skylights pierce the roof in three key locations: the loft, the main interior studio and the covered exterior kiln terrace. Each opening brings daylight where it is most needed, supporting both the precision of ceramic work and the atmosphere of the space.

A large cantilevered roof extends from the interior toward the exterior, creating a covered terrace for two kilns and expanding the usable area of the studio. This gesture connects making, firing and gathering within one continuous architectural sequence.

Structure, Wood and Material Continuity

Exposed rafters inside and outside create a clear structural rhythm, bringing warm wood tones through the entire building. The roof structure becomes a unifying element, visually connecting the interior studio, the loft and the outdoor working terrace.

A strong material transition defines the interior: white display walls below and warm wood above. This contrast supports the display of ceramic work while echoing the lines of the structure and the cantilevered roof. Linear up/down lighting illuminates the wood underside of the roof, adding warmth during Seattle’s long winters.

 

 

A Simple, Powerful Architectural Expression

The client’s ceramic practice is described through quiet forms, simplified designs and natural earthy tones. The architecture responds with a similarly restrained language: direct, warm and carefully detailed, without unnecessary visual noise.

Rather than producing a neutral utility shed, the project gives the act of making an architectural presence. It is compact but generous, modest but precise, and designed to support both solitary work and collective activity.

Built Through Collaboration

The project was built on a tight budget. The client worked full-time alongside the contractor during construction, while her partner and friends also contributed to the making of the space. This collaborative process gives the studio a particular character: it is not only a designed object, but a place shaped through shared effort.

Ceramics Studio brings together making, teaching, hospitality and future adaptability in a single small building. It demonstrates how a detached workshop can become both an intimate space of production and a generous social infrastructure for a creative practice.

A House in the Forested Landscape of Canela

Set within a residential condominium in Canela, in the mountainous region of Rio Grande do Sul, Brazil, House in Canela by 0E1 Arquitetos explores the relationship between architecture, construction technique and landscape. Surrounded by native forests and rolling hills, the house occupies a 500 sq.m. sloping plot, where the terrain drops approximately 10 m from the entrance to the chosen building site and around 15 m across the entire lot.

This topographical condition became one of the main conceptual drivers of the project. Rather than treating the slope and vegetation as obstacles, the design uses them as the basis for the siting, access and construction strategy of the house.

A Compact Retreat for Flexible Use

The house was commissioned by a family with a strong interest in architecture, who actively participated in discussions and decisions throughout the process. Conceived as both a weekend retreat and a short-term rental, the project required a compact and self-sufficient program capable of comfortably accommodating up to two couples.

Within approximately 120 sq.m. of built area, the house needed to ensure independence between bedrooms while maintaining generous spatial quality. The result is a small but carefully worked residence, where every square meter is tied to a clear functional and atmospheric intention.

 

 

Site Analysis and Minimal Impact

Before the design process began, a multidisciplinary team of biologists and surveyors carried out a detailed site analysis. Vegetation was mapped, trees were catalogued and species were classified as native or exotic, allowing the architects to understand the forested terrain with precision.

The house was placed in the only existing clearing on the plot, minimizing tree removal and reducing the need for major earthworks. This decision preserves the surrounding ecosystem and turns the forest into an active component of the architectural experience.

A Square Plan with Pinwheel Organization

The house is organized on a square footprint measuring 10.8 x 10.8 m. Within this regular geometry, the spaces are arranged dynamically in a pinwheel-like configuration. The living room occupies the center of the plan and acts as the main organizational core.

From this central room, the service areas and private zones radiate outward. Two independent suites, a kitchen, service area, barbecue area and terraces are connected to the central living space, creating a clear balance between communal use and privacy.

 

 

Light Steel Frame as Construction Strategy

The choice of a light steel frame system responds directly to the constraints of the terrain and to the experimental character of the project. Lightweight and quick to assemble, the system eliminated the need for concrete mixers on site and reduced impact on soil and vegetation.

A leveling slab acts as the platform for the metal structure, helping reduce waste, maintain a clean construction site and ensure precise control over the building process. Beyond its technical role, the steel frame also informed the architectural language of the house, allowing generous spans, accurate closures and a clear volumetric relationship with the landscape.

Industrial Materials at Domestic Scale

Instead of covering the steel frame to imitate conventional masonry, the house embraces its industrial logic. The exterior walls and roof are clad with trapezoidal sandwich panels, a material usually associated with industrial buildings, here applied at the scale of a domestic retreat.

The panels provide thermal and acoustic performance, require low maintenance and visually unify the building. Their installation demanded specialized teams, ensuring construction precision and a controlled finish. Externally, the dark-toned cladding reduces visual impact, allowing the house to appear discreetly among the trees.

 

 

Skylight, Openings and Forest Views

The asymmetrical roof culminates in a skylight at its highest point, creating the only direct view of the sky from within the dense forest. This opening brings consistent daylight into the interior, enhances the perception of space and creates shifting patterns of light and shadow throughout the day.

