Architectural gestures

Located in a quiet neighborhood of Palaio Faliro, this small-scale 1950s house is reapproached through a series of restrained and precise architectural gestures. The project seeks to preserve the domestic identity and spatial memory of the existing shell while adapting it to the demands of contemporary everyday living.

 

Spatial Organization

The original layout of the residence is largely maintained, with selective interventions enhancing functionality and spatial flow. The central design gesture is the reconfiguration of the kitchen, which transforms from an isolated, enclosed room into an open core of daily life. Its extension toward the entrance reinforces the continuity of the interior, while its relationship with the living area is organized through the framing of the existing opening, allowing visual connection without fully dissolving the separation between functions.

 

 

Reintegration of Existing Elements

Rather than disconnecting the house from its past, the intervention seeks to creatively incorporate traces and elements of its previous life. The decorative plaster ceiling moldings are preserved as carriers of memory, while the original kitchen sink is restored and repurposed within the bathroom, acquiring a new function in a different spatial context. The residence thus becomes a field of continuity, where old and new coexist without resorting to nostalgic imitation.

 

 

Material Palette

The material palette follows a calm and tactile logic, shaped by natural textures, earthy tones and clear geometries. Wood acts as the primary element of warmth and continuity throughout the interior, while the stainless-steel kitchen countertop introduces a subtle contemporary tension within the otherwise restrained composition. In the bathroom, the relationship between refinement and rawness is reinforced through materials that reference exposed concrete and rougher flooring surfaces, intensifying the tactile experience of the space.

The project approaches the idea of an “urban holiday house”: an intimate domestic environment where simplicity, material honesty and spatial clarity coexist with a subtle sense of nostalgia. Without attempting to replicate the past, the design seeks to carry its traces into the present, allowing the house to evolve while preserving its distinct character.

 

Architecture in the in-between

The “Polikatikia” is located on the island of Karpathos and consists of six family residences. The project approaches dwelling within the island landscape not as a strictly typological exercise, but as a complex field where morphology, topography and the everyday experience of the Mediterranean climate collectively shape a unified architectural system.

 

Landscape Integration

The arrangement of the six residences is organized through a series of overlapping volumes that shift and subtly rotate, disrupting the strict orthogonality of the conventional apartment building. The composition evokes an initially solid mass that gradually appears to fragment, separate and split into distinct spatial elements.

These geometric displacements operate not only as formal gestures but also as environmental mechanisms, generating intermediate voids, shaded areas, natural light penetration, outdoor extensions and visual openings toward the landscape. The staircase is positioned precisely within the “in-between” void created by the displacement of the volumes, transforming this transitional space into the primary vertical connective tissue of the complex.

 

 

Design Philosophy

The architecture seeks to reinforce the relationship between interior and exterior space, following the principles of Mediterranean living. Large openings and the horizontal development of the primary volumes allow the living spaces to extend outward toward the landscape, creating a sense of spatial continuity with light, air and views toward the sea.

The transitional outdoor areas function as intermediate climatic zones, providing shade, protection from strong winds and different spatial qualities throughout the day. Through this compositional approach, the residence is not perceived as an isolated object, but rather as part of a continuous experience of place and climate.

 

 

Spatial Organization

The internal organization of each apartment is structured around three distinct functional zones. At the center lies the “service core” containing the auxiliary and wet areas, naturally illuminated and ventilated through light wells, enhancing both comfort and environmental performance.

The living spaces, including the living room, dining area and kitchen, are arranged toward the north, directly oriented toward the sea views and surrounding landscape. In contrast, the bedrooms are positioned on the southern side, protected from strong winds while benefiting from natural light.

The overall composition seeks to translate the particularities of island dwelling into a contemporary architectural language, where building, climate and landscape operate as interconnected components of a unified spatial experience.

 

Dissolving into the landscape

Located within a residential development on the outskirts of São Paulo, the project was conceived as a residence where architecture, landscape and everyday life operate as a unified spatial experience. It responds to a site bordered by a golf course and an artificial lagoon, establishing a careful dialogue between built form and the surrounding environment.

Rather than emphasizing monumentality, the design strategy seeks to fragment and soften the scale of the residence. The house develops primarily across a single horizontal plane, while secondary technical spaces and recreational functions are discreetly concealed within a lower level. This organizational approach allows the architecture to remain visually grounded within the landscape, reinforcing a sense of continuity with the terrain rather than imposing itself upon it.

 

Spatial Organization

The residence is structured around a central planted courtyard filled with native Atlantic Forest vegetation, transforming nature into an active spatial nucleus rather than a peripheral backdrop. This internal garden mediates circulation, light and visual continuity throughout the house, while simultaneously reinforcing the atmosphere of retreat and privacy that defines the domestic experience.

The program includes four bedrooms, expansive living areas and entertainment spaces organized around carefully framed views toward the surrounding landscape. The spatial composition privileges openness and fluidity, allowing interior and exterior environments to overlap continuously.

A generous covered gallery occupies the most privileged edge of the plot, overlooking both the lagoon and the golf course. In response to the Brazilian climate and its strong culture of outdoor living, this semi-exterior space becomes the social heart of the residence. Inclined concrete partitions regulate western sunlight, reducing heat gain during the afternoon while preserving visual openness and airflow.

 

 

Material Palette 

Material restraint and geometric clarity define the architectural language of the project. Concrete surfaces, controlled proportions and elongated horizontal lines establish a calm and cohesive architectural identity, while the interplay between solid partitions and open voids generates constantly shifting conditions of light and shadow.

The elevated swimming pool extends directly from the main living level, visually merging with the adjacent lagoon through reflective continuity. Its infinity edge creates a cascading effect toward the lower ground, transforming the pool into both an infrastructural and sculptural element within the composition.

The bedrooms, positioned toward the front garden, establish a quieter domestic zone where vegetation operates simultaneously as privacy filter and environmental mediator. Large openings reinforce the inhabitants’ connection with nature while maintaining controlled intimacy from the street frontage.

 

 

Construction

An essential dimension of the project was the collaborative relationship established between architect, clients and construction team. Specifically, the successful realization of the house depended largely on the owners’ commitment to preserving the integrity of the architectural vision throughout the construction process.

Despite geographical distance, the coordination between the architectural office and the construction company remained continuous and highly collaborative. This ongoing exchange enabled the project to maintain coherence from concept to execution, resulting in a residence where the built outcome closely reflects the precision and atmosphere of the original design intent.

 

Interconnected space

The project consists of two interconnected interventions: the restoration of a 1920s Cretan stone residence and the addition of a contemporary vertical extension, together forming a unified family home. Originally built as part of the refugee housing settlements of the early twentieth century, the existing structure represents a characteristic example of vernacular domestic architecture, now reinterpreted through a contemporary architectural language that allows the building to regain visibility and presence within the urban fabric.

 

Restoration Strategy

Rather than concealing the traces of the original dwelling, the intervention embraces the existing stone shell as a bearer of memory and spatial identity. Elements of the historic residence are preserved and incorporated into the new architectural composition, particularly within the lower level where the shared living functions are organized. Century-old details remain visible throughout the interior, contributing to an atmosphere that balances familiarity, permanence and subtle nostalgia.

 

 

Design Philosophy

The new extension is constructed through a lightweight metallic structural system combined with a timber roof and an additional loft level. The design approach seeks to establish a coherent architectural dialogue between the permanence of the original masonry structure and the lighter contemporary intervention. Clean geometric volumes, semi-transparent surfaces, generous ceiling heights and a restrained material palette contribute to an environment defined by spatial clarity and continuity.

 

 

Spatial Organization

Within the upper levels, where the private sleeping quarters are located, the architectural composition explores variations in height and section to introduce spatial complexity and moments of openness. The shifting interior volumes generate a sense of lightness and optimism, reinforcing the experiential quality of everyday domestic life. The result is a residence where restoration and contemporary addition coexist without hierarchy, producing a unified architectural narrative grounded equally in memory and transformation.

Linear volume

Conceived as a continuous linear volume that bends and unfolds across the site, the Courtyard Office organizes its program around a large internal garden that becomes the social and environmental core of the project. The building’s geometry creates a porous workplace environment where circulation, landscape and workspace remain in constant visual dialogue, fostering openness, interaction and environmental comfort.

 

Spatial Organization

The office develops sectionally between two and four levels, allowing the building mass to respond dynamically to orientation, climate and circulation requirements. At the southwest and northeast edges, the volume lifts from the ground plane, enabling prevailing south-westerly breezes to move naturally through the internal courtyard and enhancing passive cooling throughout the complex.

Additional lifted corners at the northeast and northwest ends generate generous double-height volumes that accommodate shared collective functions, including a cafeteria and a library. These spaces establish visual continuity between floors and encourage informal interaction across different departments and working environments.

The primary circulation spine traces the perimeter of the courtyard, maintaining constant visual contact with the landscape while connecting the office floors. Workspaces are arranged along the outer edges of the building envelope, opening toward planted gardens and benefiting from natural light and framed exterior views.

 

 

Climate-Responsive Design

The geometry of the building was carefully developed to maximize environmental performance. Its longest facades are oriented toward the north, ensuring consistent indirect daylight across the office interiors throughout the day. On the remaining elevations, angled louvers filter sunlight while directing views and light northwards, minimizing heat gain and reducing the building’s overall energy demand.

Natural ventilation strategies are embedded directly into the architectural form. The lifted ground conditions, landscaped courtyard and sectional variation collectively generate airflow through the building, creating comfortable internal conditions while limiting dependence on mechanical cooling systems.

 

 

Design Philsoophy

Drawing inspiration from the spatial logic of traditional Indian courtyard houses, the project reinterprets the courtyard not merely as an outdoor void, but as an active climatic and social device. Open and enclosed environments alternate throughout the complex, creating a varied sequence of volumes, orientations and atmospheres that support different modes of work and interaction.

The result is a workplace environment where architecture and landscape operate as a continuous system, balancing environmental efficiency with spatial diversity and human experience.

 

Levitating mass

The house is located in a quiet rural area, with one floor above ground and another dug into the earth. Featuring imposing black pigmented concrete, the design is centered around three main masses, creating a balance between open spaces and solid structures. The transparent central volume serves as the heart of the building, while the surrounding landscape plays an integral role in shaping the living experience.

 

Design Philosophy

The lower floor contains a large, excavated courtyard, which acts as a central gathering space. The central mass, over 5m high, offers clear views of the entire site. On either side, two long, parallel masses extend across the lot, reinforcing its length and creating a balanced composition. These masses penetrate the central structure, giving the appearance of floating concrete beams that stretch outward, enhanced by differences in the roof heights.

A floating bridge made of reflective stainless steel connects the entrance of the house across the courtyard, offering a clear view of the interior spaces. The path leads through a shallow reflecting pool, revealing the private areas of the house that are not visible from the street. This bridge also creates a visual link between the two long masses that extend through the structure.

 

 

Functional Organization

The upper floor includes the main living spaces, with a large living room, kitchen, dining area, and family rooms. The master suite features a walk-in closet, bathroom with a shower inside a reflecting pool, and a bedroom with views of the garden. A staircase made of dark natural stone leads to the lower level, where the wellness and leisure spaces are located, enhancing the flow between the levels.

The lower floor accommodates an indoor pool, gym, spa, cinema room, and a hospitality area, including a bar and wine room. Additional spaces for supporting functions, such as a laundry room and staff quarters, are also located here.

On the opposite side of the house, a large, landscaped garden includes a soccer field, pool, outdoor kitchen, and living areas, designed to support various social and recreational activities.

 

 

Material Palette

The house features clean, modern lines with black concrete facades, fiber-c cladding, and large glass openings. Dark natural stone flooring is complemented by blackened brass details. The design emphasizes an illusion of levitation, where the contrast between solid concrete and floating masses is achieved through roof disconnection and transparent elements.

 

Varying context

Located in Ílhavo, Portugal, the project unfolds as a single-storey residence that seeks to reconcile the programmatic requirements with the specific characteristics of the site. The plot is situated within an area that currently remains undeveloped along its periphery, though it is expected to undergo significant residential growth in the near future. Within this transitional context, the residence attempts to establish from the outset a clear relationship between private living and the surrounding landscape.

 

Functional Organization

The decision to resolve the entire program on a single level transforms the outdoor space into an integral component of the architectural composition. The remaining green areas are not treated as residual space, but rather as active elements of everyday habitation and the overall spatial organization of the house.

The arrangement of the volumes gradually defines the spatial hierarchy of the residence. As movement progresses deeper into the site, the spaces acquire an increasing sense of privacy and seclusion. Architecture employs the positioning and geometry of the volumes as tools for organizing daily life, creating a clear transition from the more public to the more protected functions.

 

 

Design Philosophy

The architectural proposal is structured around two distinct volumes, differentiated both formally and functionally in response to the specific content of the program. These volumes are strategically positioned on the site in order to maximize solar exposure, establish controlled relationships with the surroundings and frame the outdoor spaces.

At the same time, the openings and incisions of the façades allow for controlled natural light while reinforcing the continuity between interior and exterior space. In this way, the residence develops a constant visual and functional extension toward the landscape, integrating greenery into the spatial experience of the interior.

