Working laboratory

Taller Di Frenna Arquitectos has developed its own architecture studio in Colima, Mexico, conceived as both a functional workplace and a platform for creative exploration. The building accommodates workspaces, meeting areas, audiovisual facilities and interior courtyards, organized within a series of clearly articulated volumes. Through the use of exposed materials, textural experimentation and the integration of natural light and vegetation, the project reflects the studio’s broader architectural ethos.  

 

Design Philosophy

The headquarters is conceived as an environment where architectural production and research coexist. Beyond accommodating the daily operations of the practice, the building operates as a space for experimentation, collaboration and the development of ideas.

The program includes open-plan workspaces, meeting rooms, audiovisual areas and a dedicated model-making workshop. These functions are arranged to foster interaction between team members and to support the various stages of the design process, from conceptual exploration to final presentation.

Rather than functioning as a conventional office, the building acts as a working laboratory, embodying the studio’s design methodology while enabling the continuous testing and evolution of architectural ideas.

 

 

Construction Logic & Materials

The architectural composition is defined by a sequence of clean, well-proportioned volumes. Emphasis is placed on the use of exposed, honest materials, allowing construction elements to remain visible and to express their structural and tactile qualities.

Concrete, steel, charred wood and stone form the primary material palette. Their combination, through varied textures and finishes, generates a layered architectural language that negotiates between industrial precision and natural expression. This material strategy reinforces durability while foregrounding craftsmanship and construction techniques.

The approach aligns with a broader design philosophy rooted in clarity of form, authenticity of materials and the integration of artisanal knowledge within contemporary architectural practice.

 

 

Courtyards & Spatial Organization

A network of interior courtyards structures the spatial organization of the building. These voids introduce natural light and vegetation into the interior, while establishing visual and physical connections between different programmatic zones.

The interplay between interior and exterior conditions produces a gradual spatial transition, where built volumes and natural elements coexist in a continuous dialogue. Variations in light, shadow and level contribute to a dynamic spatial experience, mitigating the monotony typically associated with enclosed office environments. These intermediate spaces also function as areas of pause and informal gathering, supporting a working atmosphere that encourages reflection, exchange and collective engagement.

The realization of the building involved close collaboration with local builders and artisans, whose contribution is evident in the detailing, surface treatments and material finishes throughout the project.

 

Constellation of volumes

An existing 40-year-old office building is stripped back to its primary structure and comprehensively reinterpreted to respond to contemporary workplace demands. The initial massing logic is recovered and clarified, transforming what was once a fragmented and visually inconsistent assemblage into a cohesive composition. The building is rearticulated as a constellation of twelve distinct volumes, each defined by its own cladding strategy and spatial atmosphere, establishing a new architectural identity rooted in differentiation and clarity.

 

Intervention Strategy

The intervention operates through a process of subtraction and redefinition. By removing non-essential layers, the original structural framework is revealed and reorganized, allowing the building’s inherent geometry to be legible once again. The front façade adopts a restrained material palette, articulated through subtle tonal variations of white, grey, black, and gold. A newly introduced curtain wall defines the primary elevation, while a sequence of cast-in-place terrazzo steps establishes a clear and generous entrance gesture.

In contrast, the rear elevation embraces a more expressive and playful language. Individual volumes are distinguished through color and material differentiation: a pale turquoise-clad elevator core, a striped black-and-white staircase punctuated by yellow window frames, a pink-rendered service core, and blue metal-clad office spaces. This chromatic distribution extends throughout the building, generating a dynamic interplay between interior and exterior surfaces.

 

 

Spatial Organization & Environmental Strategy

The building is reoriented to engage more directly with its adjacent natural park, introducing new openings within previously opaque façades. These interventions enhance visual connectivity while significantly improving daylight penetration, addressing the limitations of the original low ceiling heights.

At roof level, a landscaped green roof is combined with a circular pergola, forming a sequence of outdoor workspaces and social areas. These elevated spaces accommodate informal gatherings, events, and moments of exchange, extending the program beyond the conventional office environment.  

Sustainability is integrated as a core design parameter. The project incorporates high-performance insulation systems, energy-efficient glazing, locally sourced materials, and low-energy mechanical systems. Additional features include photovoltaic panels, electric vehicle charging stations, and bicycle parking, contributing to the building’s A+ energy efficiency rating.

Material Palette

The interior design negotiates between preservation and transformation. Existing black marble flooring is restored, while suspended ceilings are removed to expose the raw concrete structure and its irregular formwork. This juxtaposition of refined and unfinished surfaces establishes a consistent material language across all levels.

Each floor is further differentiated through bespoke architectural elements and furniture interventions. These range from sculptural marble seating installations to a vivid red perforated metal library and expansive shared worktables. On the ground floor, a generous red terrazzo staircase operates simultaneously as circulation and as an amphitheatrical space for events, linking to a luminous mezzanine above.

 

The shelter of an imprisoned spirit

The project is a photography studio that goes beyond being a purely functional space, unfolding instead as a deeply introspective environment inspired by the concept of intrauterine habitation and prenatal comfort.

 

Design Philosophy

The design employs symbolic elements that convey warmth, protection, and a cocoon-like sense of enclosure, aiming to foster creativity within a calm and intimate atmosphere. Central to the concept is the interplay of light and shadow, a deliberate choice that reflects the photographer’s expertise and creative journey. The space becomes a sanctuary: a place where creativity can be nurtured and where personal and artistic paths intersect within a meaningful, womb-like environment.

 

 

Custom Structures

Specifically designed custom metal structures were developed for the studio, serving the organization and storage of equipment while playing a decisive role in enhancing the visual dynamics of the space. These restrained, reflective surfaces capture and modulate light, producing striking reflections that shift according to the time of day and the position of light sources. The use of metal fulfills both functional and aesthetic objectives, offering durable and practical solutions for everyday needs while contributing to the overall artistic atmosphere. As light interacts with these structures, it rebounds in unexpected ways, casting delicate patterns onto the surrounding walls and further emphasizing the play of light and shadow that lies at the core of the architectural composition.

 

 

Materials & Lighting

The selected materials achieve a subtle balance between opacity and translucency, reinforcing the relationship between light and darkness. This design approach not only enhances the spatial aesthetics but also alludes to an inner tension experienced by the photographer – described as a “prisoner of spirit,” engaged in an ongoing dialogue between light and shadow. This poetic tension is visually articulated through the thoughtful placement of windows, skylights, and lighting elements, creating layers of illumination that shift and transform throughout the day.

Both natural and artificial light play a crucial role in the studio, not merely as functional components but as expressive tools in their own right. The way light filters through the materials generates a meditative atmosphere that encourages reflection and the exploration of creative depth. Extending beyond pure utility, the design transforms the studio into a symbolic space that promotes deep, inward-looking creativity.

 

Dynamic facade

The project concerns the transformation of an existing shopping center on Pireos Street into a sustainable and pioneering office complex, complemented by the addition of a new, independent five-storey building. This new structure functions both as a landmark and as a catalyst for the revitalization and development of the wider area.

 

Renovation Strategy

The design is based on managing and upgrading the existing building stock, converting it into an energy-efficient structure with contemporary uses. The approach follows the principles of sustainability and the circular economy, incorporating the reuse of materials.

The existing building is characterized by pronounced contrasts -most notably the introverted external facades versus the extroverted interior. The redesign utilizes these contrasts as compositional elements, redefining the façade and generating a new architectural envelope. Through a process of subtraction and addition -two opposing yet complementary actions- the façade is reshaped, adopting the logic of the (bar)code as the central design reference. The final result resembles a linear code: a dynamic composition of voids and solids with varying dimensions.

 

New Construction Systems

This composition is formed by metal cylinders which, after a special color treatment, are repositioned in new configurations, enhancing the façade’s interaction with its environment. The system allows future adjustments to the façade based on evolving needs, making it adaptable and flexible. The arrangement of the cylindrical columns supporting the energy canopy defines the first layer of the new façade, following the rhythm and dynamism of the existing shell.

On a second level, a three-dimensional envelope made of fiber-reinforced cement board incorporates glazed surfaces within recesses, maintaining the autonomy of materials while contributing to the cohesion of the composition. The new building, located southwest of the existing one, is developed across a ground floor, four upper floors, and a green roof.

 

 

Vegetation & Sustainability

The surrounding landscape acts as a connective tissue between the two structures, while the energy canopy and supporting columns reinforce the overall unity of the complex. The intermediate outdoor space creates a transitional landscape that encourages user interaction and relaxation. Planting and carefully selected surface materials complete the architectural composition.

The green roof offers significant environmental and functional benefits: it contributes to air purification, stormwater management, reduction of ambient temperatures, and improved sound insulation. Additionally, it enhances biodiversity, boosts the efficiency of solar systems, protects surfaces from erosion, and promotes social interaction.

The project has achieved LEED Gold certification for both the existing and the new building -a distinction of particular importance in today’s context, where climate change underscores the need for sustainable, resilient, and healthy work environments.

 

Rhythmic exchange

In an area of the city with a distinctly industrial character, near the Athens-Lamia National Road, an unfinished pre-existing structure was reconstructed with the aim of preserving its load-bearing system while simultaneously accommodating an expanded building program, including a larger surface area of office spaces.

 

Design Philosophy

A central condition for the design was the development of a new construction system that would not only adapt to the existing structure but also organize it, forming a unified architectural identity while responding to the bioclimatic requirements of a contemporary work environment. The new envelope, conceived as a thickened skin, either touches or stands slightly apart from the existing structure, thereby unifying enclosed spaces with outdoor areas, terraces, and balconies.

 

 

Spatial Organization

This envelope is fragmented into individual components that create, through a rhythmic alternation of solid and void, a system of shading and openings that moderates daylight and shading conditions within the interior. Alternating wall and window elements wrap around all levels of the building, bringing coherence to the previously independent and somewhat disparate volumes, and establishing a cohesive overall perception of the structure.

Sustainable Design

The architectural proposal, combining bioclimatic and functional upgrading with the redesign of the envelope and the reconfiguration of interior spaces, creates a comfortable and sustainable, human-centered environment. At the same time, it establishes a new, coherent, and recognizable identity that transforms the building into a point of reference within its urban context.

 

 

Organic forms

The project’s location -along one of Limassol’s most important commercial corridors, near a major junction- set from the outset the ambition to create a landmark building for the Mesa Geitonia area.

 

Design Philosophy

This strategic position, coupled with the elongated geometry of the plot, informed the building’s distinctive massing from the very early design stages. To meet the project’s goal, the design adopts a linear, organically shaped volume that unfolds along the avenue, both asserting the presence of the complex and preserving the continuous flow and pulse of the commercial axis.

 

 

Functional Organization

The building is structured across five levels. The ground floor accommodates retail units, reflecting the commercial character of the street, while the four upper floors house office spaces that open toward the narrow façades through covered verandas. Although the primary pedestrian entry is located on Spyrou Kyprianou Avenue, the building also incorporates a two-level underground parking garage accessed via the internal road running parallel to the avenue. This underground structure provides all required parking spaces, mechanical rooms, and storage areas.

 

 

Architectural Language

The architectural expression merges a futuristic, dynamic aesthetic with fluid, organic forms. The façades alternate between metal panels and expansive glazing to maximize natural light. Cantilevers and projecting architectural elements reinforce the building’s horizontal character, while simultaneously functioning as shading devices that regulate solar exposure, enhance daylight performance, and reduce dependence on mechanical cooling.

On the narrow elevations, the shifting balance between interior space and covered verandas on each level creates a vertical, volumetric rhythm. This generates a parametric, organic pattern that imbues the building with a distinctive sense of movement, resulting in striking perspectives and visually compelling, theatrical façades.

 

Work Container

The new offices are housed within an industrial shell of 1,200 m², where tall metal racks for cable storage dominate the space from floor to ceiling. The central design idea focuses on the strategic placement of “work containers” that accommodate the staff offices.

 

Corporate Identity & Design

The container form was chosen as a characteristic expression of the company’s industrial identity and environmental ethos. Just as the company’s products are designed to be fully recyclable, the container, originally used for their storage and transport, is repurposed and transformed into office space. Two distinct zones are created on either side of the central storage and packaging area to ensure the uninterrupted circulation of machinery and personnel.

 

 

Spatial Organization

On the west side of the building, the largest container is positioned to function as a customer waiting area and goods reception zone, along with a dispatch office, staff locker area, and archive. On the east side, a cluster of containers arranged across two levels accommodates the remaining needs of the administrative staff, positioned to ensure optimal visual connection with the production area.