Generous floor-to-ceiling windows, 2.4 m high, bring in natural light and ventilation while turning the surrounding forest into a continuous presence inside the house. Slightly recessed rather than flush with the façade, the windows create a sequence of planes and framed views that add depth to the envelope.

Access Through the Terrain

Access to the house is carefully integrated into the slope. A staircase of 64 steps winds through the site, avoiding trees and roots. Each step measures 1.20 x 0.30 m, with intermediate landings of 1.20 x 1.20 m.

The staircase was adjusted during construction in response to the terrain. Centrally supported steps create subtle cantilevers, and together with the landscaping, they give the impression of a light, almost floating path through the forest.

 

 

Interior Planes, Wood and Slate

Inside, the architecture is organized in two visual planes. Up to 2.40 m high, the walls remain white, continuing through doors and terrace openings. Above this level, Tauari wood panels follow the slope of the roof, while black metal trim marks the material transitions and reappears at the baseboards.

Slate flooring reinforces the material palette. Originally supplied in 0.40 x 0.40 m slabs, it was cut into 0.10 x 0.40 m pieces, creating a pattern reminiscent of parquet. Over time, the slate develops a greenish patina, allowing the effects of climate and humidity to become part of the house’s character.

Living Room, Kitchen and Autonomous Suites

The living room, elevated about 2 m above the ground, opens onto a terrace with a hidden staircase leading to the garden. A wood-burning stove brings warmth to the cooler mountain climate and becomes a focal point in the central space. From here, the surrounding landscape unfolds like a constantly changing painting.

The kitchen faces the access side and maintains a direct relationship with the staircase and rear barbecue area. Basalt countertops are combined with cabinets in alternating white and wood finishes, following the interior’s broader material logic.

The suites are conceived as autonomous units. In the main bedroom, a wooden slat headboard incorporates a functional niche, while the bathroom door is camouflaged within the same plane, reinforcing visual continuity. Floor-to-ceiling windows open the bathroom to the forest, offering generous views while preserving privacy.

 

 

A Laboratory for Residential Construction

Started in 2021 and completed in 2024, House in Canela functions as an architectural laboratory. Its 120 sq.m. built area corresponds to the condominium’s minimum permitted size, achieved without removing trees by reducing lateral setbacks.

The construction process followed an efficient schedule: approximately two months for foundations, two weeks for assembling the steel structure and additional months for closures and interior finishes. Through this process, the project demonstrates how contemporary construction systems and materials rarely used at residential scale can respond to strict site conditions.

The result is a compact retreat that combines technical rigor with architectural sensitivity, offering an immersive experience of living within the landscape.

A Residential Building of Curved Geometry in Athens

Located in the northern suburbs of Athens, Chiven by The Hive Architects is a residential building that balances architectural precision with the fluidity of form. Through clean geometries and curved surfaces that appear shaped by wind and light, the project develops as a dynamic composition of volumes, avoiding static expression and encouraging the continuous movement of the gaze.

The building, with a total area of 770 sq.m., is expected to be completed in 2028. Its architectural language is defined by strong horizontal lines and soft, curved envelopes that wrap around the interior spaces, shaping both the façade and the experience of inhabitation.

Horizontal Layers and Curved Envelopes

The main architectural gesture is expressed through successive horizontal layers and curved edges that soften the building’s volume. These curves are not treated as formal decoration, but as spatial devices: they guide movement, frame views and produce a changing play of light and shadow across the façades.

As the sun moves throughout the day, the building’s surfaces respond through reflections, shadows and shifts in depth. The result is a residential composition that changes gradually over time, giving the building a sense of movement despite its compact urban presence.

 

Interior and Exterior in Continuity

Particular emphasis is placed on the relationship between interior and exterior space. Transparent railings reduce the sense of boundary, allowing light to penetrate deeper into the building and reinforcing the visual continuity between living areas, balconies and the surrounding environment.

Large balconies extend the apartments outward, offering generous outdoor living areas. The building is organized as a vertical sequence of private and semi-open spaces, where each level maintains its autonomy while contributing to the overall continuity of the composition.

Water, Light and Bioclimatic Character

Elevated pools and water elements operate as mirrors of the sky, enhancing a sense of lightness, calm and suspension. Water becomes a key compositional element, contributing to the atmosphere of the project and reinforcing its bioclimatic character.

The interplay between water, light and curved surfaces gives the building a softer presence. Instead of relying on mass and opacity, the project works through reflections, filtered light and the modulation of outdoor thresholds.

 

 

Earthy Materiality and Planted Terraces

The material palette remains discreet, based on earthy tones where textured surfaces meet smoother finishes. This controlled material language supports the building’s formal clarity, while giving depth and warmth to its curved geometry.