 

 

Material Palette

The form and materiality of the project draw reference from the region’s traditional constructions, reinterpreting familiar architectural elements through a contemporary compositional language. Clean volumes, inclined surfaces and a restrained material palette compose an architecture that engages with the local building tradition without resorting to mimicry.

The use of zinc surfaces, natural timber and bright neutral materials throughout the interior reinforces the understated character of the residence, while simultaneously introducing durability and timelessness to the composition. Light is treated as a primary architectural tool, shaping interiors defined by calm atmospheres and subtle variations of illumination throughout the day.

The result is a residence articulated with clarity and economy of means, transforming the relationship between built and unbuilt space into the central core of the architectural experience.

 

Domestic prototype

In the wake of the global realignment brought about by the Covid-19 pandemic, Riverhouse emerged as a deeply personal exploration of domesticity. Situated within a protected river corridor in rural Rhode Island, the project reflects broader cultural shifts toward slower living, environmental consciousness and closer engagement with nature. Designed as both family residence and experimental retreat, the house reconsiders how architecture can support evolving modes of living, working and gathering.

Originally occupying the site was a deteriorating summer structure that had hosted a series of informal architecture camps since 2014. These gatherings brought together architects, collaborators and families in an environment centered around dialogue, collective reflection and shared living. Over time, the fragile building became increasingly unsustainable, prompting the architects to envision a new dwelling capable of preserving the spirit of the site while responding to contemporary environmental and spatial demands.

 

Domestic Prototype

The new residence occupies the footprint of the original structure while introducing a compact yet highly articulated architectural form. Elevated to comply with floodplain regulations, the house balances technical rigor with an atmosphere of informality and warmth. Conceived according to Passive House principles, the project incorporates triple-glazed openings, heavily insulated wall assemblies and rooftop photovoltaic systems with battery storage, allowing the building to operate entirely on electricity while minimizing year-round energy consumption.

Rather than emphasizing technological performance as an end in itself, the project integrates environmental systems seamlessly within the architectural language. The design maximizes natural ventilation and daylight through strategically positioned apertures, while outdoor rooms, terraces and roof gardens extend domestic life into the surrounding landscape. The architecture negotiates openness and enclosure through a sequence of carefully calibrated spatial conditions that reinforce the connection between interior and exterior environments.

The distinctive geometry of the house emerged through an iterative process of physical model-making. A folded blue metal roof descends asymmetrically across the facades, producing a diagonal ridgeline that creates dynamic sectional relationships throughout the interior. This manipulation of volume allows for double-height spaces, mezzanine rooms and carved outdoor courtyards that bring light deep into the plan while framing views toward the river and surrounding forest.

 

 

Material Palette

Material selection played a central role in shaping the identity of the project. Thermally modified ash wood cladding, unfinished plywood surfaces and handmade Lebanese tiles introduce tactile richness while maintaining a restrained material palette. Vibrant window frames punctuate the muted exterior composition, echoing the changing colors of the surrounding vegetation throughout the seasons.

Inside, the house is organized around a spacious communal living area designed for both everyday inhabitation and collective gathering. Storage systems are embedded within the architectural envelope to maintain spatial clarity, while each room is dimensioned with precision to maximize efficiency without sacrificing comfort. The spatial organization privileges adaptability and fluidity, allowing domestic routines, work and social activities to coexist seamlessly.

The project evolved through an extended process of collaboration involving architects, designers, artists and craftspeople. These interventions blur the boundaries between architecture, interiors and objects, reinforcing the house’s role as a continuously evolving environment shaped through collective authorship.

Construction itself became part of the project’s narrative. Built incrementally within a modest budget, the project relied heavily on the involvement of friends, collaborators and local builders. The process unfolded gradually, with many contributors living alongside the project as it took shape, reinforcing the architects’ broader understanding of architecture as a social and participatory act.

 

 

Design Philosophy

Beyond its role as a private residence, the project operates as an ongoing platform for exchange, experimentation and dialogue. Continuing the legacy of the original architecture camps, the project supports gatherings that foster conversation around architecture, ecology and collective living. A second phase currently underway introduces a pavilion, swimming pool and gardens intended to accommodate future communal events and workshops.

In this sense, Riverhouse belongs to a lineage of architect-designed experimental houses that function simultaneously as homes and spatial manifestos. Yet unlike historical precedents centered on formal autonomy, this project responds directly to contemporary concerns surrounding climate adaptation, evolving family structures and the redefinition of domestic space in an increasingly uncertain world.

The result is a residence that resists the notion of retreat as isolation. Instead, the project proposes an architecture rooted in openness, resilience and environmental sensitivity – a carefully inhabited structure that remains unfinished in the most productive sense: continuously adapting, evolving and engaging with the people and landscape that surround it.

 

 

Refined Materiality

This generational home was designed as a gathering place for an international client’s extended family. A longtime appreciator of modern design, the owner was looking to carefully craft a biophilic living space for his wife and young twins, as well as a home to entertain and host visiting friends and family.

 

Design Philosophy

The private site is situated on a flag lot, surrounded by open space with mature perimeter trees and vegetation. The 455m² structure consists of two forms layered perpendicularly. On the ground level, a kitchen, dining, and family room flow naturally into outdoor living spaces, centered around a passively cooled double-height living room that pulls cold air from lower levels to the warmer second story via strategically placed windows. A covered patio at the rear of the house and trellis at the front foster a sense of openness; the surrounding scenery is framed thoughtfully by architecture, becoming almost transparent.

The L-shaped structure nestles a protected, private courtyard and pool between the house and hillside, which directly connects to the guest suite. The suite is thoughtfully designed as a space for the client’s visiting parents. Supported by the lower level on one end and the hillside on the other, the private second floor is balanced gracefully atop its lower counterpart. The primary suite lightly floats above a grove of mature oaks, overlooking distant views of the San Francisco Bay to the north. On the opposite end, the twins’ rooms mirror each other as to “not to favor one over the other”, equally divided by a shared study nook.

 

 

Functional Organization

A double height stone clad fireplace connects the first and second floors, and wood slats splash patterns of daylight onto a rich material palette. A subterranean level houses the office, guest room, and nanny suite, complimented by lightwells that welcome natural light into each space. The office connects via an outdoor staircase to the covered patio -a primary outdoor gathering space for friends and family, with a fireplace and moveable wood slatted screens allowing flexibility to control exposure to southern sunlight.

 

 

Material Palette

The home’s materiality is subtle and refined, allowing natural textures to create visual contrast. The exterior is clad with bush-hammered travertine and reclaimed Ulin wood siding. A simple, warm interior palette of white oak paneling, black laminate, and white marble with brass accents allows the surrounding landscape to add color and light. Understated, comfortable furnishings accented with the daughter’s hand sketches create a warm, open, materially rich space deeply and intimately connected to the site and its occupants.

 

Reference point

The project’s design considers both the current state of the area and its future development. In this direction, a distinctive, contemporary architectural language is created with the aim of establishing a point of reference in the growing district of Voula.

 

Design Philosophy

The main idea is to create a double shell that envelops the building, providing the necessary privacy for users. The irregular shape of the plot and the narrow frontage on the adjacent streets, with large sides located at the plot boundaries, determine a need for private spaces while preserving a sense of continuity with the uncovered neighboring areas. The shell is traversed by a sparse perforation, contributing to the natural lighting of the interior of the building while ensuring the necessary privacy where needed. The perforations are clad with robust semi-transparent glass elements that create interesting reflections inside. The curved slabs, with their slight rotation, give the impression of a not-so-compact volume, offering intriguing shadows and different visual perspectives from the balconies.

Bioclimatic Strategy

In pursuit of sustainable development, local climate features were incorporated into the design. Water surfaces and green areas play a central role in creating a microclimate for residents and the neighborhood. On the ground floor, the designed shallow pond, with irregular islands and a swimming tank, is part of the approach. This composition, combined with the planting of gardens with interesting varieties of tall trees, creates a harmonized natural climate of coolness and tranquility at the entrance level, which extends to the surrounding neighborhood.

 

 

Custom Elements

On the balconies, green spaces are created, adding to the aesthetic quality of the exterior arrangement, and contributing to bioclimatic design. The perforated pergola on the roof level, acting as a filter, serves as an additional architectural element that creates ideal conditions for shading and ventilation, enhancing the aesthetic and functional character of the space.

 

Inclined tower

The project is located along the coastline of Limassol, 9 km east of the city center. Rising to a height of 50m, it consists of luxury apartments offering a 180° sea view. The construction of the building required the study and supervision of specialized consultants and contractors due to its large cantilevers, which gradually shift and extend away from the building’s core on the ground floor.

 

Design Philosophy

Each floor is displaced by 1.5m to maximize the orientation and create expansive, both covered and uncovered, south-facing verandas with views of the sea. This displacement results in the building sloping at an angle of over 20°, presenting unique technical challenges regarding the structure, vertical circulation, mechanical and electrical systems, and security. At the same time, it defines the building’s key feature, transforming it into an iconic landmark.

 

 

Urban Integration

The building leans toward the road and the urban landscape. On this elevation, behind the parametric perforated sloped GRC shell, the mechanical spaces are located, functioning as a vertical buffer zone between the public and private realms.

Water Element

In the horizontal dimension of the building, at ground level and spanning 50m in length, a water element connects the interior to the surrounding environment, reaching the shore. The elongated swimming pool, entirely clad in green marble, accentuates the north-south axis that links the urban landscape with the natural one, guiding the user from the public to the private space. The pool also serves as an area for leisure, relaxation, and rejuvenation.

The design, along with the selection of natural materials, plantings, and water elements, creates a sense of balance and a deep connection to the earth, both inside and out.

 

Bioclimatic shell

The project, located next to a traffic junction in one of the busiest and noisiest areas on the outskirts of Nicosia, is a medical center that provides day-care services across multiple fields, featuring modern and specialized operating rooms.

 

Design Philosophy

The elongated plot along Tseriou Avenue, oriented north–south, made it crucial to protect the building’s spaces from western and eastern solar exposure, as well as from excessive noise. The building is organized across six levels, two of which are underground. The ground floor, aligned with the adjacent pedestrian pathways, accommodates reception and service areas, a café, various gathering spaces, and offices. Medical areas, such as operating rooms and recovery rooms, are located on the first and second floors. The basement levels include support spaces and parking, while the third level houses mechanical installations.

The ground floor maintains a direct visual connection with the surroundings, is easily and immediately accessible from the sidewalk, and is surrounded by planting and outdoor areas for rest and dining. In contrast, the first and second floors are more introverted, with selective openings designed in direct relation to the functions they serve.

 

 

Facade and Shading Strategies

On the first and second floors, the eastern, western, and southern façades incorporate large rotating shading devices integrated into the building envelope, allowing generous outward views. When closed, they block sunlight and provide near-complete blackout conditions. On the western side, fixed perforated shading elements protect two external balconies directly connected to the vertical circulation, which can be used as breakout spaces.

On the northern façade, where solar protection is not required, a green wall covers the entire surface. In the intermediate zone between the wall and the vegetation, two balconies are constructed for plant maintenance as well as for relaxation. Spaces with direct visual contact to the green wall mainly include operating rooms and recovery beds.

 

 

Spatial Organization

The internal organization of the building, while overall reflecting the need for efficiency in patient care, is enriched with internal green atria and rest areas with balconies overlooking the city. These features create a well-lit and pleasant environment for both visitors and staff.

Set within a valley at the foot of a wooded hillside, the house is embedded in a landscape often veiled in shadow, protected by both slope and vegetation. The project emerges from this chiaroscuro condition, proposing the restoration of the original structure alongside the addition of a suspended extension – an intervention defined by lightness, openness and a renewed relationship with the surrounding environment.

 

Restoration Strategy

The existing building, a construction of notable character, has been carefully restored through a process of subtraction rather than transformation. Interior partitions and superfluous finishes were removed, allowing the spatial continuity to re-emerge while revealing the integrity of the original timber framework. Plaster coatings were stripped away, exposing the tactile qualities of stone and embedded flint, while existing shutters were cleaned and reinstated.

This approach reestablishes the house’s primary material expression and reinforces its anchoring within the Vexin landscape. The architecture does not impose a new identity but instead clarifies and amplifies what was already present, allowing the structure to reconnect with its historical and material context.

 

 

Design Philosophy

In contrast to the grounded, mineral presence of the original volume, the extension adopts a distinctly lighter architectural language. Positioned perpendicular to the existing structure, it extends beyond the shaded footprint to capture optimal sunlight. Elevated three meters above the natural terrain, the new volume engages directly with the slope and surrounding vegetation, establishing a dynamic spatial dialogue between ground and canopy.

A slender footbridge, constructed in wood and clad in polished stainless steel, connects the two volumes, framing views toward the forest while reflecting the sky. This transitional element reinforces the experiential sequence between old and new, shadow and light, enclosure and openness.

 

 

Material Palette & Structure

The extension is anchored by foundations of exposed aggregate concrete incorporating flint, establishing continuity with local construction methods and materials. Above this base rises a triangulated pine structure, articulated through a fine and rhythmic framework that defines the project’s light and elevated silhouette.

This structural system, both precise and expressive, supports an architecture that balances stability and suspension. The interplay between the restored mass and the lightweight addition generates a cohesive composition that explores contrasts – between heaviness and lightness, opacity and transparency, shadow and illumination.

Between anchoring and elevation, the project articulates a nuanced architectural response to its environment, proposing a dwelling that is both embedded in its context and open to transformation over time.