On the ground floor of the eastern cluster are two sales offices, a dining room, staff restrooms, and storage. The upper level includes two offices, a meeting and presentation room, and additional storage space. Access to the offices is provided through two opposing entrances, with an internal metal staircase connecting the two floors.

 

 

Materials & Lighting

The material palette consists of metal, wood, and glass -materials commonly used in industrial environments. Metal and glass surfaces form the architectural volumes, while wood is applied in flooring and furniture to complement the construction. The exterior white and gray tones highlight the wooden finishes used inside.

Linear warm-white lighting follows the rectangular surfaces of the containers. Containers serve as a contemporary method of creating workspaces in facilities requiring direct proximity to production. With the appropriate configuration, they allow for efficient workflow while offering the possibility of expansion to meet a company’s future needs, without compromising the overall design.

 

Spiral volume

The project was conceived as a contemporary office building that redefines the character of the Bonfim district. The project establishes a new urban presence while maintaining dialogue with the surrounding context, balancing modernity with continuity.

 

Spatial Organization

The building’s volumes are arranged to generate permeability and interaction with the city. A sequence of spaces, including internal courtyards and terraces, creates visual continuity and fosters a sense of community among occupants. Connections to public streets and open areas reinforce accessibility and integration with the urban fabric.

The layout accommodates flexible office spaces designed for adaptability to different user requirements. Ground-floor areas open toward the public realm, inviting interaction between the building and the city. Circulation cores are strategically positioned to optimize efficiency while maintaining clarity of orientation.

 

 

Material Palette & Sustainability

The façade combines stone and glass surfaces, ensuring durability and transparency. Natural light penetrates deep into interior spaces, reducing reliance on artificial illumination. Sustainability measures guided the selection of construction systems and finishes, integrating both performance and aesthetic goals. The project achieved BREEAM EXCELLENT certification for design and a VERY GOOD rating for construction, highlighting its environmental responsibility.

 

 

Context Integration

Situated in Porto’s Bonfim area, the project contributes to the regeneration of a historic district. The design enhances the urban landscape by creating a landmark that anchors the area while respecting its scale and character. The office building stands as a catalyst for contemporary workplace culture and sustainable urban growth.

 

The Spanish architect Fran Silvestre studied at the Polytechnic University of Valencia and continued with postgraduate studies in urban planning at the Technical University of Eindhoven in the Netherlands, while at the same time working at MVRDV. He later collaborated with Álvaro Siza until 2005, when he founded his own practice, Fran Silvestre Arquitectos, in Valencia. In 2016 he completed his PhD at the Polytechnic University of Valencia, where he also teaches at the School of Architecture, directing postgraduate programs. His architecture stands out for its modern idiom, with large white surfaces, an exceptional handling of space, light, and materials, clean geometries, and a pushing of structural limits to the edge of contemporary possibilities. We spoke with Fran Silvestre on the occasion of his participation as a guest of honor of the Embassy of Spain in Athens and ICEX–Interiors from Spain at the event “Shaping Spaces: A Spanish Perspective on Contemporary Architecture & Design”, held on June 4 at “Aigli” in Zappeion. The event was curated by ek magazine.

 

S.M.: How do you perceive the relationship between contemporary architecture and classical tradition?

Fran Silvestre: We are very interested in this correlation. In a way, the classical tradition has taught us that architectural proportions are a matter of order and harmony. Contemporary architecture is not a rupture but rather another kind of continuity. The idea of a tradition infused with innovation lies at the core of our thinking, since it is nothing other than designing on top of what has already been tested and proven to work, but from a new perspective, open to technology, materials, and today’s way of life.

The architecture we find interesting draws its sources from tradition but creates a new synthesis, a transformation, while adapting to a different era and different needs. In our design, we are concerned with clarity, both in structure and in proportions.

 

 

S.M.: The choice of materials and the perception of light play a central role in your work. How do you shape the spatial experience guided by them?

F.S.: We like to work with natural materials for their honesty, their ability to age beautifully, and their strong connection to place. For us, each project is not perceived as something uniform but as a heterogeneous whole, where every element retains its character while participating in a coherent composition. Light plays a critical role in our architecture because it has the power to transform static objects. We are fascinated by how the apparent stillness of architecture comes to life over the course of the day, as light moves across surfaces, revealing and concealing them. This constant alternation transforms space into experience.

 

 

S.M.: You have often emphasized the importance of model-making in the design process. How can models help develop an architectural idea, and what do you think they offer that digital tools do not?

F.S.: We like to think with our hands. Working with models has become for us a kind of meditation that allows us to perceive each project in ever greater depth. Models impose limits, just like construction does: we want to work with this way of thinking, with this kind of constraint. Digital tools, of course, are immensely powerful and offer us countless possibilities, yet we remain closer to the manual method. Working with our hands gives us access to knowledge that digital media alone cannot provide.

 

Read the full interview in ek issue 298 | June 2025.

 

Restructuring an Urban Fragment

The building, a formerly monofunctional and structurally fragmented commercial zone at Salzburg’s Lieferinger Spitz is reimagined as a vibrant, urban microcosm. Located at a key traffic junction along the Münchner Bundesstraße, the site -once defined by noise, vehicular dominance, and anonymity- is transformed through a bold architectural gesture into a place of social interaction, ecological awareness, and spatial clarity.

 

Design Philosophy

The L-shaped building anchors the site, mediates between scales, and introduces a carefully choreographed volumetry that responds to environmental stressors while defining new urban edges. Terraced floors, setbacks, and volumetric articulations provide noise protection and introduce rhythm and identity. What was once a lot hosting six units now accommodates 47 hybrid residential and commercial units, merging density with livability.

The core of the architectural concept lies in smart densification without additional land consumption. Parking is decoupled from lease agreements, creating flexibility and liberating surface area for green and communal spaces. By prioritizing bike infrastructure, car -and cargo-bike sharing, and non-motorized mobility, the building responds to the needs of a shifting urban demographic. Roof gardens, vertical green systems, and open-air terraces introduce biodiversity, moderate heat islands, and create meaningful social interfaces.

 

 

Urban Design

Confronted with a narrow, traffic-exposed plot, the design asserts a new logic: it creates a public plaza with a fountain, integrates a new bike lane, and elevates community life with a rooftop playground. This project redefines the rules of residual spaces, demonstrating how architecture can reclaim forgotten zones and turn them into hubs of urban vitality. Despite constraints, the site now hosts more green space than before, proving that density and ecology can not only coexist, but amplify each other.

The project goes beyond architecture: it delivers measurable public and ecological value. Residents benefit from improved air quality, reduced noise, and diversified urban amenities. The surrounding district profits from new public green areas, improved microclimate, and an upgraded mobility infrastructure. In the broader urban ecology, MB110 contributes to reducing soil sealing, supporting biodiversity, and encouraging low-impact lifestyles.

 

 

Innovative Approach & Sustainability

What distinguishes MB110 is its ability to create more open, green space through densification -an apparent contradiction turned design strategy. It demonstrates how unbuildable or overlooked urban plots can be reprogrammed through architecture into meaningful, livable, and ecologically sound urban fragments. It offers a blueprint for resilient urban transformation, balancing pragmatic solutions with visionary thinking.

 

Multifunctional layout

Within the building complex of Colgate-Palmolive’s factory and offices in Piraeus, the 55-square-meter top floor has been transformed into a lounge and break area for employees. This break room was created by repurposing a previously unused and inactive section, now reactivated through a thoughtful architectural intervention and its new designated function.

 

Design Philosophy

The space includes a shared kitchen, a bar-style counter, and amphitheater-style seating, forming a hybrid environment that bridges the gap between a traditional office and a casual relaxation area (such as a café or restaurant). This multifunctional layout accommodates a range of uses, from informal meetings and coffee or lunch breaks to short calls or even remote work sessions for both employees and visitors.

Prior to the intervention, the area partly served as a circulation zone between vertical movement axes (stairs and elevator), without any provision for pausing or staying. The remaining part housed a spacious office, occasionally used by external collaborators. The primary goal of the architectural design was to create a dedicated break area for Colgate-Palmolive’s staff -an inviting, collaborative space that fosters team spirit and strengthens communication among different departments.

The redesign of this break room seeks to revitalize a previously neglected area, transforming it into a dynamic hub for social interaction, relaxation, and flexible work. The design respects the existing structure while emphasizing natural light, quality materials, and ergonomic principles. The result is a space that enhances the sense of community within the workplace and offers employees a modern, welcoming, and multifunctional retreat during the workday.

 

 

Spatial Organization

The architectural concept was developed in the wake of the Covid-19 pandemic, a period when remote work had become the norm. As work models continue to evolve, the design aims to redefine how space and time are experienced in the workplace, responding to employees’ shifting needs throughout the day. The break room serves as a transitional, relaxing, and intimate space. Drawing from the familiarity of working from home, it offers a variety of settings to support different work modes. As a place of relief from the demands of daily tasks, the space is designed to support a sense of mental decompression. This is achieved architecturally through clean, minimalist lines, free of visual clutter, and further enhanced by ample natural light and materials that promote comfort -such as wood.

 

 

Materials & Custom Elements

The design incorporates a variety of seating options: bar seating for both standing and sitting, amphitheater-style seating for relaxed lounging, and a secluded single seat within the kitchen area. These options allow employees to personalize their break experience -whether they’re pausing briefly or settling in with a laptop for a longer stay- essentially bringing their workspace into the break room. The space is defined by a minimal, inviting, and vibrant aesthetic that balances functionality with contemporary design. Rather than erasing the existing environment, the new design works in harmony with it, using the current structure as a base for complementary rather than disruptive enhancements.

Key architectural features, such as the original red metal staircase and the bold blue window frames that define the building’s exterior, have been preserved and integrated into the new scheme. Against this backdrop, the design introduces balance by using white as a neutral canvas and incorporating dark blue in the flooring, metal shelving, and sound-absorbing panels that double as decorative wall elements. Warmth and a sense of familiarity are added through wooden finishes (on floors and cabinetry) and the use of earth-toned cushions and furnishings. A playful, refreshing touch is introduced through light blue tiles in the kitchen and bar areas -elements that serve both a practical function and contribute to the overall lightness and charm of the space’s “work zones.”

 

Nature-infused sanctuary

“Walking through winding streets and alleys, tucked between the white walls and grey roof tiles, I can hear the sound of wheels rolling over grey paving stones. Qi Yuan stands before me.”

Sun Yuanliang

In December 2023, designer Sun Yuanliang relocated his studio to a small courtyard residence, which he also uses as a vacation retreat. The name of the residence, Qi Yuan, reflects a poetic vision inspired by classical Chinese culture. In the Ming Dynasty medical text Compendium of Materia Medica, the character “䒻” refers to an herbal medicine. Meanwhile, “屺” originally described a barren mountain. Together, these characters evoke the idea of a symbolic mountain forest -an expression of the aspiration to create a peaceful, nature-infused sanctuary within the urban landscape.

 

Context and Integration

Located in the ancient city of Suzhou, the residence sits on elevated ground, offering sweeping views from its second-floor windows of the well-preserved rooftops of historic buildings on the city’s west side. From the entrance, the small courtyard resembles a miniature Jiangnan-style garden, with a Moon Cave Gate framing the surrounding greenery. In keeping with the tradition of Suzhou gardens, each door and window is designed to frame the natural scenery, allowing plants to thrive freely with minimal human interference.

Deeper within the property, guests encounter a hidden, larger courtyard. During construction, the natural terrain was subtly reshaped using gathered soil to form gentle gradients, and water was redirected to create a serene pond. This carefully planned landscape exudes a tranquil atmosphere. Reflections of light on the water shift throughout the day, lending different moods to the space. A strong, aged pine tree stands resiliently against the stone wall, surrounded by textured rock formations.

 

 

Materials and Custom Structures

Custom-designed wooden grilles are used throughout the residence to soften the architectural presence and enhance spatial layering. These screens filter light, increase privacy, and obstruct views of neighboring structures, allowing for peaceful conversation and contemplation of the scenery.

The courtyard and interior are seamlessly connected. From within the house, expansive views of the garden are unobstructed. Natural light and air circulate freely through the open layout, while the continuity and rhythm of the materials help create a calm, welcoming environment. This design fosters easy movement and a sense of ease. The concept emphasizes the dialogue between old and new, aiming to bridge the gap between architecture and its inhabitants. The goal is to create a sense of connection -between people, space, and time- that nurtures community and belonging.