Attention to detail is expressed in the curved endings of the slabs, the continuity of the horizontal lines and the integration of planting. Greenery softens the geometry and introduces the idea of elevated gardens across the upper levels, bringing natural elements into the vertical development of the building.

A Roof Terrace as an Elevated Place of Retreat

The composition develops vertically through successive levels that ensure privacy while maintaining visual continuity. At the top, the building is crowned by a generous roof terrace, conceived as an elevated place for relaxation.

Openings filter the light and create focused visual escapes, transforming the roof into a protected outdoor space. In this way, the building extends the idea of residence beyond the apartment itself, proposing a layered experience of domestic life.

 

 

Contemporary Urban Living

Chiven reconsiders contemporary residential architecture through a balance of simplicity, technology and natural elements. The project does not seek to impose itself on its surroundings, but to enter into dialogue with them through form, light, water and planting.

The result is a residential proposal where architecture becomes both sensory and functional: a building shaped by movement, material restraint and the search for a more fluid way of living in the city.

Modular Timber Architecture for Regenerative Tourism

Located in Barra dos Remédios, on the western coast of Ceará, Casa Daia Bungalows by UNA barbara e valentim forms part of a boutique hotel conceived around regenerative tourism, cultural immersion and a close relationship with the territory and its local community. Opened in 2025, Casa Daia is set within a remote and environmentally sensitive area, where architecture is asked to respond not only to program and comfort, but also to landscape, logistics and environmental care.

The project occupies a former farm of approximately 220 hectares, where mangroves, dunes, riverbanks, caatinga vegetation and coastal forest coexist in a complex overlap of ecosystems. Within this context, the bungalows operate as a precise and low-impact architectural insertion, using industrialized timber construction as a tool for hospitality in fragile territories.

Four Bungalows in Existing Clearings

The intervention consists of four bungalows, each approximately 90 sq.m., carefully positioned in existing clearings in order to avoid the removal of native vegetation. Shallow foundations and elevated decks minimize direct interference with the soil and preserve the natural permeability of the land.

The position of each volume was guided by studies of solar orientation and prevailing winds. Cross ventilation, shading and thermal comfort are achieved without relying on mechanical systems, allowing the buildings to work with the climate rather than against it.

 

 

Verandas, Overhangs and the Continuity of Landscape

The bungalows are defined by verandas, generous overhangs and large protected openings. These elements establish a continuous relationship between interior and landscape, allowing natural light, shade and air to become structuring parts of the spatial experience.

The architecture avoids a hard boundary between building and site. Instead, it creates shaded thresholds and open edges, where the experience of hospitality is shaped by the surrounding vegetation, the coastal climate and the slower rhythm of the land.

Modular BV: An Industrialized Timber System

The bungalows were built using Modular BV, a construction system developed by UNA barbara e valentim in partnership with the Brazilian engineered timber manufacturer Crosslam, and assembled on site by Abaeté Construtora e Incorporadora. The system is based on prefabricated modules made of reforested eucalyptus CLT, produced in a controlled factory environment and dry-assembled on site.

For a project located in a remote and environmentally sensitive area, this system offers clear advantages. It increases control over cost, time and environmental impact, while reducing waste and shortening the construction process compared to traditional high-end building methods.

 

 

Industrial Precision and Architectural Authorship

At Casa Daia, prefabrication is not treated as a limitation. By combining architectural authorship with industrial precision, the project proposes a model in which technology supports the architectural intention rather than replacing it.

The result is a modular timber system capable of responding to the environmental, logistical and cultural conditions of the site. Casa Daia is the second built example using the Modular BV system, following Modular Bahia, a single-family residence on the southern coast of Bahia that applied the same principles of independent timber structure, CLT enclosures, cross ventilation, shading and integration with the landscape.

Landscape, Community and Low-Impact Practices

The siting of the bungalows begins with the recognition of the environmental singularity of Barra dos Remédios, where multiple ecosystems and traditional ways of life coexist within a landscape that has resisted the passage of time. Before construction began, an extensive environmental zoning study was carried out, in alignment with the principles of regenerative tourism: minimal impact, integration with the landscape, appreciation of local culture and respect for the time of the land.

Casa Daia also maintains an ongoing dialogue with neighboring communities such as Pescada Nova and Praia Nova. The project prioritizes local labor, supports social initiatives and adopts low-impact practices, including rainwater harvesting, photovoltaic energy, waste management, agroforestry and the reduction of disposable plastics.

 

 

Architecture, Landscape and Community in Continuity

In a context marked by environmental and social transformation, Casa Daia positions itself as a sensitive and tangible alternative for contemporary tourism. The bungalows show how hospitality architecture can engage with remote territories without imposing itself on them.

Through modular timber construction, careful siting and a commitment to the surrounding community, Casa Daia articulates architecture, landscape and local culture in a relationship of continuity.