 

Industrial Archaeology

The existing building is one of the rare examples of the Brutalist architectural movement in Greece. It was constructed in 1972 and represents one of the most significant works by the Tombazis office. It served as a flagship for the company specializing in industrial concrete production.

The revival of the historic building posed an ethical challenge in terms of the intervention limit on the existing structure. It is worth noting that over its 50 years of existence, the building had been covered in various hues and materials, with the most recent being an ochre shade, which obscured its original Brutalist texture. Therefore, the initial intervention focused on restoring the original (1972) composition of exposed concrete in all visible elements of the building (40,000 sqm).

 

Spatial Organization

The goal for the interior was not to eliminate intervention through a faithful reconstruction of its original form. The radical spatial rearrangements inside aimed to create a new space that was always there, in the building’s “subconscious” since 1972. This effort was primarily guided by the 1.20m x 1.20m grid, corresponding to the dimensions of the typical element of the barrel-vaulted roof. This grid became the basis for every architectural and electromechanical element of the building, designed upon the natural, three-dimensionally projected grid that defined the barrel-vaulted roof.

To highlight the geometry of the roof as the driving force behind the entire design, all mechanical or other equipment was removed. This contrasted with the initial state of the building, where the roof was covered with various false ceilings and other architectural and electromechanical elements. Thus, the previously “buried” barrel-vaulted roof serves as a significant archaeological finding that determines the new morphology of the building’s interior and guides the space “towards absolute architecture” (Jean Pierre Raynaud – Maison de La Celle-Saint-Cloud).

 

 

Material Palette

A fundamental intervention in the interior of the building is the implementation of a clear functional access axis on the horizontal plane, with continuous water surfaces. Additionally, a vertical axis is created by a series of self-supporting marble cantilevers integrated with the central staircase. Earthy materials and minimalist clean lines are applied to enhance the Brutalist elements of the building through contrast. Water elements are modernized, redesigned, and expanded within the building’s interior, while the central staircase is reoriented to relieve congestion and widen the circulation routes (horizontal and vertical) of the common areas. The mezzanine is removed, and a complete reconfiguration is executed in the entrance area, aiming to create a clean and iconic reception space. Auxiliary spaces are added, and an opening is made towards the surrounding area of the ground floor event hall to create a multifunctional contemporary space. Raised floors are implemented on all levels to accommodate all mechanical installations while leaving the barrel-vaulted slab untouched and visible. The courtyard is highlighted in the Administration area, and a limited, open-plan arrangement is employed in the closed office spaces with extensive use of glass, along with a functional open layout for the office areas. Finally, the basement is excavated with the aim of creating a wine cellar and tasting area.

 

 

Sustainability Strategy

Regarding the building envelope, all roof and terrace insulation is reconstructed, including waterproofing and thermal insulation. Thermal bridging points on all horizontal surfaces are addressed, minimizing them on vertical surfaces without causing any alteration to the facades. Additionally, all external openings are replaced with modern thermally broken aluminum frames and energy-efficient glazing. Solar shading systems are implemented to control sunlight, while water elements in the building’s exterior are modernized and expanded to provide natural cooling and improve the microclimate.

The architectural treatment of the facades is discreet, almost reverential, in terms of highlighting the character and overall philosophy of the building. One could argue that the choice of the same materials – concrete and glass, but in their present-day interpretation, almost 40 years later – better serves the core of the initial idea that governs the entire building, while simultaneously giving it a much more contemporary image.

 

Continuous dialogue

Set within a site of remarkable natural beauty and surrounded by a golf course, the residence is conceived as an architectural composition that seeks to integrate seamlessly with its landscape. Through a careful articulation of volumetry and material expression, the project balances an extensive program with a sense of spatial clarity and harmony. The L-shaped plan is positioned at a slightly elevated level relative to the street, allowing unobstructed panoramic views across the otherwise flat terrain. This gesture establishes a gradual spatial transition while encouraging a continuous dialogue between interior and exterior environments.

 

Design Philosophy

The formal language of the residence is defined by the interplay of strong horizontal lines and a series of nuanced geometric transformations. Corners are beveled, curved, or inclined, generating a dynamic architectural composition that combines precision with expressive fluidity. The material palette reinforces this relationship with the surrounding landscape, employing light and earthy tones that enhance visual continuity. Wood elements, applied in panels and ceilings, are paired with a metal structure, while exposed light concrete introduces a subtle contrast against the warmer textures of the ground floor. A large, slatted panel on the upper level further accentuates the sense of lightness, contributing to the layered articulation of the façade.

 

 

Spatial Organization

The architectural composition unfolds through a clear organizational strategy that divides the residence into two primary volumes. A longitudinal wing accommodates the private program, including three suites, a physiotherapy space, and a home office, while a transversal volume concentrates the social and service areas, such as the kitchen, dining space, and auxiliary functions. Upon entry, gently inclined and curved walls guide movement toward the main living area, establishing a fluid spatial sequence that connects directly with the leisure zones. The integration of amenities, including sauna, spa, gym, and children’s area, is enhanced by retractable glass panels, allowing for flexibility and continuity. This entire leisure front is illuminated by zenithal natural light, ensuring both privacy and spatial clarity.

 

 

Lighting Design & Materials

Large, glazed surfaces establish a constant visual connection with the surrounding landscape, framing views and reinforcing the contemplative character of the residence. Architectural elements such as pergolas and inclined planes modulate light and shadow across the façades, introducing temporal variation throughout the day. On the upper floor, the master suite and additional bedrooms are arranged along the axes of the L-shaped plan, complemented by workspaces that benefit from the tranquility of the setting. A metal slat screen filters natural light while preserving privacy, and a continuous metallic eave outlines the volume with refined subtlety. Internally, the design language mirrors the exterior, combining warm tones, natural light, curated artworks, and selected furniture pieces into a cohesive and elegant spatial experience.

 

Working laboratory

Taller Di Frenna Arquitectos has developed its own architecture studio in Colima, Mexico, conceived as both a functional workplace and a platform for creative exploration. The building accommodates workspaces, meeting areas, audiovisual facilities and interior courtyards, organized within a series of clearly articulated volumes. Through the use of exposed materials, textural experimentation and the integration of natural light and vegetation, the project reflects the studio’s broader architectural ethos.  

 

Design Philosophy

The headquarters is conceived as an environment where architectural production and research coexist. Beyond accommodating the daily operations of the practice, the building operates as a space for experimentation, collaboration and the development of ideas.

The program includes open-plan workspaces, meeting rooms, audiovisual areas and a dedicated model-making workshop. These functions are arranged to foster interaction between team members and to support the various stages of the design process, from conceptual exploration to final presentation.

Rather than functioning as a conventional office, the building acts as a working laboratory, embodying the studio’s design methodology while enabling the continuous testing and evolution of architectural ideas.

 

 

Construction Logic & Materials

The architectural composition is defined by a sequence of clean, well-proportioned volumes. Emphasis is placed on the use of exposed, honest materials, allowing construction elements to remain visible and to express their structural and tactile qualities.

Concrete, steel, charred wood and stone form the primary material palette. Their combination, through varied textures and finishes, generates a layered architectural language that negotiates between industrial precision and natural expression. This material strategy reinforces durability while foregrounding craftsmanship and construction techniques.

The approach aligns with a broader design philosophy rooted in clarity of form, authenticity of materials and the integration of artisanal knowledge within contemporary architectural practice.

 

 

Courtyards & Spatial Organization

A network of interior courtyards structures the spatial organization of the building. These voids introduce natural light and vegetation into the interior, while establishing visual and physical connections between different programmatic zones.

The interplay between interior and exterior conditions produces a gradual spatial transition, where built volumes and natural elements coexist in a continuous dialogue. Variations in light, shadow and level contribute to a dynamic spatial experience, mitigating the monotony typically associated with enclosed office environments. These intermediate spaces also function as areas of pause and informal gathering, supporting a working atmosphere that encourages reflection, exchange and collective engagement.

The realization of the building involved close collaboration with local builders and artisans, whose contribution is evident in the detailing, surface treatments and material finishes throughout the project.

 

Urban upgrade

Along the axis that, from antiquity to the present day, connects the port of Piraeus with the center of Athens, Pireos Street, a concrete building of approximately 10,000 m² has been constructed, accommodating a fashion company alongside office functions.

 

Design Philosophy

The design of the building seeks to address two critical issues of the contemporary city: the maximization of greenery in relation to the built environment and the optimization of its environmental performance. The architectural composition is articulated through the coexistence of two distinct volumes: a single-storey retail space of 1,300 m² and a five-storey office building in an L-shaped configuration that encloses it, forming a clear boundary towards the adjacent structures and Pireos Street.

The roof of the ground-level volume is transformed into an intensively planted green roof, functioning as an elevated urban garden for both employees and the city. In this way, the project introduces a new topography, where greenery extends vertically, redefining the user’s relationship with the environment.

 

 

Spatial Organization

Employees benefit from a direct visual and functional connection to the garden, ensuring privacy and distancing from the noise of the busy urban artery. At the same time, ramps leading to the planted roof, in combination with the geometry of the curved volume, establish a spatial continuity that connects the ground level with a higher, publicly accessible plane.

The façades is differentiated according to orientation through shading systems such as louvers and stainless-steel mesh, regulating solar exposure and reducing thermal loads without compromising outward views. Each surface is conceived as an active filter mediating between interior and exterior conditions.

 

 

Sustainability & Technology

The green roof is maintained year-round through an automated irrigation system that utilizes rainwater collection and reuse tanks. The storage of significant water volumes supports the survival of the vegetation even during the summer months.

In parallel, the use of air-to-ground heat exchangers – large underground ducts – allows the introduction of naturally tempered air, contributing to the building’s microclimatic performance. A Building Management System (BMS) controls lighting, ventilation, and air conditioning, as well as window operation and internal shading, ensuring optimal indoor comfort while achieving substantial energy savings.

The project embodies a holistic approach to sustainable design, where architecture, technology, and landscape converge into a cohesive system that redefines the contemporary workplace.

 

Introverted courtyard

The house is located in a suburban area of Nicosia and was designed to establish a strong connection between indoor and outdoor living, drawing references from the urban Cypriot houses of the late 19th and early 20th centuries.

 

Spatial Organization

This contemporary approach reinterprets the courtyard as the living core of the residence. The main spaces – living room, dining area, kitchen and two bedrooms – are arranged in an L-shaped layout around a central courtyard. At the heart of the composition, an elongated water element, the pool, acts as a natural extension of the living space.

The presence of water enhances the dialogue between inside and outside, while also contributing significantly to the formation of a favorable microclimate, providing natural cooling during the summer months. The courtyard thus becomes an intermediate space of everyday life, where the boundaries between private and open-air environments are softened.

 

 

Material Palette

The architectural proposal follows a strict minimalist logic, emphasizing geometric clarity and the elimination of any superfluous elements. The volumes are defined by clean lines, while the composition is structured around the balance between solid and void.

Exposed concrete is the dominant material, selected for both its structural properties and its restrained aesthetic. This unified materiality ensures coherence and durability, while the clean surfaces act as a canvas for the interplay of natural light and shifting shadows throughout the day.

 

 

Bioclimatic Strategy

The design carefully utilizes orientation and cross-ventilation to ensure optimal airflow and natural lighting. At the same time, the introverted organization of the residence guarantees a high level of privacy, in contrast to the surrounding urban context.

The result is a residence that engages with local architectural heritage, translating it into a contemporary language. Through the synthesis of space, material and climate, the project responds to current needs for quality of life, flexibility and a meaningful connection with the natural environment.

 

Renewed perspective

The project of Dexamenes matures gracefully over time, much like wine – a narrative defined by continuity, a gentle projection into the future, and a constant state of entropy. Quiet reinvention has become intrinsic to its character: the hotel evolves through modest gestures, extending itself layer by layer, season by season. Since its inception, it has consistently reactivated its existing components. The twin silos now pulse with wellness, art, and recurring culinary events, each iteration fostering an ongoing dialogue with the past.

 

Extension Strategy

In parallel, the building has sought its own modes of evolution, delicately emerging from its robust concrete base. A few years after its completion, as cultural and culinary programs continued to flourish, it became evident that the site could accommodate a new chapter in hospitality – an additional layer that would honor the original ethos while offering a renewed perspective. During the early stages of construction, when the interiors of the tanks remained inaccessible, time spent on their rooftops revealed a unique sensation of elevation. From this vantage point, the sky met the sea in a continuous, uninterrupted line. It was this immediate connection to the horizon that ultimately informed the addition of a new layer atop the concrete tanks.

 

 

Functional Organization

Eight new rooms now occupy this elevated structure. A lightweight framework of slender metal tubes and warm wooden planks hovers above the solid tanks, tracing the building’s geometry without imposing upon it. These refined elements dematerialize the presence of the new level, allowing a thin canopy to appear as though it floats effortlessly above the concrete volume. A linear water feature frames the horizon, visually merging the architecture with the sea. Sunlight reflecting off the wooden pergola animates the surfaces, reinforcing the nautical, raft-like character of the intervention. The new rooms extend the palette, aesthetic, and spatial logic of the existing accommodations. Each one opens toward the sea through a generous veranda, shaded beneath the pergola, while access from the rear courtyard integrates the upper level into the daily life of the hotel below.