 

 

Furniture and Colors

Minimalist design principles guide the interior, blending architectural elements with narrative-driven spatial compositions. The home is open and integrated, inviting guests to relax -whether lounging on carefully selected sofas or observing the interplay of clouds and tree branches outside the window. Classic furniture pieces underscore a refined yet understated lifestyle, avoiding overt symbolism or self-aggrandizement. The atmosphere encourages a release of cultural excess, allowing the individual to feel part of something larger through their connection with nature.

Colors, forms, materials, and the interaction of light and shadow all draw inspiration from the natural world. These elements change and evolve alongside the human experience, reflecting the designer’s vision of harmony between people and their surroundings.

 

Reflection upon deep waters

Milos Cove, a contemporary five-star inception resort, stands in serene seclusion, far from the lively rhythms of Cycladic island life. Nestled in the Agkali area on the northeastern edge of Milos, it rises above a site of great archaeological significance -Europe’s largest known prehistoric obsidian workshop. Its only true boundary is the vastness of the Aegean Sea, which it overlooks from the edge of a dramatic cliff, suspended high above sea level.

 

Landscape Integration

Here, below Milos’ volcanic rock formations -rich in texture and hue- the landscape speaks in silence yet resonates with a profound sense of mystery. Milos Cove does not seek to overshadow this grandeur but to embrace it fully, allowing the terrain to flow through its design. The resort unveils itself gradually, in a mythical, almost cinematic progression. A steep, rugged road winds between ancient stones that stand like timeless guardians, guiding visitors to a striking first glimpse of the structure framed from above.

 

 

Design Philosophy

Humbled by the majesty of its surroundings, the architecture seems to fold inward, as if shielding itself from the natural elements. Its design evokes the organic complexity of a Cycladic village: narrow alleys, external staircases, stone retaining walls. Openings of varying sizes offer shifting vistas. Pergolas provide shade; greenery softens the space, offering coolness and beauty. These distinctly Greek architectural features are interlaced into a balanced composition that responds to the bright, unyielding sun of the Aegean.

 

 

Material Palette

The color palette is earthy, echoing the tones of the natural environment. The materials -stone, marble, wood, water, dark glass, light, and shadow- speak the archetypal language of the island. They form a symbolic dialogue between the built and the natural world. Reflective surfaces -whether pools of water or expansive glass facades- create liminal spaces where light plays and boundaries dissolve, allowing the landscape and architecture to intermingle, blurring the line between the real and the imagined. In this one-of-a-kind setting, guests enjoy the comforts of a modern luxury resort while also being invited on an inward journey -a space to reflect, to be still, and to discover their own echoes in the deep waters below.

 

Fragmented surfaces

The office complex occupies a five-story building spanning two adjacent plots, aligning with the horizontal flow of the street.

 

Context Integration

Located near a major high-speed road, the building was designed to serve as a landmark. Its dynamic composition features bold, angular surfaces and interlocking diagonal volumes, creating a striking visual identity. This design approach extends across the entire structure, giving the impression that the facade shifts and evolves with the movement of passing vehicles and pedestrians.

 

 

Parametric Design

To address the system of non-orthogonal geometries, a parametric design approach was employed. The surfaces were modeled using triangular forms, onto which vertical elements -blinds that follow the building’s original shape- were later applied. The structure comprises a ground floor, a mechanical floor, five office levels, and a rooftop garden. The core, housing staircases and elevators, is positioned on the northern side of the site, while the remaining sides feature open-plan office spaces with expansive city views.

 

 

Façade Design

On the south-facing facades, aluminum frames are recessed from the building’s boundary, creating semi-open terraces of varying sizes. These terraces follow the structure’s dynamic form and provide natural shading for the offices during the summer months. The north elevation features a solid shell punctuated by vertical openings that extend across all levels. The concept of a dynamic, shifting facade is further emphasized by vertical flap elements that align with the floor slabs. The office entrance is framed by angular, fractured walls of exposed concrete, enhancing the building’s bold aesthetic and reinforcing its overall architectural vision.

 

A&S Architects is a multidisciplinary architectural office based in Athens, founded by Anna Assana and Nikolaos Siapkaras. The firm’s dynamic and established team has an extensive portfolio of public and private works, including a significant number of sports facilities in Greece and abroad. Their approach is characterized by continuous evolution and the pursuit of new boundaries in architectural creation. Through a comprehensive range of services -from initial concept and design to management, supervision, and construction- the office integrates architecture with landscape design, engineering, interior design, and consultancy, delivering innovative, functional, and sustainable solutions.

 

S.M.: One of your original activities was the publication of an “encyclopedia” of construction details. How has conventional construction in Greece evolved since then, and what is coming next?

Nikos Siapkaras: The preparation of a manual with construction details -at a time when there was no access to anything similar, and material production companies had not yet developed their technical departments or support for designers- was born partly out of our need to experiment with new materials and innovative technical solutions, and partly from our general view of architecture and the completeness of a proposal. Every design must first of all include all stages and scales of design, from a master plan to a 1:1 detail. Every detail and every technical solution plays a significant role in construction -in delivering a quality project, it is a key compositional decision.

In our projects, compositional principles are built upon a fundamental structural rule. The smallest detail and the overall form and scale derive from the same spirit, the same intent for a pure composition. Construction quality and the processing of materials acquire fundamental importance because they imbue both the parts and the whole with a spiritual intensity. A detail is a conception: both space and materials are chosen with criteria of sustainability, circular economy, energy awareness, and the health and well-being of users.

 

 

S.M.: What is your experience with Building Information Modeling, and how has this technology influenced the way you design and implement projects?

N.S.: We were fortunate, working on projects outside Greece, to come into contact very early with all the advantages that this technology offers, and to realize that it represents a holistic approach to the digitization of projects -from design and construction to their operation and maintenance- and not just a simple 3D design tool. The digital 3D model provides a visual representation not only of the building’s form but also of its materials, systems, and functions.

What is particularly interesting, and should make us reflect, is that while in Greece there is much discussion about educating engineers in BIM and about the financial tools available to design offices to support the digital transition, worldwide the introduction of virtual and augmented reality -as well as artificial intelligence- is redefining architecture and can lead to unprecedented efficiency, innovation, and sustainability.

As projects evolve, artificial intelligence will play a critical role in management and execution. The enhancement of BIM with AI capabilities will provide real-time updates and proactive file maintenance, ensuring accurate design and project monitoring. One of AI’s potential benefits is that it can help streamline workflows and enable businesses to become more efficient. This could be especially valuable for smaller offices. We believe that every new technology must ensure that architects have more quality time for study, design, and research.

 

 

S.M.: What has been your most demanding office project to date? Do you believe that recent changes in the working environment are permanent or temporary?

Anna Assana: A particularly demanding and at the same time timely project is “P.180-186”, because on the one hand it addresses a major issue: the management of the existing building stock and, in particular, the insertion of a completely new use at every level. On the other hand, it is a large-scale project that was designed, licensed, and implemented in a very short timeframe -less than two years- managing to respond to a highly demanding building program and schedule without the slightest compromise in construction quality, ultimately delivering the first public building in Greece with LEED Gold certification, both energy-efficient and sustainable.

The project concerns the transformation of the Athens Heart shopping mall into a sustainable and pioneering office complex, alongside the addition of a new independent five-story building, totaling approximately 26,500 m². The excellent organization of the project at all levels, the use of technology, and the flawless and continuous collaboration between designers, project manager, contractor, and client formed the foundation for its success.

As for the second part of your question, we believe that in the near future architecture will be further shaped by the introduction of virtual and augmented reality as well as the integration of artificial intelligence. Imagine working from home in an unprecedentedly realistic experience that simulates physical presence in the office as closely as possible. This would represent a huge innovation -not only in the way we design, but also in the working reality itself, as well as in social and professional relationships. We believe that soon this different experiential reality will need to be analyzed and incorporated into the design of offices and, more broadly, of public and private spaces.

 

Read the full interview in ek issue 296 | April 2025.

Transitional axis

The project concerns the conversion of a ground floor warehouse space, on the ring road of Thessaloniki, into the offices of a multinational company.

 

Design Philosophy

The goal is to create a dynamic work environment that serves as a reference point for employees- a “third space” between home and the office -fostering a new kind of sociability. The trapezoidal layout allows for natural light from two sides, shaping the functional floor plan. The 1,000m² office space is organized into three zones: a peripheral zone along the building’s exterior, a central core, and a movement axis connecting them. Open workspaces are strategically placed along the naturally lit sides, while the triangular core houses large meeting rooms and ancillary facilities such as restrooms and storage areas. The workspace is further divided into sections, incorporating small meeting rooms to accommodate employees’ daily needs.

 

 

Material Palette

The project embraces a contemporary aesthetic with earthy tones, balancing natural and synthetic textures through deliberate contrasts. The three zones of the floor plan are visually distinguished by varying finishes on both floors and vertical surfaces. At the entrance and along the main circulation corridor, wood-look flooring enhances warmth and flow, while carpeting in the work areas helps absorb vibrations. In the cafeteria, concrete-look tiles provide a sleek, durable finish. To optimize acoustics and conceal mechanical installations, plasterboard suspended ceilings are installed across the building’s largest surface. Walls feature a mix of white and grey paint, wood paneling, vertical gardens, and glass partition systems, creating a dynamic yet cohesive environment.

 

 

Plan & Lighting Design

The work zone is separated from the movement axis by vertical blinds and flowerbeds, creating a sense of definition while maintaining openness. Careful attention was given to lighting, air conditioning, and soundproofing to ensure a comfortable and efficient workspace. The canteen and playrooms serve as key areas that encourage a shift in activities, fostering a more dynamic work experience. These spaces not only support remote work culture but also redefine the office as a hub for both productivity and social interaction.

 

Dynamic reuse

The early 20th-century multi-storey warehouse in the port of Patras, a listed building, has been restored to its original form. Late additions on the south side were removed, and necessary structural reinforcements were made to accommodate office infrastructure and create a modern working environment.

 

Existing Shell

The enclosure is characterized by a limited number of rectangular windows and the distinctive preserved ventilation holes of the former warehouses on each level. Internally, the original composite load-bearing structure of concrete, steel, and timber was removed and replaced with a new steel-and-concrete framework. The slab levels were redefined to provide sufficient height in the central zones, with the reused building spanning five above-ground floors.

A square atrium was introduced at the center of the floor plan, extending down to the ground floor. This addition was designed to create new openings, improving natural light and ventilation, which had been insufficient due to the small original windows. Two new internal stairwells ensure safe egress for employees from all floors, while the main stairwell features circular windows that reference the façade’s original ventilation holes.

 

 

Spatial Organization

The ground floor features the main entrance with a waiting and lounge area, meeting rooms, and seminar halls. On the first floor, there is a dining area, a kitchen, and office spaces to the south. The three upper floors follow an identical layout, dedicated exclusively to office use. Each floor includes ample restroom facilities, as well as kitchenettes and coffee stands for employees. The offices are designed in an open-plan layout, incorporating distinct yet interconnected collaboration and meeting areas of various types, along with executive offices enclosed by glass partitions.

 

 

Material Palette

The design aimed to create a vibrant, refreshing space with colorful accents and intriguing architectural details, fostering a welcoming work environment with a domestic aesthetic. To honor the building’s industrial heritage, exposed electromechanical installations were incorporated, evoking its original character. These elements coexist harmoniously with soft materials such as wood, Neptune seaweed, and colored surfaces, forming a modern and dynamic composition. Combined with the transparency and natural light from the atrium, this approach results in a highly expressive reuse of the listed building, perfectly aligned with the company’s identity.

 

Aesthetic preservation

This project involved the renovation of the headquarters of a building maintenance company located in Nagoya. The client requested a design that not only supports smooth ongoing maintenance and future renovations but also enhances and sustains the building’s value over the long term. The core concept, titled “Reb-O-Lution,” embodies the fusion of “rebirth” and “evolution,” preserving design integrity while creating a flexible, adaptable spatial layout.

 

Construction Method

Rather than relying on new materials, construction methods, or products that may become obsolete, the construction approach focused on facilitating the maintenance of equipment, facilities, and finishes, as well as enabling easy future modifications. The design ensures that any updates made over time blend seamlessly with the existing structure, maintaining a consistent and cohesive aesthetic throughout the space.

 

 

Material Palette

When only a portion of the floor is replaced, differences in age between new and existing areas can create a noticeable disparity, making older sections appear outdated. To address this, we used a mosaic pattern that allows for gradual, incremental updates. This enables the design to evolve smoothly over time. For walls, wear typically appears as long horizontal marks caused by the movement of people and objects. To minimize the visual impact of this wear and reduce the need for full wall replacements during renovations, we employed a design featuring horizontal stripes in varied materials and colors.