A Former Warehouse Transformed into a Wellness Space

In Metaxourgeio, Athens, Hekate Fitness Club by Studio Maneo transforms a former warehouse into a bright and calm wellness space. The project is guided by the architectural idea of disconnecting from the intensity of the city, creating an interior where exercise, safety and sensory decompression are brought together.

Although the owner comes from the world of sports, the ambition was not to create a conventional gym. The design instead seeks to shape a space that first conveys a sense of personal safety and respect for each visitor’s identity, while offering a moment of retreat from the dense rhythm and visual noise of the city center.

A Space of Disconnection from the City

The project approaches wellness as a broader physical and mental experience. The goal was for visitors to feel closer to nature, but also to their own physical and spiritual condition. In this sense, the interior is conceived less as a place of performance and more as a protective environment for movement, concentration and recovery.

This atmosphere is developed through natural materials, clean geometries and light as a primary design tool. Wood cladding, terracotta tones and earthy shades create a calm setting, where the balance between light and shadow becomes part of the spatial experience.

 

 

Natural Materials and Soft Opacity

The façade is treated with milky glass, establishing a balance between light diffusion and soft opacity. This gesture protects the interior from direct visual exposure while allowing light to enter gently, forming a secure and atmospheric environment for exercise.

Inside, the 140 sq.m. space is organized across two levels. The ground floor hosts the reception and workout areas, while the upper level contains support functions, including changing rooms and washrooms. The plan is structured through the idea of a “box within a box,” clearly defining uses without fragmenting the overall atmosphere.

The “Box Within a Box” and the Martial Arts Area

The martial arts area is defined by wooden wall panels, distinguishing it from the rest of the program and reinforcing the perception of an inner volume nested within the larger space. This architectural strategy gives the project clarity and depth, while preserving a sense of continuity between the different functions.

The reception is also conceived as a wooden box-like structure. Its clostra surface visually connects it with the rear martial arts area, allowing the idea of nested spaces to be repeated across the interior through material and rhythm.

 

 

Linear Skylights and the Stair as a Light Filter

Two key elements define the lighting qualities of the project: the linear skylights and the central staircase leading to the secondary level. The skylights allow natural light to enter softly throughout the day, gradually transforming the atmosphere of the interior as time passes.

The staircase is framed by a tall freestanding wall, which acts as a spatial filter between the two main uses. A vertical slit in the middle of the wall is fitted with clostra panels, creating shifting effects of light and shadow, opacity and transparency.

Indoor Planting as a Transitional Gesture

As visitors move through the space, they encounter indoor plants placed within built-in planting beds. This gesture introduces nature into the interior not as decoration, but as a transitional filter.

The planting supports decompression both upon entering from the intensity of the city and when leaving after physical exercise. Through this sequence, Hekate Fitness Club shapes wellness as an experience that begins before training and continues after it, connecting body, light, material and atmosphere.

Advanced Ventilation for the Contemporary Home

LG Business Solutions presents LG Residential ERV, an advanced ventilation solution designed to improve indoor air quality and upgrade everyday comfort in the modern home.

As people spend a significant part of their daily lives indoors, air quality has become a critical factor for health, wellbeing and domestic comfort. LG notes that indoor air can be considerably more burdened than outdoor air, making effective ventilation an essential part of a healthy living environment.

Continuous Air Renewal with Energy Efficiency

LG Residential ERV ensures the continuous renewal of indoor air by removing stale air from the home and introducing fresh air from outside. At the same time, the system is designed to avoid unnecessary impact on indoor temperature, using a high-efficiency heat exchanger.

According to LG, this allows for significant energy savings compared to conventional natural ventilation, while maintaining thermal comfort for residents. The ERV system can save up to 85% more energy compared to natural ventilation, thanks to its highly efficient heat exchanger.

Air Purification Technologies

Beyond ventilation, LG Residential ERV incorporates advanced air purification technologies. High-efficiency filters help remove fine dust, while UVnano™ technology contributes to the reduction of bacteria and viruses on the pre-filters.

The system also features an antibacterial design for its internal components, helping prevent mold development and maintain high hygiene levels within the unit. According to the press release, with the application of UVnano technology, bacteria and viruses on the pre-filters are removed by up to 99.99%.

Monitoring and Smart Control

LG Residential ERV also includes advanced air quality monitoring and control functions. Integrated CO₂ sensors and fine dust sensors allow the system to adjust its operation in real time according to indoor conditions.

Through these features, users can maintain stable levels of comfort and air quality, while the system responds dynamically to the needs of the space.

A More Sustainable Living Environment

With LG Residential ERV, LG Electronics strengthens its commitment to developing technologies that combine energy efficiency, health and comfort. The solution contributes to the creation of a more contemporary and sustainable home environment, addressing one of the key challenges of modern living: the quality of the air we breathe indoors.

LG Business Solutions Greece

An Architect’s Own Apartment in São Paulo

Designed as his own residence, AC Apartment by Arthur Casas is a synthesis of technical precision, functionality and personal narrative. Located in Praça Henrique Monteiro, a mixed-use complex also designed by the architect, the apartment is conceived as a direct extension of his thinking on architecture, design and urban life.