 

 

Design Philosophy

From this elevated vantage point, guests engage with the silos, the cultivated vines of the garden, and the rhythm of activity below, now perceived from a distinctly different perspective. The addition does more than expand the hotel’s capacity; it encapsulates, activates, and extends the evolving narrative of Dexamenes. The rooftop of the rear tank remains intentionally open-ended, reserved as a space for experimentation and discovery. From here, the horizon stretches infinitely, uncharted and anticipatory, awaiting the next chapter in the life of the hotel.

 

Radical material reuse

Trace is a transformative deep retrofit residential project located on Drummond Street in Euston, London, designed by Bureau de Change for HGG London. The scheme reinterprets a four-storey brick building from the 1980s, extending it with two additional levels and accommodating five contemporary, light-filled apartments, while preserving and repurposing the majority of the existing structure.

 

Circular Economy Principles

At the core of the project lies a rigorous commitment to circular economy principles. Rather than opting for demolition and reconstruction, the design retains the original foundations, primary structure and defining architectural elements, including the characteristic archway, thus conserving the embodied carbon of the site. A key innovation is the development of a site-specific glass reinforced concrete (GRC) composite for the façade, incorporating materials harvested directly from the existing building.

The original mid-brown bricks are crushed and reused as visible aggregate, forming a new textured cladding that reconstitutes the building envelope. This process generates a materially expressive façade that both preserves and reinterprets the building’s history, allowing traces of the past to remain legible within a contemporary architectural language.

 

 

Design Philosophy

The architectural language draws from the layered historical context of Drummond Street and Tolmer’s Square, referencing Georgian urban typologies, the legacy of Euston Station, and successive phases of 20th-century redevelopment. The façade composition is informed by Georgian proportions, rustication, and articulated arches, reinterpreted through a contemporary construction system.

Organized within a rational grid, the openings reinterpret traditional segmental arches, enabling larger window apertures that enhance daylight penetration, cross-ventilation, and spatial quality. The inclusion of winter gardens at the rear further extends the living spaces, establishing a dynamic relationship between interior and exterior environments.

 

 

Layout & Urban Integration

The completed development comprises three two-bedroom apartments across the lower levels and two one-bedroom units on the newly added upper floors, each offering skyline views and access to outdoor terraces. The internal layouts are structured around double-aspect living spaces arranged in a stepped configuration, subtly organizing kitchen, dining, and living areas without rigid partitioning.

Aligned with the ambitions of the Euston Area Plan, the project promotes sustainable urban intensification while enhancing the character of the surrounding area. By demonstrating how existing structures can be elevated through adaptive reuse and material innovation, Trace positions itself as a model for low-carbon residential development within the contemporary city.

 

Programmatic coexistence

“Just Don’t Call it a Lab”

The Warren Woods Ecological Field Station, designed for the University of Chicago’s Department of Ecology and Evolution, constitutes the first certified Passive House laboratory facility in North America. With a total surface area of 220m², the building demonstrates how research environments can meet rigorous energy-performance standards while simultaneously supporting scientific inquiry, education, and community engagement. Situated within a 42-acre site in southwest Michigan, it establishes a framework for addressing critical questions related to ecology and human adaptation in the Anthropocene.

 

Programmatic Integration

The facility accommodates a fully equipped laboratory, seminar space, bathrooms, and a compact kitchen. A second-floor loft and an accessible roof deck provide flexible areas for retreats and collective activities, while three adjacent bunkhouses and a wash house support seasonal programs. The interior spaces are carefully daylit, balancing the technical requirements of scientific equipment with occupant comfort. This duality allows advanced research processes to coexist with the stringent demands of Passive House performance.

 

 

Environmental Strategy

Energy efficiency and programmatic complexity inform every aspect of the design. Laboratory spaces are strategically located in the cooler northwest corner of the building to counterbalance the heat generated by plant-growth chambers, ultra-low-temperature freezers, and DNA extraction equipment. A deep roof overhang mitigates solar gain on west-facing glazing, while a comprehensive ventilation system captures and redistributes or exhausts waste heat according to seasonal needs, ensuring optimal indoor environmental conditions.

 

 

Material Palette

The building is articulated through a combination of a long shed roof, expansive south-facing glazing, and operable perforated-metal screens that regulate solar exposure throughout the year. A super-insulated concrete slab contributes to thermal stability, maintaining consistent interior temperatures. The exterior is clad in distressed cedar siding, wrapping a series of abstract geometric volumes that anchor the structure within its wooded context while simultaneously expressing its technological and scientific character.

As both a research infrastructure and a prototype for sustainable design, the Warren Woods Ecological Field Station establishes a new paradigm for high-performance laboratory architecture in remote environments, aligning technical precision with ecological responsibility.

 

Constellation of volumes

An existing 40-year-old office building is stripped back to its primary structure and comprehensively reinterpreted to respond to contemporary workplace demands. The initial massing logic is recovered and clarified, transforming what was once a fragmented and visually inconsistent assemblage into a cohesive composition. The building is rearticulated as a constellation of twelve distinct volumes, each defined by its own cladding strategy and spatial atmosphere, establishing a new architectural identity rooted in differentiation and clarity.

 

Intervention Strategy

The intervention operates through a process of subtraction and redefinition. By removing non-essential layers, the original structural framework is revealed and reorganized, allowing the building’s inherent geometry to be legible once again. The front façade adopts a restrained material palette, articulated through subtle tonal variations of white, grey, black, and gold. A newly introduced curtain wall defines the primary elevation, while a sequence of cast-in-place terrazzo steps establishes a clear and generous entrance gesture.

In contrast, the rear elevation embraces a more expressive and playful language. Individual volumes are distinguished through color and material differentiation: a pale turquoise-clad elevator core, a striped black-and-white staircase punctuated by yellow window frames, a pink-rendered service core, and blue metal-clad office spaces. This chromatic distribution extends throughout the building, generating a dynamic interplay between interior and exterior surfaces.

 

 

Spatial Organization & Environmental Strategy

The building is reoriented to engage more directly with its adjacent natural park, introducing new openings within previously opaque façades. These interventions enhance visual connectivity while significantly improving daylight penetration, addressing the limitations of the original low ceiling heights.

At roof level, a landscaped green roof is combined with a circular pergola, forming a sequence of outdoor workspaces and social areas. These elevated spaces accommodate informal gatherings, events, and moments of exchange, extending the program beyond the conventional office environment.  

Sustainability is integrated as a core design parameter. The project incorporates high-performance insulation systems, energy-efficient glazing, locally sourced materials, and low-energy mechanical systems. Additional features include photovoltaic panels, electric vehicle charging stations, and bicycle parking, contributing to the building’s A+ energy efficiency rating.

Material Palette

The interior design negotiates between preservation and transformation. Existing black marble flooring is restored, while suspended ceilings are removed to expose the raw concrete structure and its irregular formwork. This juxtaposition of refined and unfinished surfaces establishes a consistent material language across all levels.

Each floor is further differentiated through bespoke architectural elements and furniture interventions. These range from sculptural marble seating installations to a vivid red perforated metal library and expansive shared worktables. On the ground floor, a generous red terrazzo staircase operates simultaneously as circulation and as an amphitheatrical space for events, linking to a luminous mezzanine above.

 

Geometric accents

The project concerns the creation of a car rental hub, located along the main road axis connecting the airport with the city of Chania. The central design concept is defined by the positioning of a pair of circular buildings along the imaginary extension of the nearby runway.

 

Design Philosophy

The geometry of the buildings is based on simple geometric forms, aiming to produce a clear and legible architectural ensemble. The two volumes are arranged on a unified plaza, which operates as a transitional element between built and unbuilt space. Between the two building entities, a metal canopy is introduced, functioning both as a unifying compositional element and as a threshold zone mediating the transition of visitors from the exterior into the interior of the complex.

The initial concept proposed the creation of two circular, single-space halls, organized through a peripheral arrangement of counters or kiosks, following a spatial typology commonly found in airport environments. At the same time, the design needed to accommodate the potential subdivision of the buildings into independent offices and retail units with direct access from the exterior. The circular geometry proved particularly effective in supporting multiple usage scenarios.

 

 

Functional Organization

At ground level, the buildings host the offices of four car rental companies, while the upper floors accommodate independent office spaces available for lease. The basement levels include auxiliary functions serving the retail units, visitor sanitary facilities, a car wash, and additional electromechanical installations.

The outdoor space is carefully configured to support the continuous circulation of small vans transporting customers to and from the airport, while also maximizing the number of parking spaces and vehicle handover points.

 

Material Palette

The folded metal envelope, aluminum cladding, and the use of high-specification glazing and panel systems form a coherent architectural vocabulary that aims to establish a distinct identity for the development, while simultaneously providing a flexible design framework for future expansion.

 

Citadel Within the City

Set within the Matosinhos Sul Urbanization Plan by Álvaro Siza, the former Brandão & Companhia canning factory occupies a privileged position near the coastline, retaining a strong connection to the industrial past and maritime identity of the area. The intervention reinterprets this legacy through a mixed-use development that consolidates healthcare, commercial, office, and residential functions within a unified architectural system, restoring the original envelope and chimney while introducing a contemporary layer.

 

Urban Integration

The proposal addresses the fragmentation of the existing structure by re-establishing continuity within the urban fabric. While the original volumetry occupied almost the entire plot, the project introduces permeable and green voids that allow natural light and circulation to penetrate the block. These interstitial spaces generate visual and physical connections between programs, enhancing accessibility to upper levels and fostering interaction within a dense, multifunctional urban environment. The ground floor accommodates commercial and service functions, offices are positioned on the first level, and residential units are organized in elevated volumes.

 

 

Programmatic Organization

At the entrance to the residential areas, a reception space opens onto a patio that operates as the central node of circulation, linking communal zones and distributing movement across the complex. The spatial hierarchy is structured to balance privacy and collectivity, ensuring fluid transitions between different uses. The distribution of the building mass into distinct volumes creates a dynamic composition that responds both to the scale of the plot and to the surrounding urban context.

 

 

Material Palette

The architectural language is articulated through a juxtaposition of materials with varying densities, notably pigmented concrete and aluminum stretched mesh. This contrast reflects the dialogue between past and present, emphasizing both the solidity of the existing structure and the lightness of the newly inserted volumes. Suspended above the courtyard, these elements introduce a sense of elevation and permeability, with a material palette inspired by the proximity to the sea. The intervention ultimately establishes a balanced relationship with adjacent buildings and the public realm, contributing to the revitalization of the block and supporting a broader strategy of sustainable urban development.

 

Consolidating functions

The Exeter Road Pavilion is an adaptive reuse of a modest Victorian garden outbuilding in northwest London, reimagined as a hybrid domestic and social space for an art collector and amateur DJ. Conceived as both a storage environment and a setting for leisure, the project consolidates diverse functions – archiving, display, gathering, and recreation – within a unified architectural gesture that extends from interior to landscape.

 

Design Philosophy

At the core of the proposal lies a continuous cabinet, operating as a contemporary cabinet of curiosities. Beginning within the refurbished structure and extending outward into the garden, this linear element accommodates an array of uses: art storage and display, shelving for books and vinyl records, a DJ station, a television, and personal artifacts. As it moves outdoors, it integrates recreational functions, including a ping-pong table, weights, and garden games, maintaining spatial continuity across interior and exterior domains.

Encased in a perforated stainless-steel screen, the cabinet oscillates between transparency and opacity. Its surface reflects and filters light, producing shifting visual conditions throughout the day. This duality allows the cabinet to simultaneously reveal and conceal its contents, reinforcing its role as both container and spatial mediator.

 

 

Structural Logic

The cabinet operates not only as storage but also as a structural system, supporting the canopy that extends over the outdoor space. The relationship between these elements introduces a deliberate tension, inspired by the precarious compositions of Fischli & Weiss. Rather than adhering to conventional structural logic, the design removes an expected column, redistributing forces through a counterbalancing system.

This equilibrium is achieved through a precisely milled marble mass embedded within a galvanized steel I-beam, paired with a tension rod anchored to a concealed concrete block below ground. The resulting configuration establishes a legible yet unconventional structural narrative, where balance is perceived as dynamic and contingent rather than fixed.

 

 

Materials & Sustainability

The canopy itself is composed of layered materials – marble, steel, and polycarbonate – articulated in a clear tectonic hierarchy. Stainless steel cladding on the cabinet mirrors the surrounding vegetation, while translucent roofing elements diffuse light into the space below. This material palette oscillates between raw and refined, grounding the project in both industrial precision and environmental responsiveness.

Through reflection, translucency, and spatial extension, the pavilion dissolves the boundary between interior and exterior. It becomes an instrument for observing seasonal and daily changes, where light, vegetation, and built form interact continuously. The project ultimately establishes a condition in which structure, storage, and landscape remain in constant and perceptible dialogue.

 

Core of everyday life

In the heart of the settlement of Pollonia in Milos, a polygonal plot is transformed into a complex spatial organism, where the notion of the courtyard is reinterpreted as the core of everyday life. The proposal reconstructs the atmosphere of the Cycladic village through a contemporary architectural language, creating an environment that balances between privacy and collectivity.