Ceilings, which house vital systems such as air conditioning, ventilation, lighting, fire safety, and communication infrastructure, require more frequent updates than their finishes. Instead of concealing these systems, we exposed the ceiling joists and painted them in a variety of colors. Ceiling panels were installed only in selected areas. This strategy allows for flexible updates, enabling the ceiling -like the floor- to evolve with each renovation while maintaining visual cohesion.

 

 

Renovation Approach

The design ensures that even after partial renovations, the space retains its original aesthetic. Over time, new and existing elements blend organically, enriching the overall character of the environment. This project goes beyond aesthetics and material choices -it establishes a long-term design strategy that supports ongoing evolution while preserving the space’s inherent value.

 

Distinct levels

The proposal focuses on the aesthetic and functional enhancement of an existing building, transforming it into modern offices and showrooms for an international fashion company. As part of a broader strategic development plan, the project seamlessly integrates architectural innovation with bioclimatic principles, creating a striking and sustainable design.

 

Design Philosophy

The primary design objective was to create a flexible workplace that fosters employee well-being. To accommodate the project’s new functional requirements, enclosed spaces were added to the existing structure, either as horizontal extensions or vertical additions.

The new building mass follows an ‘aggregated’ approach, integrating seamlessly with the existing architectural composition. This strategy not only completes the original structure but also introduces a fresh typology, where each floor is distinct and independent, either recessed or projecting. This new typology shifts the scale of the building towards an ‘office neighborhood’ rather than a conventional office complex. Open spaces on the upper levels reinforce this concept, with the central atrium playing a more prominent role in enhancing connectivity and spatial fluidity.

 

 

Functional Layout

The atrium spans the second and third floors, serving as the focal point of a spatial sequence that extends from the interior of the second floor to the planted area of the third floor and the rooftop. At its highest point, the roof offers unobstructed views of Parnitha. This design ensures visual continuity between levels, acting as a transition point from enclosed to open spaces and fostering social interaction, collaboration, and a connection to nature within an area characterized by its strong industrial identity.

The central entrance is positioned along a diagonal axis, seamlessly extending into the floor above. Inside, strategic notches in the slabs create double-height zones between the showrooms, enhancing visual connectivity between floors and reinforcing the perception of a unified, expansive space. The communal areas feature continuous marble flooring and wood-paneled ceilings, adding a sense of elegance and cohesion to the interior.

 

 

Sustainable Approach

Beneath the planted roof, an internal loft has been designed to house office spaces. The building features a rooftop garden, spacious terraces, landscaped ground-level gardens, bicycle facilities, and ample parking. Distinguished by its high energy efficiency and bioclimatic design, the project reflects the company’s commitment to sustainable development. With LEED GOLD certification, it incorporates advanced pollutant management strategies, supports electric vehicle charging, and minimizes light pollution, contributing to environmental preservation.

 

 

Multidimensional space

In Hangzhou, China’s e-commerce capital, live streaming fuels a vibrant urban culture where every late-night broadcast tells a story of creativity and resilience. Vision Entertainment, a leader in the live-streaming industry, continues to grow by embracing youthful energy and instant impact through innovative celebrity-led models and multidimensional industry integration.

 

Design Philosophy

As the company expanded, it sought an office space that would reflect its brand identity and resonate with its young, dynamic workforce. The new headquarters is a space that embodies the brand’s DNA and cultural spirit. With the average age of MCN live-streamers at just 22.9, Vision’s team prioritizes experience, flexibility, and authenticity. The design team, inspired by Gen Z’s values, created a space that merges life, work, and creativity. Vibrant color palettes ignite inspiration, while open, shared areas promote social interaction and collaboration.

 

 

Color Palette & Custom Furniture

Red dominates as a symbol of vitality and classic aesthetics. Color-themed atriums and a multi-level layout enhance spatial efficiency, combining green’s natural calm with red’s energetic punch to signal a bold, optimistic future. The headquarters is designed as a “youth community,” breaking traditional boundaries between office, studio, and social space. The space is filled with “gray zones” where creativity flows freely, and everyone becomes a part of Vision’s story. A striking orange “V” structure connects the interior and exterior, symbolizing ambition and boundless potential.

Bold ceiling colors and exposed structural elements energize the space, while movable furniture supports a non-traditional, adaptable working style. Inward-facing phone booths offer private moments within an otherwise open layout, balancing focus and collaboration. Meeting areas use soft yellow-green hues to foster comfort and openness, encouraging informal discussions and team spirit. The central atrium serves as a multifunctional hub, with green tones flowing from upper levels, while a lightweight staircase enhances openness and movement.

 

 

Functional Layout

On the second floor, modular “stair” stages, reflective ceilings, and a wall-sized LED screen create a seamless blend of performance, fashion, and digital art. A built-in runway allows the space to transform into a fashion show venue, reinforcing the brand’s avant-garde, trendsetting identity. Floating metallic spheres and shifting lights turn the space into a dreamlike cityscape -an homage to Vision Entertainment’s creative essence. The result is more than an office -it’s a living, evolving environment that supports freedom, expression, and innovation for the next generation of creators.

 

Design for the future

The new headquarters span 1,200m² across seven floors of a former hospital building, which has been transformed into a modern workspace.

 

Design Philosophy

A key strategic decision was to design a functional office space that integrates modern work methods with the company’s specific needs while anticipating post-pandemic workplace transformations. Each floor was designed to function independently, both in terms of energy and organization. By analyzing the company’s organizational structure, an optimal department layout was developed to minimize unnecessary movement.

 

 

Functional Layout

Each floor features dedicated spaces for relaxation, meetings, and work, with offices designed around a hot-desking system. At the entrance of every floor, an open, monochromatic coffee corner provides a welcoming touch. On the top floor, the existing café was renovated and transformed into a dining area with an outdoor BBQ, encouraging social interaction in a relaxed setting while keeping workspaces free from dining activities. The second key strategic decision was to establish a bold, cohesive architectural identity that unifies the entire building and reinforces the company’s corporate character.

 

 

Material Palette & Furniture

The concrete roof was exposed by removing the old, suspended ceiling, while the existing technical installations were remodeled, modernized, and painted in a warm red hue. To complement this, the flooring was designed to define different spaces and guide the flow of movement. The company’s existing equipment was carefully inventoried, assessed, and repurposed wherever possible. All available furniture was primarily integrated into the IT area, creating a dynamic mix-and-match aesthetic that aligns with the needs of its users.

 

Red accents

The project is a workspace designed for a tech company called Cricheroes in Ahmedabad. This cricket scoring app company is run by a team of skilled young developers and designers who are extremely passionate about cricket and technology.

 

Design Philosophy

The primary goal of the project was to create a space that fosters creativity and wellbeing while reflecting the forward-thinking company’s energetic culture. The workspace is designed to integrate the company’s brand colour red into the space in order to strengthen the brand identity and create a sense of unity and pride amongst the team.

 

 

Functional Layout

The layout includes various open workstations, collaborative areas, meeting rooms, lounge and a reception. Large blank white walls display definitions of various cricket terminology words to infuse a sense of identity, purpose and inspiration. Finally, an abundance of indoor potted plants is created to bring a sense of comfort and freshness within the space.

 

 

Brand Identity

Accents of red is used in the flooring pattern to define these different zones. Hues of red are also selectively used in various elements such as the desks, cable trays, acoustic panels, sofa, light, etc. to reinforce the color palette. Sheer, white, light weight curtains made from linen are used to diffuse natural light in order create a soft, diffused glow throughout the office. The rest of the space is finished in neutral tones of calming whites and earthy greys to provide contrast and balance. The design is an attempt to create a space that offers respite in a world characterized by constant demands of the fast paced digital world.

 

Sustainable Development

Eurohub’s Logistics Center, located in the Keratea Industrial Park, is one of the most advanced facilities in Southeastern Europe, classified as Z2. This state-of-the-art project boasts a zero environmental footprint, prioritizes safety, and offers exceptional conditions for both employees and visitors.

 

Design Philosophy

The facility spans an area of 16,904.93 m², with the building itself covering 14,185.92 m². The design and permitting process took 16 months, while the project was completed in just 11 months. The south-facing complex is spread across four levels and a basement, which contains a fire tank. The ground floor, which serves as the main section of the building, features the primary entrance, a visitor and staff foyer, changing rooms, waiting areas, and a loading and order deposit area. The design enables the loading process to be fully automated, eliminating direct contact between workers and drivers. This system not only saves time but, more importantly, enhances the safety of the workforce.

 

 

Technological Integration

Additionally, the Logistics Center utilizes advanced VNA (Very Narrow Aisle) technology, enabling the efficient placement, storage, and retrieval of the company’s pharmaceutical products. This system is integrated with a Personal Security System (PPS) and energy-saving features, optimizing storage density and maximizing available space.

 

 

Functional Layout

The first floor houses a second storage area, along with an outdoor semi-open break area for staff. The second and top floors are dedicated to office spaces for employees and administrative staff, along with the necessary support facilities. The building is fully accessible to people with disabilities. Furthermore, the facility features automation for energy consumption and maintains a zero environmental impact from the company’s operations, making it an exemplary model of sustainable development.

 

Morphological enhancement

The project involves refurbishing an existing building and transforming it into an office space, with the primary design focus on creating a modern, sustainable complex that has a minimal ecological footprint.

 

Design Philosophy

Internally, the spaces were reconfigured to meet the needs of the new occupants, with modern living conditions ensured through the installation of heating and cooling systems, as well as heat pumps, which provide optimal comfort with minimal energy consumption. Special attention was given to the lighting design, both inside and outside the building. Externally, the structure features post-modernist morphological elements commonly seen in buildings along the main thoroughfares of the capital, such as rectangular moldings and expansive glass surfaces. The top floor features curved openings and balconies along with a projecting solid roof, and was designed to give the building a distinctive presence. However, these elements did not integrate harmoniously into the urban fabric.

 

 

Sustainable Design

The glazing and masonry that defined the facades were deemed inadequate in providing adequate thermal and visual comfort inside. The design prioritized reconfiguring the building’s external envelope to ensure optimal living conditions for the occupants. To achieve this, external thermal insulation was added, and the existing windows were replaced with new, thermally insulated ones, featuring A+ energy classification and high sound insulation glazing. Additionally, a series of perforated white panels was installed 80 cm from the existing facade, reinterpreting the overall geometry of the building.

 

 

Exterior Shell

The new “shell” establishes a modern identity for the building, serving a crucial function as a sunshade that does not obstruct the view, while also providing sound insulation. A lightweight metal structure was added to the roof, visually altering its height and creating an interesting counterbalance, forming a harmonious “crown” atop the solid building volume. The surrounding microclimate was enhanced through thoughtful landscaping and the use of panels designed to reduce glare -a common issue for buildings with large glass surfaces in sun-drenched countries like Greece.

 

Modern locality

The Digital Innovation Center of Pfizer in Thessaloniki is the first of its kind globally. The concept is built around the idea of localism, using the city’s unique culture, distinctive features, dominant colors, and materials as inspiration. These elements are seamlessly integrated into a modern, interactive workspace that reflects the essence of Thessaloniki.

 

Design Philosophy

The 7,000m² campus, focused on developing innovative digital solutions, is organized into workstations, breakout areas, and collaboration zones. It also features a cafeteria, wellness center, and fitness rooms for all employees. The layout is designed to promote close proximity, fostering interaction and strengthening social connections. Around the perimeter of the main building, “working neighborhoods” have been established, with shared spaces strategically placed next to the offices to encourage teamwork.

 

 

Spatial Layout

The heart of the campus is the “Agora,” a large, flexible workspace featuring rooms of various sizes and shapes. These spaces are separated by sliding writing surfaces, eco-friendly cork boards, and acoustic felt panels. Designed with the principles of flexible architecture, the layout allows for quick modification and adaptation to the needs of different groups. Connecting the central space to the private meeting rooms is the “Arcade” –a corridor adorned with hanging acoustic panels, illuminated signs, and a floor that evokes the charm of cobbled alleys. This corridor links the northern and southern “neighborhoods.” The interior design draws heavily from the cultural identity of Thessaloniki, incorporating sustainable, local materials and bold graffiti art. This fusion of heritage, contemporary culture, and technology is evident from the entrance colonnades, known as “Meet & Greet.”

 

 

Material Palette & Furniture

Natural timber is paired with perforated, colored terracotta bricks, reminiscent of the red brick found in Thessaloniki’s architecture. These organic materials are contrasted with the project’s core element -technology- highlighted by digital images displayed in a suspended lightbox above the entrance gates. From here, visitors are guided to an amphitheatrical “Square,” with a capacity of 260 people, serving as the primary gathering and presentation space. Work cafés, designed to resemble traditional Greek cafés, and a large central kitchen create a collaborative environment for work and dining, emphasizing this aspect of Greek culture.