Every decision, from the organization of the plan to the detailing of the carpentry, reflects a conscious adaptation to everyday use. The result is a residence that combines spatial fluidity, integrated systems and aesthetic intention, while marking a significant shift in the architect’s way of living: from a 1940s house in Pacaembu, designed by Artigas, to a more compact, contemporary and practical urban apartment.

A 300 sq.m. Plan Without Residual Space

With an area of approximately 300 sq.m., the apartment was designed to eliminate unused spaces and prioritize direct circulation, functional clarity and versatile environments. Full automation, custom-made solutions and extensive use of natural materials create an atmosphere that is precise but welcoming, controlled but lived-in.

The interior also functions as a calm background for Arthur Casas’ personal collection of artworks, sculptures, books, photographs, cherished objects and design pieces. As the architect notes, designing for himself was, in his words, easy: he knew what he liked and how he lived.

 

 

A Continuous Social Area

Upon entering the apartment, the integration of spaces is immediately apparent. The door opens into a continuous social area, where the living room, dining room, home theater and kitchen are connected through a single architectural gesture. Circulation is fluid and unobstructed, while fixed elements organize the space naturally.

In the living room, the Fusca sofa by Arthur Casas for Micasa occupies a central position, accompanied by Bauhaus chairs by Franco Albini, the Elda armchair by Joe Colombo and a Desenho coffee table by Arthur Casas. The atmosphere is strongly shaped by art, with works by Mira Schendel, Carlito Carvalhosa, Anna Maria Maiolino and Waltércio Caldas, among others.

Dining Room, Kitchen and Integrated Carpentry

The transition to the dining room is seamless. A dining table in canela wood slats, designed by Arthur Casas, is surrounded by Flair’o chairs from B&B Italia, while sculptures by Rafael Oboé, Liuba Wolf, Ilha do Ferro and Rhodes contribute to the layered character of the space. A painting by Paulo Pasta marks the wall, while embedded fixtures in the continuous wooden ceiling provide precise lighting throughout the apartment.

The kitchen features the Disco stool by Arthur Casas for Studio Objeto and Neolith Basalt Grey countertops, integrated into a custom carpentry structure designed by the architect. The cabinetry conceals appliances and optimizes storage, allowing the kitchen either to merge with the social area or to be closed off by a sliding door, according to use.

 

 

Home Theater and Multifunctional Office

Adjacent to the kitchen, the home theater revisits the Fusca sofa, now combined with the Tavolino 1932 side table by Gio Ponti, the Marsala armchair by Michael Ducaroy for Ligne Roset and a tapestry by Henri Laurens. Shelves display sculptures, ceramics and plates by Livia Gorka, Pablo Picasso and Jean Lurçat, alongside books and personal objects.

Between the social and intimate areas, the office operates as a multifunctional room. It serves as a workspace, while also accommodating a bed for visits from one of the architect’s children. The room features the Pivot High stool by Vitra and a collection of Arthur Casas’ miniature cars, displayed in custom-designed niches.

A Wooden Transition to the Private Areas

The corridor leading to the bedrooms is lined in wood, creating a quiet transition toward the private areas of the apartment. Along the walls, a collection of photographs includes works by Pierre Verger, Mario Cravo Neto, Bob Wolfenson and Cristiano Mascaro, turning circulation into a gallery-like sequence.

In the master suite, the atmosphere is defined by subtle lighting, vintage table lamps, technical fixtures such as the Ledtube by Marset, a continuous wooden ceiling and custom-designed furniture. A Giuseppe Scapinelli armchair and a Via Appia marble nightstand complete the room, alongside works by artists including Tarsila do Amaral, Emiliano Di Cavalcanti, Athos Bulcão and Flávio de Carvalho.

 

 

Technology, Precision and Atmosphere

Every technical detail was integrated with precision: central vacuum, embedded sound system, invisible air conditioning, anti-moisture system, intelligent sensors and full automation. Lighting fixtures by XAL highlight the artworks and materials with precise light distribution, without competing with the architecture.

This technical control supports the apartment’s broader atmosphere. The project is not only about efficiency or display, but about creating a living environment where infrastructure disappears into the architecture and allows materials, art and daily life to take the foreground.

Architecture Experienced at Scale 1:1

Living in an apartment he designed himself, from the building and plan to finishes and furniture, gives Arthur Casas the opportunity to experience his architecture at full scale. Praça Henrique Monteiro, which brings together hotel, restaurant, boulangerie, jazz club and residences within one complex, is understood by the architect as a living organism in constant adaptation.

For Casas, the apartment could not be separated from the wider project. Its meaning lies in the continuity of language between the residence, the tower and the other programs of the complex. AC Apartment is therefore both a private home and a lived manifesto: a compact urban residence shaped by architecture, art, memory and the routines of everyday life.