 

Design Philosophy

The plan unfolds along the perimeter of the plot, with independent rooms arranged as volumes tracing its boundary. Within, a network of courtyards and pathways is formed, composing a sequence of open and semi-open spaces. The visitor is invited to navigate this system, discovering hidden corners and inner gardens, and choosing between moments of seclusion or social interaction.

The architectural experience is structured as a succession of spatial transitions, where movement becomes a key tool for understanding the project. The routes are non-linear, gradually revealing the whole and reinforcing the sense of a village at a micro scale.

 

 

Materiality & Architectural Language

The volumes develop across two levels, forming a clear dual material expression. A grounded base of exposed stone anchors the composition, while the white upper level appears to hover lightly above it, separated by a subtle shadow gap. This contrast enhances the plasticity of the composition and articulates the relationship between heaviness and lightness.

The architectural language of projections, corners, and openings generates a dynamic interplay of light and shadow, constantly shifting throughout the day. Light operates as an active design element, revealing material textures and intensifying spatial perception.

Finally, a third layer of materiality is introduced through metal elements. Pergolas and vertical corten features define the boundaries of the gardens, filter light, and create intermediate zones of privacy.

 

 

Spatial Organization

The six suites, featuring double-height interiors, are conceived as minimal and luminous spaces of accommodation. The architecture avoids unnecessary decoration, allowing the contrasts between materials and light to shape the atmosphere.

The courtyard, as a fundamental element of Cycladic typology, re-emerges as a place of gathering and social interaction. Sheltered from the wind, it functions as an inner garden where guests form a temporary community. Through this gesture, the architecture establishes the conditions for shared experiences, conversation, and exchange.

The project constitutes a contemporary interpretation of the traditional settlement, where respect for place is combined with the creation of new modes of inhabitation. It is an environment that balances individuality and collectivity, offering a refuge of simplicity and authenticity within the landscape of Milos.

 

Lighting compositions

In mid-July, the new architectural lighting installation for the Hellenic Parliament Building and the Tomb of the Unknown Soldier was completed, accompanied by the energy upgrade of the underground parking areas and the complex’s nursery facility. The new lighting design seeks to redefine the nocturnal presence of the building and its surrounding space, situating the intervention within a contemporary framework of environmental responsibility and sustainability.

 

Lighting Philosophy & LED Technology

The new lighting scheme was implemented exclusively using advanced LED technology, with particular emphasis on chromatic consistency and precise control of the light sources. Each luminaire is digitally controlled in terms of both intensity and operating duration, allowing the creation of dynamic lighting scenarios with a high degree of accuracy.

The combined use of energy-efficient light sources and an automated high-precision control system ensures optimal energy performance. From sunset onwards, the luminous composition of the façades evolves subtly, with smooth transitions in intensity that respond to the time of day, the day of the week, and the season, forming a dynamic yet refined nocturnal image.

 

 

Technical Characteristics

A central focus of the study was the mitigation of light pollution. For this reason, the lighting system allows for the automatic adjustment of colour temperature, shifting from cooler white tones to warmer light. The warmer spectrum, characterised by reduced blue light content, significantly limits the impact on the night sky.

This transition takes place daily from midnight until dawn, ensuring that the lighting remains compatible with the city’s natural nocturnal environment. At the same time, the luminaires are equipped with precision optical systems, lockable aiming mechanisms and anti-glare accessories, minimizing light spill toward the sky.

At the compositional level, the lighting highlights the façades of both the Parliament Building and the Monument, emphasizing the rhythm and plasticity of architectural elements such as pediments, cornices, pilasters and porticoes, as well as individual features including the monument’s central relief, shields and inscriptions. In parallel, light sources with a high colour rendering index revive the texture and colour of the materials, as well as the sculptures of Eleftherios Venizelos, Charilaos Trikoupis and the figure of the Mother.

 

 

Energy Upgrade

The integration of the new lighting equipment was carried out with particular care, ensuring that the morphological characteristics of the listed historic building were preserved. The luminaires installed on the façades underwent special colour treatment to match the surface of installation, allowing them to remain almost invisible during the daytime. In addition, the historic lamp posts and decorative lanterns of the Parliament complex were restored and upgraded.

Over the 15-month construction period, the project presented significant technical challenges, as all works were carried out while the building remained in full operation. The age of the building, combined with the numerous interventions that have taken place over the past 180 years, made the management of electrical routes particularly demanding, while the hybrid nature of the lighting management system required the extensive installation of fibre-optic networks.

Specially designed luminaires were also developed for specific architectural elements, such as the coffers of the porticoes, ensuring that the final result responded fully to the particular spatial requirements. The interventions were carried out with the contribution of a specialized conservation team, ensuring the protection of the building’s aesthetic and historical integrity.

The project’s energy upgrade is particularly significant. In the five-level underground parking facility and the nursery building, nominal energy consumption was reduced from 137KW in the previous installation to 41KW. Furthermore, thanks to the intelligent lighting management system, the final energy consumption is limited to just 29KW. This substantial reduction enhances the overall energy efficiency of the complex while contributing to the sustainable operation of one of the country’s most emblematic public buildings.

 

Relief continuation

The hotel is located at the edge of the traditional settlement of Oia, at the top of the volcanic cliffs of the Caldera. The site has a steep slope, a south-western orientation and unobstructed views toward the sea and the volcano.

 

Restoration Strategy

Within the plot there were ruined cave structures previously used as storage spaces, stables and cellars, as well as an old cubic house located at the northeastern corner. The objective of the project was the reconstruction of the pre-existing buildings and the addition of new cave rooms and communal areas, forming a hotel complex.

As a result, the hotel includes a small reception area, sixteen rooms, a restaurant, a shared swimming pool and a gym-spa. These functions are arranged gradually across the six levels of the complex. The entrance, accessed from the main pedestrian path of the settlement, is located at the upper level together with the reception and an outdoor seating area.

 

 

Spatial Organization

A central outdoor staircase leads from the upper level to the restaurant and the pool, connecting the three intermediate levels that accommodate the guest rooms with their private courtyards and pools. The lowest level includes the spa reception, a small gym, massage rooms, hammam, sauna, sanitary facilities and storage areas, as well as a sheltered relaxation courtyard at the edge of the cliff.

The proposal aimed both at the faithful restoration of the pre-existing buildings and the construction of new cave structures in the spirit of a contemporary and subtle reinterpretation of the cubic morphology of the old settlement, while maintaining a continuous relationship with the natural topography of the Caldera. The form of the new cave spaces preserves the structure of the traditional ones, along with their geometric shapes, materiality and white color.

The typologies of the floor plans, as well as the openings, are oriented so as to frame the view toward the sea. As a result, the façades follow the natural contour lines as broken geometries, resembling folded retaining walls that integrate gently into the landscape. The layering of these compositional strategies ultimately defines the final form of the building and its strong spatial dynamism. The descending movement of the central outdoor staircase, from the hotel entrance to the lowest level, resembles a “crack” in the “body” of the building, guiding movement and directing visitors toward the various private and communal areas.

Materials & Lighting

The interior design follows a strict minimalist approach based on the principles of Cycladic architecture. In the pre-existing cave spaces, a “total white” atmosphere prevails, with subtle touches of iridescent gold and green, while soft curves and freestanding furniture with organic forms highlight and enrich their natural plasticity.

The aesthetic of the new cave rooms is characterized by more intense colors, in the spirit of a “vie en bleu”, with abstract references to the cosmopolitan resorts of the Mediterranean south. These references become more geometric, linking the shapes and volumes of the interior with the forms of the exterior composition.

The lighting of the complex operates in a discreet manner, enhancing the sculptural quality of the white volumes and the experience of movement through the landscape. Along the outdoor pathways and staircases, low-intensity linear luminaires are integrated into the architecture, emphasizing the geometry of the walls and guiding visitors during nighttime circulation. The illuminated pools act as diffused luminous surfaces within the composition, creating soft reflections across the cave volumes. Inside the rooms, lighting remains subtle and integrated into the curved surfaces, highlighting the minimalist aesthetic and the sculptural qualities of Cycladic architecture.

 

Horizontal form

Located in Agios Tychonas, Cyprus, this private residence is conceived as a clear architectural composition of horizontal and vertical volumes that respond to the natural slope of the site. The building rests on an exposed concrete structural frame that establishes a solid base, while the white-rendered upper level introduces a sense of visual lightness. Continuous south-facing glazing and wooden louvers reinforce the relationship between interior space and landscape, creating transparency and warmth. The overall composition emphasizes horizontality, directing views toward the horizon and the infinity pool, which operates as a spatial extension of the interior living areas. The project’s architectural identity balances the raw texture of concrete with warm wooden surfaces and glass, establishing a contemporary dialogue with the surrounding natural environment.

 

Spatial Organization

The functional layout is structured around an open-plan ground floor where living, dining and kitchen spaces unfold seamlessly toward the outdoor terrace and swimming pool. This arrangement strengthens the connection between interior and exterior while extending everyday living into the garden.

The upper level accommodates the private areas of the house. Bedrooms and bathrooms are organized along a linear circulation corridor and are complemented by perimeter balconies that enhance privacy while encouraging cross-ventilation. The clarity of the plan establishes strong visual axes that guide the gaze toward the surrounding landscape, while allowing flexibility of use and a comfortable everyday spatial experience.

Bioclimatic Strategy

Environmental considerations are integrated into the project from the earliest stages of design. The building’s orientation and form respond directly to the climatic characteristics of the site, enabling passive regulation of temperature and daylight.

Carefully positioned overhangs and cantilevered elements, combined with adjustable wooden louvers, mitigate solar exposure during the summer months while allowing the lower winter sun to penetrate the interior spaces. Large openings facilitate natural cross-ventilation and passive cooling, while the exposed concrete structure operates as thermal mass, storing and gradually releasing heat to maintain stable indoor conditions.

 

 

Materials & Landscape Design

The architectural expression of the residence emerges from the dialogue between its material palette and the surrounding landscape. Concrete, wood, glass and white render are employed with restraint, establishing a balanced composition that reflects both modernist clarity and sensitivity to place.

Strategic planting around the perimeter contributes to the improvement of the microclimate, while the presence of the pool and landscaped surfaces enhances evaporative cooling. The overall form of the building adapts to the topography of the site, minimizing environmental impact while shaping a calm and open living environment.

Through this approach, the residence functions as a contemporary retreat where interior and exterior spaces merge seamlessly. Each volume, opening and material choice contributes to a spatial experience that prioritizes sustainability, clarity and a strong relationship with the natural landscape.

 

Reflection of the City

The new National Gallery building, now incorporating a major expansion and museological upgrade of its exhibition spaces, constitutes an important landmark in the contemporary urban landscape of Athens: to the pre-existing building of 9,720 m², which is listed as a modern monument, an additional 11,040 m² was added, more than doubling the functional spaces to a total of 20,760 m².

 

Design Philosophy

Through the new proposal, additions were implemented between the two units of the historic building (“Building A” facing Vasilissis Sofias Avenue and “Building B” facing Michalakopoulou Street), at the point where they are connected by a bridge above the location of the Ilissos riverbed, while underground spaces (“Building C”) were also opened where the groundwater level permits. The interior of the complex was completely redesigned.

The new building volumes, characterized by large glass surfaces, clearly stand apart from the architecture of the preserved building, with its exposed reinforced concrete structure and white marble infill elements. On the Michalakopoulou Street side, the new National Gallery gained an additional floor, while in the void between the two old wings an additional depth of three levels was added.

In the garden created south of the historic main entrance, the Gallery acquires an independent entrance, while the configuration of the surrounding landscape recalls the presence of the Ilissos river, through the creation of a water channel and the extension of greenery. The museum also features visitor circulation ramps with views toward the city skyline, elevators and staircases, full accessibility for people with disabilities, and modern security systems.

 

 

Spatial Organization

The entrance to the building complex takes place through a multifunctional space of 910 m², where in addition to control, information and visitor services, multiple digital information systems provide access to content about the building, the collections and the activities of the Gallery.

The main Gallery shop is also located there, equipped with versatile display cases. From the reception area visitors can move either towards the exhibition spaces of the permanent collections or towards the temporary exhibition areas, as well as to the 350-seat amphitheater or the café.

The interior architecture and the museographic study shaped the spaces accessible along the visitor routes. The museological core of the National Gallery consists of the permanent exhibition halls on the first and second floors of Building B, where the permanent collection of Greek painting and printmaking of the 19th and 20th centuries is presented, the permanent exhibition hall on the second basement level of Building C, where the permanent collection of Western European painting and printmaking is displayed, as well as the halls for rotating exhibitions on the third floor of Building B, where the continuously expanding collections of Contemporary Art (20th and 21st centuries) are presented through a rotating program.

In the permanent exhibition halls, spatial organization is mainly achieved through the placement of fixed exhibition panels that extend across the full height of the space, contributing to the narrative continuity of the exhibits. Through the use of these panels, the path of the gaze is designed through the revelation and concealment of spatial depth, while directions and visual perspectives are created, encouraging multiple associations and readings of the exhibits and forming central configurations as thematic focal points.

 

 

Museography and Exhibition Strategy

In these halls, suspended ceilings with general and accent lighting have been installed, incorporating a translucent elastic sound-absorbing membrane, while the exhibition walls and panels with a final fiber gypsum board surface allow for the hanging of artworks.