The importance of feeling “at home” is immediately evident in the choice of furnishings and the harmonious materials on the lower level, which houses a wellness center complete with a gym, workout rooms, and massage areas. In the open space of this level, game “corners” and a reading room are also incorporated. The project stands as a successful example of a modern, inclusive work environment that encourages people to meet, connect, co-create, and interact.

 

Diagonal markings

The office space, spanning 1,100 m², is located on the 7th floor of a newly built landmark on Syngrou Avenue. The narrow and elongated floor plan, combined with the intricately shaped main façade, served as the foundation for the architectural design. This layout accommodates closed offices, meeting rooms, and an open, free-flow zone, all tailored to meet the needs of over 100 employees, creating a modern and functional work environment.

 

Design Philosophy

From the early stages of the design, the goal was to break away from the uniformity and standardization often found in workplaces, while ensuring a comfortable environment through visual and acoustic comfort, privacy, and the use of natural light. To achieve this, the layout was designed perpendicular to the sloping main façade, tilting the floor plan to avoid non-functional areas within the enclosed offices and create an engaging complexity in the open space.

This diagonal layout formed the primary compositional axis, around which the administration area, with its large conference room, was positioned on one side, while the other side housed office rooms, two smaller meeting rooms, and the open space. The new axis is also reflected in the ceiling design and lighting, where the closed sections integrate with exposed electrical installations, designed as part of the overall composition. A hanging rail, which also follows the axis, is distinguished by its color and functions as the general lighting system.

 

 

Spatial Organization

The conference rooms, centrally located within the floor plan and adjacent to the reception area, are designed as transparent volumes that allow ample natural light. These rooms can be enclosed with electrically operated sound-absorbing curtains, ensuring both acoustic comfort and privacy. The administration offices are positioned in the most visually isolated section of the floor plan, while the other enclosed offices are placed along the perimeter facades, functioning as free-standing “boxes within a box.” This layout promotes the diffusion of workstations across the offices, creating “individual spatial experiences within the larger space.”

 

 

Materials & Sustainability

The interior architectural design encompassed the complete layout of both open and closed offices, coordination of other studies such as electrical, mechanical, and lighting, as well as the full design of the fixed furniture and selection of movable equipment. In alignment with the company’s philosophy and the LEED standard, the majority of materials used are certified recycled products that are fully recyclable, minimizing the energy footprint and setting a new design direction focused on sustainability.

 

Meeting point

FEAC Engineering is an engineering and consulting firm, specializing in simulation-driven product development and physics-based Digital Twins. The 320m2 office renovation prioritizes natural light, transforming the space into a vibrant, inviting environment.

 

Functional Layout

With only one facade providing sunlight, the design merges private offices with an open workspace, creating a fluid transition between areas. A custom-designed, partially parametric reception area serves as a social hub, reflecting the company’s digital twin focus. The meeting room is equipped with cutting-edge technology and acoustic panels for privacy, while whiteboards throughout the office promote collaboration. The private offices, designed as symmetrical “twins,” enhance continuity, and the kitchen break-out area fosters teamwork with a playful, basketball-themed lighting fixture. The Think Tank area is positioned next to a balcony and features sleek, modern furniture adaptable for both casual conversations and meetings.

 

 

Materials & Lighting

All lighting and metal panels are custom-made and are complemented by uncoated sections of the ceiling, preserving the space’s existing material character. The office’s color palette sits in harmony with the company’s branding and cultivates a cohesive and creative atmosphere that encourages communication and collaboration.

 

 

Biophilic Design

Biophilic design plays a key role in the proposal, which features carefully integrated greenery that blurs the boundaries between indoor and outdoor. Transparent private offices and meeting rooms maintain visual connectivity, while acoustic panels act as discreet dividers. The modular layout supports both individual work and teamwork, offering flexible spaces for meetings, brainstorming, and relaxation. The design fosters an inspiring, energetic environment where employees feel connected, motivated, and ready to collaborate.

 

Balancing contrasts

The interior of the director’s office for a Ukrainian company seamlessly blends contrasting elements- the cold precision of steel with the warmth of wood veneer, the sharp geometry of metal with the organic beauty of natural marble.

 

Spatial Organization

This compact office comprises two interconnected rooms, separated by a glass partition. The first room serves as a waiting area and workspace for the secretary, while the second houses the director’s office and a conference area. Upon entering, visitors are welcomed into a cozy waiting area, framed by a combination of metal and wooden wall panels.

Soft armchairs and a round carpet contribute to the inviting atmosphere. Warm metal lighting, along with a custom-made floor lamp featuring a dimmer, enhances the intimate ambiance by casting reflections off the textured metal wall panels.

 

 

Materials & Equipment

The reception area presents a striking contrast of raw black metal and natural marble with an uneven edge, emphasizing the stone’s organic origin against the structured, geometric design of the reception desk. Storage solutions are discreetly integrated into the cabinetry near the secretary’s workstation, where a compact kitchen with a refrigerator and coffee machine is also concealed.

 

 

Custom Structures & Construction

The director’s office is divided into two distinct zones. The meeting area features a large marble table supported by steel legs shaped like rounded squares at the base. The director’s workspace is distinguished by a handcrafted wooden desk, custom-designed for this project, with rounded edges and elegantly curved legs. Complementing the overall aesthetic, shelves made from marble and steel serve both functional and decorative purposes, displaying samples of the company’s products.

The project required close collaboration with three specialized contractors -metalworkers, stonemasons, and furniture artisans. Nearly all furniture and structural elements were custom designed, incorporating intricate joinery and detailing in each piece.

 

Uninterrupted movement

The logistics center is situated on a 27,000-square-meter plot, strategically positioned near the National Highway, Attiki Odos, and the center of Athens. Its location ensures the seamless and efficient transportation of shipments via the port of Piraeus, Athens International Airport, and the national road network. The building’s external form is directly shaped by its function, allowing the various uses and transitions within the building to be clearly “read” from the outside.

 

Functional Layout

The urban planning parameters of the area allowed for the development of a ground-level sorting hub with a minimum area of 10,000 m². This space was designed to offer maximum flexibility for loading and unloading -a core operational requirement for the company- as well as a large underground parking facility. All primary operations have been consolidated into a single building.

With a total built area of 33,000 m², the facility is organized across three levels. The basement houses a spacious parking area with a capacity for 242 vehicles and infrastructure for electric vehicle charging, functioning as a fully integrated extension of the ground floor, where the main sorting center is located. Adjacent to the main entrance is the customer service area, where the company’s new corporate identity for its retail network was implemented for the first time. On the upper level, the building hosts administrative and staff offices, meeting and presentation rooms with a capacity of 250 people, as well as dining facilities for employees.

 

 

Design Philosophy

The project’s primary objective was to create a modern and highly functional sorting hub capable of meeting the company’s growing needs. The uninterrupted and efficient flow of goods within the facility was paramount, especially given the presence of large-scale sorting machinery and the high number of loading and unloading docks along the building’s perimeter. These requirements became the core around which the design process was structured. The facility follows a clear rectangular footprint of 120mx 82m. Within this framework, a system of conveyor belts distributes shipments to and from the perimeter docks. The innovative steel structural system enables reduced column dimensions, allowing for larger open spans, which enhance the building’s flexibility and operational efficiency.

 

 

Sustainability Approach & Lighting

Energy efficiency and environmental performance were key design drivers, resulting in a Net-Zero Energy Building certified in the A+ category. Photovoltaic panels with a capacity of 1MW have been installed on the building’s roof, significantly offsetting the annual electricity consumption. The building also allows for independent operation of each functional unit, optimizing energy consumption based on usage patterns. All machinery and equipment were selected based on their energy efficiency and performance.

Natural daylighting is maximized through the use of light tubes in all office areas and selected common spaces. High-efficiency LED lighting, controlled by occupancy and motion sensors, provides artificial illumination in common areas and the parking garage. In addition, a comprehensive monitoring system was installed to oversee critical energy consumption points, allowing for continuous optimization of the building’s energy performance.

During the construction phase, significant archaeological findings were uncovered. Two major artifacts have been preserved and are now on display within the basement, while, in collaboration with the archaeological service, additional methods are being explored to showcase smaller ceramic findings discovered on-site.

 

Circular movement

The 400m² space is situated in an Athenian apartment building along a central pedestrian street. Its previous use was as office spaces, but the design and layout were not aligned with the character or functional needs of the law firm.

 

Spatial Organization

The layout is based on a single-storey apartment, with the main vertical circulation (staircase and lift) centrally located. At the rear, there is a secondary connection to the apartment building’s arcade. The new design accommodates at least 32 employees, distributed across group or private offices based on the needs of the work teams. A key design feature is the creation of a circular circulation path at the center of the floor plan, which separates support areas from the primary office spaces.

In section A of the floor plan, the previous curved walls and large reception area have been removed to allow for maximum natural light throughout the space. The reception area is now integrated into the central circulation layout as a sculptural element with curves, while also serving as a waiting area through carefully designed furniture and special structures. Along this side, the offices for the teams and their managers are arranged in a linear fashion, with an open space designated for the trainees at the core of the layout.

 

 

Custom Constructions

The new office divisions are primarily achieved through glass partitions, maximizing natural light while also fostering a sense of teamwork. In section B of the floor plan, more private offices are located, designed for greater isolation. A parallel internal corridor connects these offices, further separating them from section A. The spaces in between are efficiently utilized with custom-built libraries, both hidden and visible storage, printer rooms, lockers, and cloakrooms. At the junction of the two sections, a main office library with a reading area is created. On the opposite side, in section C, two hybrid meeting booth/rooms are designed to accommodate both team and client meetings, whether through calls or face-to-face discussions.

 

 

Materials & Lighting

The use of glass and custom constructions is designed to optimize the functionality of the space while ensuring aesthetic cohesion. At the end of this section, a dining area for employees is created. An elongated bench with built-in storage extends along one side, while a large central table dominates the space, encouraging interaction. Section D serves as the purely utilitarian zone, housing the kitchen, storage areas, bathrooms, and electromechanical spaces. The overall color palette consists of white and neutral tones, light woods, and black accents. Minimal, linear lighting elements are strategically used to accentuate the central circulation path.

 

 

Pieris.Architects is an award-winning architectural practice based in Athens, founded by Constantinos Pieris in 1974. In 2004, after completing their studies in London, Stella and Pieros Pieris joined the team, bringing an interdisciplinary and outward-looking character. Since then, they have participated in architectural competitions, earning important distinctions. The studio’s built work in Greece, Cyprus, and the United Kingdom spans various scales and typologies, yet always remains attuned to its urban, natural, and cultural context. Their projects are consistently developed with a focus on sustainability, centered on the concept of “eco-emotional intelligence,” where architecture is conceived as an intellectual, emotional, sensory, and bodily experience, ultimately acting as a force of holistic regeneration.

 

S.M.: Your architecture focuses on the interaction between nature, technology, and emotion. How do you integrate this approach into your everyday architectural practice, and how does it affect the user’s experience of space?

Pieros Pieris: The interaction of nature, technology, and emotion shapes a living dialogue between space and the user. For us, architectural design is not a static process but a dynamic act that evolves and converses with both the environment and people. The natural landscape is not a decorative element but the very soul of our design. Technology -whether as a tool for modeling and analyzing parameters such as light and wind, or as an innovation in construction- enhances both sustainability and the user experience. Our aim is for spaces to be not only functional but alive, emotionally familiar, and human. We strive for every project, every line, every texture, every shadow to have purpose. The spaces we create should not be static but should evoke sensations, memories, and moments that inspire, educate, and encourage a more sustainable and meaningful way of life.

 

 

S.M.: What does the concept of “eco-emotional intelligence” include?

P.P.: Architectural design has the power to shape people’s emotional state, influencing how they feel, think, and interact with space. This term, which we coined, is based on the belief that architecture can provide calm, inspiration, a sense of safety, and belonging. It is achieved through a delicate balance between light and shadow, fullness and emptiness, the natural and the artificial. In our projects, we highlight the imperfections of nature and design spaces with soul. For us, architecture is not just walls—it is the sensation a space leaves behind, the connection that emerges between people and their environment, transforming the built landscape into a lived experience.

 

 

S.M.: How do you combine local traditions with contemporary architectural features in your projects?