A Museum for Children’s Creative Autonomy

In Amsterdam Noord, KiMu Kinderkunstmuseum opens as a new art museum dedicated to children’s creative process. Rather than presenting art education as a sequence of fixed assignments, KiMu gives children the space to explore, test, wander, question, fail and begin again. The museum provides conditions, tools and materials, without directing the work toward a predetermined result.

This approach is grounded in a clear pedagogical position. Children are treated as full participants in the creative process, with their own ideas, competencies and desires. As founder and director Suzanne Huis explains, children want to know whether they are welcome and whether they can be who they are. At KiMu, the answer to both questions is yes.

Parallel Processes: Children and Artists Working Side by Side

KiMu opens with the exhibition Parallel Processes, presenting the work of nearly seventy children alongside that of Dutch artists Brian Elstak, Willem Harbers and Roos van Haaften. Each artist contributed to the setup of the ateliers through their own way of working, without the children seeing their work during the process.

Roos van Haaften informed the light studio, where children explore light, reflection and shadow through simple materials. Brian Elstak contributed his practice of storytelling through image, language and collective making, while Willem Harbers brought a process of material exploration, working with stone, metal and constructed forms.

The exhibition focuses not only on completed works, but on the process behind them: sketches, experiments, intermediate stages and moments of trial. Children and artists worked with similar materials, questions and strategies, developing their results independently. At times, unexpected similarities appear, such as Elstak’s robots or Harbers’ cage-like structures reappearing in children’s work, despite the fact that the children had not seen the artists’ pieces.

Process as the Starting Point

The museum’s ateliers are workspaces, not classrooms. Tools and materials are accessible, and the setup supports independent use. Children decide what they make and how they work, while the environment is structured to help them concentrate and follow their own ideas.

KiMu’s pedagogy builds on years of experience in art education and atelier-based work with children. The museum offers what it calls a “prepared environment”: richly arranged tables and floor setups, where materials and tools invite children to begin working without imposing a theme, schedule or fixed outcome.

From Concrete Shell to Museum Environment

KiMu is located in Amsterdam Noord, a rapidly developing district across the River IJ, known for its mix of garden villages, former industrial areas and waterfront redevelopment. Within a new building designated for museum use, KiMu and WE architecten transformed an empty concrete shell into a museum environment while deliberately preserving the raw industrial character of the space.

The layout is organized around a large double-height central area with generous windows facing the water. Visitors enter through a two-storey foyer with shop before moving into this open volume, where different routes, views and spatial experiences unfold.

Stairs, Balcony, Net and Open Sightlines

Two wooden staircases, a triangular balcony and a suspended net shape the way the museum is used. The balcony functions almost like a crow’s nest, breaking up the central volume and offering children a new point of view. The net creates a place for lounging and rest, while a mirror above it catches the light and reflects the water outside back into the interior.

Slender cherry wood frames and internal windows keep sightlines open between the ateliers and the main spaces, while introducing a restrained architectural language with references to a minimal Japanese aesthetic. The palette combines soft industrial grey, drawn from the existing concrete base, with moss yellow accents.

A Space Designed Through Use and Making

The design developed through close collaboration. Suzanne Huis defined how the spaces needed to function and developed many of the interior concepts, including the ateliers and furniture, while WE architecten translated this into a spatial design and introduced new interventions such as the stairs, balcony and net.

The process remained visible throughout the interior. Materials were sourced along the way, and furniture was designed, adapted and built during the project, often using reused or found materials. Children were also involved in making parts of the interior, reinforcing the idea that the museum is not a finished image, but a living environment for discovery.

Interior Details and Shared Authorship

The combined foyer and shop are organized around a single counter serving both museum and retail functions. It is clad in second-hand 1930s tiles, printed by children with parts of KiMu’s logo. Above it, a large light installation by artist Rein, suspended from the ceiling, is composed of mirrored glass elements that shift in color with the light.

The cloakroom includes a locker system by i29 architects under their Elements Amsterdam label, executed in steel and felt in contrasting colors, with coat hooks placed at children’s height. In the ateliers, furniture was developed through practical use and Suzanne Huis’ experience of working with children, then built by Lika Kortmann / LikaPika. The Atelier of Light was developed in collaboration with TOEVAL GEZOCHT, drawing on their experience with exhibitions on children’s creative processes, including earlier presentations at the Stedelijk Museum Amsterdam.

A Museum for Process, Imagination and Discovery

KiMu shows what can happen when children are given the space to think, make and develop in their own way. By focusing on how ideas take shape over time, rather than only on finished results, the museum offers a different model for engaging with art, education and creativity.

The museum was officially opened by Femke Halsema, Mayor of Amsterdam, together with Amsterdam’s children’s mayor Kiyaro. More than a museum for children, KiMu is conceived as an environment where autonomy, imagination and process become the foundation for creative growth.

