The dialogue between the building and natural elements, the distant and close view and the light changes in the exterior and the interior are key elements in potentially influencing architectural space during the process of synthesis.
Reminding us mentally of a tree trunk that is dramatically emerging from the ground, the building is viewed as an indispensable part of the natural scenery.
Thus, wood was used monolithically in the outer shell- a material at peace with the environment, which is sent to describe a «fragment of nature», in discourse with the phenomena of the landscape.
The whole design abides to a system of non-canonical dynamic impressions, providing a distinct fluid outline in the form, as it seems to be bending, towering or lowering, and constantly changing when viewed from every possible angle.
Without revealing its construction materials, the development of the building’s volume shaping is a union of axes connecting north with south and east with west.
Moving between the boundaries of architecture and sculpture, the body of the building is interweaved with the landscape with a constant flat grid, reminding us of a leaf. This offers a delicate and natural impression at the final form and, at its vertical axis, arranges a windless yard facing north, while, at its horizontal axis, it protects the outdoor space of the southern facet from the intense midday light.
The phenomena of the landscape play a fundamental role in the synthesis, which assimilates their multifaceted narrations. The synthesis syntax is based exactly on successive hierarchic transitions, since, when the eye moves, in the interior or the exterior; it advances in a succession of unexpected revelations, which stimulate memories, senses and feelings.