C.P.: Architecture must have roots -especially in Greece, where both the urban landscape and the countryside are deeply intertwined with history and traditions. We believe that every place has its own identity, its own history, and its own materiality. Our mission is to highlight them, to breathe new life into them through contemporary design. For us, tradition is not something that belongs solely to the past; it is alive and in constant dialogue with the present. We focus on authentic local materials -stone that grows out of the earth, wood that bears the marks of time, techniques that preserve the wisdom of master builders. It is not necessary to reproduce the past, but to transmute it into a contemporary narrative that respects memory while looking forward. After all, architecture should not impose itself but serve as a dialogue between past and future, a bridge that connects history with the present, people with their place.

Read the full interview in ek issue 295 | March 2025.

Urban catalyst

In 2019, the Dimnikcobau company organized an international competition to design the DCB business centre in the Moste industrial zone of Ljubljana. The project transcends the building’s functional character as an office space turning it into an urban catalyst, adding value to this suburban area which is historically linked to generic spaces for business and logistics.

 

Design Philosophy

The compact space of the new building, with the ground floor shaped like a rhomboid and 10 floors above ground level, is taller than neighboring buildings and dominates the landscape of the area. The diagonal displacement of the ground floor allows access to the central foyer consisting of a large atrium with a fluid shape and which goes up vertically to end in a skylight overhead. The atrium opens up to the exterior through two large windows that are the height of three levels, and which add a sculptural character to the space, allowing it to be bathed in natural light from two sides, as well as allowing views of the city’s outline and the mountainous Alpine scenery from its terraces.

The building has a ground level surface area of 12,556 m2 and 8,114 m2 below ground, occupied by three parking levels. The public area is located on the ground floor: a restaurant, a café, various meeting rooms, and a multifunctional gallery that can be used to host different events. The remaining nine levels are occupied with offices and common spaces. The central atrium coordinates the flow of people and maximizes the interaction between the different programs. Each level has four office modules that can be configured, combined or extended according to the requirements of the tenants.

 

 

Interior Layout and Façade

Both the covering of the interior and exterior facade seeks to dematerialize the volume mass by giving it a certain fragility and elegance. The exterior dark glass facade is covered with white brisesoleils sloping at different angles and placed at different progressions. While within the interior, the vertical foyer shaped around the atrium is covered with “L” and “Y” gilded anodized aluminum profiles whose tones change depending on the sun’s movements. The delicate treatment of the space and the surfaces, as well as the sensitive way that the detailing has been handled, have resulted in a building possessing high spatial richness at different scales.

 

 

Bioclimatic strategy

The central atrium, which crosses the building vertically, not only functions as a spatial axis, but also as a key element of its ventilation system. This space acts as a return duct for ventilation of the offices, extracting used air and pushing it upwards like a chimney. At the top of the atrium, an advanced climatic control system recovers the energy and humidity in the air before redistributing fresh air throughout the offices. The air conditioning system for the offices combines underfloor heating and cooling with low level individual fan coil units, which allows for accurate temperature control and guarantees maximum comfort for all users.

 

Sense of unity

After a devastating fire completely destroyed KRITI TV, reconstruction and upgrades began, transforming the station with modern functionality and a bold new aesthetic.

 

Design Philosophy

The design aimed to fully accommodate employees’ needs while fostering collaboration, innovation, and productivity. At the same time, it sought to highlight the station’s identity by creatively and harmoniously integrating its unique features into the space. Every detail has been carefully considered to shape the experience of both visitors and employees, from the entrance to the work areas. The creation of a pleasant and functional environment enhances efficiency, uplifts morale, and strengthens a sense of unity and teamwork. This project marks a renaissance for KRITI TV, redefining its workspace and laying the foundation for a new era of production and communication.

 

 

Functional Organization

The building’s exterior captivates with its architectural grandeur and lush green entrance, offering a warm sense of hospitality from the very first approach. Inside, every space is thoughtfully designed to balance functionality and aesthetics, ensuring optimal support for the station’s team. Meeting rooms, relaxation areas, and workspaces are strategically arranged to foster collaboration, communication, and productivity while enhancing employee well-being.

 

 

Material Palette

The space embraces an industrial aesthetic, characterized by clean lines, metallic structures, and natural materials, creating a modern yet refined atmosphere. Earthy elements like wood and metal blend seamlessly with striking metalwork and a carefully curated color palette inspired by the local culture and environment. Custom-made wooden structures and furniture add warmth and sophistication, while the thoughtful lighting design enhances both functionality and the space’s inviting energy.

 

The jungle in the building

This study focuses on transforming an abandoned urban structure into a dynamic workplace for a group of young, extroverted, curious, and bold engineers.

 

Design Philosophy

This design aims to meet work-related needs as well as stimulate the senses and foster extraordinary interactions among team members and their clients. The concept is simple: “Let’s bring the jungle into the building.” At the office entrance, a circular feature is created, adorned with tropical plants such as Strelitzia nicolai, Howea forsteriana, Beaucarnea, and Asparagus setaceus, complemented by natural rocks.

A fully automated system integrates drip irrigation and dimmable artificial lighting to ensure optimal plant preservation and growth. The cooling effect of plant evaporation, combined with the earthy scent of moistened soil, evokes the sensation of being immersed in nature, guiding users into an environment that feels refreshing and serene.

 

Functional Layout

The main workspace, elevated within a striking wooden “box,” serves as a focal point, clearly defining the axes of movement and separating the auxiliary work and meeting areas. At the same time, it incorporates secondary functions within the storage space below. A monochromatic yellow folie jaune creates a cinematic atmosphere, framing a micro-dwelling that includes a kitchen, bathroom, and bed.

 

Lighting & Atmosphere

The interaction between the user and the lighting shapes the size and intensity of shadows, continuously altering the observer’s perceived images. Through shifting viewing angles, the observer uncovers new connections between the perpetual symmetry of shapes and light.

A modern workplace should transform work from a tedious necessity into a creative endeavor, fostering not only productivity but also social interaction and communication. Whether it’s a basketball challenge, a party with friends, or a film screening, the space adapts to inspire both collaboration and enjoyment. In this architectural narrative, a resourceful and highly imaginative turtle, “Odysseus” (Testudo graeca Linnaeus), takes center stage, adding a playful and symbolic touch to the environment.

Natural emergence

In the heart of Patras, an old industrial building, originally constructed in 1910, has been repurposed into a modern architectural office and exhibition space. The building began as Agouridis’ distillery and later became the renowned Karydis carpentry shop. It remained in operational until 2005.

 

Existing Structure

The building, covering an area of 136m², is a single-story space with stone masonry walls and wooden-supported roofs. The primary goal of the architectural restoration was to preserve its key structural elements while enhancing their natural appearance through minimal interventions. In the first phase, the roof frame was preserved and reinforced. The old asbestos-cement roofing slabs were replaced with polyurethane thermal insulation panels. The new roof cladding is made of longitudinal translucent blocks, which offer the space additional natural light.

 

Spatial Layout

The interior is an open space, featuring a stone partition at the back where art and architecture seamlessly coexist. In the center, a 4.5m table serves as the main hub of the office, facilitating interaction between the team and the clients. The table is flanked by two large, iconic potted trees. The generous height of the space, along with the surrounding white walls, creates an ideal setting for displaying various artworks. At the back, a wc and a freestanding kitchenette provide a designated break and dining area. This area was once a courtyard, which was later legalized by the owners and adapted for use.

 

Interior & Exterior Integration

Building on the idea of the dynamic relationship between nature and architecture, the creation of a garden could have completed the project. However, in this case, it was seen as more challenging and rewarding to bring the garden inside. The two trees enrich the workspace by introducing a sense of life, while also establishing a connection with the public space outside through the glass façade. This is a space where the working environment continuously evolves, with the translucent ceiling panels casting a soft, diffused light throughout the day. From the outset, the primary objective was to design an open space that could transform with every exhibition it hosts, while remaining accessible to the public.

Transparent shell

Surat, a thriving hub of commerce and culture in Gujarat, has steadily transformed into a city that balances tradition with rapid modernization. Known for its bustling textile industry and diamond trade, it is a city of resilience, innovation, and growth. Amidst this vibrant backdrop, the 2400m2 project emerges as a beacon of contemporary design that integrates seamlessly with the natural environment.

 

Project Philosophy

At the core of the office’s design lies a philosophy of openness and fluidity. Much like the single-celled organism it is named after, the architecture is dynamic and ever-adaptive, drawing from the natural forms and elements that surround it. The office comprises four glass cubes -two directors’ spaces, a meeting room, and a staff area- each strategically positioned around a central veranda. This design creates a visually striking as well as functional structure, where indoor spaces flow seamlessly into outdoor semi-open areas. The veranda acts as a communal hub, reminiscent of Indian homes, encouraging informal interactions, creativity, and free-flowing discussions. This deliberate blending of indoor and outdoor transforms the space into a living, breathing environment that thrives on collaboration and connection.

 

Architectural Elements

Transparency is at the heart of the project’s architectural design. The glass cubes allow natural light to flood into the spaces, fostering a sense of openness and connection to the surrounding garden. This transparency extends beyond mere aesthetics; it is a conscious design choice that reflects the values of modern corporate culture -clarity, visibility, and inclusivity. The garden office concept enhances this connection to nature, making the workspace an integral part of the landscape rather than an imposition upon it. Large, cantilevered roofs provide shade, shielding the glass structures from Surat’s intense sun while also casting ever-shifting patterns of light and shadow throughout the day. This constant play of natural elements creates a dynamic environment, where the atmosphere changes with the time of day, fostering a workspace that is as flexible as it is inspirational.

 

Sustainable Design

Beyond its aesthetic appeal, the project is a model of sustainable design. The emphasis on natural daylight dramatically reduces the need for artificial lighting, promoting energy efficiency. Additionally, the thoughtful incorporation of local materials not only reduces the building’s carbon footprint but also supports the local economy. The exposed concrete, the black-tiled flooring, and the custom furniture crafted by local artisans are a testament to the architect’s commitment to sustainability. By engaging local carpenters and procuring materials from nearby areas, the project reduces transportation costs and fosters community involvement. The design also features high cross-ventilation, significantly lowering air-conditioning needs, while innovative plumbing systems conserve water, further demonstrating the project’s alignment with green architecture principles.

 

Vegetation & Decoration

The lush gardens are thoughtfully designed with native plant species, which not only thrive in the local climate but also contribute to the ecological balance by supporting regional flora and fauna. The garden is not just an afterthought but an integral part of the design, reinforcing the connection between workspaces and the natural environment. Internally, the office feels like an art gallery. The open spaces are adorned with sculptures and artworks that infuse the environment with creativity and inspiration.

Trail Practice, an architecture and design studio based in Athens, is composed of a team spanning multiple design disciplines and scales, founded by Manos Babounis. The team views space as a dynamic, ever-evolving landscape of interactions, with design extending beyond three dimensions to focus on the relationship between place and person. Know-how, an unconventional gaze toward the existing, and respect for user needs -together with a love of detail and respect for the environment- are the studio’s core design tools for every project.

 

S.M.: How did your involvement with hospitality/restaurant spaces begin? Which landmark examples marked your path, and in what ways?

Manos Babounis: Our work with dining spaces reflects our practice’s broader philosophy. Our aim is to create spaces that encourage human connection and retrieve memories, functioning as places of collective interaction. Our design evolves as a constant negotiation between public and private, introverted and open to the city, innovative and timeless. Nolan, in Syntagma, which marked the beginning of our engagement with hospitality, was born in 2016, during a period of social and economic fluidity. It was the moment we were called to overturn conventions, creating a space that reflects its time while also offering a sense of the familiar. The urban landscape was our primary field of inspiration. We drew materials, textures, and techniques from the city’s contrasting facets -from the entrances of 1970s Athenian apartment buildings to the metal scaffolding that supports the façades of neoclassical buildings.

We used these elements in non-conventional ways, redefining users’ relationship with space. For example, terrazzo- a material one would expect to see on the floor -was placed on the ceiling, imparting dynamism to the space and a sense of movement and flow. Projects followed such as Theophilos in New York, Proveleggios in Kerameikos, and Ypseli in Paris, each in its own way capturing our design intent. With Theophilos, the need to create a space within a different cultural and geographic canvas pushed us to explore new design approaches, while Ypseli, housed in a historic 1836 building, allowed us to relate historicity to the needs of contemporary life. Each project became a milestone -not only for its capacity to influence our design qualities but also for the technical challenges we had to confront. In all cases, our primary concern is that the user remains at the heart of the experience.

 

 

S.M.: By what means can a distinctive brand identity be expressed in space? What methodologies do you follow to arrive at the necessary deliverables each time?