Lightness and Transparency

On a corner plot in Glyfada, with a southwestern orientation and openness toward the sea, Divercity Architects designed a residential building composed of three floor apartments and a two-level residence at ground level. The project responds to the conditions of the Athenian Riviera, where the Mediterranean climate encourages the daily use of outdoor space and turns balconies, terraces and gardens into essential parts of domestic life.

The building is developed through an architecture of slabs and large glazed surfaces, seeking a balance between light and shadow, view and privacy. Rather than treating the façade as a fixed boundary, the project uses it as a layered interface between the interior, the city and the surrounding landscape.

Balconies, Views and Filtered Privacy

Large openings and continuous perimeter balconies define the main façades, giving the residences a sense of transparency and lightness. The apartments open toward the view while remaining protected through a system of movable shading elements that filter sunlight without obstructing the visual connection from the interior.

These light shading screens create moments of privacy and allow the façade to change throughout the day. Their movement and material expression mediate between exposure and retreat, making the exterior envelope responsive to climate, orientation and inhabitation.

 

 

Vertical Gardens as Spatial Filters

A series of vertical gardens is integrated into the balconies, separating shared from more private zones. These planted elements introduce greenery into the experience of urban living, while also supporting the creation of a more favorable microclimate around the residences.

At night, the gentle lighting of the vertical gardens transforms them into luminous markers within the building’s composition. Their presence produces a subtle play of shadows and reinforces the dialogue between architecture, planting and atmosphere.

White Geometry and Precise Detailing

The clean white geometry of the envelope and the careful handling of details give the building a sense of clarity and duration. The architectural language remains restrained, allowing the contrast between solid slabs, transparent surfaces, planting and movable screens to define the project.

This balance gives the building a timeless quality, avoiding excess while supporting a generous mode of living. Light, air, shade and view become the main materials of the residential experience.

 

 

Ground-Level Residence, Water and Greenery

At ground level, the two-level residence is framed by water and planting. A large swimming pool defines the outdoor living area, while the perimeter planting visually connects the plot with the dense vegetation beyond its boundaries.

The result is a building that extends domestic life outward, using terraces, gardens and shaded thresholds to connect the apartments with the climate and landscape of Glyfada. Transparency and lightness are not only formal qualities here, but conditions of inhabitation.

A Compact Nail Studio in Pangrati

Located in Pangrati, Nailon Room by So Far Studio is a neighborhood nail studio developed within a compact space of just 20 sq.m. Rather than treating the limited area as a restriction, the project is conceived as a single atmospheric environment, where light, texture and spatial continuity define the experience of the interior.

The design focuses on softness and intimacy, creating a quiet pause within the rhythm of the city. Upon entry, the space is immediately shaped by a suspended textile installation at ceiling level, which introduces a sense of lightness and enclosure without reducing the clarity of the room.

A Suspended Textile Installation as Spatial Device

The translucent textile surface acts simultaneously as a light filter and a spatial device. It diffuses illumination across the interior, softening the atmosphere and transforming the perception of the room into something quieter, more immersive and almost scenographic.

This ceiling intervention becomes the defining element of the project. It gives the compact plan a sense of depth and continuity, while establishing an immediately recognizable identity for the studio.

Materials, Reflections and Pastel Tonalities

A restrained palette of cement plaster, plywood surfaces and pastel pistachio-toned details establishes a calm architectural language rooted in texture and tactility. Clean geometries and carefully balanced proportions reinforce the clarity of the interior, allowing the few material gestures to carry the atmosphere of the space.

Subtle reflections and layered transparencies continuously shift the perception of depth throughout the day. A large mirror positioned along the main axis visually expands the room, multiplying the presence of the textile installation and dissolving the physical limits of the compact plan.

A Linear Bar and Integrated Bench

The spatial organization is structured around a long linear bar element, which functions simultaneously as reception desk, manicure station and social threshold. This element concentrates activity and gives the small interior a clear functional order.

Opposite, a continuous built-in bench accommodates the waiting area, product display and pedicure station within a single integrated gesture. In this way, the different functions of the nail studio coexist without fragmenting the space.

Atmosphere Over Visual Excess

Rather than prioritizing capacity or visual excess, Nailon Room focuses on atmosphere, softness and sensory experience. Through light diffusion, muted tonalities and material continuity, the interior momentarily detaches visitors from the intensity of the city.

The result is an intimate and immersive environment, gently suspended between function and scenography. Within just 20 sq.m., the project creates a complete interior world defined by restraint, clarity and atmospheric precision.

A Wooden Façade in a Densely Wooded Setting

Built from scratch in a densely wooded area of São Paulo, MLL Residence by Dado Castello Branco Arquitetura is introduced through a wooden façade that immediately reveals the project’s organic character. The house is conceived in close relation to the landscape, where architecture, vegetation and everyday family life are brought into a continuous domestic experience.