The exhibition panels are supported by the floor and the structure of the translucent ceiling, allowing cable routing inside them from the ceiling wiring system. Similarly, cable routes along the perimeter walls are placed at their upper termination. The exhibition space, beyond the exhibition surfaces, is equipped with display cases that enrich the exhibited material with drawings, watercolors and prints, while the artwork security systems allow the identification of each work individually and the immediate monitoring of any change in its condition.

In the halls for rotating exhibitions, in order to address special requirements, a suspended ceiling system was implemented that ensures uniform general lighting, isotropic distribution of accent lighting for the exhibits, as well as the possibility of supporting exhibition panels and hanging exhibits or projection systems. In addition to the permanent collection exhibition halls, the second basement of Building C hosts the temporary exhibition hall, where the suspended ceiling–lighting–display system used in the rotating exhibitions of the permanent collection has been extended in order to provide a suitable supporting background.

At the junctions between exhibition halls and the horizontal and vertical circulation areas of the building, circulation, signage and information nodes are defined and marked by wood cladding on the walls and ceilings. The visitor route is structured as a sequence of exhibition halls and circulation nodes where visitors can orient themselves and redesign their route, obtain digital information about the content of each exhibition hall and view additional exhibition material related to the content of the halls in specially designed display cases.

Overall, the extensions and reconstructions include new exhibition spaces of 2,230 m², modern art storage facilities of 1,645 m² and a space dedicated to educational programs. The new museum is equipped with state-of-the-art conservation laboratories, administrative offices, as well as a library that develops across two floors. It also includes two café-restaurants, with the second, located on the top level of the building, offering panoramic views toward the Acropolis, Mount Lycabettus and the Saronic Gulf.

In the new building, 1,000 works can be displayed as part of the permanent collection, whereas previously the old building could accommodate no more than 400 works. The new temporary exhibition hall approaches 2,000 m², while the storage spaces can house up to 10,000 artworks.

 

Corrugated form

The proposal concerns the reconstruction of a seven-storey office building on Syngrou Avenue and seeks to assign a central role to the building’s architectural identity, shaping the surrounding urban and cultural landscape while serving as the primary means of presenting the building as a contemporary landmark within the city.

 

Design Philosophy

Through an analysis of the building’s relationship with its wider urban context, the design proposes the relocation of the main axis of movement onto the façade facing Syngrou Avenue. This gesture became the geometric foundation for the development of the new architectural expression of the building envelope.

Drawing on the experience of movement along the urban axis, a system reminiscent of chronophotography was conceived – an image that condenses the perception of sequential motion into a single, legible form. In this way, movement is translated into architectural language, granting the building a dynamic and recognizable presence within the urban fabric.

The composition is articulated through a system of vertical elements consisting of sixty-four custom-made, wave-shaped louvers, each with a unique geometric development. Their repetition and variation generate a rhythmic surface that changes according to the observer’s viewpoint and the trajectory of natural light.

 

 

Sustainable Design

A central objective of the project was the integration of sustainable design principles. The building was designed and constructed with the aim of achieving LEED Gold certification, incorporating strategies that enhance both energy efficiency and environmental performance.

Within this framework, a specialized parametric study was carried out for the façade louver system to ensure optimal penetration of natural light into the interior spaces while simultaneously providing thermal and visual comfort. The dynamic form of the façade therefore operates not only as an aesthetic feature but also as an active filtering system for daylight and shading, contributing to the regulation of the microclimate and the overall environmental performance of the building.

 

Façade Lighting Design

The sense of movement created by the wave-like louvers is intensified by the interplay of light and shadow throughout the day. Continuous variations in illumination transform the appearance of the façade, giving it a shifting character that responds to the movement of the sun.

During the evening hours, the building’s architectural identity is further emphasized through a permanent lighting installation designed specifically for each point, angle and element of the façade. A carefully calibrated sequence of subtle variations in white light runs along the building envelope, establishing a quiet dialogue with the city’s nocturnal landscape.

Particular emphasis was placed on minimizing light pollution. The lighting fixtures are controlled through specialized systems that allow them to operate at very low luminance levels, thereby protecting the surrounding urban environment.

At roof level, a recreational terrace with views towards the Acropolis is created, framed by planting. This space offers a moment of release for the building’s users, introducing an element of greenery and relaxation within the dense urban fabric of central Athens.

 

New connections

Eleftheria Square lies adjacent to the Venetian walls and the dry moat that surrounds Nicosia. These distinctive defensive fortifications, originally built during the Middle Ages and extensively restored by the Venetians in the 16th century, define the historic core of the capital, separating the old city from the newer districts that developed beyond the walls.

 

Urban Design Strategy

The transformation of the square into the city’s primary gathering space is based on the creation of new connections intended to contribute to the reunification of the divided capital. The design secures unobstructed views toward the historic walls, establishing them as an integral component of Nicosia’s identity, while simultaneously opening the moat to public uses, allowing it to host festivals and outdoor events.

The project elevates the level of the moat to form a bridge that connects organically with the surrounding urban fabric, creating a new civic square at the heart of the city. Within this framework, extensive archaeological excavations were carried out, alongside conservation and protection works for the historic Venetian fortifications. The project also includes the creation of two cafés within the square and the construction of a new underground parking facility, accessed from Omirou Avenue.

 

 

Elements of Circulation

Staircases and elevators directly link the square with the Solomos Square bus terminal, reinforcing the functionality and permeability of the area. The transformation of previously inaccessible areas within the moat into plazas, gardens, and palm-lined pedestrian paths establishes a new “green belt” around the city.

This belt has the potential to extend along the historic fortifications, forming a continuous network of public spaces that encircle Nicosia and reconnect the communities of the divided capital. In this way, the square acts as a catalyst for the activation of public space, offering new opportunities for social interaction and urban life.

 

 

Materiality & Lighting Design

Within the broader vision of transforming the moat into an urban park, the project’s fluid geometries emerge from the triangulation of the irregular forms of the fortification perimeter. Points of spatial intensity are transformed into seating areas, planting beds, or water elements, shaping a dynamic urban landscape. Granite paving introduces a sense of timeless solidity, while the open joints between the slabs function as a passive system for stormwater drainage. Newly planted trees contribute to the natural regulation of water levels, reducing erosion around the foundations of the medieval walls.

The upper-level bridge and its supports are constructed from sculptural concrete forms that ensure seismic stability, while the bases of the columns are shaped to function as integrated seating elements. Through this transformation, Eleftheria Square emerges as the largest urban public space in Nicosia. By bridging the Venetian walls and the moat, the square becomes a significant gateway to the old city, while the underground parking facility removes vehicular traffic from the historic center, facilitating its future pedestrianization. In this way, the project enriches the urban landscape of this historic district while simultaneously creating new public gardens and gathering spaces for residents and visitors alike.

Finally, the lighting design reinforces the square’s fluid geometry and acts as a spatial guidance system during the evening hours. Linear lighting elements are discreetly integrated along the contours of the curved surfaces and bridges, emphasizing the dynamic morphology of the composition and enhancing the legibility of the structure within the urban landscape. At the same time, low-intensity lighting fixtures embedded within the paving create a subtle “field of light” that follows the geometry of the circulation paths and areas of pause. This approach highlights the plasticity of the concrete surfaces, enhances the sense of safety, and transforms the public space into a nocturnal landscape where light operates both functionally and atmospherically.

 

 

Domestic landscape

The redesign of this compact urban apartment emerged through close and meaningful collaboration with its users, aiming to create an environment that responds to contemporary needs for living, working, and everyday flexibility. The project is grounded in the idea that spatial quality is not determined by size, but by clarity of organization, the flow of natural light, and the conscious integration of functions.

 

Spatial Organization

The original layout was reconsidered through a process of spatial reprogramming, with the primary strategy focusing on the creation of a unified open-plan environment. The selective removal of walls allowed new visual connections and spatial relationships to emerge, enhancing both the penetration of natural light and the continuity of movement throughout the apartment.

A key element of the composition is the custom-designed opening between the entrance and the dining area. This architectural gesture functions simultaneously as a light filter, a transitional threshold, and a spatial organizer, introducing clarity to the spatial sequence while reinforcing the perception of depth within the interior.

Material Palette

The material identity of the project is defined through a restrained yet expressive palette of natural materials. Wood and marble are combined in specially designed built-in constructions that accommodate storage, work surfaces, and everyday functions.

Furniture is approached as an architectural component rather than as independent objects. In this way, it becomes organically integrated into the spatial composition, reinforcing the sense of coherence and visual clarity within the interior. These integrated solutions enable the efficient use of space without visually overwhelming the environment.

 

 

Custom Elements

Particular emphasis was placed on flexibility and multifunctionality. Office furniture, storage units, and adaptable surfaces are carefully integrated so that the space can easily transform to accommodate different scenarios of use – from working from home to everyday living and social gatherings.

The final result is a bright and balanced domestic environment, where the clarity of the design, the consistency of the material palette, and the careful detailing transform a small apartment into a flexible and contemporary living landscape. Through targeted architectural interventions, the project demonstrates how compact living can be reimagined as a refined and cohesive spatial experience.

 

Layered continuity

Located in the heart of Jingdezhen’s Imperial Kiln Historic District, the regeneration of a former porcelain factory complex proposes a contemporary strategy for historic preservation through what the architects describe as a “Plugin Architecture” approach. Rather than replacing the existing structures, the intervention introduces new architectural insertions within and around the historic fabric, revitalizing the site while maintaining its cultural and spatial continuity. Jingdezhen – renowned as China’s “Porcelain Capital” – has been associated with porcelain production for more than a millennium, making the careful integration of new architectural elements within this context particularly significant.

 

Design Philosophy

The core concept of the project is based on a system of architectural “plugins”— new spatial modules inserted into existing buildings to enhance functionality while preserving their historic character. These contemporary interventions upgrade the aging workshops and support structures to accommodate new programs such as offices, meeting rooms and guest accommodations.

Rather than imitating historical forms, the inserted modules are intentionally expressed as modern architectural elements. Their clear visual distinction establishes a dialogue between old and new, reinforcing the layered history of the site while enabling the complex to function as a contemporary cultural destination. Circulation elements such as staircases and walkways are introduced both inside and outside the structures, improving connectivity and enabling the adaptive reuse of previously fragmented spaces.

 

 

Glass Pavilion & Lighting

At the center of the site stands a three-story glass pavilion that functions as a new architectural landmark within the historic district. Designed as a transparent volume topped with a traditional double-pitched roof clad in clay tiles, the structure houses exhibition spaces and a café while acting as a focal point for the main public square.

The contrast between the transparent glass enclosure and the surrounding masonry buildings establishes a clear architectural dialogue between contemporary design and historic context. The roof appears to float above the glazed structure, reinforcing the sense of openness and creating a spatial extension of the public square into the building interior. From a distance, the pitched roof emerges among the surrounding tiled rooftops, subtly referencing the traditional architectural language of Jingdezhen.

Carefully integrated lighting design plays a crucial role in reinforcing the pavilion’s architectural presence, particularly after sunset. Warm recessed luminaires embedded within the timber soffit of the roof evenly illuminate the glass envelope, transforming the pavilion into a softly glowing lantern within the historic courtyard. Inside, discreet linear and point lighting accentuate the brick core and the vivid orange circulation elements, highlighting the layered spatial composition while maintaining a restrained and atmospheric ambiance. The transparency of the façade allows interior light to spill into the surrounding public square, strengthening the visual connection between interior activity and the historic urban fabric.

 

 

Materials & Urban Circulation

The project reinforces the relationship between interior and exterior space through the careful treatment of the courtyard landscape. Brick paving extends from the public square directly into the interior of the glass building, dissolving the boundary between inside and outside.

Within the courtyard, the paving transforms into stepped surfaces that accommodate changes in elevation while simultaneously functioning as informal seating areas. On the opposite side of the square, a series of barrel-vaulted brick rooms form the building’s base, anchoring the new structure within the historical material language of the site.

To improve accessibility and spatial continuity across the complex, one of the existing buildings was rotated, merging two separate courtyards into a single shared public space. This reconfiguration allows visitors to move fluidly between the public square, the glass pavilion and the surrounding workshops, effectively transforming the former industrial compound into a cohesive cultural environment.

Located adjacent to Chimney Square, the project sits within a dense historical landscape that includes the Imperial Kiln Museum and the archaeological remains of the Imperial Porcelain Factory to the west, while the historic Xu Family Kiln – the oldest and most complete preserved wood-fired kiln site in Jingdezhen – lies to the north. Within this historically layered setting, the project establishes a careful balance between preservation and contemporary intervention, transforming the former industrial site into a vibrant public destination that celebrates both the legacy and the future of porcelain culture.

 

Unified narrative

Located within Asia Pacific’s tallest tower, Merdeka 118, the newly opened Park Hyatt Kuala Lumpur introduces the first Park Hyatt hotel in Malaysia. The project forms a spatial narrative that merges contemporary luxury with references to the traditional Malay kampung house. Through a carefully articulated lighting strategy, the interiors highlight texture, colour and materiality while framing expansive panoramic views of Kuala Lumpur’s skyline.

 

Spatial Organization

From the moment guests arrive on the lobby ground mezzanine, the spatial experience is shaped by a sequence of warm, timber-clad surfaces illuminated through discreet recessed uplighting. Backlit panels silhouette a series of pivoting screens, introducing a subtle theatricality that establishes the atmosphere of the hotel.