M.B.: Creating a brand identity in space requires a multidimensional approach aimed at generating a total experience. Image, atmosphere, scent, texture, and the emotion the space evokes all combine to form a multisensory environment that gives tangible form to each brand’s essence. We believe branding doesn’t need to be loud.

We seek for the space to “speak” through details, materials, and their composition. This composition, moreover, transcends the physical boundaries of spaces and becomes an architectural vocabulary that allows the project to function like a world within other worlds. Our method begins with mapping the brand’s identity, which we ensure is expressed distinctively and ultimately woven organically into the atmosphere of the given shell -its historical references and aesthetic values- into a coherent architectural narrative. Original thinking, though not an end in itself, serves as a tool for conveying each project’s distinctiveness. This process demands the harmonious convergence of architecture, interior and industrial design, and graphic design, unifying different scales in a complementary workflow. Deliverables are shaped according to each project’s and client’s needs, including elements that ensure functional performance and aesthetic integrity. Maintaining the “backstory” of each project -as a core design principle serving commercial objectives- is a challenge that inspires us.

 

 

S.M.: In your work you often create custom constructions. What advantages does this kind of design offer, and what difficulties have you encountered? Can you mention some examples?

M.B.: Custom constructions are among our most dynamic tools for enriching spatial experience and the narrative that accompanies it. They offer opportunities for experimentation while strengthening a project’s “script” in ways that off-the-shelf solutions cannot achieve. On the other hand, custom solutions come with significant challenges. Developing new implementation methods and addressing technical constraints require flexibility and perseverance. Nevertheless, each custom construction expands the team’s knowledge and skills, while also creating the element of surprise that gives a space its identity. A characteristic example is the door of Nolan in Syntagma, which bears a markedly Doric character that turns it into a key compositional element interacting with the city.

 

Read the full interview in ek issue 294 | January – February 2025.

Local character

The project is situated in the heart of Athens’ creative community and involves the redevelopment of 500m² of office space within a six-storey building from the 1970s.

 

Design Philosophy

The new office spaces are designed to accommodate the needs of HQ, a provider of flexible professional workspaces, which is a subsidiary of the International Workplace Group (IWG). The corporate identity, along with the functional and spatial requirements of the organization, guided the design of the office layout. The goal is to create a workspace that fosters collaboration, sparks creativity, and enhances productivity.

 

Layout Principles

With a focus on transparency and creating a bright workspace that connects seamlessly with the urban environment, the offices are arranged along the perimeter of the space to ensure natural light. This layout allows them to function as private, autonomous work areas. The central portion of the space serves as a dynamic, interactive hub, accommodating the company’s shared facilities: reception area, informal meeting spaces, refreshment station, conference rooms, and auxiliary print area. A distinct textured floor, different from the office areas, along with the installation of sound-absorbing louvres on the ceiling, helps define and enhance the dynamic character of this central zone.

 

Materials & Custom Structures

Glass partitions allow natural light to flow freely into the center of the room. Strategic plants in selected areas help define the public spaces, making each one distinct while maintaining a cohesive overall composition. The meeting rooms are centrally located for easy identification and accessibility and are separated by a series of glass partitions.

 

Context Integration

A key aspect of the project was its connection to the broader region. As a hub for collaboration and interaction, the goal was to emphasize the sense of community and creativity that defines Kypseli. The selection of artwork, decorative elements, and plants was carried out in collaboration with the local community to reflect the unique character of the neighborhood.

The architectural office Kokkinou-Kourkoulas | Architects and Associates was founded by Maria Kokkinou and Andreas Kourkoulas in 1987. With studies in Athens and London, the founders have worked professionally on numerous public and private buildings, at every scale of design. Their work is regularly published both in Greece and abroad. Recently, the practice has incorporated the team of en-route architecture with Katerina Kourkoulas and Hannes Livers Gutberlet, continuing Kokkinou-Kourkoulas’ pursuit of new typologies, inventive construction solutions, and innovative materials. We spoke with Andreas Kourkoulas about the long journey of the practice and its future, as it is shaped by three decades of accumulated experience.

 

S.M.: You belong to a generation that explored in many ways the relationship between architecture and the city. To what extent did your studies in London allow you to interpret Athens differently? What do you think of its evolution over time?

Andreas Kourkoulas: I belong to a generation that lived through the nightmare of applying the ideas of modern urbanism -the ideas that dominated the development of industrial cities especially after World War II. These applications led to tragic social phenomena: loneliness, abandonment, vandalism -and ultimately, to a large extent, they were demolished. In the 1980s, both internationally and particularly in London, the realization of this tragic failure led to the rise of architectural movements that opposed the views of modern urbanism. Greece, due to the “antiparochi” (apartment-for-land-exchange) system, avoided this nightmare. The structure of the city block and the street ensured a certain social vitality in the city. For this reason, the discussion around the problems of urban design did not concern us. The issue of the character of Greek cities, and Athens in particular, first appeared in the early 1990s, in the introduction written by Kenneth Frampton to the Greek edition of History of Modern Architecture(Themelio Publications). There, the author praises the structure of the city and its strong social character. I believe that the advent of the internet, a new and powerful mechanism of intangible relationships, places urban design on a new footing. The structure of the city block and the street seems to ensure a kind of social vitality that is absolutely essential in new societies, where online communication reduces physical encounters.

 

 

S.M.: Alongside your architectural work, you have also had a significant teaching role at the School of Architecture at NTUA. What do you consider the most important problems in architectural education in Greece, and where do you think architectural education is heading internationally?

A.K.: In Greece, for reasons we do not fully understand, architectural studies have a very strong appeal. The existence of six schools throughout the country, as well as the large number of Greeks studying architecture abroad, is something inexplicable to us. It should concern us, but above all, we must find a way to utilize this vast potential that exists internationally -Greeks who hold important positions at leading universities and architectural practices worldwide. We must break our introversion and participate actively in the international architectural discourse. Spain and Portugal did this with great success, with spectacular results.

 

 

S.M.: Greek legislation provides different procedures for the commissioning of studies for public spaces and buildings. In which cases do you think open architectural competitions are the best procedure? Is it important for architects’ professional bodies to act as institutional advisors to the state?

A.K.: The issue of open architectural competitions for public spaces and buildings should concern us. On the one hand, they are the cornerstone of a democratic, participatory process, offering opportunities for expression to everyone —especially to young architects. On the other hand, we must reflect on and evaluate the outcomes of this process, which was adopted after the restoration of democracy. Something went wrong, something undermined this procedure, and its results do not justify it. We need to re-examine the process and upgrade it. This is very important for Greek architecture, and particularly for young architects.

 

Read the full interview in ek issue 293 | December 2024.

Floating Sense

Located in Kipia, just outside Kavala, the project involves expanding the offices of a rock mining and processing company and redesigning the interior layout of its 3,000m² product exhibition space. The design draws inspiration from reimagining the quarry experience as an open, local tour, with the concept of levitation serving as a defining architectural element.

 

Design Philosophy

The space is experienced as a journey, where visitors encounter plantings, rocks, and shifting perspectives through a series of multi-sensory experiences. A bridge at the intermediate level appears to float between two curved metal surfaces, on which the exhibits are suspended, enhancing the immersive experience.

 

Spatial Organization

The transition process begins at the entrance, flows through the ground floor pathway, and extends into the museum spaces of the quarries, culminating on the first floor of the exhibition. This level also provides access to the offices located on the intermediate level. Within the exhibition area, thoughtfully designed sections showcase elements of the quarry, alongside seating, entertainment spaces, and areas for public gatherings.

The design language of the ground floor engravings is carried into the office spaces, featuring curved bands of black granite, slate, and carpeted islands. The office area, which accommodates 40 workstations, is spread across three levels, which are connected by a sculptural vertical circulation core made of folded sheet metal, positioned within the central atrium.

 

Materiality & Construction

The architectural composition is enriched by boulders transported from the company’s quarries, which define specific pathways throughout the space. These boulders have been carefully processed to retain the essence of natural rock, evoking both the form and experience of traversing a quarry’s rugged landscape. This concept is further reflected in the detailing of elements such as rock sinks, slate blinds, and scales. The exhibition’s various surfaces are designed as a cohesive narrative, where materials serve as storytellers of the quarry’s lived experience. This approach creates layered references and meanings, conceptually tied to the material’s raw texture as well as the general tactile nature of architecture.

Colourful poles

The project establishes a L’Oréal training center, featuring courses and seminars, within an existing company building. Positioned amidst offices, the training center shapes the building’s outward identity. This transformation turns the space into a dynamic tool for showcasing the brand and its products to the professional community.

 

Spatial Organization

A core principle in organizing the floor plan was enabling parallel activities. The design aim for the different halls was to make them operative both individually as well as together to support diverse functions. To achieve this, the layout incorporated fluid boundaries, preserving continuity while adding flexible partitions. Each space was designed to align closely with its intended function, fostering connections between knowledge transmitters, direct participants, and remote observers.

 

Exterior Shell

The building itself serves as a backdrop -a luminous container enabling the activities within. It provides a bright, inspiring environment for knowledge. The training center features classrooms and seminar rooms equipped for both theoretical and practical learning. A meeting room, visually connected to the reception area through glass partitions, maintains openness while defining space. At the rear of a longitudinal zone, an open-plan presentation room is set apart from the rest of the center by a flexible solid wall. Additionally, an internal atrium, linking the rooms through strategic openings, introduces natural light and incorporates a subtle touch of greenery, enhancing the atmosphere.

 

Company Brand

The color palette, defined by a minimalist aesthetic, centers on a dynamic interplay of white and black. The bright white surfaces of the walls and floors contrast with the deep black tones of the furniture and frames, creating a striking and harmonious tension that enhances the overall composition. In the entrance area, a bold black feature with modern lines emphasizes the juxtaposition of light and dark elements.

The design process aimed to not only complement but also highlight the diverse qualities of the commercial spaces. Functionality, balanced proportions, carefully selected materials, and cohesive aesthetics all come together to reflect the company’s identity.

Flexible variations

The project focuses on renovating offices along Syngrou Avenue to create a dynamic, appealing, and adaptable working environment. The design seeks to enhance the open character of the traditional, repetitive workplace layout by incorporating diverse partitions, modern office infrastructure, vibrant colors, and a variety of materials.

 

Project Challenge

For decades, the open-plan layout has been the cornerstone of office design, with transparency and openness valued as key contributors to a pleasant working environment. However, this organizational model faced its first major challenge in the late 1990s and early 2000s, as monotonous office spaces increasingly failed to meet the emerging demand for more dynamic and engaging workplaces. This shift was further driven by the rapid digitization of work processes and the resulting sense of worker alienation. The growing technology industry catalyzed this cultural transformation, employing strategies of programmatic distraction and spatial disruption to redefine the modern office.

 

Design Philosophy

Vibrant workplaces featuring ping-pong tables and informal seating areas quickly emerged as icons of a supposedly more inspiring work environment, reflecting a new approach that blurred the boundaries between working and living in the office. However, the COVID-19 pandemic shifted this dynamic, as most workers expressed a preference for working from home. This compelled companies to reconsider their office spaces, aiming to draw employees back—at least partially—into collective environments that foster greater productivity. The current challenge is to design workspaces that are not only attractive but also flexible and adaptable to a variety of work scenarios.

 

Material Approach

The renovation proposal introduces a spectrum of informal and formal workspaces, distinguished by varied wall colors and flexible infrastructure layouts. Glass partitions and translucent dividers are strategically incorporated to enhance adaptability, while indoor plants and diverse furniture arrangements are thoughtfully placed throughout to eliminate monotony. Individual desks are seamlessly interspersed with collaborative zones designed for dining, interaction, or meetings. These informal spaces are delineated by electrically operated curtains, creating soft, translucent boundaries.

Much like in fashion, the interior is conceived as a dynamic composition of colors, materials, and layouts, designed to evolve in response to shifting ideological and spatial demands. The open floor plan serves as a versatile foundation, capable of accommodating future aspirations and the evolving needs of the workplace.

Material Harmony

The project is situated in a four-story apartment building from the 1960s, encompassing an area of 65m², with the objective to transform this space into an office-workshop. Currently, the apartment’s layout adheres to a conventional residential format, with each area functioning as a separate room.

 

Functional Layout

In the design, the new office functionality is seamlessly integrated into the existing floor plan while preserving some characteristic architectural elements. Specifically, the living and dining areas, separated by a sliding door, serve as the main working area, featuring open space, meeting areas, and exhibition space for architectural materials. This layout allows for dynamic division of the space based on the office’s needs: the bedroom has been converted into an office, while the kitchen, storage room, and bathroom remain largely intact with only minor alterations.