The residence does not stand apart from its surroundings. It is framed by trees, shaded paths and generous timber elements, allowing the built volume to settle softly within the garden while maintaining a clear architectural presence.

Landscape as an Extension of Domestic Life

A defining feature of the project is the way the landscaped pathways, designed by Isabel Duprat, appear to flow naturally into the interiors. This continuity creates a direct connection between the residence and the neighboring property, which belongs to the resident’s brother.

The gesture reflects an important aspect of the family’s daily life: the tradition of gathering for shared meals. Landscape is therefore not treated as a decorative frame, but as an active part of the house, supporting movement, encounter and everyday rituals.

A House Organized Around Family Connection

The relationship between the two neighboring properties gives the project a specific social dimension. The pathways do more than organize circulation through the garden; they reinforce the bond between two houses and the family members who inhabit them.

A wide canopy shelters the walkway toward the second house, creating a protected passage through the vegetation. This architectural element turns movement between the two homes into a daily experience of proximity, shade and continuity.

Tropical Greenery and the Social Area

In the social area, a striking wall of Monstera deliciosa forms a lush green backdrop. Native to Central America and widely loved in Brazil, the plant introduces depth, texture and drama into the interior atmosphere.

This living surface reinforces the project’s broader intention: to allow vegetation to participate directly in the spatial experience of the house. Greenery is not kept outside the architecture, but becomes part of how the residence is perceived, used and inhabited.

Generous Openings, Wooden Eaves and Spatial Amplitude

The residence is defined by expansive openings, generous wooden eaves and a ceiling height of 3.50 m, all of which enhance the feeling of spaciousness. These elements allow the house to feel both sheltered and open, protected from the climate while remaining connected to the surrounding vegetation.

Through material warmth, landscape continuity and an emphasis on family gathering, MLL Residence forms a calm and generous living environment. The project turns the house into a place where architecture and nature support a shared way of life.

The Red Dot Award-winning solution combines paper-like design, ultra-low energy consumption and flexible content management.

A New Commercial Display Solution by LG Electronics

LG Electronics (LG) strengthens its position in the professional display market with the introduction of the LG E-Paper Display, an ultra-low-energy commercial display solution designed for a range of business environments. The new product was recognized with the Red Dot Award: Product Design 2026 for its innovative, user-centered design and will launch first in South Korea early next month, followed by Europe and the U.S. in July.

Ultra-Low-Energy E-Paper Technology

The LG E-Paper Display features a 32-inch QHD screen with a resolution of 2,560 x 1,440 and a 16:9 aspect ratio. It uses electronic ink technology, forming images by moving and positioning electrically charged color particles within an electric field.

The display consumes energy only when its content is updated, significantly reducing power consumption. Its ability to support dynamic content updates while reducing dependence on printed advertising materials, such as point-of-sale displays and in-store signage, makes the solution suitable for commercial interiors including retail, hospitality and corporate environments.*

Paper-Like Design and Comfortable Viewing

A defining feature of the LG E-Paper Display is its ability to reproduce the texture and feeling of a traditional paper poster. Without requiring a backlight, the screen can be integrated smoothly into different commercial environments.

The product has a total thickness of 17.8 mm, reaching just 8.6 mm at its thinnest point, and weighs only 3.1 kg including the built-in battery, enabling easy installation and repositioning.

The display also offers comfortable viewing and wide viewing angles of 180 degrees horizontally and 180 degrees vertically, thanks to its reflective backlight-free panel. Using LG’s exclusive image optimization algorithm, the E-Paper Display reproduces vivid colors that help enhance the visual impact of on-screen content.

Smart Energy and Content Management

The new LG display is designed to improve operational efficiency. Its high-capacity 72Wh battery supports extended operation and can be fully charged in approximately three hours using the supplied charger, when the product is powered off. The display also supports wireless charging through a detachable magnetic battery.

The energy management function further enhances efficiency by automatically controlling the power consumption of the LG E-Paper Display according to user-defined content schedules, minimizing energy use by activating only when updates are required.

Remote Control Through webOS and LG SuperSign CMS

Equipped with a version of webOS, LG’s intuitive smart platform, optimized for B2B signage applications, as well as built-in Wi-Fi connectivity, the LG E-Paper Display allows easy remote management. Through LG’s browser-accessible signage management solution, users can monitor device status, adjust settings, perform software updates and replace content.

For more flexible content distribution, the display supports integration with LG SuperSign CMS, allowing users to remotely distribute and schedule single-image content across multiple E-Paper Display units. It also supports content distribution via USB storage devices or customers’ own CMS servers.

A New B2B Display Solution

“With its ultra-light, ultra-thin design and pioneering ultra-low-power technology, the LG E-Paper Display represents an attractive new commercial display solution for B2B customers,” said Nicolas Min, Head of the Information Display Business at LG Media Entertainment Solution Company.

LG Business Solutions Greece