The main public spaces are situated on Level 75 and include the Lobby, Merdeka Grill, Park Lounge and Cacao Mixology & Chocolate Bar. Within these double-height interiors, accent lighting highlights key architectural features such as perforated brass screens engraved with intricate batik canting patterns. Bespoke ceiling pendants anchor each space and reinforce the rhythm of the interior composition.

 

 

Materials & Furnishings

Throughout the hotel, lighting functions as a primary design instrument, emphasizing the tactile qualities of materials and enhancing the layered interior palette. Brass, timber and textured surfaces are revealed through carefully controlled illumination that produces depth and warmth.

The hotel’s 252 guestrooms and suites are conceived as intimate spaces framing the surrounding cityscape. Lighting is carefully integrated within joinery elements to maintain visual clarity and avoid clutter. Discreet downlights illuminate artwork and architectural surfaces, while decorative fixtures inspired by woven fabrics introduce a softer, residential warmth to the interiors.

 

 

Lighting Strategy

The lighting strategy also strengthens the spatial hierarchy of the public areas. Feature lighting directs attention to architectural focal points, while softer ambient layers ensure visual comfort and reinforce the calm, refined character associated with the Park Hyatt brand.

On Level 99, the Wellness Floor transitions from the openness of daylight-filled spaces to a tranquil and immersive retreat. A sequence of softly illuminated arches references the traditional Malaysian five-foot ways, guiding guests through the spa environment while generating a calm and contemplative atmosphere that evolves throughout the day.

Together, the lighting and interior architecture establish a cohesive environment in which every element contributes to the guest experience. The result is a luminous architectural composition – one that transforms materials, spatial sequences, and panoramic views into a unified narrative reflecting the cultural spirit and contemporary identity of Malaysia.

 

Client: PNB Merdeka Ventures
Operator: Hyatt
Project Managers: Turner International
Art Consultants:  ArtLink
General Contractor:  Samsung C&T Corporation UEM Construction JV Sdn Bhd (SUJV)

Inhabited shadow

Located next to the Sotogrande golf course, this house was designed to dwell inside the shadow, in-between the ground plane and the flat roof that hovers above. This generous cantilever not only provides shelter from the intense sun of Cadiz but also offers protection against the heavy rainfall arriving from the nearby Grazalema mountain range, the region with the highest precipitation in the Iberian Peninsula.

 

Design Philosophy

The design establishes four distinct architectural boundaries that define the spatial experience of the house. Below, the ground plane receives the imprint of the shadow. Above, the roof slab is designed with a water surface, functioning both as an aesthetic and a bioclimatic element. Peripherally, a continuous floor-to-ceiling glass façade allows for efficient climate control within the interior while maintaining unobstructed views and seamless movement towards the landscape. Finally, the inner core features a wooden volume that ensures the necessary privacy for the rooms while introducing warmth throughout the space.

 

 

Functional Layout

Access to the house is from the upper street, a strategic point that offers a privileged view of the landscape and the water surface on the roof -an unexpected feature that provides thermal and acoustic insulation. The water layer absorbs heat during the day and gradually releases it at night, reducing the need for artificial heating and cooling.

The roof and ground planes are subtly displaced to create a covered entrance leading to the main access, parallel to an infinity pool that extends towards the golf course. Internally, the program is organized around a central circulation core, which also incorporates skylights that bring natural light into the central spaces and guide movement towards the rooftop water surface.

 

 

Materials & Furniture

One of the primary design requirements was the use of materials that compose a warm color palette. As a result, the entire ground surface -both indoors and outdoors is clad in large-format off-white ceramic slabs, harmonizing with the wooden finishes of the core and the free-standing walls that define different interior areas. The furniture is dominated by natural wood and textured white fabrics, while linear warm white lighting highlights the overall composition.

Throughout the day, sunlight washes across textured surfaces and natural materials, accentuating depth and shadow while reinforcing the continuity between interior and exterior spaces. During the evening, a carefully composed artificial lighting scheme takes over through discreet, indirect fixtures integrated into ceilings, walls and architectural details. Warm, low-intensity lighting highlights key spatial elements and circulation paths while maintaining a soft ambient glow that preserves the serene character of the residence, allowing the architecture and material palette to remain the focal point of the spatial experience.

The design aims to minimize the building’s footprint on the environment, creating a living experience within the shaded zone defined between the two primary planes. Through a simple architectural gesture, the house orchestrates an experience with a strong identity and a timeless character.

 

Geometric elements

Built amidst fields of wheat, the house is defined by the geometric treatment of three natural elements: Earth, water, and light. The composition becomes a sequence of different impressions throughout the day, and the poetics of space creates a detachment from the environment, as a layout raised above the landscape.

 

Design Philosophy

At once, a home, and imagery: the former attribute is experienced practically, and the latter becomes the source of ideas. One layout and one clear line, diagonally traced upon a simple volume, define the building. It is an elongated volume of bare concrete, placed in-between the ground and the sky. Its elegant character is described in simple lines, uniting and dividing.

The floor-to-ceiling opening maintains proportions which allow an unobstructed sky view. The building volume is subtracted from the soil, creating a seamless flow of open air space beneath – a gesture further accentuated with the water axis, perpendicular to the building.

 

 

Façade Morphology

The shell is introverted, with only a few incisions on its surface, and the dominant bare concrete is complemented with a screen of perforated, folded bronze shades. Contact with the outside remains at the disposition of the inhabitant. Each idea requires a practical application. The living experience is entirely introverted, with the materiality of concrete enforcing this impression. The bold gesture at the entrance -an oversized prism which absorbs a disproportionate part of the whole- acts as a bridge to the interior, with its geometry and size underlining the distance between public and private.

 

 

Materials & Sustainability

Incisions are few, and precise: one opening at the kitchen looks downwards; one light well at the end of the corridor accentuates a sculpture in space, and marks arrival. At the entrance prism, a vertical aperture is juxtaposed to the incision of the kitchen; as a result, each afternoon, a strip of light crosses through. Those elements are brought into a marked contrast with the other two faces of the volume, where the wall is expressed as absence.

The shading device is also a mechanism, a filter in an environmental approach. The ample height of the spaces alludes to vernacular architecture, where the large air volume stabilizes interior temperature. The thermal mass of the walls adds to this effect. The tectonic shell of the project wraps this interior in an austere line, without any superficial gestures.

 

In dialogue with nature

The new exhibition space is located in the heart of Platres, nestled among pine trees and the stone textures of the mountainous Troodos landscape, and stands as a contemporary, understated architectural gesture. From the outset, the intention is clear: not to impose upon the environment, but to shape a structure that rises organically from its natural setting, engaging it in terms of balance and continuity.

 

Material Palette

The composition is grounded in the use of natural materials – local stone and exposed concrete surfaces – that draw their tonal qualities and textures directly from the earth. Rather than confronting the mountainous terrain, the building integrates into it, adopting a calm, grounded presence. Clean lines and a minimalist volumetric expression reinforce a sense of measure, establishing a contemplative dialogue between the natural and the man-made, the solid and the transparent.

 

 

Design Philosophy

The building’s formal articulation is achieved through a series of horizontal concrete slabs, differentiated in height and projection, generating a controlled interplay of light and shadow. This succession of planes introduces rhythm and a subtle sense of movement, as though the architecture were interpreting the geometry of the landscape itself. Materiality and geometry act as carriers of atmosphere, shaping a space defined by continuity, serenity, and spatial clarity.

 

 

Functional Organization

The transition between interior and exterior is treated with complete fluidity. Full-height aluminium glazing dissolves visual boundaries, allowing natural light, forest air, and ambient sounds to permeate the interior. The exhibition space operates as an open platform for art and culture, hosting exhibitions, installations, and community events. More than an autonomous structure, it constitutes an experience of inhabiting nature through architecture – a poetic composition that invites visitors to reconsider their relationship with the landscape through the lens of art, light, and materiality.

 

The courtyard as an extension

This project concerns the renovation of an apartment located in a 1970s residential building in Palaio Psychiko. The residence unfolds across two levels, ground floor and basement, and features an open-air courtyard at the rear, conceived as a natural extension of the domestic space.

 

Renovation Strategy

A fundamental architectural intention was to respect the morphology and materiality of the existing shell. No alterations were made to the exterior façades, apart from careful maintenance and the subtle enhancement of the original materials, preserving the building’s character within its urban context. The interior layout is structured around principles of clarity, fluid circulation and functional simplicity, prioritizing comfort and adaptability in everyday living.

 

 

Material Palette

The aesthetic direction follows a minimal approach, articulated through an earthy color palette, wood-effect surfaces and nuanced variations of texture across walls and built-in furnishings. Warm lighting reinforces a sense of calm, while concealed lighting elements and refined finishes in the bathrooms cultivate an atmosphere of relaxation and intimacy.

 

 

Courtyard Design

The uncovered rear space is transformed into a sheltered courtyard, where the preservation of the existing stone surfaces and the integration of built-in seating with planters strengthen the dialogue between interior and exterior. A generous opening in the living area visually and functionally unifies these two realms, culminating in a residence defined by quiet quality and a timeless architectural character.

 

Pocket Nursery

Set within a garden in the Belgian countryside stands the newly constructed wooden volume of Pocket Nursery, a 120m² “pocket” kindergarten whose architecture seeks to support learning through action and physical engagement.

 

Design Philosophy

In response to the programmatic requirements and the specific pedagogical approach, the creation of a space capable of cultivating design sensitivity in children was not simply desirable, but fundamental. The scope of spatial experimentation was largely determined by the thickness of the walls: their lower sections incorporate small steps for toddlers learning to stand, while their inclined surfaces double as drawing boards. Openings are positioned at the children’s eye level, establishing a direct visual connection with the garden, which functions as both a spatial extension and an integral component of the educational experience. An inclined table is also embedded within the walls, serving alternately as a pottery workstation or as a communal surface for shared meals.

 

 

Custom Construction

The ceiling – so often an overlooked architectural element, typically relegated to housing smoke detectors and mechanical devices – assumes a central role in this project. Considering that infants spend the first nine months of their lives lying on their backs or crawling, the ceiling design integrates not only structural logic but also acoustic performance and lighting strategy. Necessary equipment is discreetly concealed between layers of wooden panels, which articulate circulation toward the garden and the dormitories.

 

 

Material Palette

Construction time efficiency played a decisive role in shaping the project’s design strategy. Avoiding prefabricated wall systems and costly psychomotor furniture, the spatial framework was conceived to integrate both structure and furnishing into a continuous series of timber frames. Executed in laminated plywood sheets, the turned wooden frames were preassembled into units of three to four segments within just a few days, then transported to the site where they were joined together. The result is a cohesive environment that bridges interactive design and pedagogy through construction itself.

 

Functional Connection

The recently completed addition to the campus of the European University Cyprus houses the Schools of Medicine, Dentistry and Veterinary Medicine. More specifically, the building comprises standard tertiary education classrooms along with their supporting facilities, as well as laboratories of various kinds in conjunction with a series of complementary communal spaces.

 

Urban Context and Institutional Role

Given the building’s significant institutional role within the university campus, the architecture was required to establish a connection with the existing facilities while preserving the distinctiveness of its character. The project site lies along one of Nicosia’s main traffic arteries (Agiou Prokopiou Avenue), an urban environment that remains largely under development. As such, the building seeks to respond with a restrained yet substantial presence within this context of extended distances and high-speed movement. The architecture of the area presents certain characteristics, which the project was called upon to respect.

 

 

Design Philosophy

The objective, therefore, was for the extension to become the new architectural expression of the university and to shape its modernised identity, while retaining the fundamental lines of the existing buildings’ morphology. This connection was achieved through the design of the facades using customised aluminium frames that reference the earlier morphology of the openings, while simultaneously providing the necessary protection against constantly shifting climatic conditions. The specially designed profiles shade the interior without restricting views, creating an engaging interplay between closed and open, solid and transparent. Within the broader modernisation of the university facilities, both the facades and the existing buildings were renovated and upgraded. In parallel, a smart building management system was installed to optimise energy performance and operational efficiency.

 

 

Functional Integration & Lighting

Beyond the aesthetic unification with the existing built complex, a key objective was the functional interconnection of the university buildings, which are developed on either side of a road axis. To ensure safe and comfortable movement between them, an elevated bridge was designed, organically integrated into the university’s internal circulation network. The architectural design was completed with a lighting study that discreetly highlights the lines and individual features of the facades. The exterior lighting lends depth and continuity to the complex’s presence, maintaining its identity and visibility even beyond operating hours.

 

 

Civic framework

In the early 2000s, ‘Paspoel,’ a neighbourhood in Tongeren, Belgium, was seen as a poorly designed and poorly maintained social housing area lacking a distinct identity. Residents felt isolated within their apartments, surrounded by an underutilized, park-like landscape that was unsafe. The development included 192 homes spread across three monolithic blocks that were nearing the end of their lifespan. Faced with the decision to demolish or renovate, the Flemish Ministry of Housing opted for demolition, aligning with our client’s goal to significantly enhance social equity and living conditions.

 

Site Challenges

Because the site held archaeological significance, development was restricted to the foundations of existing buildings and the adjacent basement parking. Despite these limitations, the proposal envisioned an pioneering reimagining: a collection of urban villas, terraces, and a revitalized public realm that would serve as a new civic framework for the community.