 

Material Palette

The floors are preserved to reflect the distinctive style of the 1960s, featuring three different types of mosaics, marble, and oak wood arranged in a herringbone pattern. After maintenance, these materials create a unique color palette. Additionally, new materials such as metal, white marble, and lacquer have been incorporated into the design.

 

Furniture & Lighting

All new furniture is designed to enhance the existing character and aesthetics of the apartment while aligning with the new identity of the office. The lighting, in addition to serving its functional purpose, accentuates the shapes of unique constructions and complements the overall architectural composition.

A shell inside a shell

Located in Pagrati, the project was originally a 28m² hair salon before being transformed into an architectural office.

 

Design Philosophy

The selection of this particular space was influenced by its standout features, which however, also posed challenges during the design process. These include the impressive 4.5m double-height ceiling, the open floor plan, expansive corner glass windows, as well as its ground-floor location, connecting the office directly to the city. To address these elements, a cube-like structure was built within the space, discreetly housing auxiliary functions such as a wc, a kitchenette, and storage. Clad in marble, this cube serves as the only fixed and solid component of the interior, with a hidden entrance offering access to these facilities.

In parallel, a custom “desk-parasite” with slender metal legs is designed to sit alongside the cube, forming a cohesive composition. Overhead led tube lighting enhances the work and meeting area, which can accommodate up to eight people. This layout reflects the office’s philosophy that every team member is equally essential to the success of each project.

 

Material Palette & Acoustic Design

The dark yellow, velvety curtains serve as sound-absorbing elements and allow the space to be fully darkened during presentations, while also highlighting its impressive height of nearly five meters. Their vibrant color and soft texture introduce a bold contrast to the otherwise minimalist interior, dynamically altering the atmosphere both inside and out, depending on whether they are closed, half-open, or fully open.

 

Lighting Design

Careful attention was given to the artificial lighting, which varies in color, intensity, and type, sparking curiosity and surprising both visitors and pedestrians. At night, the concealed lighting from the ceiling of the marble box gently illuminates the space, turning the studio into a vibrant, glowing object that seamlessly blends with the local neighborhood.

The project for the new regional headquarters of Guardia di Finanza (Financial and Customs Police) transforms a marginal urban condition into a work of architecture that exudes both composure and rigor, all while seamlessly incorporating a diverse range of spaces and establishing connections with the urban fabric and distinctive elements of the city of Bologna.

 

Contextual Design

The project is situated within a complex context: an area on the edges of the city enclosed by urban partitions and characterized by a series of heterogeneous spaces. To the north, the railway line and Bologna’s high-speed train station create a continuous boundary of partitions and infrastructures. To the south, there’s the dynamic area of the DumBO Social Center and to the east, the building is bordered by Via Tanari street. As a result, the design delves into the concept of the “boundary”, which is envisioned as a transformative “third space”, fostering the emergence of interactive and innovative architectural dynamics as well as interprets this marginal urban condition as an opportunity for connection and regeneration within the district.

 

Design Approach

The new structure, perpendicular to Via Tanari and seamlessly integrated with the original core of the Bertarini barracks, functions as a compact element with a bespoke elevation. A series of terraces are designed as outdoor extensions to the program. These elevated gardens, gradually descending along the five floors, are conceived as spaces that not only enhance the environmental quality of the office spaces but also establish a visual connection with the urban landscape.

Despite being part of a military complex and, therefore, a confined and protected area, the new office building strategically establishes a series of connections with the urban context. More specifically, on the southern facade an elevated footbridge is designed to connect the new offices to the existing spaces of the Bertarini barracks. Towards the west, the new architecture rises in front of the partition separating the barracks area from the temporary urban regeneration space DumBO, housed in the former railway freight yard. This creates an additional opportunity for visual interaction between the military complex and the social life of the city.

 

Façade Design

The facades are composed by a series of panels that result in a modular pattern featuring the dominant red tones found in the material textures of Bologna. The relationship between the facades and their environment enhances the overarching theme of order and transformation within the architectural composition.

In this regard, various vantage points, contribute to a visual progression that unfolds both horizontally and vertically. The true element that disrupts and simultaneously reconfigures the internal spaces is the long staircase, which unfolds linearly along the entire length of the building and guides the movement as well as the gaze of the visitors.

Urban presence

The new, modern office building, with its clean lines and strong urban presence, exudes a distinct identity. Designed in an L-shape, it opens onto a square, offering a captivating view of a neighboring olive grove, while the structure itself, with its dynamic architectural projections, sharp angles, and soft curves, appears to float. It stands as a model of sustainable development, having the highest (A+) energy rating and obtaining a LEED Platinum certification in the Core and Shell category.

 

Design Philosophy

The project spans 13,857m², with 6,682m² dedicated to the upper structure, comprising seven floors in total: two basement levels, a ground floor with a shop, lobby, and office space, and four office floors, two of which offer direct access to green roofs. The site posed a unique challenge due to its triangular shape and the presence of an independent three-story building at its center, having a resulting Π-shaped area as the final layout of the plot. This configuration allowed for the creation of a garden and a generous semi-circular diagonal opening that enhances circulation and highlights the entrance. Special attention is given to integrating greenery, with the garden serving as a space for relaxation and recreation, and the planted terrace acting as a “fifth facade.” The new L-shaped building wraps around the existing three-story structure on both sides, forming a lush garden square.

The two interior sides of the building are curved to “soften” its appearance, especially close to the independent three-story building that intervenes in the design. Horizontal architectural cantilevers are added on every floor, allowing for both shading and the placement of vertical louvers. A slightly curved geometry, with variations and alternations from floor to floor, emphasizes the corners to enhance the sense of movement and highlight the dynamic nature of the composition. With a focus on horizontal lines, the subtle curvature of the facades creates a continuous interplay of shadows.

 

 

Façade Design

The facade facing Fragokklisia Street is accentuated by alternating cantilevers, suggesting the building’s openness to the city through dramatic shadows and the deliberate utilization of its architectural form. The sense of “movement” is heightened by reflective surfaces, using a special reflective aluminum that visually “doubles” the height of the semi-open space. A dynamic light interplay is created by water features and the movement of people, while at the entrance and in the floor lobbies, boundaries become fluid and blurred. The facades are made of exposed white concrete and continuous glazing, featuring both mobile and fixed sections, along with high-performance energy-efficient, sound-reducing glass.

The south-east and south-west facades feature electrically operating vertical rotating blinds of varying widths, made from anodized perforated aluminum sheets. These blinds are automatically adjusted via the building’s BMS (Building Management System) to enhance visual comfort for occupants and reduce internal cooling loads. Differentiated by floor, the blinds highlight the sense of movement and add to the dynamic appearance of the facades. On the ground floor and part of the first floor, an “air base” is created—a secondary layer of anodized perforated aluminum positioned away from the glazing, offering both views and a sense of privacy for the interior spaces.

 

 

Sustainability & Lighting Strategies

All workspaces benefit from natural light and ventilation. Planted windows on the 1st and 4th floors provide opportunities for spontaneous breaks and interaction among employees. The air conditioning system uses a VRV Heat Recovery system, enabling simultaneous heating and cooling. To meet ventilation and air quality standards, separate A+ class water-based air conditioning units have been installed for each floor section.

To promote the efficient use of water as well as its conservation, rainwater is collected in a tank to meet the irrigation needs of planted areas, supplemented by groundwater. A portion of the building’s electricity consumption is offset by a self-generation system, by installing photovoltaic panels on the roof that have a total capacity of 42KW.

The lighting design of the Element Office Buildings in Maroussi is conceived as an integral component of the architectural strategy, supporting both the workplace environment and the building’s contemporary identity within the urban fabric. Specifically, artificial lighting follows a restrained and highly integrated system of linear and recessed luminaires that emphasize clarity and spatial continuity. Even, glare-free illumination supports focused work while maintaining a calm and balanced atmosphere throughout the office interiors and shared spaces. At night, subtle exterior lighting accentuates the geometry of the façades and the transparency of the glazed surfaces, allowing the building to appear as a softly illuminated volume that contributes to the contemporary character of the business district.

 

Open facade

The architectural office is situated within a shopping centre in the heart of Voula, which houses both shops as well as offices.

 

Design Philosophy

The project aims to showcase the philosophy of Alpha/Sigma Architects while creating a functional and inviting workspace for both employees and clients. The design was shaped by questions such as what defines the aesthetic of this architectural practice, its construction methods, and its overall professional direction.

 

Materials & Lighting

Functionality is integrated with the office’s brand color palette, while a focus on materiality, transparency, and the use of artificial lighting creates a space that supports the architects’ daily activities. Brightly colored wallpapers and tiles are strategically placed, providing contrast against surfaces painted in white tones. Finally, the space is significantly upgraded in energy efficiency through an extensive renovation.

 

Spatial Organization

The floor plan is organized into zones that offer varying levels of privacy and transparency. The main work areas and meeting room connect directly to the exterior through a large, glazed façade, promoting openness to the city. The workstations are functional and tailored to meet the specific needs of the office, providing a visually “quiet” atmosphere while ensuring ample storage space. Transparent and translucent elements separate the workstations from the meeting area, which is adjacent to the material library. Finally, all utility rooms are situated at the back of the office and can be fully isolated when needed.

Connected workspace

The Serena Williams Building -a workplace for 2,750 occupants at 93,000m2 – is the largest structure at Nike World Headquarters.

 

Project Challenges

Beyond its sheer scale, the project presented three principal challenges: creating a new prototype for a design-focused workspace that fosters chemistry and collaboration on an enormous scale; leveraging regenerative principles to design for both the site and the building occupants; and finally, capturing the ethos of sport, Nike’s heritage, and the spirit of Serena Williams, the ultimate warrior-muse and the building’s namesake.

 

 

Interior Layout

The office space consists of four parts: an underground parking garage and loading dock; a merchandising center for prototype retail spaces, integrated design studios for multiple product categories and a 12-story tower with shared amenities for the campus. Integral to the design is the concept of flow i.e., a fluid design strategy that is both efficient and enlightened. By creating gathering spaces in a variety of scales, the building fosters connectivity, organized around the principle that all brand designers occupy a single level, while the services stack vertically between levels. This particular layout allows products to move from sketch to prototype to final design to retail fixture all under one roof.

 

Landscape Design & Materials

In its former life, the building site contained a parking lot and an access road to an adjacent building, all next to a beautiful wetland that is currently disjointed from the main campus. In order to connect the natural landscape more efficiently, the existing access road is buried lower into the ground, minimizing the visual presence of cars and trucks, while each of the building’s wings feature green roof terraces that overlook the wetland. Finally, stormwater is also collected and returned to the wetland, while energy efficient mechanical systems include displacement ventilation and radiant sails. Courtyards, gardens, plazas and a sunken tennis court break down the scale of the building and provide informal outdoor spaces for work, recreation and relaxation. Natural light floods the workspaces through large openings and skylights. The interior is clad primarily in raw concrete, while the building’s structure remains partially exposed.

 

Adaptable core

The project is located in the financial and cultural heart of São Paulo with the aim of promoting greater connection and quality of life for the employees. This hybrid concept -adopted by the company- influenced the design decisions and the layout functionality.

 

Functional Design

With 1000m² spread over 80 workstations, the space accommodates up to 200 people for events and collaborative exercises and is designed to offer well-being, motivation and fun. The layout is inspired by its privileged location and the panoramic views it offers. A central, 350m² space faces Paulista Avenue and includes stands, flexible furniture and an integrated area for hosting events for employees, clients and partners, thus reinforcing the concept of adaptability. The spatial layout avoids long corridors and complicated circulation routes, with the aim to create a fluid and efficient workspace that promotes interaction and communication.

 

Material Palette

The colour selection is based on the brand’s corporate identity, where purple becomes the protagonist, followed by shades of grey, orange, blue and green. The use of light wood, contrasts the colourful walls, introducing a layer of coziness. A hydraulic tile in the shape of São Paulo state, created by artist Mirthes dos Santos is installed in the coffee point area, paying homage to the city’s iconic sidewalks. Finally, a colourful mural by artist Ronah Carraro as well as loosely distributed floor and hanging planters in different sizes complete the space.

 

Lighting & Acoustic Insulation

The office layout prioritized natural light by positioning the main workstations close to the façade. In parallel, the meeting rooms are positioned in the centre of the space, becoming acoustic barriers between the eating area and the staff. Acoustic panelling is made from 80% recyclable materials, while an array of soundproof booths is situated close to the building’s core for additional privacy.