The design integrates residents’ natural movement across the site – from the northeast to the southwest – within a ‘grid-like’ spatial layout. This creates a series of interconnected ‘outdoor rooms’ that frame daily journeys and spontaneous interactions amongst neighbors. These outdoor spaces encourage community bonding, stewardship, and healthy living through areas designated for gathering, playing, and growing.

 

 

Functional Organization

The ground floors, framed by buildings ranging from three to eight stories, offer ample opportunities for social interaction. Terraces with front doors navigate the sloping terrain, while wide ‘galleries’ allow neighbors to connect while overlooking gardens. The broad entrances of the urban villas extend over public spaces, providing shelter, pathways, and seating. New community rooms at ground level serve as venues for meetings and local events. Landscaped areas cater to all ages, featuring basketball courts, formal play zones, community gardens, and sheltered lawns for informal recreation. Trees line key pathways, serving as shelters and defining three communal areas. A pedestrian street at the heart of the project, lively with front-door activity, supports outdoor pop-up events.

 

 

Construction Strategy

A crucial aspect of the project was ensuring residents could remain on site throughout the transformation. Due to limited buildable space, a complex phased construction plan was implemented over ten years. The basement parking permitted initial phases to be built between the old structures, facilitating a gradual process of demolition, construction, and resident relocation.

The “Caring Neighborhoods” initiative launched alongside construction fostered cooperation among residents, volunteers, associations, and professionals. Emphasizing livability and community involvement, this program brought services closer to residents.

 

Clear details

The primary intention of the project was to create a residence that offers protection without sacrificing a sense of openness -an environment in which spaces are revealed gradually, guiding the experience from the urban frontage toward a luminous inner world.

 

Design Philosophy

The architectural composition is organized through horizontal volumes that slide past one another, forming shaded seating areas and carefully calibrated openings. These elements express the project’s central idea: a dialogue between transparency and privacy. Toward the street, the building adopts a more introverted stance, allowing only selective views outward. Near the garden, however, the architecture becomes almost diaphanous, as large sliding surfaces open entire façades, integrating the exterior into the everyday life of the interior spaces. Materiality follows the same logic: clean horizontal lines, textured plaster finishes, and solid surfaces convey stability, while expansive glazing introduces lightness and permeability.

 

 

Spatial Organization

Within the interior prevails a strong sense of continuity. The ground floor functions as a unified social field where the living area, kitchen, and dining space flow seamlessly into one another. The dining area, conceived as a double-height space, forms the spatial core of the house. A large skylight above allows natural light to penetrate deep into the interior, creating an ever-changing atmosphere that accompanies the rhythm of the day. This luminous void acts as a vertical connector, giving the home the character of an internal “courtyard” that links the different levels.

The upper floor accommodates the private functions. The master bedroom is positioned on the most protected side of the plot and is complemented by generous auxiliary spaces. The remaining bedrooms are designed as flexible units, offering independence to family members, while the attic functions as a workspace.

 

 

Material Palette

The interior material palette remains calm and earthy: warm tones, soft textures, and refined detailing create an atmosphere of balance and serenity – an architecture grounded in restraint and light.

 

Quiet framework

The architecture is conceived as a quiet framework that intensifies the relationship between interior space and the natural environment. Rather than competing with the landscape, the building acts as a device that frames views, regulates light, and heightens awareness of external conditions, positioning the house as a precise and deliberate insertion between forest, sky, and terrain.

 

Context Integration

The project is located in a low-density residential area near the Pacific Ocean. The clients requested a residence defined by spatial clarity, privacy, and a close relationship to the surrounding landscape. The site occupies the edge of a residential zone and is characterized by dense vegetation and long-distance views toward the sea. A mandarin orchard extends along the southern slope, while a mature bamboo forest defines the western boundary. The gently sloping plot measures approximately 5,200 m², and the primary design challenge was the precise positioning of the house within this expansive and largely undeveloped landscape.

 

 

Functional Organization

The organizing element of the project is a 20-meter-long swimming pool, 5 meters wide and reaching a depth of 2.5 meters. The pool establishes the main axis of the composition and is aligned directly with the mandarin orchard. All primary spaces are arranged in relation to this linear element, allowing visual continuity across the site and positioning the pool as both a spatial and orientational device. The reflective surface of the water mediates between architecture and landscape and remains perceptible from all major interior spaces.

Access to the house is conceived as a compressed sequence. Entry occurs through a partially enclosed approach that leads to a low-lit gallery. From this transitional space, a set of wide, heavy doors opens into the main living area, where the full length of the pool and the orchard beyond are revealed. This sequence of compression and release, articulated through contrasts in ceiling height, scale, and light, draws from principles found in traditional Japanese architecture. These contrasts are subsequently resolved into a consistent structural grid with a uniform height of 3.5 meters, establishing a clear spatial rhythm across the interior.

 

 

Material Palette

The tearoom is located at the most secluded point of the plan. It is intentionally darker and more enclosed than the surrounding spaces and is oriented toward the adjacent bamboo forest. The room reinterprets elements of the traditional tea house – natural plaster finishes, bark-covered timber, and references to the work of Sen no Rikyū – a through a contemporary lens, emphasizing restraint, proportion, and material presence.

The program also includes a wine cellar, two guest bedrooms, and a fitness room, all integrated within the same structural and material logic. A restrained palette of materials and a high degree of detail control reinforce the minimalist character of the project.

 

 

Internal connection

The project concerns the reconfiguration and addition of a new building at the American Farm School, aiming to achieve environmental sustainability and the construction of infrastructure compatible with the existing school buildings, with a strong emphasis on accessibility.

 

Design Philosophy

Originally, the school complex consisted of two single-storey buildings constructed in two different phases. The first was set at an elevation of +0.60 m above ground level with a rectangular floor plan, while the second was located at +0.00 m. Communication between the two was provided via staircases, which hindered access for people with disabilities.

The project proposed the construction of an additional building, funded through a donation by the Panteliadis family, in order to create five additional classrooms, spaces for teaching staff, and an internal shared zone for breaks. The optimal solution involved replacing the building located at +0.60 m with a new two-storey linear building at ground level, allowing for an internal connection between the two units.

 

 

Functional Organization

Access to the new building is provided through its central section, marked by a large double-height opening. On either side of the entrance are two administrative offices, while along the rear elevation runs the main circulation axis, which distributes access to the classrooms and terminates at two staircases – one on each side – leading to the upper floor.

Along the extension of the entrance axis, the connection between the two buildings is established, forming an internal shared space for recreation. Classrooms and teachers’ rooms are arranged around this area, while auxiliary functions and restrooms are located at the junction of the two units.

The new two-storey building accommodates a total of eight classrooms—four on each level—arranged in sequence along the front façade so that all enjoy natural daylight and views towards the square in front of the building complex. On the upper floor, smaller-scale shared zones were created, along with a double-height void positioned directly above the entrance area.

 

 

Façade Design & Sustainability

The façade of the new building was designed to be compatible with the morphology of the adjacent volume. Openings are of limited width and positioned at regular intervals, in accordance with national building regulations.

Overall, the design aims to reduce the building’s energy footprint during both construction and operation. At the same time, the new addition ensures the preservation of the existing outdoor layout, maintaining extensive green areas.

The architectural study was awarded first prize in the architectural competition organized by the American Farm School.

 

 

Platonic solids

Cyprus Planetarium is composed of two buildings that house a Planetarium, exhibition zones, a conference center, an amphitheater–observatory, an astronomical observatory, a restaurant, and educational facilities. It is located in Episkopeio, in the Nicosia district, and stands as a landmark project for Cypriot society.

 

Design Philosophy

It is a pioneering complex that brings together high aesthetics, technology, sustainable development, economic viability, and social impact, contributing to research and innovation, academia, knowledge, and study. Access to the Planetarium is achieved through a transitional “threshold” and a route that passes between water features, planting, and light.

The composition of the project is based on Platonic solids such as the cube, the sphere, and the polyhedron. The design seeks to translate symbols into architectural choices: mystery, the unknown, and the universe are expressed through black, while white represents truth, purity, scientific thought, and the soul.

 

 

Functional Organization

The amphitheater building includes, on the ground floor, a restaurant, café, and sanitary facilities, while the upper level accommodates the amphitheater–observatory, ideal for outdoor music events and performances, as well as a state-of-the-art telescope and astronomical observatory.

The Planetarium building houses, on the ground floor, the planetarium hall with an 18-meter screen, 10 projectors, and 176 seats, a 360° VR room, a temporary exhibition space, a gift shop, and a café. The first floor contains the conference center, while the basement accommodates offices and an additional VR room.

 

 

Bioclimatic Design

Within the framework of sustainable construction, the project is environmentally friendly, bioclimatic, and technologically advanced. Materials, technologies, and techniques have been adopted to minimize environmental impact and to create a zero-energy building. A double ventilated façade system reduces the thermal mass of the walls, as natural ventilation is distributed through the two layers.

Optimal orientation was pursued to maximize beneficial solar heat gains, along with the careful design of openings to ensure ample natural daylight, views toward the planted exterior environment, and cross-ventilation of interior spaces. In the basement, both a light well for daylighting and an air shaft for natural ventilation were created. Water features were also integrated into the composition, contributing significantly to overall cooling.

The green roof, as part of the passive design strategy, improves thermal insulation and the microclimate. At the same time, the use of renewable energy sources – photovoltaic solar panels installed on the dome – ensures the building’s autonomous energy operation.

 

Sinuous structure

The winery is part of a family-run wine tourism development in Portugal’s Alto Douro Wine Region, a UNESCO World Natural and Cultural Heritage Site. Together with a hotel still under construction, the winery blends into the landscape, combining tradition with innovation and sustainability.

 

Context Integration

Designed to minimize environmental impact, the project utilizes existing infrastructure while anticipating future adaptations. Its curvilinear architecture echoes the zigzag vineyards without compromising functionality. Locally sourced materials such as schist and granite reduce transport emissions, while wooden structures replace concrete where possible, limiting CO2 release. Over time, the pinkish greys, greens and browns take on new hues and textures, potentiating the building’s integration into the environment.

The configuration of the building is a set of interlocking naves that follow the existing topographic slopes, replicated on its internal mechanics, where the winemaking process takes place by gravity. The gravitational system is a traditional solution on the banks of the River Douro and this wine cellar showcases it with all its up to-date operational capabilities.

 

 

Design Philosophy

The geometry of the cellar’s roof interprets the vernacular gable roof structured in wood. This structure is exposed in the winery, and becomes a sinuous, continuous and organic sculptural element that flows through the tangential curves of the vineyards.

The winery’s main entrance houses a visitor center with a reception area and a wine shop that leads up to a meeting room with an all-glass wall and to the wine tasting area in a spacious balconied gallery, overlooking both the wine ageing area in the central nave of the building and the surrounding landscape. These rooms have access to the vineyard and a stone little old chapel, via a large terrace overlooking the Douro. Events that favor a prestigious wine tourism may be hosted to promote the winery and the region and celebrate both nature and architecture.

 

 

Sustainable Design & Vegetation

The development uses renewable energy sources, namely geothermal energy, to reduce greenhouse gas emissions and to provide ideal hydrothermal conditions for wine production and human comfort. Energy efficiency is fundamental to the winery’s design. The building’s northerly orientation and its specific insulation ensure optimum indoor temperatures and humidity levels, with limited mechanical climate control. The few windows and skylights frame the landscape and maximize the use of natural light.

Water conservation is also integral to the winery, which lacked public water supply infrastructure. Rainwater is harvested, drinking water sourced from artesian boreholes, and wastewater is treated and recycled for irrigation, cleaning, and fire prevention. Permeable pathways return rainwater to agricultural use, reducing waste and preserving resources.

The landscape design revives native flora, enriching biodiversity and supporting ecosystems that benefit vineyard health and promote economic activities that run parallel to the wine production.

 

Structural honesty

The project constitutes a new residential composition on the outskirts of Chania. The proposal is developed as a set of two autonomous building volumes, organized around a clear structural logic and characterized by the extensive use of exposed reinforced concrete. The architectural language of the complex is grounded in the honesty of the load-bearing structure, transforming construction into a primary morphological element and creating a discreet yet dynamic presence within the Mediterranean landscape.

 

Design Morphology

The volumes are shaped through the interplay of solid and void, generous balconies and deep overhangs that filter natural light, provide shading, and enhance the bioclimatic performance of the residences. Large openings and carefully articulated cuts in the building envelope frame views and strengthen the relationship between interior spaces and the natural surroundings, fostering a sense of calm and clarity.

 

 

Material Palette

The interiors are designed with an emphasis on functionality, spatial flow, and simplicity. Natural materials, understated surfaces, and neutral tones compose a restrained aesthetic that highlights the character of the exposed concrete and supports a way of living closely connected to the land and the local climate. Transitions from private to semi-outdoor and outdoor spaces are smooth and seamless, reinforcing a sense of continuity and openness.

 

 

Design Philosophy

Recently completed, the project stands as an example of contemporary Mediterranean architecture that combines efficient construction methods, material economy, and a clear architectural expression. In particular, the design proposes an accessible, contemporary model of living, where structure, light, and landscape exist in a continuous dialogue.